TY  - JOUR
AU  - Nikolić, Marko
AU  - Šćekić, Jelena
AU  - Drobnjak, Boško
AU  - Takač, Ena
PY  - 2024
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2103
AB  - The industrial heritage of the city of Belgrade is the focus of this research, which highlights
the possibilities of preserving industrial heritage from the perspective of a contemporary context
and sustainable development. Guided by theoretical principles on the preservation of cultural and
industrial heritage, their values, authenticity and spirit of place, as well as the idea of the necessity
of integrating industrial heritage into the contemporary context, this paper aims to examine the
possibilities for the preservation of industrial heritage following theoretically established principles,
with the introduction of new uses and sustainable solutions. The analysis of the case studies of
Belgrade’s industrial heritage presented in this paper results from research conducted by the teachers, associates and students of the University of Belgrade, Faculty of Architecture. The research focuses on the possibilities of translating the principles of preserving cultural and industrial heritage from their theoretical definition to practical application. The students’ conceptual solutions for protection, revitalisation and presentation of the analysed case studies represent the research results. An important aspect of this paper is defining the criteria for valorising students’ conceptual solutions, which are aligned with the principles of preserving cultural heritage and establishing sustainable development. The valorisation of students’ conceptual solutions through a defined set of criteria indicates real possibilities for the simultaneous preservation of all the values of industrial heritage and its transformation into a social, ecological and economic resource of the contemporary city.
PB  - MDPI
T2  - Sustainability
T1  - Examined in Theory – Applicable in Practice: Potentials of Sustainable Industrial Heritage Conservation in a Contemporary Context – The Case of Belgrade
VL  - 16
IS  - 7
SP  - 2820
DO  - 10.3390/su16072820
ER  - 

@article{
author = "Nikolić, Marko and Šćekić, Jelena and Drobnjak, Boško and Takač, Ena",
year = "2024",
abstract = "The industrial heritage of the city of Belgrade is the focus of this research, which highlights
the possibilities of preserving industrial heritage from the perspective of a contemporary context
and sustainable development. Guided by theoretical principles on the preservation of cultural and
industrial heritage, their values, authenticity and spirit of place, as well as the idea of the necessity
of integrating industrial heritage into the contemporary context, this paper aims to examine the
possibilities for the preservation of industrial heritage following theoretically established principles,
with the introduction of new uses and sustainable solutions. The analysis of the case studies of
Belgrade’s industrial heritage presented in this paper results from research conducted by the teachers, associates and students of the University of Belgrade, Faculty of Architecture. The research focuses on the possibilities of translating the principles of preserving cultural and industrial heritage from their theoretical definition to practical application. The students’ conceptual solutions for protection, revitalisation and presentation of the analysed case studies represent the research results. An important aspect of this paper is defining the criteria for valorising students’ conceptual solutions, which are aligned with the principles of preserving cultural heritage and establishing sustainable development. The valorisation of students’ conceptual solutions through a defined set of criteria indicates real possibilities for the simultaneous preservation of all the values of industrial heritage and its transformation into a social, ecological and economic resource of the contemporary city.",
publisher = "MDPI",
journal = "Sustainability",
title = "Examined in Theory – Applicable in Practice: Potentials of Sustainable Industrial Heritage Conservation in a Contemporary Context – The Case of Belgrade",
volume = "16",
number = "7",
pages = "2820",
doi = "10.3390/su16072820"
}

Nikolić, M., Šćekić, J., Drobnjak, B.,& Takač, E.. (2024). Examined in Theory – Applicable in Practice: Potentials of Sustainable Industrial Heritage Conservation in a Contemporary Context – The Case of Belgrade. in Sustainability
MDPI., 16(7), 2820.
https://doi.org/10.3390/su16072820

Nikolić M, Šćekić J, Drobnjak B, Takač E. Examined in Theory – Applicable in Practice: Potentials of Sustainable Industrial Heritage Conservation in a Contemporary Context – The Case of Belgrade. in Sustainability. 2024;16(7):2820.
doi:10.3390/su16072820 .

Nikolić, Marko, Šćekić, Jelena, Drobnjak, Boško, Takač, Ena, "Examined in Theory – Applicable in Practice: Potentials of Sustainable Industrial Heritage Conservation in a Contemporary Context – The Case of Belgrade" in Sustainability, 16, no. 7 (2024):2820,
https://doi.org/10.3390/su16072820 . .

