TY  - CONF
AU  - Mitrović, Djordje
AU  - Djordjević, Djordje
AU  - Devetaković, Mirjana
AU  - Djukanović, Gordana
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1639
AB  - Previous subject-related research, that describes stylistic peculiarities of artefacts by taking into account their morphometric/geometric characteristics, explicates the results (used to differentiate them in terms of style they belong to) mainly descriptively – by evaluating the obtained data visually. The narrower aim of this Paper is to explicate the mentioned characteristics numerically/quantitatively by transposing stylistic-wise parameters (descriptors of fractal and non-fractal nature), previously investigated by the actual authors, into the form of dynamics of their values namely explicators. Therefore, the main research questions of this study are both how to express artefact morphology by using dynamics of its parameters and, thus, how to numerically/quantitatively identify architectural style concrete artefact belongs to. To achieve that scientifically, a triplet of capital samples (as the most distinctive elements among artefacts), namely their digital 3D models, are employed per each fundamental classical architectural order (Doric, Ionic, and Corinthian). The subject of this Paper is to establish relevant morphometric/geometric indicators not only in the form of explicators mentioned above, but qualifiers too, enabling so: to numerically express capital morphology, namely to quantitatively estimate levels of intra-similarity of capitals assumed to belong to the same order, and inter-dissimilarity of those assumed to belong to different ones. Both types of the established indicators refer to capital contours which are positioned in mutually equidistant transverse section planes (defined per each chosen capital sample of each of the analysed orders). The wider research aim refers to both: (a) a possibility to numerically/quantitatively identify order a concrete fragment of capital/artefact belongs to in terms of recognising it computationally (as confidently as possible from the mathematical probability point of view), and (b) to perform morphology-wise capital/artefact segmentation. Presented innovative methodology brings up a more reliable possibility to identify architectural order “stylistically unknown capital” belongs to – by using a newly introduced indicator (in the form of dynamics) to express its morphology numerically/quantitatively. Future research will be dealt with software-wise automation of stylistic decoding steps (rough capital classification and order-belonging estimation).
PB  - Niš : Faculty of Civil Engineering and Architecture, University of Niš
PB  - Niš : Serbian Academy of Sciences and Arts - Branch in Niš
C3  - Proceedings [of] The International Conference Synergy of Architecture & Civil Engineering, SINARG 2023, Niš (Serbia), September 14-15, 2023. Vol. 2
T1  - Towards Numerical Architectural Order Identification: Expressing Capital Morphology by Using Dynamics of Its Parameters
SP  - 886
EP  - 897
UR  - https://hdl.handle.net/21.15107/rcub_raf_1639
ER  - 

@conference{
author = "Mitrović, Djordje and Djordjević, Djordje and Devetaković, Mirjana and Djukanović, Gordana",
year = "2023",
abstract = "Previous subject-related research, that describes stylistic peculiarities of artefacts by taking into account their morphometric/geometric characteristics, explicates the results (used to differentiate them in terms of style they belong to) mainly descriptively – by evaluating the obtained data visually. The narrower aim of this Paper is to explicate the mentioned characteristics numerically/quantitatively by transposing stylistic-wise parameters (descriptors of fractal and non-fractal nature), previously investigated by the actual authors, into the form of dynamics of their values namely explicators. Therefore, the main research questions of this study are both how to express artefact morphology by using dynamics of its parameters and, thus, how to numerically/quantitatively identify architectural style concrete artefact belongs to. To achieve that scientifically, a triplet of capital samples (as the most distinctive elements among artefacts), namely their digital 3D models, are employed per each fundamental classical architectural order (Doric, Ionic, and Corinthian). The subject of this Paper is to establish relevant morphometric/geometric indicators not only in the form of explicators mentioned above, but qualifiers too, enabling so: to numerically express capital morphology, namely to quantitatively estimate levels of intra-similarity of capitals assumed to belong to the same order, and inter-dissimilarity of those assumed to belong to different ones. Both types of the established indicators refer to capital contours which are positioned in mutually equidistant transverse section planes (defined per each chosen capital sample of each of the analysed orders). The wider research aim refers to both: (a) a possibility to numerically/quantitatively identify order a concrete fragment of capital/artefact belongs to in terms of recognising it computationally (as confidently as possible from the mathematical probability point of view), and (b) to perform morphology-wise capital/artefact segmentation. Presented innovative methodology brings up a more reliable possibility to identify architectural order “stylistically unknown capital” belongs to – by using a newly introduced indicator (in the form of dynamics) to express its morphology numerically/quantitatively. Future research will be dealt with software-wise automation of stylistic decoding steps (rough capital classification and order-belonging estimation).",
publisher = "Niš : Faculty of Civil Engineering and Architecture, University of Niš, Niš : Serbian Academy of Sciences and Arts - Branch in Niš",
journal = "Proceedings [of] The International Conference Synergy of Architecture & Civil Engineering, SINARG 2023, Niš (Serbia), September 14-15, 2023. Vol. 2",
title = "Towards Numerical Architectural Order Identification: Expressing Capital Morphology by Using Dynamics of Its Parameters",
pages = "886-897",
url = "https://hdl.handle.net/21.15107/rcub_raf_1639"
}

