Živković, Milijana

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Authority KeyName Variants
orcid::0009-0009-7191-417X
  • Živković, Milijana (5)
  • Živković, Milijana D. (1)
Projects

Author's Bibliography

Automated compositions: artificial intelligence aided conceptual design explorations in architecture

Milošević, Jelena; Đukanović, Ljiljana; Živković, Milijana; Žujović, Maša; Gavrilović, Marko

(Faculty of Technical Sciences, University of Novi Sad, 2023)

TY  - CONF
AU  - Milošević, Jelena
AU  - Đukanović, Ljiljana
AU  - Živković, Milijana
AU  - Žujović, Maša
AU  - Gavrilović, Marko
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1282
AB  - The paper focuses on the challenges of the relationship between architecture and artificial intelligence
(AI), in particular, the potential of this technology to support architects' creative design processes in the
form of augmented intelligence. Conceptual architectural design is an intricate process that produces
new concepts by using prior knowledge, experience, intuition, and creativity. Artificial intelligence should
not be used during the conceptual design stage with the goal of solving a problem in a predefined search
space. Instead, potential solutions and design requirements should be explored using this technology.
The suggested approach avoids preconceived solutions and psychological inertia attributed to the designer's finite experience. The paper gives a brief critical review of the application of AI in an architectural context, especially in conceptual design. The review emphasizes changes in the design process brought about by cutting-edge strategies, methods, and tools based on AI. Further, research by design is presented to illustrate the possible use of biologically inspired algorithms in producing innovative design proposals. The applied strategy in architectural design production was based on the human-machine interface and interaction (HMI&I). Symbiotic human-machine interaction in the design process facilitates the emergence of automated compositions that display novel and unexpected forms, detail, materiality, structure, functionality, and aesthetics. This study allowed us to explore peculiar architectural design methodologies and the potential of digitally intelligent architecture.
PB  - Faculty of Technical Sciences, University of Novi Sad
PB  - Serbian Society for Geometry and Graphics SUGIG
C3  - Proceedings: Geometry, graphics and design in the digital age, The 9th International Scientific Conference on Geometry and Graphics MoNGeometrija 2023
T1  - Automated compositions: artificial intelligence aided conceptual design explorations in architecture
SP  - 103
EP  - 115
UR  - https://hdl.handle.net/21.15107/rcub_raf_1282
ER  - 
@conference{
author = "Milošević, Jelena and Đukanović, Ljiljana and Živković, Milijana and Žujović, Maša and Gavrilović, Marko",
year = "2023",
abstract = "The paper focuses on the challenges of the relationship between architecture and artificial intelligence
(AI), in particular, the potential of this technology to support architects' creative design processes in the
form of augmented intelligence. Conceptual architectural design is an intricate process that produces
new concepts by using prior knowledge, experience, intuition, and creativity. Artificial intelligence should
not be used during the conceptual design stage with the goal of solving a problem in a predefined search
space. Instead, potential solutions and design requirements should be explored using this technology.
The suggested approach avoids preconceived solutions and psychological inertia attributed to the designer's finite experience. The paper gives a brief critical review of the application of AI in an architectural context, especially in conceptual design. The review emphasizes changes in the design process brought about by cutting-edge strategies, methods, and tools based on AI. Further, research by design is presented to illustrate the possible use of biologically inspired algorithms in producing innovative design proposals. The applied strategy in architectural design production was based on the human-machine interface and interaction (HMI&I). Symbiotic human-machine interaction in the design process facilitates the emergence of automated compositions that display novel and unexpected forms, detail, materiality, structure, functionality, and aesthetics. This study allowed us to explore peculiar architectural design methodologies and the potential of digitally intelligent architecture.",
publisher = "Faculty of Technical Sciences, University of Novi Sad, Serbian Society for Geometry and Graphics SUGIG",
journal = "Proceedings: Geometry, graphics and design in the digital age, The 9th International Scientific Conference on Geometry and Graphics MoNGeometrija 2023",
title = "Automated compositions: artificial intelligence aided conceptual design explorations in architecture",
pages = "103-115",
url = "https://hdl.handle.net/21.15107/rcub_raf_1282"
}
Milošević, J., Đukanović, L., Živković, M., Žujović, M.,& Gavrilović, M.. (2023). Automated compositions: artificial intelligence aided conceptual design explorations in architecture. in Proceedings: Geometry, graphics and design in the digital age, The 9th International Scientific Conference on Geometry and Graphics MoNGeometrija 2023
Faculty of Technical Sciences, University of Novi Sad., 103-115.
https://hdl.handle.net/21.15107/rcub_raf_1282
Milošević J, Đukanović L, Živković M, Žujović M, Gavrilović M. Automated compositions: artificial intelligence aided conceptual design explorations in architecture. in Proceedings: Geometry, graphics and design in the digital age, The 9th International Scientific Conference on Geometry and Graphics MoNGeometrija 2023. 2023;:103-115.
https://hdl.handle.net/21.15107/rcub_raf_1282 .
Milošević, Jelena, Đukanović, Ljiljana, Živković, Milijana, Žujović, Maša, Gavrilović, Marko, "Automated compositions: artificial intelligence aided conceptual design explorations in architecture" in Proceedings: Geometry, graphics and design in the digital age, The 9th International Scientific Conference on Geometry and Graphics MoNGeometrija 2023 (2023):103-115,
https://hdl.handle.net/21.15107/rcub_raf_1282 .