TY  - CONF
AU  - Nikolić, Marko
AU  - Šćekić, Jelena
AU  - Drobnjak, Boško
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1325
AB  - Jedan od glavnih izazova očuvanja graditeljskog nasleđa u 21. veku odnosi se na mogućnosti njegove zaštite, revitalizacije i adaptacije u skladu sa potrebama savremenog života, uz istovremeno očuvanje svih njegovih vrednosti i autentičnosti. To ne podrazumeva samo identifikovanje, afirmisanje i promovisanje njegovih urbanističko-arhitektonskih i estetskih vrednosti, već i seta kulturno-istorijskih vrednosti za čije prepoznavanje je neophodno sagledati graditeljsko nasleđe kroz multidisciplinarni pristup – u okviru šireg društvenog konteksta. Stoga se u nastavi na Univerzitetu u Beogradu – Arhitektonskom fakultetu teži uspostavljanju jedinstvenog multidisciplinarnog pristupa revitalizaciji i adaptaciji industrijskog nasleđa, uz istovremeno očuvanje svih njegovih vrednosti i autentičnosti. Ovaj rad predstavlja sistematski prikaz metodologije istraživanja industrijskog nasleđa, primenjene na studiji slučaja Hangara Starog aerodroma u Novom Beogradu, koji je prepoznat kao značajan spomenik industrijskog nasleđa i tehničke kulture 20. veka. Kroz analizu studentskih idejnih rešenja za revitalizaciju i adaptaciju objekta Hangara Starog aerodroma, dat je prikaz primenjene metodologije istraživanja, pristupa zaštiti, revitalizaciji i prezentaciji svih vrednosti i autentičnosti industrijskog nasleđa, kao i prikaz upotrebe spomenika tehničke kulture u savremenom kontekstu. Na taj način, ostvaren je kontinuitet trajanja industrijskog nasleđa i obezbeđen njegov opstanak za buduće generacije. Poseban doprinos rada ogleda se u predlozima za revitalizaciju i adaptaciju Hangara Starog aerodroma, čime je dat i značajan prilog unapređenju nastavnog procesa u oblasti proučavanja graditeljskog nasleđa na Univerzitetu u Beogradu – Arhitektonskom fakultetu.
AB  - One of the main challenges in preserving built heritage in the 21st century relates to the possibilities of its revitalisation and adaptation following modern needs while protecting its values and authenticity. Protection of built heritage does not mean only the identification, affirmation and promotion of its urban-architectural and aesthetic values but also a set of cultural-historical values for which it is necessary to recognise built heritage through a multidisciplinary approach – within the broader social context. Therefore, the teaching process at the University of Belgrade – Faculty of Architecture aims to establish a unique multi-disciplinary approach to the industrial heritage's revitalisation and adaptation. This paper shows an industrial heritage research methodology systematic representation, applied to the case study of the Hangar of the Old Airport in New Belgrade as an important monument of industrial heritage and technical culture of the 20th century. Through student proposals for revitalisation and adaptation, the applied methodology, the approach for preservation, revitalisation and presentation of industrial heritage's values and the preservation of its authenticity, as well as a description of the use of industrial heritage's values, have been given; which ensured the continuity and survival of industrial heritage for future generations. A special contribution refers to the proposals for preserving the Hangar, which contributes to the teaching process improvement in the built heritage studies at the University of Belgrade – Faculty of Architecture.
PB  - Beograd: Zavod za zaštitu spomenika kulture grada Beograda
C3  - Zbornik radova: XII Međunarodna naučnostručna konferencija Zaštita graditeljskog nasleđa u 21. veku – izazovi i mogućnosti
T1  - Unapređenje nastavnog procesa u oblasti proučavanja graditeljskog nasleđa kroz multidisciplinarni pristup revitalizaciji i adaptaciji industrijskog nasleđa Beograda: Hangar Starog aerodroma.
T1  - Improvement of the Teaching Process in the Field of Built Heritage Studies Through a Multidisciplinary Approach to the Revitalisation and Adaptation of Belgrade‘ s Industrial Heritage: Hangar of the Old Belgrade Airport
SP  - 26
EP  - 37
UR  - https://hdl.handle.net/21.15107/rcub_raf_1325
ER  - 

