@article{
author = "Kostić, Miloš and Milenković, Vladimir",
year = "2017",
abstract = "Considering both the visual and narrative character of architectural discourse it is possible to examine the capacity of a drawing as an autonomous form, but also as one assigned to it throughout the course of creation of new architecture. This paper's intent is to examine the place and the role of the architectural drawing of the detail within design research. Thematically different, the narratives are instruments used for creating a relationship between the project as a whole and its parts, while the detail defines the path from an idea to the realization of architecture, that is, from abstraction to concretization within the above-mentioned process. The notion of scalar imagination has been introduced in order to indicate the relationship between the traditional modernist understanding of the roles of detail and scale have, while the question of the real size of designed architecture has been moved aside. The scalar imagination reveals the relationships between the elements of architecture, while its visibility reveals the architect's ability to build the necessary information network while moving throughout the diverse levels of those relationships. The goal is to avoid vagueness of architecture represented by the drawing and favor the polyvalence of its meaning by presenting concrete information. In that sense, for the benefit of achieving clarity within the methodological approach, we researched the conditions of visibility within the relationship between the drawing and its meaning. Therefore, this paper focuses on the scale as a direct connection between the drawing of the detail and the continuity of the idea of architecture., Imajući u vidu i vizuelni i narativni karakter arhitektonskog diskursa moguće je ispitivati kapacitet koji crtež ima kao autonomna forma, ali i onaj koji mu se pretpostavlja tokom postupka stvaranja nove arhitekture. Namera je da se ovim radom ispita mesto i uloga crteža arhitektonskog detalja u istraživačkom projektovanju. Tematski odvojeno, narativi su instrumentalizovani kao konstruisanje odnosa između celine i delova projekta, dok se detaljem definiše put od ideje do realizacije arhitekture, odnosno od apstrakcije do konkretizacije unutar pomenutog postupka. Skalarna imaginacija pojmovno je uvedena kao veza između tradicionlno modernistički shvaćenih uloga detalja i razmere, dok je pitanje realne veličine projektovane arhitekture pomereno u stranu. Skalarana imaginacija je uzeta za manifestaciju odnosa između elemenata arhitekture, a njena vidljivost za sposobnost arhitekte da, krećući se kroz različite nivoe tih odnosa, gradi neophodnu mrežu informacija. Cilj je da se konkretnošću informacija izbegne zamagljenost crtežom predstavljene arhitekture u korist polivalentnosti njenih značenja. U tom smislu, zarad jasnoće metodološkog postupka, istraženi su uslovi vidljivosti veze između nacrtanog i označenog, a ovaj rad u fokus stavlja razmeravanje kao direktnu konekciju između nacrtanog detalja i kontinuiteta ideje o jednoj arhitekturi.",
publisher = "Univerzitet u Nišu, Niš",
journal = "Facta universitatis - series: Architecture and Civil Engineering",
title = "Contemporary detail in zoom-in-zoom-out technique: God and scale, Savremeni detalj u zoom-in-zoom-out tehnici - Bog i razmera",
volume = "15",
number = "3",
pages = "307-316",
doi = "10.2298/FUACE160712027K"
}
