TY  - JOUR
AU  - Ćirić, Dragana
PY  - 2024
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2199
AB  - The term Design Intelligence System, Methodology, and Strategy indicates a new digital modality of architecturally constructed and visualized diagrammatic research framework and environment. Aiming to facilitate, articulate, and support any kind of documentary, scientific, and creative investigative practice with large amounts of data in a formalized way, DI system, methodology, and strategy have been proposed for consideration to be included into the fields of Design Research and Design Science. It has been argued that they can offer a specific response to various research requirements and make a contribution at the level of methodology, instrumentation, and research strategy. Beside the control and guidance of data-operations in line with research subjects and questions, the system preserves design research procedures and dynamics of problem-solving and decision-making as formal inscription, or information-architecture, enabling one to visualize maps and lines of inference and connectivity between different information and arguments, and to acknowledge main issues in delivering a proof and carrying out valid reasoning. Regarding the fact that, alongside extensive use as a means of artistic exploration, this kind of digital framework, formalization, and system has not been substantially questioned as a means of reliable and functional scientific research in the targeted Design Research and Design Science fields, the paper will address these issues through comments on the system’s attributes, arguments, relevance, and contributions, and analysis of the performed test-studies, their development stages, and the system’s determinants, which have led to its final eleven criteria-form. The field of Diagrammatics has been proposed as a broader context due to the Design Intelligence System’s central diagrammatic properties and modes of operation.
PB  - Common Ground Research Networks
T2  - The International Journal of Design Education
T1  - Diagrammatics: Design Intelligence System, Methodology, and Strategy in Design Research and Science
VL  - 18
IS  - 1
SP  - 155
EP  - 192
DO  - 10.18848/2325-128X/CGP/v18i01/155-192
ER  - 

@article{
author = "Ćirić, Dragana",
year = "2024",
abstract = "The term Design Intelligence System, Methodology, and Strategy indicates a new digital modality of architecturally constructed and visualized diagrammatic research framework and environment. Aiming to facilitate, articulate, and support any kind of documentary, scientific, and creative investigative practice with large amounts of data in a formalized way, DI system, methodology, and strategy have been proposed for consideration to be included into the fields of Design Research and Design Science. It has been argued that they can offer a specific response to various research requirements and make a contribution at the level of methodology, instrumentation, and research strategy. Beside the control and guidance of data-operations in line with research subjects and questions, the system preserves design research procedures and dynamics of problem-solving and decision-making as formal inscription, or information-architecture, enabling one to visualize maps and lines of inference and connectivity between different information and arguments, and to acknowledge main issues in delivering a proof and carrying out valid reasoning. Regarding the fact that, alongside extensive use as a means of artistic exploration, this kind of digital framework, formalization, and system has not been substantially questioned as a means of reliable and functional scientific research in the targeted Design Research and Design Science fields, the paper will address these issues through comments on the system’s attributes, arguments, relevance, and contributions, and analysis of the performed test-studies, their development stages, and the system’s determinants, which have led to its final eleven criteria-form. The field of Diagrammatics has been proposed as a broader context due to the Design Intelligence System’s central diagrammatic properties and modes of operation.",
publisher = "Common Ground Research Networks",
journal = "The International Journal of Design Education",
title = "Diagrammatics: Design Intelligence System, Methodology, and Strategy in Design Research and Science",
volume = "18",
number = "1",
pages = "155-192",
doi = "10.18848/2325-128X/CGP/v18i01/155-192"
}

Ćirić, D.. (2024). Diagrammatics: Design Intelligence System, Methodology, and Strategy in Design Research and Science. in The International Journal of Design Education
Common Ground Research Networks., 18(1), 155-192.
https://doi.org/10.18848/2325-128X/CGP/v18i01/155-192

Ćirić D. Diagrammatics: Design Intelligence System, Methodology, and Strategy in Design Research and Science. in The International Journal of Design Education. 2024;18(1):155-192.
doi:10.18848/2325-128X/CGP/v18i01/155-192 .

Ćirić, Dragana, "Diagrammatics: Design Intelligence System, Methodology, and Strategy in Design Research and Science" in The International Journal of Design Education, 18, no. 1 (2024):155-192,
https://doi.org/10.18848/2325-128X/CGP/v18i01/155-192 . .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2232
AB  - The paper places its contribution within the domain of architectural and urban computing, artificial intelligence application in urban and architectural studies, or more broadly in spatial and urban planning, analysis/analytics, design, and operation, all considering new methodologies. Having new computational design and problem-solving methods in mind as a primary investigative subject and instrument (AI and generative design methods in particular), the author aimed to test the range of possibilities of their application in the named contribution area, forming corresponding theoretical foundations of thus established design and research conduct. Such an aim demanded an elaborate theoretical review so as to provide the necessary background for understanding the most recent stage of technological development within the digital architectural, urban, and spatial design and computing, valid corresponding terminology, groups of targeted computational design methods, and available software tools for their application, all within the functional systematic cross-disciplinary approach to the construction of design problem-solving methodology with regards to spatial and data/computational sciences. The approach has been interpreted through condensed tabular and diagrammatic information on conducted case studies, used to support, and illustrate stated theoretical objectives.
AB  - Due to the large area of application, the focus of the more specific inquiries has been narrowed to one of the urban systems and planning concerns - the urban mobility and transportation system - firstly by employing all its modalities, urban infrastructure, and facilities on a larger scale to define operative research environment, and secondly by targeting specific design questions and tasks within the defined domain, including examples of the ways in which they can be modelled as abstract or real-world problems. The Grand Paris transportation network and region have been chosen for the experimental field of operation, while supportive material for establishing generative design problem modelling and solution methodology has been provided through specific tasks addressing network graph design and operationalisation, and urban movement design through selected computational problem-solving methods.
PB  - Belgrade : University of Belgrade - Faculty of Architecture
C3  - Keeping up with technologies to imagine and build together sustainable, inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade
T1  - New generative and AI design methods for transportation systems and urban mobility design, planning, operation, and analysis: contribution to urban computing theory and methodology [apstrakt]
SP  - 89
EP  - 89
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2023",
abstract = "The paper places its contribution within the domain of architectural and urban computing, artificial intelligence application in urban and architectural studies, or more broadly in spatial and urban planning, analysis/analytics, design, and operation, all considering new methodologies. Having new computational design and problem-solving methods in mind as a primary investigative subject and instrument (AI and generative design methods in particular), the author aimed to test the range of possibilities of their application in the named contribution area, forming corresponding theoretical foundations of thus established design and research conduct. Such an aim demanded an elaborate theoretical review so as to provide the necessary background for understanding the most recent stage of technological development within the digital architectural, urban, and spatial design and computing, valid corresponding terminology, groups of targeted computational design methods, and available software tools for their application, all within the functional systematic cross-disciplinary approach to the construction of design problem-solving methodology with regards to spatial and data/computational sciences. The approach has been interpreted through condensed tabular and diagrammatic information on conducted case studies, used to support, and illustrate stated theoretical objectives., Due to the large area of application, the focus of the more specific inquiries has been narrowed to one of the urban systems and planning concerns - the urban mobility and transportation system - firstly by employing all its modalities, urban infrastructure, and facilities on a larger scale to define operative research environment, and secondly by targeting specific design questions and tasks within the defined domain, including examples of the ways in which they can be modelled as abstract or real-world problems. The Grand Paris transportation network and region have been chosen for the experimental field of operation, while supportive material for establishing generative design problem modelling and solution methodology has been provided through specific tasks addressing network graph design and operationalisation, and urban movement design through selected computational problem-solving methods.",
publisher = "Belgrade : University of Belgrade - Faculty of Architecture",
journal = "Keeping up with technologies to imagine and build together sustainable, inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade",
title = "New generative and AI design methods for transportation systems and urban mobility design, planning, operation, and analysis: contribution to urban computing theory and methodology [apstrakt]",
pages = "89-89"
}

Ćirić, D.. (2023). New generative and AI design methods for transportation systems and urban mobility design, planning, operation, and analysis: contribution to urban computing theory and methodology [apstrakt]. in Keeping up with technologies to imagine and build together sustainable, inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade
Belgrade : University of Belgrade - Faculty of Architecture., 89-89.