@conference{
author = "Nikolić, Marko and Šćekić, Jelena and Drobnjak, Boško",
year = "2023",
abstract = "Jedan od glavnih izazova očuvanja graditeljskog nasleđa u 21. veku odnosi se na mogućnosti njegove zaštite, revitalizacije i adaptacije u skladu sa potrebama savremenog života, uz istovremeno očuvanje svih njegovih vrednosti i autentičnosti. To ne podrazumeva samo identifikovanje, afirmisanje i promovisanje njegovih urbanističko-arhitektonskih i estetskih vrednosti, već i seta kulturno-istorijskih vrednosti za čije prepoznavanje je neophodno sagledati graditeljsko nasleđe kroz multidisciplinarni pristup – u okviru šireg društvenog konteksta. Stoga se u nastavi na Univerzitetu u Beogradu – Arhitektonskom fakultetu teži uspostavljanju jedinstvenog multidisciplinarnog pristupa revitalizaciji i adaptaciji industrijskog nasleđa, uz istovremeno očuvanje svih njegovih vrednosti i autentičnosti. Ovaj rad predstavlja sistematski prikaz metodologije istraživanja industrijskog nasleđa, primenjene na studiji slučaja Hangara Starog aerodroma u Novom Beogradu, koji je prepoznat kao značajan spomenik industrijskog nasleđa i tehničke kulture 20. veka. Kroz analizu studentskih idejnih rešenja za revitalizaciju i adaptaciju objekta Hangara Starog aerodroma, dat je prikaz primenjene metodologije istraživanja, pristupa zaštiti, revitalizaciji i prezentaciji svih vrednosti i autentičnosti industrijskog nasleđa, kao i prikaz upotrebe spomenika tehničke kulture u savremenom kontekstu. Na taj način, ostvaren je kontinuitet trajanja industrijskog nasleđa i obezbeđen njegov opstanak za buduće generacije. Poseban doprinos rada ogleda se u predlozima za revitalizaciju i adaptaciju Hangara Starog aerodroma, čime je dat i značajan prilog unapređenju nastavnog procesa u oblasti proučavanja graditeljskog nasleđa na Univerzitetu u Beogradu – Arhitektonskom fakultetu., One of the main challenges in preserving built heritage in the 21st century relates to the possibilities of its revitalisation and adaptation following modern needs while protecting its values and authenticity. Protection of built heritage does not mean only the identification, affirmation and promotion of its urban-architectural and aesthetic values but also a set of cultural-historical values for which it is necessary to recognise built heritage through a multidisciplinary approach – within the broader social context. Therefore, the teaching process at the University of Belgrade – Faculty of Architecture aims to establish a unique multi-disciplinary approach to the industrial heritage's revitalisation and adaptation. This paper shows an industrial heritage research methodology systematic representation, applied to the case study of the Hangar of the Old Airport in New Belgrade as an important monument of industrial heritage and technical culture of the 20th century. Through student proposals for revitalisation and adaptation, the applied methodology, the approach for preservation, revitalisation and presentation of industrial heritage's values and the preservation of its authenticity, as well as a description of the use of industrial heritage's values, have been given; which ensured the continuity and survival of industrial heritage for future generations. A special contribution refers to the proposals for preserving the Hangar, which contributes to the teaching process improvement in the built heritage studies at the University of Belgrade – Faculty of Architecture.",
publisher = "Beograd: Zavod za zaštitu spomenika kulture grada Beograda",
journal = "Zbornik radova: XII Međunarodna naučnostručna konferencija Zaštita graditeljskog nasleđa u 21. veku – izazovi i mogućnosti",
title = "Unapređenje nastavnog procesa u oblasti proučavanja graditeljskog nasleđa kroz multidisciplinarni pristup revitalizaciji i adaptaciji industrijskog nasleđa Beograda: Hangar Starog aerodroma., Improvement of the Teaching Process in the Field of Built Heritage Studies Through a Multidisciplinary Approach to the Revitalisation and Adaptation of Belgrade‘ s Industrial Heritage: Hangar of the Old Belgrade Airport",
pages = "26-37",
url = "https://hdl.handle.net/21.15107/rcub_raf_1325"
}

Nikolić, M., Šćekić, J.,& Drobnjak, B.. (2023). Unapređenje nastavnog procesa u oblasti proučavanja graditeljskog nasleđa kroz multidisciplinarni pristup revitalizaciji i adaptaciji industrijskog nasleđa Beograda: Hangar Starog aerodroma.. in Zbornik radova: XII Međunarodna naučnostručna konferencija Zaštita graditeljskog nasleđa u 21. veku – izazovi i mogućnosti
Beograd: Zavod za zaštitu spomenika kulture grada Beograda., 26-37.
https://hdl.handle.net/21.15107/rcub_raf_1325

Nikolić M, Šćekić J, Drobnjak B. Unapređenje nastavnog procesa u oblasti proučavanja graditeljskog nasleđa kroz multidisciplinarni pristup revitalizaciji i adaptaciji industrijskog nasleđa Beograda: Hangar Starog aerodroma.. in Zbornik radova: XII Međunarodna naučnostručna konferencija Zaštita graditeljskog nasleđa u 21. veku – izazovi i mogućnosti. 2023;:26-37.
https://hdl.handle.net/21.15107/rcub_raf_1325 .

Nikolić, Marko, Šćekić, Jelena, Drobnjak, Boško, "Unapređenje nastavnog procesa u oblasti proučavanja graditeljskog nasleđa kroz multidisciplinarni pristup revitalizaciji i adaptaciji industrijskog nasleđa Beograda: Hangar Starog aerodroma." in Zbornik radova: XII Međunarodna naučnostručna konferencija Zaštita graditeljskog nasleđa u 21. veku – izazovi i mogućnosti (2023):26-37,
https://hdl.handle.net/21.15107/rcub_raf_1325 .

TY  - CONF
AU  - Petrović, Milica
AU  - Drobnjak, Boško
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1407
AB  - This paper presents the ideas of the neo-avant-garde architect and inventor Buckminster Fuller. Relying on observing the Universe and analysing microorganisms while using the available technology, Fuller experimented and designed new architectural structures. His ideas were based on the advantage of steel as a material which works best in tension, thus reducing its cross-section and the overall weight of a structure. A unique characteristic of Fuller’s opus is his utopian projects for flying structures and biospheres, with the idea of creating a new microclimate, which never fails to inspire architects and artists. Fuller’s utopian ideas should be reconsidered in the contemporary age, following innovations in materials and technologies. This paper questions the possibility of applying Fuller’s design methodology to contemporary structures, making them more lightweight, sustainable, and economical. The positioning of Buckminster Fuller’s utopian ideas in a contemporary frame also revises the effect on social changes created by this type of architecture. It is a fusion of visual art, inventive design model, mechanical activity, economy, and overall evolutionary strategy for a new society. Concluding remarks will open questions about the possibility of the realisation of utopian ideas for a better and sustainable world. Or is it all still a utopia?
PB  - University of Belgrade – Faculty of Architecture
C3  - Keeping up with technologies to imagine and build together sustainable. inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade
T1  - From utopia to realisation: Fuller’s experimental model as a potential method in contemporary architecture
SP  - 69
UR  - https://hdl.handle.net/21.15107/rcub_raf_1407
ER  - 

