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Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
(Cambridge University Press, 2014)
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and ...
Negotiating National Prospects by Capturing the Medieval Past: Byzantium in Serbian Architectural History at the Turn of the 20th Century
(Mainz : Verlag des Römisch-Germanischen Zentralmuseums, 2018)
The truism that the birth of the discipline of architectural history in Serbia was entwined with national emancipation and the construction of an authentic national identity is questioned by the position of the Byzantine ...
Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas
(London: Modern Humanities Research AssociationSchool of Slavonic and East European Studies, University College London, 2012)
Interpreting legacy as a system of signs and images, this volume questions the notions of ‘backwardness’ or ‘progress’, which undoubtedly have marked the common perception of the Ottoman and Habsburg heritage in Southeast ...
Orthodox Christianity and Nationalism in Nineteenth-Century Southeastern Europe
(London: Modern Humanities Research AssociationSchool of Slavonic and East European Studies, University College London, 2016)
It is often presumed that ecclesiastical autocephaly and national independence
worked together in South-Eastern Europe. But the paths of ecclesiastical and
political independence for Greeks and Serbs, Romanians and ...
U srpsko-vizantijskom kaleidoskopu: Arhitektura, nacionalizam i imperijalna imaginacija 1878-1941
(Beograd: Orion ArtUniverzitet u Beogradu - Arhitektonski fakultet, 2016)
Uprkos značaju teme srpsko-vizantijskih odnosa u nacionalnoj istoriografiji, i popularnosti „Vizantije” u istorijskoj imaginaciji, diskurzivna konstrukcija Vizantije u srpskom nacionalnom narativu je do sada ostala gotovo ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Sanjana prošlost, zamišljena budućnost: Arhitektura i nacionalni identitet u Srbiji 1918-1941
(Beograd : Orion artBeograd : Fakultet muzičke umetnosti, Katedra za muzikologiju, 2014)
U periodu izmedju dva svetska rata arhitektonska kultura u Jugoslaviji predstavljala je sastavni deo složenog i razudjenog ideološkog pejzaža. Medju srpskim elitama, arhitektura je bila uključena u kompleks pitanja ne samo ...
Nemogući toposi: arhitektonske imaginacije nacionalne utopije
(Beograd : Orion ArtBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
Prvu polovinu XX veka u Srbiji obeležili su složena društvena dešavanja i politička tranzicija u kojoj se Kraljevina Srbija 1918. godine pretopila u Kraljevinu Srba, Hrvata i Slovenaca (od 1929. godine Kraljevinu Jugoslaviju), ...
Poricanje i obnova: arhitektura postmodernizma 1980-1991
(Beograd : Orion artBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
U devetoj deceniji XX veka, arhitektura u Srbiji je simultano sa drugim kulturalnim praksama, konstituisala diskurs kritike, preispitivanja i opovrgavanja kulture modernosti (sa čitavim nizom tradicija i vrednosti) koji ...