Mitrović, D., Djordjević, D., Devetaković, M.,& Djukanović, G.. (2023). Towards Numerical Architectural Order Identification: Expressing Capital Morphology by Using Dynamics of Its Parameters. in Proceedings [of] The International Conference Synergy of Architecture & Civil Engineering, SINARG 2023, Niš (Serbia), September 14-15, 2023. Vol. 2
Niš : Faculty of Civil Engineering and Architecture, University of Niš., 886-897.
https://hdl.handle.net/21.15107/rcub_raf_1639

Mitrović D, Djordjević D, Devetaković M, Djukanović G. Towards Numerical Architectural Order Identification: Expressing Capital Morphology by Using Dynamics of Its Parameters. in Proceedings [of] The International Conference Synergy of Architecture & Civil Engineering, SINARG 2023, Niš (Serbia), September 14-15, 2023. Vol. 2. 2023;:886-897.
https://hdl.handle.net/21.15107/rcub_raf_1639 .

Mitrović, Djordje, Djordjević, Djordje, Devetaković, Mirjana, Djukanović, Gordana, "Towards Numerical Architectural Order Identification: Expressing Capital Morphology by Using Dynamics of Its Parameters" in Proceedings [of] The International Conference Synergy of Architecture & Civil Engineering, SINARG 2023, Niš (Serbia), September 14-15, 2023. Vol. 2 (2023):886-897,
https://hdl.handle.net/21.15107/rcub_raf_1639 .

TY  - CONF
AU  - Devetaković, Mirjana
AU  - Djordjević, Djordje
AU  - Popović, Nikola
AU  - Mitrović, Djordje
AU  - Djukanović, Gordana
AU  - Mišić, Slobodan
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1728
AB  - The magic world of mirrors, their application, integration in interiors and exposure in exteriors, intrigues architectural designers and artists for a long time. Inspired with wide recent usages of mirrors in innovative architectural designs practice, as well as in arts, and grounded our understanding on well-known geometric/optic principles of mirroring, the authors conceptualized a Workshop that was offered to students of architecture, forestry and applied arts, as an extracurricular two-weeks activity. After briefly introducing a historical/chronological overview of mirrors application in architectural design practice and applied art, relevant theoretical aspects of mirroring were demonstrated on the Workshop. The participating students were offered two possibilities for integration of mirrors in their design-outcomes: to experiment with analogue models and digital/computing ones. For that reason, a large amount of small glass mirror parts was provided. Also, functional parametric families of digital mirrors (planar, concave and convex) were developed especially for the workshop and offered on-line. Particular foci of this paper are on both: the teaching methodology that was exclusively prepared for the Workshop, and specific usage of experimentation (to trigger unusual ideas and to utilize relevant familiar methods and procedural activities in the new – this context). In the discussion part of this study, a systematized overview of the Workshop results and its analysis from geometric and semantic point of view are given. The results are divided into: first interim critique, second interim critique and final submission. Through a generalization of conclusions, the lessons learned, namely, the level of subject-related geometric knowledge acquired from this unique teaching experience are reviewed, and an analysis of their possible applications in other pedagogic contexts related to geometry-teaching is presented.
PB  - Novi Sad : Faculty of Technical Sciences, University of Novi Sad
PB  - Belgrade : Serbian Society for Geometry and Graphics (SUGIG)
C3  - Proceedings / The 9th International Scientific Conference on Geometry, Graphics and Design in the Digital Age, MoNGeomatrija 2023, June 7-10, 2023, Novi Sad, Serbia
T1  - On the Other Side of Mirror – A Workshop on Incorporating Geometry of Mirroring in Architectural Practice and Applied Arts
SP  - 309
EP  - 322
UR  - https://hdl.handle.net/21.15107/rcub_raf_1728
ER  - 