@conference{
author = "Petrović, Milica and Drobnjak, Boško",
year = "2023",
abstract = "This paper presents the ideas of the neo-avant-garde architect and inventor Buckminster Fuller. Relying on observing the Universe and analysing microorganisms while using the available technology, Fuller experimented and designed new architectural structures. His ideas were based on the advantage of steel as a material which works best in tension, thus reducing its cross-section and the overall weight of a structure. A unique characteristic of Fuller’s opus is his utopian projects for flying structures and biospheres, with the idea of creating a new microclimate, which never fails to inspire architects and artists. Fuller’s utopian ideas should be reconsidered in the contemporary age, following innovations in materials and technologies. This paper questions the possibility of applying Fuller’s design methodology to contemporary structures, making them more lightweight, sustainable, and economical. The positioning of Buckminster Fuller’s utopian ideas in a contemporary frame also revises the effect on social changes created by this type of architecture. It is a fusion of visual art, inventive design model, mechanical activity, economy, and overall evolutionary strategy for a new society. Concluding remarks will open questions about the possibility of the realisation of utopian ideas for a better and sustainable world. Or is it all still a utopia?",
publisher = "University of Belgrade – Faculty of Architecture",
journal = "Keeping up with technologies to imagine and build together sustainable. inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade",
title = "From utopia to realisation: Fuller’s experimental model as a potential method in contemporary architecture",
pages = "69",
url = "https://hdl.handle.net/21.15107/rcub_raf_1407"
}

Petrović, M.,& Drobnjak, B.. (2023). From utopia to realisation: Fuller’s experimental model as a potential method in contemporary architecture. in Keeping up with technologies to imagine and build together sustainable. inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade
University of Belgrade – Faculty of Architecture., 69.
https://hdl.handle.net/21.15107/rcub_raf_1407

Petrović M, Drobnjak B. From utopia to realisation: Fuller’s experimental model as a potential method in contemporary architecture. in Keeping up with technologies to imagine and build together sustainable. inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade. 2023;:69.
https://hdl.handle.net/21.15107/rcub_raf_1407 .

Petrović, Milica, Drobnjak, Boško, "From utopia to realisation: Fuller’s experimental model as a potential method in contemporary architecture" in Keeping up with technologies to imagine and build together sustainable. inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade (2023):69,
https://hdl.handle.net/21.15107/rcub_raf_1407 .

TY  - JOUR
AU  - Ротер Благојевић, Мирјана
AU  - Дробњак, Бошко
AU  - Николић, Илија
PY  - 2021
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1306
AB  - У раду је приказано истраживање историјског и урбаног развоја Дворског комплекса на Теразијама, током 19. и почетком 20. века, с тежиштем на периоду од четрдесетих до осамдесетих година 19. века, односно архитектури Кнежевог дворца (Старог конака) и Дворца за престолонаследника Михаила, који су порушени почетком 20. века. На основу расположиве историјске грађе (старих планова и фотографија), као и тумачења ове теме у литератури, приказан је процес урбане трансформације комплекса и обликовања здања за смештај тадашњих владара. Реконструисана је изградња комплекса у појединим фазама развоја и изглед дворских здања, што је дато кроз упоредне ситуационе приказе и аксонометријске 3D моделе. Дате су типолошка и стилска анализа архитектонских карактеристика Старог конака и Дворца, који су карактеристични репрезенти прелаза из класицистичке у романтичарску епоху српског градитељства средином 19. века. Кроз рад су посебно наглашени историјски и културни значај ових данас непостојећих здања за очување сећања на изузетно важан период савремене српске државе.
AB  - This paper presents research on the historical and urban development of the palace complex on Terazije during the 19th and early 20th centuries, placing a focus on the period from the 1840s to the 1880s, i.e. upon the architecture of the Prince’s Court (Knežev dvorac, also known as the Stari konak) and the Court of Crown Prince Mihailo, which were both demolished in the early 20th century. The process of urban transformation of the complex and the design of buildings for the accommodation of the then-rulers is presented, based on the available historical material (old plans and photographs), as well as pre-existing interpretations of this topic available in published literature. Both the appearance of the court buildings and the complex itself in certain phases of development are reconstructed, facilitated by comparative situational representations and axonometric projections. A typological and stylistic analysis of the architectural characteristics of the Stari konak and the court, which are to be considered representative examples of the transition from the Classicist to the Romantic era of Serbian architecture in the middle of the 19th century, is given. The paper places a particular emphasis on the historical and cultural significance in the present of these now-demolished buildings for preserving the memory of an extremely important period in the history of the modern Serbian state.
PB  - Beograd : Zavod za zaštitu spomenika kulture grada Beograda
T2  - Наслеђе
T1  - Прилог истраживању архитектуре Дворског комплекса на Теразијама – Кнежев дворац (Стари конак) и Дворац за престолонаследника Михаила
IS  - 22
SP  - 185
EP  - 205
DO  - 10.5937/nasledje2122185R
ER  - 