Ćirić D. New generative and AI design methods for transportation systems and urban mobility design, planning, operation, and analysis: contribution to urban computing theory and methodology [apstrakt]. in Keeping up with technologies to imagine and build together sustainable, inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade. 2023;:89-89..

Ćirić, Dragana, "New generative and AI design methods for transportation systems and urban mobility design, planning, operation, and analysis: contribution to urban computing theory and methodology [apstrakt]" in Keeping up with technologies to imagine and build together sustainable, inclusive, and beautiful cities : book of abstracts / 8th International Academic Conference on Places and Technologies, Belgrade (2023):89-89.

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2020
UR  - https://doi.fil.bg.ac.rs/volume.php?pt=eb_ser&issue=arh_pt-2020-7&i=54
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2230
AB  - The paper will aim to introduce the format of the 'architecture-instrument' as a specific spatial model for the converged architectural artistic and scientific design research and practice. This will be performed in relation to its machinic origins or counterparts - since this form constitutes itself through different concepts of the machine variously present, applied and interpreted throughout the history within and adjacent to the architectural discipline or field of interest depending on the historical period, different machinic modalities and their attributes will be the central concern of the study. 'Architecture-machines' will be analysed in line with several criteria alongside the additional aim of tracing its genealogy and categories. Therefore, the long present 'machine paradigm in architecture' will be challenged toward its contemporary reassessment within which possible lines of development and major features of the 'architecture-instrument' could be inferred against the chosen references and theoretical notions. The experimental prototype [exo] that claimed the status of the 'architecture-instrument' in its most advanced form - integrating sentience, algorithmic control and automation, kinetic properties, adaptability, intelligent responsiveness and interaction concerning the tracked objects, systems and environmental parameters – while also attempting to redefine and question its epistemological, methodological and technical implications, will be used as a case study that has tested some of the proposed claims, providing thereby necessary empirical evidence for the arguments. The analysed examples and sources will establish a clear outline and framework of the machinic line of thinking in architecture, enabling one thus to discern and better understand the 'architecture-machine/instrument’s' semantic scopes, applied forms, constitutive properties and importance along with the disciplinary and scientific-artistic integration they imply in the current moment as a continuation of their much longer traditions.
PB  - Belgrade : University of Belgrade - Faculty of Architecture
C3  - Keeping up with technologies to act responsively in urban environment [Elektronski izvor] : conference proceedings / 7th international Academic Conference on Places and Technologies
T1  - Architecture-Instrument: The Architecture-Machine Origins and Frameworks of Machinic Line of Thinking in Architecture
SP  - 450
EP  - 466
DO  - 10.18485/arh_pt.2020.7.ch54
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2020",
abstract = "The paper will aim to introduce the format of the 'architecture-instrument' as a specific spatial model for the converged architectural artistic and scientific design research and practice. This will be performed in relation to its machinic origins or counterparts - since this form constitutes itself through different concepts of the machine variously present, applied and interpreted throughout the history within and adjacent to the architectural discipline or field of interest depending on the historical period, different machinic modalities and their attributes will be the central concern of the study. 'Architecture-machines' will be analysed in line with several criteria alongside the additional aim of tracing its genealogy and categories. Therefore, the long present 'machine paradigm in architecture' will be challenged toward its contemporary reassessment within which possible lines of development and major features of the 'architecture-instrument' could be inferred against the chosen references and theoretical notions. The experimental prototype [exo] that claimed the status of the 'architecture-instrument' in its most advanced form - integrating sentience, algorithmic control and automation, kinetic properties, adaptability, intelligent responsiveness and interaction concerning the tracked objects, systems and environmental parameters – while also attempting to redefine and question its epistemological, methodological and technical implications, will be used as a case study that has tested some of the proposed claims, providing thereby necessary empirical evidence for the arguments. The analysed examples and sources will establish a clear outline and framework of the machinic line of thinking in architecture, enabling one thus to discern and better understand the 'architecture-machine/instrument’s' semantic scopes, applied forms, constitutive properties and importance along with the disciplinary and scientific-artistic integration they imply in the current moment as a continuation of their much longer traditions.",
publisher = "Belgrade : University of Belgrade - Faculty of Architecture",
journal = "Keeping up with technologies to act responsively in urban environment [Elektronski izvor] : conference proceedings / 7th international Academic Conference on Places and Technologies",
title = "Architecture-Instrument: The Architecture-Machine Origins and Frameworks of Machinic Line of Thinking in Architecture",
pages = "450-466",
doi = "10.18485/arh_pt.2020.7.ch54"
}

Ćirić, D.. (2020). Architecture-Instrument: The Architecture-Machine Origins and Frameworks of Machinic Line of Thinking in Architecture. in Keeping up with technologies to act responsively in urban environment [Elektronski izvor] : conference proceedings / 7th international Academic Conference on Places and Technologies
Belgrade : University of Belgrade - Faculty of Architecture., 450-466.
https://doi.org/10.18485/arh_pt.2020.7.ch54

Ćirić D. Architecture-Instrument: The Architecture-Machine Origins and Frameworks of Machinic Line of Thinking in Architecture. in Keeping up with technologies to act responsively in urban environment [Elektronski izvor] : conference proceedings / 7th international Academic Conference on Places and Technologies. 2020;:450-466.
doi:10.18485/arh_pt.2020.7.ch54 .