Architectural 3D-Printed Structures Created Using Artificial Intelligence: A Review of Techniques and Applications

Živković, Milijana; Žujović, Maša; Milošević, Jelena

(Multidisciplinary Digital Publishing Institute- MDPI, 2023)

TY  - JOUR
AU  - Živković, Milijana
AU  - Žujović, Maša
AU  - Milošević, Jelena
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1378
AB  - Artificial Intelligence (AI) and 3D printing (3DP) play considerable roles in what is known as the Fourth Industrial Revolution, by developing data- and machine-intelligence-based integrated production technologies. In architecture, this shift was induced by increasingly complex design requirements, posing important challenges for real-world design implementation, large-scale structure fabrication, and production quality standardization. The study systematically reviews the application of AI techniques in all stages of creating 3D-printed architectural structures and provides a comprehensive image of the development in the field. The research goals are to (1) offer a comprehensive critical analysis of the body of literature; (2) identify and categorize approaches to integrating AI in the production of 3D-printed structures; (3) identify and discuss challenges and opportunities of AI integration in architectural production of 3D-printed structures; and (4) identify research gaps and provide recommendations for future research. The findings indicate that AI is an emerging addition to the 3DP process, mainly transforming it through the real-time adjustment of the design or printing parameters, enhanced printing quality control, or prediction and optimization of key design features. However, the potential of the application of AI in large-scale architectural 3D printing still needs to be explored. Lastly, the study emphasizes the necessity of redefining traditional field boundaries, opening new opportunities for intelligent architectural production.
PB  - Multidisciplinary Digital Publishing Institute- MDPI
T1  - Architectural 3D-Printed Structures Created Using Artificial Intelligence: A Review of Techniques and Applications
VL  - 13
IS  - 19
SP  - 10671
DO  - 10.3390/ app131910671
ER  - 
@article{
author = "Živković, Milijana and Žujović, Maša and Milošević, Jelena",
year = "2023",
abstract = "Artificial Intelligence (AI) and 3D printing (3DP) play considerable roles in what is known as the Fourth Industrial Revolution, by developing data- and machine-intelligence-based integrated production technologies. In architecture, this shift was induced by increasingly complex design requirements, posing important challenges for real-world design implementation, large-scale structure fabrication, and production quality standardization. The study systematically reviews the application of AI techniques in all stages of creating 3D-printed architectural structures and provides a comprehensive image of the development in the field. The research goals are to (1) offer a comprehensive critical analysis of the body of literature; (2) identify and categorize approaches to integrating AI in the production of 3D-printed structures; (3) identify and discuss challenges and opportunities of AI integration in architectural production of 3D-printed structures; and (4) identify research gaps and provide recommendations for future research. The findings indicate that AI is an emerging addition to the 3DP process, mainly transforming it through the real-time adjustment of the design or printing parameters, enhanced printing quality control, or prediction and optimization of key design features. However, the potential of the application of AI in large-scale architectural 3D printing still needs to be explored. Lastly, the study emphasizes the necessity of redefining traditional field boundaries, opening new opportunities for intelligent architectural production.",
publisher = "Multidisciplinary Digital Publishing Institute- MDPI",
title = "Architectural 3D-Printed Structures Created Using Artificial Intelligence: A Review of Techniques and Applications",
volume = "13",
number = "19",
pages = "10671",
doi = "10.3390/ app131910671"
}
Živković, M., Žujović, M.,& Milošević, J.. (2023). Architectural 3D-Printed Structures Created Using Artificial Intelligence: A Review of Techniques and Applications. 
Multidisciplinary Digital Publishing Institute- MDPI., 13(19), 10671.
https://doi.org/10.3390/ app131910671
Živković M, Žujović M, Milošević J. Architectural 3D-Printed Structures Created Using Artificial Intelligence: A Review of Techniques and Applications. 2023;13(19):10671.
doi:10.3390/ app131910671 .
Živković, Milijana, Žujović, Maša, Milošević, Jelena, "Architectural 3D-Printed Structures Created Using Artificial Intelligence: A Review of Techniques and Applications", 13, no. 19 (2023):10671,
https://doi.org/10.3390/ app131910671 . .