@article{
author = "Ротер Благојевић, Мирјана and Дробњак, Бошко and Николић, Илија",
year = "2021",
abstract = "У раду је приказано истраживање историјског и урбаног развоја Дворског комплекса на Теразијама, током 19. и почетком 20. века, с тежиштем на периоду од четрдесетих до осамдесетих година 19. века, односно архитектури Кнежевог дворца (Старог конака) и Дворца за престолонаследника Михаила, који су порушени почетком 20. века. На основу расположиве историјске грађе (старих планова и фотографија), као и тумачења ове теме у литератури, приказан је процес урбане трансформације комплекса и обликовања здања за смештај тадашњих владара. Реконструисана је изградња комплекса у појединим фазама развоја и изглед дворских здања, што је дато кроз упоредне ситуационе приказе и аксонометријске 3D моделе. Дате су типолошка и стилска анализа архитектонских карактеристика Старог конака и Дворца, који су карактеристични репрезенти прелаза из класицистичке у романтичарску епоху српског градитељства средином 19. века. Кроз рад су посебно наглашени историјски и културни значај ових данас непостојећих здања за очување сећања на изузетно важан период савремене српске државе., This paper presents research on the historical and urban development of the palace complex on Terazije during the 19th and early 20th centuries, placing a focus on the period from the 1840s to the 1880s, i.e. upon the architecture of the Prince’s Court (Knežev dvorac, also known as the Stari konak) and the Court of Crown Prince Mihailo, which were both demolished in the early 20th century. The process of urban transformation of the complex and the design of buildings for the accommodation of the then-rulers is presented, based on the available historical material (old plans and photographs), as well as pre-existing interpretations of this topic available in published literature. Both the appearance of the court buildings and the complex itself in certain phases of development are reconstructed, facilitated by comparative situational representations and axonometric projections. A typological and stylistic analysis of the architectural characteristics of the Stari konak and the court, which are to be considered representative examples of the transition from the Classicist to the Romantic era of Serbian architecture in the middle of the 19th century, is given. The paper places a particular emphasis on the historical and cultural significance in the present of these now-demolished buildings for preserving the memory of an extremely important period in the history of the modern Serbian state.",
publisher = "Beograd : Zavod za zaštitu spomenika kulture grada Beograda",
journal = "Наслеђе",
title = "Прилог истраживању архитектуре Дворског комплекса на Теразијама – Кнежев дворац (Стари конак) и Дворац за престолонаследника Михаила",
number = "22",
pages = "185-205",
doi = "10.5937/nasledje2122185R"
}

Ротер Благојевић, М., Дробњак, Б.,& Николић, И.. (2021). Прилог истраживању архитектуре Дворског комплекса на Теразијама – Кнежев дворац (Стари конак) и Дворац за престолонаследника Михаила. in Наслеђе
Beograd : Zavod za zaštitu spomenika kulture grada Beograda.(22), 185-205.
https://doi.org/10.5937/nasledje2122185R

Ротер Благојевић М, Дробњак Б, Николић И. Прилог истраживању архитектуре Дворског комплекса на Теразијама – Кнежев дворац (Стари конак) и Дворац за престолонаследника Михаила. in Наслеђе. 2021;(22):185-205.
doi:10.5937/nasledje2122185R .

Ротер Благојевић, Мирјана, Дробњак, Бошко, Николић, Илија, "Прилог истраживању архитектуре Дворског комплекса на Теразијама – Кнежев дворац (Стари конак) и Дворац за престолонаследника Михаила" in Наслеђе, no. 22 (2021):185-205,
https://doi.org/10.5937/nasledje2122185R . .

TY  - JOUR
AU  - Nikolić, Marko
AU  - Drobnjak, Boško
AU  - Kuletin Ćulafić, Irena
PY  - 2020
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1056
AB  - This paper aims to explore industrial heritage of Belgrade that is located in the city center
and therefore, has considerable potential for future architectural and urban development of the
Serbian capital. The whole Belgrade riverfront area along the Sava and the Danube Rivers has a
large number of abandoned industrial buildings that have significant value and need to be preserved
and revitalized. This paper represents a research project conducted by lecturers at the Faculty of
Architecture in Belgrade in the course History and Theory 1—Visual Culture in Architectural Theory
and Practice. In order to provide productive research, we have employed the case study method based
on the old Mint “A.D.”, which we have chosen as a characteristic example of Belgrade’s industrial
heritage architecture. An important goal of this research is to provide professional information
and raise public awareness about the importance and potential of industrial heritage for the future
economic, cultural, social and tourist development of the city. This paper analyzes possibilities to
comprehend the problems of the city’s industrial heritage protection regarding its historical and
urban context, its genesis, authenticity, identity, cultural, architectural, economic, social, productive,
creative and environmental values. According to that, the main goal of this research is concentrated
on the sustainable preservation of specific cultural tangible and intangible values, spirit of the place,
city identity and historic cityscape values that characterize industrial heritage in the social, cultural,
natural and built environmental systems.
PB  - Basel : MDPI AG
T2  - Sustainability
T1  - The Possibilities of Preservation, Regeneration and Presentation of Industrial Heritage: The Case of Old Mint “A.D.” on Belgrade Riverfront
VL  - 12
IS  - 13
SP  - 5264
DO  - 10.3390/su12135264
ER  - 