Ćirić, Dragana, "Architecture-Instrument: The Architecture-Machine Origins and Frameworks of Machinic Line of Thinking in Architecture" in Keeping up with technologies to act responsively in urban environment [Elektronski izvor] : conference proceedings / 7th international Academic Conference on Places and Technologies (2020):450-466,
https://doi.org/10.18485/arh_pt.2020.7.ch54 . .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2019
UR  - https://www.strand.rs/challenges-2019.pdf
UR  - https://www.strand.rs/scientific-board-2019/
UR  - https://www.strand.rs/open-call-2019/
UR  - https://www.strand.rs/2019/program.pdf
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2231
AB  - The theoretical framework of the proposed research continues the architectural line of thought known as 'geoarchitecture' and 'geographic project of architectural theory' (Gissen, 2008) by extending it from 'geoscopic' towards a cosmoscopic perspective. Assimilating the domain of the first notion, the latter regards architecture, landscape, environmental, territorial and urban planning - their concepts, design processes and spatial strategies - as not only embedded in geospatial, physical and geopolitical facts and concerns but more broadly outlined by cosmospatial, cosmopolitical and cosmopolitan attributes. These directions have been exposed to critical observation along with the claim that they constitute the inevitable formative background for the analysed spatial situations and processes together with the legal, economic and governing networks, and the claim that therefore they constitute, embody, and advocate presented ideas and values by spatially enforcing their aims while relying on international and supranational modes of regulation.
AB  - The central part of the research focuses on the concept of exclusiveness, particularly spaces/places and territories of exclusive status and the ways these specific situations enable or provide, justify and enforce exemptions and exclusive rights for certain spatial behaviour following some natural and/or socially constructed criteria. Paralleled with the type of exclusiveness legally assigned to them (the zone), an insight into the key governing principles regarding their current status, use and future development as natural, cultural, architectural, strategic, economic or technological good, is addressed. Since these spaces operate beyond the conventional regulations, spatial control and ordering, the concept of extrastatecraft (Easterling, 2014) is introduced to supplement the explanation and to bridge the overall cosmopolitical framework with the chosen states and conditions of exception.
AB  - The established theoretical platform is going to be supported by distinctive cases demonstrating or applying the argued conceptual convergence while pointing to the territorial and architectural consequences and design properties emerging from its precepts. Extrastate and conflicting or overlapping state interests and activities through the strategy of exclusion are traced across the spatial scales (outer space, airspace, Earth surface and interior) in order to be, finally, recognised as design concepts and strategies of 'free space' and 'island condition''.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Challenges in Architecture, Urban Design and Art [Elekronski izvor] : proceedings / [Seventh International Conference] On Architecture, [7-8 June, Belgrade]
T1  - Cosmoscopic and Cosmopolitical Principles : Extra-Space/State-Craft and Exclusive Territories
SP  - 16
EP  - 35
DO  - 10.5281/zenodo.10935377
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2019",
abstract = "The theoretical framework of the proposed research continues the architectural line of thought known as 'geoarchitecture' and 'geographic project of architectural theory' (Gissen, 2008) by extending it from 'geoscopic' towards a cosmoscopic perspective. Assimilating the domain of the first notion, the latter regards architecture, landscape, environmental, territorial and urban planning - their concepts, design processes and spatial strategies - as not only embedded in geospatial, physical and geopolitical facts and concerns but more broadly outlined by cosmospatial, cosmopolitical and cosmopolitan attributes. These directions have been exposed to critical observation along with the claim that they constitute the inevitable formative background for the analysed spatial situations and processes together with the legal, economic and governing networks, and the claim that therefore they constitute, embody, and advocate presented ideas and values by spatially enforcing their aims while relying on international and supranational modes of regulation., The central part of the research focuses on the concept of exclusiveness, particularly spaces/places and territories of exclusive status and the ways these specific situations enable or provide, justify and enforce exemptions and exclusive rights for certain spatial behaviour following some natural and/or socially constructed criteria. Paralleled with the type of exclusiveness legally assigned to them (the zone), an insight into the key governing principles regarding their current status, use and future development as natural, cultural, architectural, strategic, economic or technological good, is addressed. Since these spaces operate beyond the conventional regulations, spatial control and ordering, the concept of extrastatecraft (Easterling, 2014) is introduced to supplement the explanation and to bridge the overall cosmopolitical framework with the chosen states and conditions of exception., The established theoretical platform is going to be supported by distinctive cases demonstrating or applying the argued conceptual convergence while pointing to the territorial and architectural consequences and design properties emerging from its precepts. Extrastate and conflicting or overlapping state interests and activities through the strategy of exclusion are traced across the spatial scales (outer space, airspace, Earth surface and interior) in order to be, finally, recognised as design concepts and strategies of 'free space' and 'island condition''.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Challenges in Architecture, Urban Design and Art [Elekronski izvor] : proceedings / [Seventh International Conference] On Architecture, [7-8 June, Belgrade]",
title = "Cosmoscopic and Cosmopolitical Principles : Extra-Space/State-Craft and Exclusive Territories",
pages = "16-35",
doi = "10.5281/zenodo.10935377"
}

Ćirić, D.. (2019). Cosmoscopic and Cosmopolitical Principles : Extra-Space/State-Craft and Exclusive Territories. in Challenges in Architecture, Urban Design and Art [Elekronski izvor] : proceedings / [Seventh International Conference] On Architecture, [7-8 June, Belgrade]
Belgrade : STRAND - Sustainable Urban Society Association., 16-35.
https://doi.org/10.5281/zenodo.10935377

Ćirić D. Cosmoscopic and Cosmopolitical Principles : Extra-Space/State-Craft and Exclusive Territories. in Challenges in Architecture, Urban Design and Art [Elekronski izvor] : proceedings / [Seventh International Conference] On Architecture, [7-8 June, Belgrade]. 2019;:16-35.
doi:10.5281/zenodo.10935377 .

Ćirić, Dragana, "Cosmoscopic and Cosmopolitical Principles : Extra-Space/State-Craft and Exclusive Territories" in Challenges in Architecture, Urban Design and Art [Elekronski izvor] : proceedings / [Seventh International Conference] On Architecture, [7-8 June, Belgrade] (2019):16-35,
https://doi.org/10.5281/zenodo.10935377 . .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2019
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2227
AB  - The theoretical framework of the proposed research continues the architectural line of thought known as 'geoarchitecture' and 'geographic project of architectural theory' (Gissen, 2008) by extending it from 'geoscopic' towards a cosmoscopic perspective. Assimilating the domain of the first notion, the latter regards architecture, landscape, environmental, territorial and urban planning - their concepts, design processes and spatial strategies - as not only embedded in geospatial, physical and geopolitical facts and concerns but more broadly outlined by cosmospatial, cosmopolitical and cosmopolitan attributes. These directions have been exposed to critical observation along with the claim that they constitute the inevitable formative background for the analysed spatial situations and processes together with the legal, economic and governing networks, and the claim that therefore they constitute, embody, and advocate presented ideas and values by spatially enforcing their aims while relying on international and supranational modes of regulation.
AB  - The central part of the research focuses on the concept of exclusiveness, particularly spaces/places and territories of exclusive status and the ways these specific situations enable or provide, justify and enforce exemptions and exclusive rights for certain spatial behaviour following some natural and/or socially constructed criteria. Paralleled with the type of exclusiveness legally assigned to them (the zone), an insight into the key governing principles regarding their current status, use and future development as natural, cultural, architectural, strategic, economic or technological good, is addressed. Since these spaces operate beyond the conventional regulations, spatial control and ordering, the concept of extrastatecraft (Easterling, 2014) is introduced to supplement the explanation and to bridge the overall cosmopolitical framework with the chosen states and conditions of exception.
AB  - The established theoretical platform is going to be supported by distinctive cases demonstrating or applying the argued conceptual convergence while pointing to the territorial and architectural consequences and design properties emerging from its precepts. Extrastate and conflicting or overlapping state interests and activities through the strategy of exclusion are traced across the spatial scales (outer space, airspace, Earth surface and interior) in order to be, finally, recognised as design concepts and strategies of 'free space' and 'island condition''.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - [Challenges in architecture, urban design and art] : book of abstracts / [Seventh International Multimedia Event On Architecture, Belgrade, 2019]
T1  - Cosmoscopic and Cosmopolitical Principles: Extra-Space/State-Craft and Exclusive Territories [apstrakt]
SP  - 14
EP  - 14
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2019",
abstract = "The theoretical framework of the proposed research continues the architectural line of thought known as 'geoarchitecture' and 'geographic project of architectural theory' (Gissen, 2008) by extending it from 'geoscopic' towards a cosmoscopic perspective. Assimilating the domain of the first notion, the latter regards architecture, landscape, environmental, territorial and urban planning - their concepts, design processes and spatial strategies - as not only embedded in geospatial, physical and geopolitical facts and concerns but more broadly outlined by cosmospatial, cosmopolitical and cosmopolitan attributes. These directions have been exposed to critical observation along with the claim that they constitute the inevitable formative background for the analysed spatial situations and processes together with the legal, economic and governing networks, and the claim that therefore they constitute, embody, and advocate presented ideas and values by spatially enforcing their aims while relying on international and supranational modes of regulation., The central part of the research focuses on the concept of exclusiveness, particularly spaces/places and territories of exclusive status and the ways these specific situations enable or provide, justify and enforce exemptions and exclusive rights for certain spatial behaviour following some natural and/or socially constructed criteria. Paralleled with the type of exclusiveness legally assigned to them (the zone), an insight into the key governing principles regarding their current status, use and future development as natural, cultural, architectural, strategic, economic or technological good, is addressed. Since these spaces operate beyond the conventional regulations, spatial control and ordering, the concept of extrastatecraft (Easterling, 2014) is introduced to supplement the explanation and to bridge the overall cosmopolitical framework with the chosen states and conditions of exception., The established theoretical platform is going to be supported by distinctive cases demonstrating or applying the argued conceptual convergence while pointing to the territorial and architectural consequences and design properties emerging from its precepts. Extrastate and conflicting or overlapping state interests and activities through the strategy of exclusion are traced across the spatial scales (outer space, airspace, Earth surface and interior) in order to be, finally, recognised as design concepts and strategies of 'free space' and 'island condition''.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "[Challenges in architecture, urban design and art] : book of abstracts / [Seventh International Multimedia Event On Architecture, Belgrade, 2019]",
title = "Cosmoscopic and Cosmopolitical Principles: Extra-Space/State-Craft and Exclusive Territories [apstrakt]",
pages = "14-14"
}

Ćirić, D.. (2019). Cosmoscopic and Cosmopolitical Principles: Extra-Space/State-Craft and Exclusive Territories [apstrakt]. in [Challenges in architecture, urban design and art] : book of abstracts / [Seventh International Multimedia Event On Architecture, Belgrade, 2019]
Belgrade : STRAND - Sustainable Urban Society Association., 14-14.