Reworking Studio Design Education Driven by 3D Printing Technologies

Milošević, Jelena; Nenadović, Aleksandra; Žujović, Maša; Gavrilović, Marko; Živković, Milijana

(Berlin: Springer, 2023)

TY  - CHAP
AU  - Milošević, Jelena
AU  - Nenadović, Aleksandra
AU  - Žujović, Maša
AU  - Gavrilović, Marko
AU  - Živković, Milijana
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1383
AB  - The advances and proliferation of digital technologies impact architectural practice asking for a revision of not only design production but also the education of future professionals. Using a case study from the University of Belgrade—Faculty of Architecture, this paper examines the efficient application of 3D printing as a design tool and opportunities for the implementation of this technology in architectural education. The research goal was to establish an educational framework for the studio course that was appropriate to local settings, starting with a review of educational approaches and the usage of 3D printing in architectural design. Starting with the premise that there is a bidirectional relationship between design and its tool, the educational framework for architectural design studio was proposed, tested in real educational settings, and evaluated. The results indicate that the use of 3D printing in studio course proved to be an effective tool for design exploration and presentation that supports (1) linking the logical way of thinking that requires parametric modeling with concept-based thinking; (2) change in mindset that occurs in the design process when students have a physical model in front of them to assess; and (3) improvement of deep understanding of spatial cognition among students as well as their competencies related to the use of the specific technology in the design process. The paper demonstrates how 3D printing technology improved educational methods, impacted students’ experiences in the design process, and elevated design exploration to previously unattainable levels of materiality, detail, complexity, accuracy, and aesthetics.
PB  - Berlin: Springer
T2  - Technological Imagination in the Green and Digital Transition. CONF. ITECH 2022. The Urban Book Series
T1  - Reworking Studio Design Education Driven by 3D Printing Technologies
SP  - 335
EP  - 344
DO  - 10.1007/978-3-031-29515-7_30
ER  - 
@inbook{
author = "Milošević, Jelena and Nenadović, Aleksandra and Žujović, Maša and Gavrilović, Marko and Živković, Milijana",
year = "2023",
abstract = "The advances and proliferation of digital technologies impact architectural practice asking for a revision of not only design production but also the education of future professionals. Using a case study from the University of Belgrade—Faculty of Architecture, this paper examines the efficient application of 3D printing as a design tool and opportunities for the implementation of this technology in architectural education. The research goal was to establish an educational framework for the studio course that was appropriate to local settings, starting with a review of educational approaches and the usage of 3D printing in architectural design. Starting with the premise that there is a bidirectional relationship between design and its tool, the educational framework for architectural design studio was proposed, tested in real educational settings, and evaluated. The results indicate that the use of 3D printing in studio course proved to be an effective tool for design exploration and presentation that supports (1) linking the logical way of thinking that requires parametric modeling with concept-based thinking; (2) change in mindset that occurs in the design process when students have a physical model in front of them to assess; and (3) improvement of deep understanding of spatial cognition among students as well as their competencies related to the use of the specific technology in the design process. The paper demonstrates how 3D printing technology improved educational methods, impacted students’ experiences in the design process, and elevated design exploration to previously unattainable levels of materiality, detail, complexity, accuracy, and aesthetics.",
publisher = "Berlin: Springer",
journal = "Technological Imagination in the Green and Digital Transition. CONF. ITECH 2022. The Urban Book Series",
booktitle = "Reworking Studio Design Education Driven by 3D Printing Technologies",
pages = "335-344",
doi = "10.1007/978-3-031-29515-7_30"
}
Milošević, J., Nenadović, A., Žujović, M., Gavrilović, M.,& Živković, M.. (2023). Reworking Studio Design Education Driven by 3D Printing Technologies. in Technological Imagination in the Green and Digital Transition. CONF. ITECH 2022. The Urban Book Series
Berlin: Springer., 335-344.
https://doi.org/10.1007/978-3-031-29515-7_30
Milošević J, Nenadović A, Žujović M, Gavrilović M, Živković M. Reworking Studio Design Education Driven by 3D Printing Technologies. in Technological Imagination in the Green and Digital Transition. CONF. ITECH 2022. The Urban Book Series. 2023;:335-344.
doi:10.1007/978-3-031-29515-7_30 .
Milošević, Jelena, Nenadović, Aleksandra, Žujović, Maša, Gavrilović, Marko, Živković, Milijana, "Reworking Studio Design Education Driven by 3D Printing Technologies" in Technological Imagination in the Green and Digital Transition. CONF. ITECH 2022. The Urban Book Series (2023):335-344,
https://doi.org/10.1007/978-3-031-29515-7_30 . .