@article{
author = "Nikolić, Marko and Drobnjak, Boško and Kuletin Ćulafić, Irena",
year = "2020",
abstract = "This paper aims to explore industrial heritage of Belgrade that is located in the city center
and therefore, has considerable potential for future architectural and urban development of the
Serbian capital. The whole Belgrade riverfront area along the Sava and the Danube Rivers has a
large number of abandoned industrial buildings that have significant value and need to be preserved
and revitalized. This paper represents a research project conducted by lecturers at the Faculty of
Architecture in Belgrade in the course History and Theory 1—Visual Culture in Architectural Theory
and Practice. In order to provide productive research, we have employed the case study method based
on the old Mint “A.D.”, which we have chosen as a characteristic example of Belgrade’s industrial
heritage architecture. An important goal of this research is to provide professional information
and raise public awareness about the importance and potential of industrial heritage for the future
economic, cultural, social and tourist development of the city. This paper analyzes possibilities to
comprehend the problems of the city’s industrial heritage protection regarding its historical and
urban context, its genesis, authenticity, identity, cultural, architectural, economic, social, productive,
creative and environmental values. According to that, the main goal of this research is concentrated
on the sustainable preservation of specific cultural tangible and intangible values, spirit of the place,
city identity and historic cityscape values that characterize industrial heritage in the social, cultural,
natural and built environmental systems.",
publisher = "Basel : MDPI AG",
journal = "Sustainability",
title = "The Possibilities of Preservation, Regeneration and Presentation of Industrial Heritage: The Case of Old Mint “A.D.” on Belgrade Riverfront",
volume = "12",
number = "13",
pages = "5264",
doi = "10.3390/su12135264"
}

Nikolić, M., Drobnjak, B.,& Kuletin Ćulafić, I.. (2020). The Possibilities of Preservation, Regeneration and Presentation of Industrial Heritage: The Case of Old Mint “A.D.” on Belgrade Riverfront. in Sustainability
Basel : MDPI AG., 12(13), 5264.
https://doi.org/10.3390/su12135264

Nikolić M, Drobnjak B, Kuletin Ćulafić I. The Possibilities of Preservation, Regeneration and Presentation of Industrial Heritage: The Case of Old Mint “A.D.” on Belgrade Riverfront. in Sustainability. 2020;12(13):5264.
doi:10.3390/su12135264 .

Nikolić, Marko, Drobnjak, Boško, Kuletin Ćulafić, Irena, "The Possibilities of Preservation, Regeneration and Presentation of Industrial Heritage: The Case of Old Mint “A.D.” on Belgrade Riverfront" in Sustainability, 12, no. 13 (2020):5264,
https://doi.org/10.3390/su12135264 . .

TY  - JOUR
AU  - Drobnjak, Boško
AU  - Đukanović, Zoran
PY  - 2020
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1310
AB  - The myth of form contains an architectural paradox. Without form, there is no architecture. The hypothetical question of form vs. thanatos justifies the myth of form in architecture. The autonomy project of architecture is a myth that has its different fields: cognitive, practical, and, ultimately, subjective. The subjective is inseparable from the field of architecture, both in terms of creation and perception. If there is no form in architecture, architecture disappears as a field. A formal approach to architecture uses proportional analysis to find repetitiveness in intensity. The tip of the iceberg is the autonomy of architecture. In architecture, the formal has its own strict rules; by contrast, avant-garde practices questioned the rules. The following text aims to observe the city in its totality through the cracks of the narrative myth of form.
PB  - Belgrade : University of Belgrade, Faculty of Architecture
PB  - Belgrade : International Association for Aesthetics
PB  - Belgrade : The Society for Aesthetics of Architecture and Visual Arts of Serbia
T2  - International Yearbook of Aesthetics ; The Aesthetics of Architecture Beyond Form
T1  - The myth of form
VL  - 20
SP  - 119
EP  - 129
UR  - https://hdl.handle.net/21.15107/rcub_raf_1310
ER  - 

@article{
author = "Drobnjak, Boško and Đukanović, Zoran",
year = "2020",
abstract = "The myth of form contains an architectural paradox. Without form, there is no architecture. The hypothetical question of form vs. thanatos justifies the myth of form in architecture. The autonomy project of architecture is a myth that has its different fields: cognitive, practical, and, ultimately, subjective. The subjective is inseparable from the field of architecture, both in terms of creation and perception. If there is no form in architecture, architecture disappears as a field. A formal approach to architecture uses proportional analysis to find repetitiveness in intensity. The tip of the iceberg is the autonomy of architecture. In architecture, the formal has its own strict rules; by contrast, avant-garde practices questioned the rules. The following text aims to observe the city in its totality through the cracks of the narrative myth of form.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture, Belgrade : International Association for Aesthetics, Belgrade : The Society for Aesthetics of Architecture and Visual Arts of Serbia",
journal = "International Yearbook of Aesthetics ; The Aesthetics of Architecture Beyond Form",
title = "The myth of form",
volume = "20",
pages = "119-129",
url = "https://hdl.handle.net/21.15107/rcub_raf_1310"
}

Drobnjak, B.,& Đukanović, Z.. (2020). The myth of form. in International Yearbook of Aesthetics ; The Aesthetics of Architecture Beyond Form
Belgrade : University of Belgrade, Faculty of Architecture., 20, 119-129.
https://hdl.handle.net/21.15107/rcub_raf_1310

Drobnjak B, Đukanović Z. The myth of form. in International Yearbook of Aesthetics ; The Aesthetics of Architecture Beyond Form. 2020;20:119-129.
https://hdl.handle.net/21.15107/rcub_raf_1310 .