Ćirić D. Cosmoscopic and Cosmopolitical Principles: Extra-Space/State-Craft and Exclusive Territories [apstrakt]. in [Challenges in architecture, urban design and art] : book of abstracts / [Seventh International Multimedia Event On Architecture, Belgrade, 2019]. 2019;:14-14..

Ćirić, Dragana, "Cosmoscopic and Cosmopolitical Principles: Extra-Space/State-Craft and Exclusive Territories [apstrakt]" in [Challenges in architecture, urban design and art] : book of abstracts / [Seventh International Multimedia Event On Architecture, Belgrade, 2019] (2019):14-14.

TY  - CONF
AU  - Ciric, Dragana
PY  - 2018
UR  - https://www.strand.rs/diagrammatics/
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2229
AB  - Diagrammatic tracings and inscriptions of data and their processes of temporary clustering, consolidation, dissolution, and restructuring within the virtual space render an intricate documentary and creative complex data dynamics while generating a distinctive cyber-connectome. Bearing properties of a spatial entity—a field, a territory, or a scape—and having some kind of spatial relational or formal regularity (a kind of order—fixed or in constant transformation), it carries architectural logic and features by which we can describe its behaviour and current state. As a cognitive device and a thinking tool (the extension of our biological thinking mechanisms), or a thinking method and strategy (design intelligence strategy), it has been devised to facilitate (track and direct) research processes by interactively recording and networking information in an open-ended way. By visualising and mapping thought processing (the black box), it gives a synthetic form to the emergent memory-scape (parallel, coupled, extended, or augmented mind); it creates a digital archive as a dynamic mnemonic information field, landscape, or network, which enables complex web lines to connect singular entities in a dynamic setting based on quantum processing, connectivity, and decidability. Being the most convenient means of transfer and conversion from one medium into another, from one disciplinary or a thinking system into another, as well as maintaining subjects of this translation in-between—in an abstract relational state of multiple potential, affiliation, and activity, and a state of specific notation and coding—diagrammatics are here particularly developed and explained in relation to architectural strategies and instrumental frameworks of design investigation, invention, and documentality. Within the virtual scapes, they evolve digitally as tools, mediums, and collaborators, creating their own and shared theoretical discourses, methods, and aesthetics. 
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Going Digital [Elekronski izvor] : innovations in art, science and technology in digital era : proceedings / Third International Conference on the Digital Age, Belgrade
T1  - Diagrammatics of Virtual Connectome: Architecture of Digital Memory-Scaping [Keynote] [предавање по позиву]
SP  - 109
EP  - 134
DO  - 10.5281/zenodo.10938800
ER  - 

@conference{
author = "Ciric, Dragana",
year = "2018",
abstract = "Diagrammatic tracings and inscriptions of data and their processes of temporary clustering, consolidation, dissolution, and restructuring within the virtual space render an intricate documentary and creative complex data dynamics while generating a distinctive cyber-connectome. Bearing properties of a spatial entity—a field, a territory, or a scape—and having some kind of spatial relational or formal regularity (a kind of order—fixed or in constant transformation), it carries architectural logic and features by which we can describe its behaviour and current state. As a cognitive device and a thinking tool (the extension of our biological thinking mechanisms), or a thinking method and strategy (design intelligence strategy), it has been devised to facilitate (track and direct) research processes by interactively recording and networking information in an open-ended way. By visualising and mapping thought processing (the black box), it gives a synthetic form to the emergent memory-scape (parallel, coupled, extended, or augmented mind); it creates a digital archive as a dynamic mnemonic information field, landscape, or network, which enables complex web lines to connect singular entities in a dynamic setting based on quantum processing, connectivity, and decidability. Being the most convenient means of transfer and conversion from one medium into another, from one disciplinary or a thinking system into another, as well as maintaining subjects of this translation in-between—in an abstract relational state of multiple potential, affiliation, and activity, and a state of specific notation and coding—diagrammatics are here particularly developed and explained in relation to architectural strategies and instrumental frameworks of design investigation, invention, and documentality. Within the virtual scapes, they evolve digitally as tools, mediums, and collaborators, creating their own and shared theoretical discourses, methods, and aesthetics. ",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Going Digital [Elekronski izvor] : innovations in art, science and technology in digital era : proceedings / Third International Conference on the Digital Age, Belgrade",
title = "Diagrammatics of Virtual Connectome: Architecture of Digital Memory-Scaping [Keynote] [предавање по позиву]",
pages = "109-134",
doi = "10.5281/zenodo.10938800"
}

Ciric, D.. (2018). Diagrammatics of Virtual Connectome: Architecture of Digital Memory-Scaping [Keynote] [предавање по позиву]. in Going Digital [Elekronski izvor] : innovations in art, science and technology in digital era : proceedings / Third International Conference on the Digital Age, Belgrade
Belgrade : STRAND - Sustainable Urban Society Association., 109-134.
https://doi.org/10.5281/zenodo.10938800

Ciric D. Diagrammatics of Virtual Connectome: Architecture of Digital Memory-Scaping [Keynote] [предавање по позиву]. in Going Digital [Elekronski izvor] : innovations in art, science and technology in digital era : proceedings / Third International Conference on the Digital Age, Belgrade. 2018;:109-134.
doi:10.5281/zenodo.10938800 .

Ciric, Dragana, "Diagrammatics of Virtual Connectome: Architecture of Digital Memory-Scaping [Keynote] [предавање по позиву]" in Going Digital [Elekronski izvor] : innovations in art, science and technology in digital era : proceedings / Third International Conference on the Digital Age, Belgrade (2018):109-134,
https://doi.org/10.5281/zenodo.10938800 . .

TY  - CONF
AU  - Ciric, Dragana
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2219
AB  - Referring to Klaus Mainzer’s theory and interpretation of move from symmetry toward complexity (Mainzer, 2005) considering his explanation of complexity theory through various scientific frameworks – mathematics, physics, chemistry, biology, economics and social sciences, computer science, philosophy, and arts - additionally extending its influences on many matters covered by research in principles of nonlinearity, a distinctive view on its application in architecture has been revealed and problematized as a specific subject of scientific interest. The architectural design aimed at engaging time and change, transformation, shifting scales, mobility, multiplicity of views, programs/scenarios, and forms, interactivity and inner reconfiguration and self-constructing capacities of architectural systems, renders a specific mapping of complexity offering new measures and strategies of its dynamic control and skilful articulation.
Complexity theory, the study of nonlinear dynamic systems, has been used as a conceptual framework that “reconciles the essential unpredictability with the emergence of distinctive patterns” (Cartwright, 1991) – “It suggests that simple deterministic functions can give rise to highly complex and often unpredictable behaviour, and yet this complexity can still exhibit surprising order and patterns” (Levy, 2000:68). Without simple cause and effect relationships, or a single and easily discernible rule of progression and development, the systems analysed are based on more complex algorithms and relational laws between the elements that constitute them. Their dynamic properties are essential for being characterized by “nonlinear relationships and complex interactions that evolve dynamically over time” (Levy, 2000:68; Tran, in Erçetin and Bağcı, 2016:169).
Following system theory, theory of complexity and chaos, dynamic systems theory, and design intelligence strategies (D. Ciric) as ways of articulating multiple data diagrammatically in architecture and its extended meta-disciplinary field, the paper deals with their problems and architectural interpretation through different studies and research projects. Diagrammatisation of dynamic processes here refers to scientific refinement and definition of their properties as basic motives and principles of architectural research (work with data and organizing structures, or intensive properties with specific spatial effects) and architectural design (e.g. investigation through iterative processes and versioning).
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Conference Proceedings [Elektronski izvor] / Fifth [International Conference and Exhibition On Architecture within] International Multimedia Event, [Belgrade, 2017]
T1  - Complexity: Dynamic Diagrammatic Architectures
SP  - 29
EP  - 50
DO  - 10.5281/zenodo.10939168
ER  - 