@conference{
author = "Devetaković, Mirjana and Djordjević, Djordje and Popović, Nikola and Mitrović, Djordje and Djukanović, Gordana and Mišić, Slobodan",
year = "2023",
abstract = "The magic world of mirrors, their application, integration in interiors and exposure in exteriors, intrigues architectural designers and artists for a long time. Inspired with wide recent usages of mirrors in innovative architectural designs practice, as well as in arts, and grounded our understanding on well-known geometric/optic principles of mirroring, the authors conceptualized a Workshop that was offered to students of architecture, forestry and applied arts, as an extracurricular two-weeks activity. After briefly introducing a historical/chronological overview of mirrors application in architectural design practice and applied art, relevant theoretical aspects of mirroring were demonstrated on the Workshop. The participating students were offered two possibilities for integration of mirrors in their design-outcomes: to experiment with analogue models and digital/computing ones. For that reason, a large amount of small glass mirror parts was provided. Also, functional parametric families of digital mirrors (planar, concave and convex) were developed especially for the workshop and offered on-line. Particular foci of this paper are on both: the teaching methodology that was exclusively prepared for the Workshop, and specific usage of experimentation (to trigger unusual ideas and to utilize relevant familiar methods and procedural activities in the new – this context). In the discussion part of this study, a systematized overview of the Workshop results and its analysis from geometric and semantic point of view are given. The results are divided into: first interim critique, second interim critique and final submission. Through a generalization of conclusions, the lessons learned, namely, the level of subject-related geometric knowledge acquired from this unique teaching experience are reviewed, and an analysis of their possible applications in other pedagogic contexts related to geometry-teaching is presented.",
publisher = "Novi Sad : Faculty of Technical Sciences, University of Novi Sad, Belgrade : Serbian Society for Geometry and Graphics (SUGIG)",
journal = "Proceedings / The 9th International Scientific Conference on Geometry, Graphics and Design in the Digital Age, MoNGeomatrija 2023, June 7-10, 2023, Novi Sad, Serbia",
title = "On the Other Side of Mirror – A Workshop on Incorporating Geometry of Mirroring in Architectural Practice and Applied Arts",
pages = "309-322",
url = "https://hdl.handle.net/21.15107/rcub_raf_1728"
}

Devetaković, M., Djordjević, D., Popović, N., Mitrović, D., Djukanović, G.,& Mišić, S.. (2023). On the Other Side of Mirror – A Workshop on Incorporating Geometry of Mirroring in Architectural Practice and Applied Arts. in Proceedings / The 9th International Scientific Conference on Geometry, Graphics and Design in the Digital Age, MoNGeomatrija 2023, June 7-10, 2023, Novi Sad, Serbia
Novi Sad : Faculty of Technical Sciences, University of Novi Sad., 309-322.
https://hdl.handle.net/21.15107/rcub_raf_1728

Devetaković M, Djordjević D, Popović N, Mitrović D, Djukanović G, Mišić S. On the Other Side of Mirror – A Workshop on Incorporating Geometry of Mirroring in Architectural Practice and Applied Arts. in Proceedings / The 9th International Scientific Conference on Geometry, Graphics and Design in the Digital Age, MoNGeomatrija 2023, June 7-10, 2023, Novi Sad, Serbia. 2023;:309-322.
https://hdl.handle.net/21.15107/rcub_raf_1728 .

Devetaković, Mirjana, Djordjević, Djordje, Popović, Nikola, Mitrović, Djordje, Djukanović, Gordana, Mišić, Slobodan, "On the Other Side of Mirror – A Workshop on Incorporating Geometry of Mirroring in Architectural Practice and Applied Arts" in Proceedings / The 9th International Scientific Conference on Geometry, Graphics and Design in the Digital Age, MoNGeomatrija 2023, June 7-10, 2023, Novi Sad, Serbia (2023):309-322,
https://hdl.handle.net/21.15107/rcub_raf_1728 .