Drobnjak, Boško, Đukanović, Zoran, "The myth of form" in International Yearbook of Aesthetics ; The Aesthetics of Architecture Beyond Form, 20 (2020):119-129,
https://hdl.handle.net/21.15107/rcub_raf_1310 .

TY  - JOUR
AU  - Дробњак, Бошко
AU  - Николић, Марко
PY  - 2019
UR  - https://raf.arh.bg.ac.rs/handle/123456789/574
AB  - У склопу маркирања 100 година од оснивања Баухауса,
једне од водећих и најутицајнијих модернистичких
школа, који је упркос кратком периоду деловања (1919-
1933) својим образовним системом уткао пут ка новим
уметничким, теоријским и друштвеним топонимима.
Школа настаје у периоду након катастрофа Првог
светског рата који је обележен перманентним сукобима и
конфиликтима у Европи и свету. Предмет овог рада везан
је за групу студената Краљевине Срба, Хрвата и Словенаца
(од 1929. год. Краљевина Југославија), који су у периоду
између 1924. и 1932. год. студирали архитектуру, текстилни
дизајн, фотографију и ликовне уметности на немачком
Баухаусу. Образовање на Баухаусу, политички тренутак, као
и рад у различитим престижним архитектонским бироима
или индивидуалне дизајнерске праксе били су од изузетне
важности за формирање идеолошких оквира стваралаштва
југословенских баухаусоваца. Циљ истраживања је да
се кроз естетичко читање уметничких пракси и сажети
приказ друштвено-историјског контекста, у односу на
појединачне случајеве југословенских студената, одредe
културолошке и социјалне позиције њиховог уметничког
стваралаштва. Другим речима, текст који следи усмерен
је на приказивање сложених односа између, с једне
стране, индивидуалних поетика југословенских студената
на Баухаусу и, с друге стране, историјског тренутка у
коме су деловали на самом Баухаусу и након школовања.
За метод рада је карактеристично деловање унутар
граница постојећих извора и тумачења, у оквиру којих је
конципирано истраживање ове теме.
AB  - Marking the 100th anniversary of the founding of Bauhaus, one
of the leading and most in uential modernist art schools, which,
despite its short period of activity (1919-1933), paved the way
for the new artistic, theoretical and social toponyms through its
educational system, this text collects and exposes the specic
and complex echoes created by designers, artists and architects
from the Yugoslav cultural areas. The subject of this paper is
related to a group of students from the Kingdom of Serbs, Croats
and Slovenians (from 1929, the Kingdom of Yugoslavia) who
studied architecture, textile design, photography and the ne
arts at the Bauhaus in the period 1924-1932. Education at the
Bauhaus, political context, as well as work in various prestigious
architectural bureaus or individual design practices were of
utmost importance in forming the ideological frameworks of
the Yugoslav Bauhaus students’ production. In other words,
the text seeks to illustrate the complex relationships between
the individual poetics of the Yugoslav students at the Bauhaus
and the historical moment in which they acted. The aim of the
research is to determine the cultural and social positions of their
work through relating the aesthetic reading of artistic practices,
concise review of the socio-historical context and individual
cases of Yugoslav students. The research methodology is
framed by the existing sources and interpretations.
Keywords: Bauhaus, Yugoslav students, Kingdom of Yugoslavia,
modernism, architectural and artistic education, aesthetic
reading
PB  - Београд : Институт за архитектуру и урбанизам Србије
T2  - Архитектура и урбанизам
T1  - Баухаус и његова рефлексија на формирање уметничких пракси на екс-југословенским културним просторима
T1  - Bauhaus and its reflection on forming of the artistic practices in the ex-Yugoslav cultural region
IS  - 49
SP  - 7
EP  - 17
DO  - 10.5937/a-u0-23898
ER  - 