@conference{
author = "Ciric, Dragana",
year = "2017",
abstract = "Referring to Klaus Mainzer’s theory and interpretation of move from symmetry toward complexity (Mainzer, 2005) considering his explanation of complexity theory through various scientific frameworks – mathematics, physics, chemistry, biology, economics and social sciences, computer science, philosophy, and arts - additionally extending its influences on many matters covered by research in principles of nonlinearity, a distinctive view on its application in architecture has been revealed and problematized as a specific subject of scientific interest. The architectural design aimed at engaging time and change, transformation, shifting scales, mobility, multiplicity of views, programs/scenarios, and forms, interactivity and inner reconfiguration and self-constructing capacities of architectural systems, renders a specific mapping of complexity offering new measures and strategies of its dynamic control and skilful articulation.
Complexity theory, the study of nonlinear dynamic systems, has been used as a conceptual framework that “reconciles the essential unpredictability with the emergence of distinctive patterns” (Cartwright, 1991) – “It suggests that simple deterministic functions can give rise to highly complex and often unpredictable behaviour, and yet this complexity can still exhibit surprising order and patterns” (Levy, 2000:68). Without simple cause and effect relationships, or a single and easily discernible rule of progression and development, the systems analysed are based on more complex algorithms and relational laws between the elements that constitute them. Their dynamic properties are essential for being characterized by “nonlinear relationships and complex interactions that evolve dynamically over time” (Levy, 2000:68; Tran, in Erçetin and Bağcı, 2016:169).
Following system theory, theory of complexity and chaos, dynamic systems theory, and design intelligence strategies (D. Ciric) as ways of articulating multiple data diagrammatically in architecture and its extended meta-disciplinary field, the paper deals with their problems and architectural interpretation through different studies and research projects. Diagrammatisation of dynamic processes here refers to scientific refinement and definition of their properties as basic motives and principles of architectural research (work with data and organizing structures, or intensive properties with specific spatial effects) and architectural design (e.g. investigation through iterative processes and versioning).",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Conference Proceedings [Elektronski izvor] / Fifth [International Conference and Exhibition On Architecture within] International Multimedia Event, [Belgrade, 2017]",
title = "Complexity: Dynamic Diagrammatic Architectures",
pages = "29-50",
doi = "10.5281/zenodo.10939168"
}

Ciric, D.. (2017). Complexity: Dynamic Diagrammatic Architectures. in Conference Proceedings [Elektronski izvor] / Fifth [International Conference and Exhibition On Architecture within] International Multimedia Event, [Belgrade, 2017]
Belgrade : STRAND - Sustainable Urban Society Association., 29-50.
https://doi.org/10.5281/zenodo.10939168

Ciric D. Complexity: Dynamic Diagrammatic Architectures. in Conference Proceedings [Elektronski izvor] / Fifth [International Conference and Exhibition On Architecture within] International Multimedia Event, [Belgrade, 2017]. 2017;:29-50.
doi:10.5281/zenodo.10939168 .

Ciric, Dragana, "Complexity: Dynamic Diagrammatic Architectures" in Conference Proceedings [Elektronski izvor] / Fifth [International Conference and Exhibition On Architecture within] International Multimedia Event, [Belgrade, 2017] (2017):29-50,
https://doi.org/10.5281/zenodo.10939168 . .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2017
UR  - https://www.strand.rs/2017-book-abstracts-exhibition/#_
UR  - https://www.strand.rs/2017-book-abstracts-exhibition/#flipbook-df_57489/17/
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2226
AB  - Referring to Klaus Mainzer’s theory and interpretation of the move from symmetry toward complexity (Mainzer, 2005) and his explanation of complexity theory through frameworks of various scientific disciplines (mathematics, physics, chemistry, biology, economics and social sciences, computer science, philosophy, and arts) while not neglecting the extension of the theory's influences on large number of matters covered by research in nonlinearity principles, a distinctive view on the complexity theory application in architecture has been problematised as a specific subject of scientific interest.
AB  - The problem of embedding or engaging time and change, transformation, shifting scales, multiplicity of views, programs/scenarios, and forms, interactivity, inner reconfiguration, and self-constructing capacities in architectural systems and architectural design, implies a specific form of application of the theory of dynamics and complexity theory; it refers to architectural strategies of control and skilful articulation of dynamic and complex features.
AB  - Following systems theory, theory of complexity and chaos, dynamic systems theory, and design intelligence strategies (Ciric) as ways of articulating multiple data diagrammatically in architecture and its extended field of research, the paper deals with problems of architectural interpretation of the stated theories through different studies and research projects.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Book of Abstracts : [on architecture 2017] / [Fifth International Multimedia Event Book of Abstracts & Exhibition Book, Belgrade, 2017]
T1  - Complexity: Dynamic Diagrammatic Architectures [apstrakt]
SP  - 14
EP  - 14
UR  - https://hdl.handle.net/21.15107/rcub_raf_2226
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2017",
abstract = "Referring to Klaus Mainzer’s theory and interpretation of the move from symmetry toward complexity (Mainzer, 2005) and his explanation of complexity theory through frameworks of various scientific disciplines (mathematics, physics, chemistry, biology, economics and social sciences, computer science, philosophy, and arts) while not neglecting the extension of the theory's influences on large number of matters covered by research in nonlinearity principles, a distinctive view on the complexity theory application in architecture has been problematised as a specific subject of scientific interest., The problem of embedding or engaging time and change, transformation, shifting scales, multiplicity of views, programs/scenarios, and forms, interactivity, inner reconfiguration, and self-constructing capacities in architectural systems and architectural design, implies a specific form of application of the theory of dynamics and complexity theory; it refers to architectural strategies of control and skilful articulation of dynamic and complex features., Following systems theory, theory of complexity and chaos, dynamic systems theory, and design intelligence strategies (Ciric) as ways of articulating multiple data diagrammatically in architecture and its extended field of research, the paper deals with problems of architectural interpretation of the stated theories through different studies and research projects.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Book of Abstracts : [on architecture 2017] / [Fifth International Multimedia Event Book of Abstracts & Exhibition Book, Belgrade, 2017]",
title = "Complexity: Dynamic Diagrammatic Architectures [apstrakt]",
pages = "14-14",
url = "https://hdl.handle.net/21.15107/rcub_raf_2226"
}

Ćirić, D.. (2017). Complexity: Dynamic Diagrammatic Architectures [apstrakt]. in Book of Abstracts : [on architecture 2017] / [Fifth International Multimedia Event Book of Abstracts & Exhibition Book, Belgrade, 2017]
Belgrade : STRAND - Sustainable Urban Society Association., 14-14.
https://hdl.handle.net/21.15107/rcub_raf_2226

Ćirić D. Complexity: Dynamic Diagrammatic Architectures [apstrakt]. in Book of Abstracts : [on architecture 2017] / [Fifth International Multimedia Event Book of Abstracts & Exhibition Book, Belgrade, 2017]. 2017;:14-14.
https://hdl.handle.net/21.15107/rcub_raf_2226 .