Intelligent tools for large-scale 3D printing: a scoping review

Živković, Milijana; Žujović, Maša; Milošević, Jelena

(Građevinsko-arhitektonski fakultet Univerziteta u Nišu, 2023)

TY  - JOUR
AU  - Živković, Milijana
AU  - Žujović, Maša
AU  - Milošević, Jelena
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1469
AB  - In recent decades, building methods such as 3D printing have been increasingly
researched for the design and fabrication of various architectural elements. Artificial
Intelligence is another rapidly developing technology whose potential in the building
industry is continuously being explored. This paper’s objective lies in mapping out the
field of existing Artificial Intelligence tools for large-scale 3D printing, searching for
possible applications throughout the different development stages including the prefabrication
phase with structural design, optimization, behavior simulations, and
predictions, as well as the production phase through the real-time monitoring of the
process. In this study, different types of Artificial Intelligence (such as machine learning,
deep learning, and computer vision), have been identified regarding their role in 3D
printing to assess its potentials, limitations, and the present research gaps. Finally,
potential research directions and emerging topics are presented. The study's findings
increase the understanding of Artificial Intelligence techniques and applications in the 3D
printing process and can aid in choosing and implementing the most promising ones in
further research.
PB  - Građevinsko-arhitektonski fakultet Univerziteta u Nišu
T2  - Zbornik radova Građevinsko-arhitektonskog fakulteta = Journal of the Faculty of Civil Engineering and Architecture
T1  - Intelligent tools for large-scale 3D printing: a scoping review
VL  - 38
SP  - 88
EP  - 99
UR  - https://hdl.handle.net/21.15107/rcub_raf_1469
ER  - 
@article{
author = "Živković, Milijana and Žujović, Maša and Milošević, Jelena",
year = "2023",
abstract = "In recent decades, building methods such as 3D printing have been increasingly
researched for the design and fabrication of various architectural elements. Artificial
Intelligence is another rapidly developing technology whose potential in the building
industry is continuously being explored. This paper’s objective lies in mapping out the
field of existing Artificial Intelligence tools for large-scale 3D printing, searching for
possible applications throughout the different development stages including the prefabrication
phase with structural design, optimization, behavior simulations, and
predictions, as well as the production phase through the real-time monitoring of the
process. In this study, different types of Artificial Intelligence (such as machine learning,
deep learning, and computer vision), have been identified regarding their role in 3D
printing to assess its potentials, limitations, and the present research gaps. Finally,
potential research directions and emerging topics are presented. The study's findings
increase the understanding of Artificial Intelligence techniques and applications in the 3D
printing process and can aid in choosing and implementing the most promising ones in
further research.",
publisher = "Građevinsko-arhitektonski fakultet Univerziteta u Nišu",
journal = "Zbornik radova Građevinsko-arhitektonskog fakulteta = Journal of the Faculty of Civil Engineering and Architecture",
title = "Intelligent tools for large-scale 3D printing: a scoping review",
volume = "38",
pages = "88-99",
url = "https://hdl.handle.net/21.15107/rcub_raf_1469"
}
Živković, M., Žujović, M.,& Milošević, J.. (2023). Intelligent tools for large-scale 3D printing: a scoping review. in Zbornik radova Građevinsko-arhitektonskog fakulteta = Journal of the Faculty of Civil Engineering and Architecture
Građevinsko-arhitektonski fakultet Univerziteta u Nišu., 38, 88-99.
https://hdl.handle.net/21.15107/rcub_raf_1469
Živković M, Žujović M, Milošević J. Intelligent tools for large-scale 3D printing: a scoping review. in Zbornik radova Građevinsko-arhitektonskog fakulteta = Journal of the Faculty of Civil Engineering and Architecture. 2023;38:88-99.
https://hdl.handle.net/21.15107/rcub_raf_1469 .
Živković, Milijana, Žujović, Maša, Milošević, Jelena, "Intelligent tools for large-scale 3D printing: a scoping review" in Zbornik radova Građevinsko-arhitektonskog fakulteta = Journal of the Faculty of Civil Engineering and Architecture, 38 (2023):88-99,
https://hdl.handle.net/21.15107/rcub_raf_1469 .