@article{
author = "Дробњак, Бошко and Николић, Марко",
year = "2019",
abstract = "У склопу маркирања 100 година од оснивања Баухауса,
једне од водећих и најутицајнијих модернистичких
школа, који је упркос кратком периоду деловања (1919-
1933) својим образовним системом уткао пут ка новим
уметничким, теоријским и друштвеним топонимима.
Школа настаје у периоду након катастрофа Првог
светског рата који је обележен перманентним сукобима и
конфиликтима у Европи и свету. Предмет овог рада везан
је за групу студената Краљевине Срба, Хрвата и Словенаца
(од 1929. год. Краљевина Југославија), који су у периоду
између 1924. и 1932. год. студирали архитектуру, текстилни
дизајн, фотографију и ликовне уметности на немачком
Баухаусу. Образовање на Баухаусу, политички тренутак, као
и рад у различитим престижним архитектонским бироима
или индивидуалне дизајнерске праксе били су од изузетне
важности за формирање идеолошких оквира стваралаштва
југословенских баухаусоваца. Циљ истраживања је да
се кроз естетичко читање уметничких пракси и сажети
приказ друштвено-историјског контекста, у односу на
појединачне случајеве југословенских студената, одредe
културолошке и социјалне позиције њиховог уметничког
стваралаштва. Другим речима, текст који следи усмерен
је на приказивање сложених односа између, с једне
стране, индивидуалних поетика југословенских студената
на Баухаусу и, с друге стране, историјског тренутка у
коме су деловали на самом Баухаусу и након школовања.
За метод рада је карактеристично деловање унутар
граница постојећих извора и тумачења, у оквиру којих је
конципирано истраживање ове теме., Marking the 100th anniversary of the founding of Bauhaus, one
of the leading and most in uential modernist art schools, which,
despite its short period of activity (1919-1933), paved the way
for the new artistic, theoretical and social toponyms through its
educational system, this text collects and exposes the specic
and complex echoes created by designers, artists and architects
from the Yugoslav cultural areas. The subject of this paper is
related to a group of students from the Kingdom of Serbs, Croats
and Slovenians (from 1929, the Kingdom of Yugoslavia) who
studied architecture, textile design, photography and the ne
arts at the Bauhaus in the period 1924-1932. Education at the
Bauhaus, political context, as well as work in various prestigious
architectural bureaus or individual design practices were of
utmost importance in forming the ideological frameworks of
the Yugoslav Bauhaus students’ production. In other words,
the text seeks to illustrate the complex relationships between
the individual poetics of the Yugoslav students at the Bauhaus
and the historical moment in which they acted. The aim of the
research is to determine the cultural and social positions of their
work through relating the aesthetic reading of artistic practices,
concise review of the socio-historical context and individual
cases of Yugoslav students. The research methodology is
framed by the existing sources and interpretations.
Keywords: Bauhaus, Yugoslav students, Kingdom of Yugoslavia,
modernism, architectural and artistic education, aesthetic
reading",
publisher = "Београд : Институт за архитектуру и урбанизам Србије",
journal = "Архитектура и урбанизам",
title = "Баухаус и његова рефлексија на формирање уметничких пракси на екс-југословенским културним просторима, Bauhaus and its reflection on forming of the artistic practices in the ex-Yugoslav cultural region",
number = "49",
pages = "7-17",
doi = "10.5937/a-u0-23898"
}

Дробњак, Б.,& Николић, М.. (2019). Баухаус и његова рефлексија на формирање уметничких пракси на екс-југословенским културним просторима. in Архитектура и урбанизам
Београд : Институт за архитектуру и урбанизам Србије.(49), 7-17.
https://doi.org/10.5937/a-u0-23898

Дробњак Б, Николић М. Баухаус и његова рефлексија на формирање уметничких пракси на екс-југословенским културним просторима. in Архитектура и урбанизам. 2019;(49):7-17.
doi:10.5937/a-u0-23898 .

Дробњак, Бошко, Николић, Марко, "Баухаус и његова рефлексија на формирање уметничких пракси на екс-југословенским културним просторима" in Архитектура и урбанизам, no. 49 (2019):7-17,
https://doi.org/10.5937/a-u0-23898 . .

TY  - JOUR
AU  - Drobnjak, Boško
PY  - 2019
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1131
AB  - This paper analyses architecture created through appropriating existing materials while focusing on strategies of intertextuality. It argues that the meaning of an architectural object does not derive from itself, or its poetic concepts, but rather from its relationship with order architectural objects, other art works as texts, cultural texts, and every day practices. My aim is to show various theoretical problems of the theory of architecture and art, which is a network of overlapping texts of culture, surround the architectural production of Alexander Brodsky. Here I use different and varied theoretical concepts, selecting two case studies by Brodsky – The Pavilion for Vodka Ceremonies and Rotunda – upon which the paper is based as an interdiscursive study.
PB  - Belgrade : University of Belgrade, Faculty of Architecture
T2  - SAJ : Serbian architectural journal
T1  - Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation
VL  - 11
IS  - 3
SP  - 531
EP  - 542
UR  - https://hdl.handle.net/21.15107/rcub_raf_1131
ER  - 

@article{
author = "Drobnjak, Boško",
year = "2019",
abstract = "This paper analyses architecture created through appropriating existing materials while focusing on strategies of intertextuality. It argues that the meaning of an architectural object does not derive from itself, or its poetic concepts, but rather from its relationship with order architectural objects, other art works as texts, cultural texts, and every day practices. My aim is to show various theoretical problems of the theory of architecture and art, which is a network of overlapping texts of culture, surround the architectural production of Alexander Brodsky. Here I use different and varied theoretical concepts, selecting two case studies by Brodsky – The Pavilion for Vodka Ceremonies and Rotunda – upon which the paper is based as an interdiscursive study.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture",
journal = "SAJ : Serbian architectural journal",
title = "Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation",
volume = "11",
number = "3",
pages = "531-542",
url = "https://hdl.handle.net/21.15107/rcub_raf_1131"
}

Drobnjak, B.. (2019). Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation. in SAJ : Serbian architectural journal
Belgrade : University of Belgrade, Faculty of Architecture., 11(3), 531-542.
https://hdl.handle.net/21.15107/rcub_raf_1131

Drobnjak B. Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation. in SAJ : Serbian architectural journal. 2019;11(3):531-542.
https://hdl.handle.net/21.15107/rcub_raf_1131 .

Drobnjak, Boško, "Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation" in SAJ : Serbian architectural journal, 11, no. 3 (2019):531-542,
https://hdl.handle.net/21.15107/rcub_raf_1131 .