Ćirić, Dragana, "Complexity: Dynamic Diagrammatic Architectures [apstrakt]" in Book of Abstracts : [on architecture 2017] / [Fifth International Multimedia Event Book of Abstracts & Exhibition Book, Belgrade, 2017] (2017):14-14,
https://hdl.handle.net/21.15107/rcub_raf_2226 .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2016
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2217
AB  - As an agent of “a strategic effort to make difference in space,” and instrument to acknowledge and mark the limits where “normative values of different systems meet” (Van Houtum and Van Naerssen, 2022:129), architecture always performs certain kind of ‘border-work.’ It materialises, spatially defines, and gives form, shape, and type. It makes certain normative territorial and legal claims, structures, systems, procedures, and programs evident, designating boundaries of the given ‘power-authority.’ Therefore, it shares principles with the border ontology and epistemology. This bordering role of architecture, historically used to spatially reinforce different acts of political, military, administrative, economic, social and cultural division, as well as private-public one, has significantly been altered by the introduction of virtual spatial control and design. Technological move towards ‘virtuality’ and ‘soft control’ questioned the position of architecture as a material instrument of border-making and privacy protection. 
The border developed its virtual double, which progressed into completely autonomous entity. It ceased to represent power spatially and materially, largely resorting to invisible forms of control and bordering, extending simultaneously modes of border-power representation by digital technologies. Rethought under the imperatives of transparency and dematerialisation (Aureli, 2012), digitality, globalisation, supranationality, and open economy, additionally being split between the real/actual and virtual realms, the border acquired different status and architectural properties.
Within these conditions, is the experience of the border as we new it completely disappeared under the urge of ‘being digital’ (Negroponte, 1996) or is this just an illusion and rhetorical claim while traditional borders are stronger than ever? Do control and surveillance theories (Van Houtum, 2011) explain ‘power in operation’ changing its principles and strategies by hiding traces of physical existence and impact? What happened to ‘right to privacy,’ quite violated by the mechanisms of dematerialised power ‘not being much about the rear window ethics’? What is the role and position of architecture within this context while performing transition from massive forms of control towards less visible ‘smartness’ and ‘intelligence’ of non-physical cyber-environment?
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Going digital: innovation in art, architecture, science and technology [Elektronski izvor]   : conference proceedings
T1  - Disappearing Borders: Ethics of Power Invisibility
SP  - 91
EP  - 107
DO  - 10.5281/zenodo.10939067
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2016",
abstract = "As an agent of “a strategic effort to make difference in space,” and instrument to acknowledge and mark the limits where “normative values of different systems meet” (Van Houtum and Van Naerssen, 2022:129), architecture always performs certain kind of ‘border-work.’ It materialises, spatially defines, and gives form, shape, and type. It makes certain normative territorial and legal claims, structures, systems, procedures, and programs evident, designating boundaries of the given ‘power-authority.’ Therefore, it shares principles with the border ontology and epistemology. This bordering role of architecture, historically used to spatially reinforce different acts of political, military, administrative, economic, social and cultural division, as well as private-public one, has significantly been altered by the introduction of virtual spatial control and design. Technological move towards ‘virtuality’ and ‘soft control’ questioned the position of architecture as a material instrument of border-making and privacy protection. 
The border developed its virtual double, which progressed into completely autonomous entity. It ceased to represent power spatially and materially, largely resorting to invisible forms of control and bordering, extending simultaneously modes of border-power representation by digital technologies. Rethought under the imperatives of transparency and dematerialisation (Aureli, 2012), digitality, globalisation, supranationality, and open economy, additionally being split between the real/actual and virtual realms, the border acquired different status and architectural properties.
Within these conditions, is the experience of the border as we new it completely disappeared under the urge of ‘being digital’ (Negroponte, 1996) or is this just an illusion and rhetorical claim while traditional borders are stronger than ever? Do control and surveillance theories (Van Houtum, 2011) explain ‘power in operation’ changing its principles and strategies by hiding traces of physical existence and impact? What happened to ‘right to privacy,’ quite violated by the mechanisms of dematerialised power ‘not being much about the rear window ethics’? What is the role and position of architecture within this context while performing transition from massive forms of control towards less visible ‘smartness’ and ‘intelligence’ of non-physical cyber-environment?",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Going digital: innovation in art, architecture, science and technology [Elektronski izvor]   : conference proceedings",
title = "Disappearing Borders: Ethics of Power Invisibility",
pages = "91-107",
doi = "10.5281/zenodo.10939067"
}

Ćirić, D.. (2016). Disappearing Borders: Ethics of Power Invisibility. in Going digital: innovation in art, architecture, science and technology [Elektronski izvor]   : conference proceedings
Belgrade : STRAND - Sustainable Urban Society Association., 91-107.
https://doi.org/10.5281/zenodo.10939067

Ćirić D. Disappearing Borders: Ethics of Power Invisibility. in Going digital: innovation in art, architecture, science and technology [Elektronski izvor]   : conference proceedings. 2016;:91-107.
doi:10.5281/zenodo.10939067 .

Ćirić, Dragana, "Disappearing Borders: Ethics of Power Invisibility" in Going digital: innovation in art, architecture, science and technology [Elektronski izvor]   : conference proceedings (2016):91-107,
https://doi.org/10.5281/zenodo.10939067 . .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2016
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2216
AB  - Design-data intelligence refers to complex cognitive and information structures (systems of thinking and coding), or specific logics controlling data, that lie behind design research processes. These specific mindsets and mechanisms of data networking define the context in which we operate while resolving different spatial and other problems within the specific architectural design tasks. It is an information and knowledge base that shapes design attitudes and positions, preceding conceptual decisions and concrete design actions. In order to make them visible, we usually use different techniques of relational graphic representation such as diagrams. Diagrams are adopted as the most abstract and suitable category, having the capacity to grasp multiple dimensions of thinking processes. Based on diagrammatic reasoning, or thinking method, the research results and theoretical “weaving” are presented as data-maps and spaces aiming to facilitate comprehension of data-connectivity lines, vectors and patterns (connectivity patterns, H. Müller: 2014) of the extended mind (Clark and Chalmers: 1998), bridging internal cognitive and biological processes with the general social-cultural context and conditions, specifically architectural design history and theory. This space-information form (information of architecture/data-architecture), as a parallel conceptual system, complements other spatial aspects, extending perceptible and experiential reality by additional data. Even though it cannot be completely equated with architecture’s physical properties, it conveys certain aspects of its materiality that can be used for direct intervention in spatial identity, form, and code. Mapping and tracing through our mental space reveal existing and invisible knowledge structures and predict ones yet to come. The resulting augmented reality implies the ways in which digitality transforms spatial awareness.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Scale of design from micro to macro [Elektronski izvor]  : from furniture design to urban design : conference proceedings / [Fourth] International Scientific Conference and Exhibition On Architecture
T1  - Design-Data Intelligence: Microhistories and Diagrammatic Reasoning
SP  - 155
EP  - 171
DO  - 10.5281/zenodo.10942266
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2016",
abstract = "Design-data intelligence refers to complex cognitive and information structures (systems of thinking and coding), or specific logics controlling data, that lie behind design research processes. These specific mindsets and mechanisms of data networking define the context in which we operate while resolving different spatial and other problems within the specific architectural design tasks. It is an information and knowledge base that shapes design attitudes and positions, preceding conceptual decisions and concrete design actions. In order to make them visible, we usually use different techniques of relational graphic representation such as diagrams. Diagrams are adopted as the most abstract and suitable category, having the capacity to grasp multiple dimensions of thinking processes. Based on diagrammatic reasoning, or thinking method, the research results and theoretical “weaving” are presented as data-maps and spaces aiming to facilitate comprehension of data-connectivity lines, vectors and patterns (connectivity patterns, H. Müller: 2014) of the extended mind (Clark and Chalmers: 1998), bridging internal cognitive and biological processes with the general social-cultural context and conditions, specifically architectural design history and theory. This space-information form (information of architecture/data-architecture), as a parallel conceptual system, complements other spatial aspects, extending perceptible and experiential reality by additional data. Even though it cannot be completely equated with architecture’s physical properties, it conveys certain aspects of its materiality that can be used for direct intervention in spatial identity, form, and code. Mapping and tracing through our mental space reveal existing and invisible knowledge structures and predict ones yet to come. The resulting augmented reality implies the ways in which digitality transforms spatial awareness.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Scale of design from micro to macro [Elektronski izvor]  : from furniture design to urban design : conference proceedings / [Fourth] International Scientific Conference and Exhibition On Architecture",
title = "Design-Data Intelligence: Microhistories and Diagrammatic Reasoning",
pages = "155-171",
doi = "10.5281/zenodo.10942266"
}

Ćirić, D.. (2016). Design-Data Intelligence: Microhistories and Diagrammatic Reasoning. in Scale of design from micro to macro [Elektronski izvor]  : from furniture design to urban design : conference proceedings / [Fourth] International Scientific Conference and Exhibition On Architecture
Belgrade : STRAND - Sustainable Urban Society Association., 155-171.
https://doi.org/10.5281/zenodo.10942266

Ćirić D. Design-Data Intelligence: Microhistories and Diagrammatic Reasoning. in Scale of design from micro to macro [Elektronski izvor]  : from furniture design to urban design : conference proceedings / [Fourth] International Scientific Conference and Exhibition On Architecture. 2016;:155-171.
doi:10.5281/zenodo.10942266 .