Reimagining Materiality: Circularity Potential of 3D Printed Architectural Elements with Recycled Clay

Miloševic, Jelena; Brajković, Jelena; Josifovski, Andrej; Žujović, Maša; Živković, Milijana

(Belgrade : STRAND - Sustainable Urban Society Association, 2023)

TY  - CONF
AU  - Miloševic, Jelena
AU  - Brajković, Jelena
AU  - Josifovski, Andrej
AU  - Žujović, Maša
AU  - Živković, Milijana
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1885
AB  - This paper explores the application of 3D printing with recycled clay for architectural building elements, emphasizing its potential to contribute to a circular economy. The AEC industry has traditionally been associated with high material waste and environmental impact. However, the advent of 3D printing has revolutionized architectural design and manufacturing processes. Using recycled clay as a printing material, can address two challenges: reducing waste and promoting sustainability. Recycled clay, obtained from construction and demolition waste or other sources, offers advantages such as abundance, low cost, and a low environmental footprint, making it suitable for circular economy practices. Moreover, using recycled clay in 3D printing enables architects to create complex, customizable, and structurally efficient building elements, reducing the need for labor-intensive, resource-consuming traditional manufacturing techniques. The principles of the circular economy involve diverting collecting, processing, and transforming clay waste into printable material. Resource extraction and energy-intensive manufacturing processes associated with conventional building materials could be reduced by reusing and recycling clay. The paper examines case studies and ongoing research efforts in the field of 3D printing with recycled clay, demonstrating the potential of this approach to contribute to a circular economy in the AEC industry. This approach reduces waste, preserves natural resources, reduces carbon footprint, improves energy efficiency, and creates sustainable and aesthetically pleasing architectural structures. In conclusion, integrating 3D printing technologies with recycled clay presents a promising way towards creating a sustainable closed-loop circular economy system in architecture. By reimagining the construction process, designers and builders can contribute to an environmentally friendly and resource-efficient future while pushing the boundaries of architectural innovation.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - On Architecture – Challenges in Design : proceedings
T1  - Reimagining Materiality: Circularity Potential of 3D Printed Architectural Elements with Recycled Clay
SP  - 246
EP  - 254
DO  - 978-86-89111-34-7
ER  - 
@conference{
author = "Miloševic, Jelena and Brajković, Jelena and Josifovski, Andrej and Žujović, Maša and Živković, Milijana",
year = "2023",