Ćirić, Dragana, "Design-Data Intelligence: Microhistories and Diagrammatic Reasoning" in Scale of design from micro to macro [Elektronski izvor]  : from furniture design to urban design : conference proceedings / [Fourth] International Scientific Conference and Exhibition On Architecture (2016):155-171,
https://doi.org/10.5281/zenodo.10942266 . .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2015
UR  - https://www.strand.rs/2015-book-abstracts-exhibition/
UR  - https://www.strand.rs/2015-book-abstracts-exhibition/#flipbook-df_57460/35/
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2220
AB  - ‘The Clash of Cultures’ refers primarily to encounters and competition between numerous cultural constructs and identities on the cultural identity market, produced by the leading cultural and artistic institutions and other authorities influential in the stated field. Stated positions of power collect and archive, conceive and conceptualise, formulate and shape, control and organise, expand, reproduce, evaluate, legitimise, and interpret subjects of culture, making them additionally applicable, functional, and accessible to wider public. They obtain simultaneous existence of historically and geographically scattered cultural and artistic identities and artefacts, assembled and constructed anew under the specific frameworks, institutional policies, and strategies, representing them as newly branded collections. Differing from some previous rather questionable conceptions of exchange, acquisition, and appropriation of cultural and artistic artefacts and wealth in general, their international influence now works through conventions, agreements, scientific competences and status privileges, claiming the jurisdiction and responsibility for the world heritage preservation. The research follows specific collections, the processes of their formation and expansion, along with architectural reproduction of cultural and economic influences of the leading institutions that work on their establishment. It aims to reveal sources, paths or complete genealogy and structure of collection making and ordering, confirmed additionally by means of architecture.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Reworking the City through New Architecture : book of abstracts / Third International Conference and Exhibition On Architecture, Belgrade
T1  - The Clash of Cultures
SP  - 32
EP  - 32
UR  - https://hdl.handle.net/21.15107/rcub_raf_2220
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2015",
abstract = "‘The Clash of Cultures’ refers primarily to encounters and competition between numerous cultural constructs and identities on the cultural identity market, produced by the leading cultural and artistic institutions and other authorities influential in the stated field. Stated positions of power collect and archive, conceive and conceptualise, formulate and shape, control and organise, expand, reproduce, evaluate, legitimise, and interpret subjects of culture, making them additionally applicable, functional, and accessible to wider public. They obtain simultaneous existence of historically and geographically scattered cultural and artistic identities and artefacts, assembled and constructed anew under the specific frameworks, institutional policies, and strategies, representing them as newly branded collections. Differing from some previous rather questionable conceptions of exchange, acquisition, and appropriation of cultural and artistic artefacts and wealth in general, their international influence now works through conventions, agreements, scientific competences and status privileges, claiming the jurisdiction and responsibility for the world heritage preservation. The research follows specific collections, the processes of their formation and expansion, along with architectural reproduction of cultural and economic influences of the leading institutions that work on their establishment. It aims to reveal sources, paths or complete genealogy and structure of collection making and ordering, confirmed additionally by means of architecture.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Reworking the City through New Architecture : book of abstracts / Third International Conference and Exhibition On Architecture, Belgrade",
title = "The Clash of Cultures",
pages = "32-32",
url = "https://hdl.handle.net/21.15107/rcub_raf_2220"
}

Ćirić, D.. (2015). The Clash of Cultures. in Reworking the City through New Architecture : book of abstracts / Third International Conference and Exhibition On Architecture, Belgrade
Belgrade : STRAND - Sustainable Urban Society Association., 32-32.
https://hdl.handle.net/21.15107/rcub_raf_2220

Ćirić D. The Clash of Cultures. in Reworking the City through New Architecture : book of abstracts / Third International Conference and Exhibition On Architecture, Belgrade. 2015;:32-32.
https://hdl.handle.net/21.15107/rcub_raf_2220 .

Ćirić, Dragana, "The Clash of Cultures" in Reworking the City through New Architecture : book of abstracts / Third International Conference and Exhibition On Architecture, Belgrade (2015):32-32,
https://hdl.handle.net/21.15107/rcub_raf_2220 .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2015
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2215
AB  - The form of the traditional city, completely surrounded by walls and fences, guiding the movement through built structure labyrinths, controlled street axis, gates and passages, driven by demand to maintain its integrity and possessions, dissolved with the emergence of the open plan and structure configurations, geometries of endless expansion, contemporary ideas of the territorial and economic internationality and specific national-international-supranational division, open economy and the capital mobility. The territory- and mobility-control principles changed with every reconfiguration of power structures, where, as the most important for contemporary moment, we can draw out the development of modern societies, the influence of early ideas of the modern movement, followed by that of a high modernism, just to be again revisited in several occasions by contemporary technological move towards virtual and soft control. By their laws, cities developed the geometry of the unlimited urban sprawl and inner structural growth filling up the voids within the same logic of the overall urban spreading principles. Accessibility/mobility-control relation through architectural interventions, acquired different status and material responses to established aims, values, and regulations (from military to open economy principles).
The main research subject is the change of previous historical city borders, the particular architecture that replaces them, and the very architectural act of 'bordering' or 'othering' in contemporary conditions. The question underlined is not merely about the porous, unstable, and inconsistent boundaries of the contemporary city leading to the form of the city-region, nor merely about its peripheries, about distant or dislocated possessions (as remote fragments of contemporary colonial strategies), but also about the change of the very matter, nature and position of those dividing forms, principles or entities. Specified as architectural ones, these forms were recalibrated in a way that abolishes centre-periphery division and corresponding spatial configuration. The bordering role, or a position of architecture, connected with its material properties and impact, historically used to spatially reinforce different acts of (political, military, administrative, economic, cultural, etc.) division, has been questioned by introduction of the virtual spatial control and design in architecture.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - On Architecture - Reworking the City through New Architecture [Elektronski izvor] : conference proceedings / [Third International Conference and Exhibition On Architecture, Belgrade
T1  - Architectural Bordering: Concepts, Models, and Principles
SP  - 36
EP  - 54
DO  - 10.5281/zenodo.10940144
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2015",
abstract = "The form of the traditional city, completely surrounded by walls and fences, guiding the movement through built structure labyrinths, controlled street axis, gates and passages, driven by demand to maintain its integrity and possessions, dissolved with the emergence of the open plan and structure configurations, geometries of endless expansion, contemporary ideas of the territorial and economic internationality and specific national-international-supranational division, open economy and the capital mobility. The territory- and mobility-control principles changed with every reconfiguration of power structures, where, as the most important for contemporary moment, we can draw out the development of modern societies, the influence of early ideas of the modern movement, followed by that of a high modernism, just to be again revisited in several occasions by contemporary technological move towards virtual and soft control. By their laws, cities developed the geometry of the unlimited urban sprawl and inner structural growth filling up the voids within the same logic of the overall urban spreading principles. Accessibility/mobility-control relation through architectural interventions, acquired different status and material responses to established aims, values, and regulations (from military to open economy principles).
The main research subject is the change of previous historical city borders, the particular architecture that replaces them, and the very architectural act of 'bordering' or 'othering' in contemporary conditions. The question underlined is not merely about the porous, unstable, and inconsistent boundaries of the contemporary city leading to the form of the city-region, nor merely about its peripheries, about distant or dislocated possessions (as remote fragments of contemporary colonial strategies), but also about the change of the very matter, nature and position of those dividing forms, principles or entities. Specified as architectural ones, these forms were recalibrated in a way that abolishes centre-periphery division and corresponding spatial configuration. The bordering role, or a position of architecture, connected with its material properties and impact, historically used to spatially reinforce different acts of (political, military, administrative, economic, cultural, etc.) division, has been questioned by introduction of the virtual spatial control and design in architecture.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "On Architecture - Reworking the City through New Architecture [Elektronski izvor] : conference proceedings / [Third International Conference and Exhibition On Architecture, Belgrade",
title = "Architectural Bordering: Concepts, Models, and Principles",
pages = "36-54",
doi = "10.5281/zenodo.10940144"
}