abstract = "This paper explores the application of 3D printing with recycled clay for architectural building elements, emphasizing its potential to contribute to a circular economy. The AEC industry has traditionally been associated with high material waste and environmental impact. However, the advent of 3D printing has revolutionized architectural design and manufacturing processes. Using recycled clay as a printing material, can address two challenges: reducing waste and promoting sustainability. Recycled clay, obtained from construction and demolition waste or other sources, offers advantages such as abundance, low cost, and a low environmental footprint, making it suitable for circular economy practices. Moreover, using recycled clay in 3D printing enables architects to create complex, customizable, and structurally efficient building elements, reducing the need for labor-intensive, resource-consuming traditional manufacturing techniques. The principles of the circular economy involve diverting collecting, processing, and transforming clay waste into printable material. Resource extraction and energy-intensive manufacturing processes associated with conventional building materials could be reduced by reusing and recycling clay. The paper examines case studies and ongoing research efforts in the field of 3D printing with recycled clay, demonstrating the potential of this approach to contribute to a circular economy in the AEC industry. This approach reduces waste, preserves natural resources, reduces carbon footprint, improves energy efficiency, and creates sustainable and aesthetically pleasing architectural structures. In conclusion, integrating 3D printing technologies with recycled clay presents a promising way towards creating a sustainable closed-loop circular economy system in architecture. By reimagining the construction process, designers and builders can contribute to an environmentally friendly and resource-efficient future while pushing the boundaries of architectural innovation.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "On Architecture – Challenges in Design : proceedings",
title = "Reimagining Materiality: Circularity Potential of 3D Printed Architectural Elements with Recycled Clay",
pages = "246-254",
doi = "978-86-89111-34-7"
}
Miloševic, J., Brajković, J., Josifovski, A., Žujović, M.,& Živković, M.. (2023). Reimagining Materiality: Circularity Potential of 3D Printed Architectural Elements with Recycled Clay. in On Architecture – Challenges in Design : proceedings
Belgrade : STRAND - Sustainable Urban Society Association., 246-254.
https://doi.org/978-86-89111-34-7
Miloševic J, Brajković J, Josifovski A, Žujović M, Živković M. Reimagining Materiality: Circularity Potential of 3D Printed Architectural Elements with Recycled Clay. in On Architecture – Challenges in Design : proceedings. 2023;:246-254.
doi:978-86-89111-34-7 .
Miloševic, Jelena, Brajković, Jelena, Josifovski, Andrej, Žujović, Maša, Živković, Milijana, "Reimagining Materiality: Circularity Potential of 3D Printed Architectural Elements with Recycled Clay" in On Architecture – Challenges in Design : proceedings (2023):246-254,
https://doi.org/978-86-89111-34-7 . .

Discrete Continuities: Generative Design Explorations of Spatial Structures in Architecture

Milošević, Jelena Ž.; Nenadović, Aleksandra S.; Žujović, Maša S.; Živković, Milijana D.; Zimović, Isidora A.; Gavrilović, Marko M.

(Beograd: Univerzitet umetnosti u Beogradu, Fakultet primenjenih umetnosti, 2022)

TY  - CHAP
AU  - Milošević, Jelena Ž.
AU  - Nenadović, Aleksandra S.
AU  - Žujović, Maša S.
AU  - Živković, Milijana D.
AU  - Zimović, Isidora A.
AU  - Gavrilović, Marko M.
PY  - 2022
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1386
AB  - This paper contributes to the research in the field of generative computational design of discrete assemblies and their implementations in constructing spatial structures in architecture. Works and research on discrete architecture and architectural ontology suggest that the considerable promise for a complex, open-ended, adaptable architecture could be a digital form of assembly based on parts. In this study, the topic of compositions made of discrete elements is researched from the perspective of the creative process. Respectively, the paper explores the possibility of using generative systems based on graph grammar formalism in the creation of adaptable spatial configurations in an architectural context. We tested this approach through design research in which a computational generative system was used as an embedded system for formal explorations. Starting from the specification of discrete elements/modules and their inherent attributes, then the definition of the composition rules and constraints, we applied the graph grammar formation procedure which, by a random selection of the modules and rules on each iteration of the additive process, generated a variety of complex spatial structures. The emergent discrete continuities exhibit new and unanticipated detail, materiality, structure, functionality, and aesthetics inherent to the design process augmented by human-machine interaction. The structural performance of these structures was evaluated using software based on the Finite Element Method (FEM), while the constructability was tested through the construction of small-scale prototypes. This theme enabled us to study specific design methodology, as well as to investigate the potential of digitally intelligent architecture.
AB  - Изазови са којима се архитектонско пројектовање суочава у дигиталној ери подразумевају повећање комплексности пројеката и захтевима за примену за ефикасних пројектантских методама и алата. Овај рад доприноси истраживањима у области генеративног рачунског пројектовања дискретних склопова и њиховој примени у изградњи просторних структура у архитектури. Дискретна архитектура је приступ који се односи на рачунарско манипулисање дискретним елементима архитектонских објекта који су репрезентовани у форми вишезначних, адаптибилних и скалабилних дигиталних података. Дискретна архитектура користи предности дигиталне економије и аутоматизације како би допринела демократизацији производње и повећању доступности, препознајући потенцијалне економске, социјалне и културне импликације. Истраживања и пројекти орјентисани на тему дискретне архитектуре и архитектонске онтологије указују на потенцијале које нуде комплексне, прилагодљиве архитектоничне структуре који настају као резултат дигиталног склапања елемената. У оквиру овог рада, тема композиција од дискретних елемената истражује кроз креативни процес. С тим у вези, рад испитује могућност употребе генеративних система заснованих на формализму граматике графова у стварању прилагодљивих просторних конфигурација у архитектонском контексту. Приступ је тестиран коришћењем методе истраживања кроз пројекат у коме се рачунски генеративни систем користи као уграђени систем за истраживања форме просторних структура. Као генеративна процедура у истраживању се користи граматика графа. У овој процедури полазећи од спецификације дискретних елемената / модула и њихових атрибута, затим дефиниције правила и ограничења њихове композиције, стохастички алгоритам случајним одабиром модула и правила на свакој итерацији адитивног процеса генерише различите просторне структуре. Просторне структуре од дискретних елемената генерисане на овај начин поседују особину емергенције, континуитета, али и нови ниво материјалности, детаља, структуре, функционалности и естетике који су својствени процесу пројектовања који је заснован на интеракцији дизајнера и рачунара. Структурне перформансе композиција оцењене су помоћу софтвера заснованог на Методи коначних елемената (МКЕ), такође конструкција је у одређеној мери проверена и кроз израду прототипа у малој размери. Предметно истраживање је омогућило проверу специфичне пројектантске методологије, као и испитивање потенцијала дигитално интелигентне архитектуре.
PB  - Beograd: Univerzitet umetnosti u Beogradu, Fakultet primenjenih umetnosti
T2  - Уметност и наука у примени: искуство и визија = Art and Science Applied: Experience and Vision, SmartArt
T1  - Discrete Continuities: Generative Design Explorations of Spatial Structures in Architecture
VL  - 2
SP  - 407
EP  - 424
DO  - 10.18485/smartart.2022.2.ch22
ER  - 
@inbook{
author = "Milošević, Jelena Ž. and Nenadović, Aleksandra S. and Žujović, Maša S. and Živković, Milijana D. and Zimović, Isidora A. and Gavrilović, Marko M.",
year = "2022",
abstract = "This paper contributes to the research in the field of generative computational design of discrete assemblies and their implementations in constructing spatial structures in architecture. Works and research on discrete architecture and architectural ontology suggest that the considerable promise for a complex, open-ended, adaptable architecture could be a digital form of assembly based on parts. In this study, the topic of compositions made of discrete elements is researched from the perspective of the creative process. Respectively, the paper explores the possibility of using generative systems based on graph grammar formalism in the creation of adaptable spatial configurations in an architectural context. We tested this approach through design research in which a computational generative system was used as an embedded system for formal explorations. Starting from the specification of discrete elements/modules and their inherent attributes, then the definition of the composition rules and constraints, we applied the graph grammar formation procedure which, by a random selection of the modules and rules on each iteration of the additive process, generated a variety of complex spatial structures. The emergent discrete continuities exhibit new and unanticipated detail, materiality, structure, functionality, and aesthetics inherent to the design process augmented by human-machine interaction. The structural performance of these structures was evaluated using software based on the Finite Element Method (FEM), while the constructability was tested through the construction of small-scale prototypes. This theme enabled us to study specific design methodology, as well as to investigate the potential of digitally intelligent architecture., Изазови са којима се архитектонско пројектовање суочава у дигиталној ери подразумевају повећање комплексности пројеката и захтевима за примену за ефикасних пројектантских методама и алата. Овај рад доприноси истраживањима у области генеративног рачунског пројектовања дискретних склопова и њиховој примени у изградњи просторних структура у архитектури. Дискретна архитектура је приступ који се односи на рачунарско манипулисање дискретним елементима архитектонских објекта који су репрезентовани у форми вишезначних, адаптибилних и скалабилних дигиталних података. Дискретна архитектура користи предности дигиталне економије и аутоматизације како би допринела демократизацији производње и повећању доступности, препознајући потенцијалне економске, социјалне и културне импликације. Истраживања и пројекти орјентисани на тему дискретне архитектуре и архитектонске онтологије указују на потенцијале које нуде комплексне, прилагодљиве архитектоничне структуре који настају као резултат дигиталног склапања елемената. У оквиру овог рада, тема композиција од дискретних елемената истражује кроз креативни процес. С тим у вези, рад испитује могућност употребе генеративних система заснованих на формализму граматике графова у стварању прилагодљивих просторних конфигурација у архитектонском контексту. Приступ је тестиран коришћењем методе истраживања кроз пројекат у коме се рачунски генеративни систем користи као уграђени систем за истраживања форме просторних структура. Као генеративна процедура у истраживању се користи граматика графа. У овој процедури полазећи од спецификације дискретних елемената / модула и њихових атрибута, затим дефиниције правила и ограничења њихове композиције, стохастички алгоритам случајним одабиром модула и правила на свакој итерацији адитивног процеса генерише различите просторне структуре. Просторне структуре од дискретних елемената генерисане на овај начин поседују особину емергенције, континуитета, али и нови ниво материјалности, детаља, структуре, функционалности и естетике који су својствени процесу пројектовања који је заснован на интеракцији дизајнера и рачунара. Структурне перформансе композиција оцењене су помоћу софтвера заснованог на Методи коначних елемената (МКЕ), такође конструкција је у одређеној мери проверена и кроз израду прототипа у малој размери. Предметно истраживање је омогућило проверу специфичне пројектантске методологије, као и испитивање потенцијала дигитално интелигентне архитектуре.",
publisher = "Beograd: Univerzitet umetnosti u Beogradu, Fakultet primenjenih umetnosti",
journal = "Уметност и наука у примени: искуство и визија = Art and Science Applied: Experience and Vision, SmartArt",
booktitle = "Discrete Continuities: Generative Design Explorations of Spatial Structures in Architecture",
volume = "2",
pages = "407-424",
doi = "10.18485/smartart.2022.2.ch22"
}
Milošević, J. Ž., Nenadović, A. S., Žujović, M. S., Živković, M. D., Zimović, I. A.,& Gavrilović, M. M.. (2022). Discrete Continuities: Generative Design Explorations of Spatial Structures in Architecture. in Уметност и наука у примени: искуство и визија = Art and Science Applied: Experience and Vision, SmartArt
Beograd: Univerzitet umetnosti u Beogradu, Fakultet primenjenih umetnosti., 2, 407-424.
https://doi.org/10.18485/smartart.2022.2.ch22
Milošević JŽ, Nenadović AS, Žujović MS, Živković MD, Zimović IA, Gavrilović MM. Discrete Continuities: Generative Design Explorations of Spatial Structures in Architecture. in Уметност и наука у примени: искуство и визија = Art and Science Applied: Experience and Vision, SmartArt. 2022;2:407-424.
doi:10.18485/smartart.2022.2.ch22 .
Milošević, Jelena Ž., Nenadović, Aleksandra S., Žujović, Maša S., Živković, Milijana D., Zimović, Isidora A., Gavrilović, Marko M., "Discrete Continuities: Generative Design Explorations of Spatial Structures in Architecture" in Уметност и наука у примени: искуство и визија = Art and Science Applied: Experience and Vision, SmartArt, 2 (2022):407-424,
https://doi.org/10.18485/smartart.2022.2.ch22 . .