Ćirić, D.. (2015). Architectural Bordering: Concepts, Models, and Principles. in On Architecture - Reworking the City through New Architecture [Elektronski izvor] : conference proceedings / [Third International Conference and Exhibition On Architecture, Belgrade
Belgrade : STRAND - Sustainable Urban Society Association., 36-54.
https://doi.org/10.5281/zenodo.10940144

Ćirić D. Architectural Bordering: Concepts, Models, and Principles. in On Architecture - Reworking the City through New Architecture [Elektronski izvor] : conference proceedings / [Third International Conference and Exhibition On Architecture, Belgrade. 2015;:36-54.
doi:10.5281/zenodo.10940144 .

Ćirić, Dragana, "Architectural Bordering: Concepts, Models, and Principles" in On Architecture - Reworking the City through New Architecture [Elektronski izvor] : conference proceedings / [Third International Conference and Exhibition On Architecture, Belgrade (2015):36-54,
https://doi.org/10.5281/zenodo.10940144 . .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2203
AB  - The paper investigates various issues in contemporary architectural theory and practice considering the use of digital and analogue graphic representations - drawings, notes, sketches, diagrams, cinegrams, notations, images - as conceptual apparatus in design thinking. It positions itself on the border between the architecture and cognitive sciences, technology, art and culture studies, discussing at the same time wider historical, social, cultural conditions that influenced shifts in dominant views, values, mechanisms, or methods used. Among the methodologies involved are design research, thinking through drawing and diagrammatic thinking, as both and merged intuitive/creative and rational/intellectual/scientific/constructive techniques. The shift is marked with the condition of diagram/diagrammatic drawing acquiring a dominant position in design theory and practice, both as a thinking and programmatic tool and as an object of artistic production. This moved previously undermined status of a diagram in comparison to drawing, and put under question the strict opposition in which diagram is defined as an intellectual, scientific and academic thinking mode or structure, whereas drawing is given more “artistic nature”. Special research importance is given to the issues of dynamic properties of a diagram, or architectural representations in general. This field of interest is focused on the issue of time representation and performance in spatial and visual contexts - timefigurations - suggesting the active, behavioural and experiential aspects, or enactments of graphic representations. It includes signifying and performative properties of a diagram and drawing, and their properties of a map and system of suggested behaviour. Keywords: diagram, notation, dynamic (time) representations - timefigurations, diagrammatic thinking and design, cognitive processes
PB  - STRAND - Sustainable Urban Society Association
C3  - Facing the future [Elektronski izvor]  : conference proceedings / Second International Conference and Exhibition On Architecture, Belgrade
T1  - Architectural Design Process: Diagrammatic Turn
SP  - 151
EP  - 167
DO  - 10.5281/zenodo.10943648
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2014",
abstract = "The paper investigates various issues in contemporary architectural theory and practice considering the use of digital and analogue graphic representations - drawings, notes, sketches, diagrams, cinegrams, notations, images - as conceptual apparatus in design thinking. It positions itself on the border between the architecture and cognitive sciences, technology, art and culture studies, discussing at the same time wider historical, social, cultural conditions that influenced shifts in dominant views, values, mechanisms, or methods used. Among the methodologies involved are design research, thinking through drawing and diagrammatic thinking, as both and merged intuitive/creative and rational/intellectual/scientific/constructive techniques. The shift is marked with the condition of diagram/diagrammatic drawing acquiring a dominant position in design theory and practice, both as a thinking and programmatic tool and as an object of artistic production. This moved previously undermined status of a diagram in comparison to drawing, and put under question the strict opposition in which diagram is defined as an intellectual, scientific and academic thinking mode or structure, whereas drawing is given more “artistic nature”. Special research importance is given to the issues of dynamic properties of a diagram, or architectural representations in general. This field of interest is focused on the issue of time representation and performance in spatial and visual contexts - timefigurations - suggesting the active, behavioural and experiential aspects, or enactments of graphic representations. It includes signifying and performative properties of a diagram and drawing, and their properties of a map and system of suggested behaviour. Keywords: diagram, notation, dynamic (time) representations - timefigurations, diagrammatic thinking and design, cognitive processes",
publisher = "STRAND - Sustainable Urban Society Association",
journal = "Facing the future [Elektronski izvor]  : conference proceedings / Second International Conference and Exhibition On Architecture, Belgrade",
title = "Architectural Design Process: Diagrammatic Turn",
pages = "151-167",
doi = "10.5281/zenodo.10943648"
}

Ćirić, D.. (2014). Architectural Design Process: Diagrammatic Turn. in Facing the future [Elektronski izvor]  : conference proceedings / Second International Conference and Exhibition On Architecture, Belgrade
STRAND - Sustainable Urban Society Association., 151-167.
https://doi.org/10.5281/zenodo.10943648

Ćirić D. Architectural Design Process: Diagrammatic Turn. in Facing the future [Elektronski izvor]  : conference proceedings / Second International Conference and Exhibition On Architecture, Belgrade. 2014;:151-167.
doi:10.5281/zenodo.10943648 .

Ćirić, Dragana, "Architectural Design Process: Diagrammatic Turn" in Facing the future [Elektronski izvor]  : conference proceedings / Second International Conference and Exhibition On Architecture, Belgrade (2014):151-167,
https://doi.org/10.5281/zenodo.10943648 . .

TY  - CONF
AU  - Ćirić, Dragana
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2222
AB  - Paper investigates various issues in contemporary architectural theory and practice considering the use of digital and analogue graphic representations - drawings, notes, sketches, diagrams, cinegrams, notations, images - as conceptual apparatuses in design thinking. It positions itself in the cross-section of architecture and cognitive sciences, technology, art and culture studies, discussing at the same time wider historical, social, cultural, conditions that influenced shifts in dominant views, values, mechanisms, or methods. Among the involved methodologies are design research, thinking through drawing and diagrammatic thinking, as both and merged intuitive/creative and rational/intellectual/scientific constructive techniques. The shift is marked by the condition of diagram or diagrammatic drawing acquiring a dominant position in design theory and practice, both as a thinking and programmatic tool, and as an object of artistic production. Previously undermined status of a diagram when compared to drawing thus changed and put under the question a strict opposition in which diagram is defined as an intellectual, scientific and academic thinking mode or structure, whereas drawing is given "artistic nature." Special importance is given to dynamic properties of a diagram, or architectural representations in general. This field of interest is focused on time representation and performance in spatial and visual contexts ('timefigurations') suggesting active, behavioural, and experiential aspects, or enactments of graphic representations. It implies performative properties of a diagram and drawing, or their capacity of operating as maps and systems of suggested behaviour.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Facing the Future : book of abstracts / Second International Conference and Exhibition On Architecture, Belgrade
T1  - Architectural Design Process: Diagrammatic Turn
SP  - 39
EP  - 39
UR  - https://hdl.handle.net/21.15107/rcub_raf_2222
ER  - 

@conference{
author = "Ćirić, Dragana",
year = "2014",
abstract = "Paper investigates various issues in contemporary architectural theory and practice considering the use of digital and analogue graphic representations - drawings, notes, sketches, diagrams, cinegrams, notations, images - as conceptual apparatuses in design thinking. It positions itself in the cross-section of architecture and cognitive sciences, technology, art and culture studies, discussing at the same time wider historical, social, cultural, conditions that influenced shifts in dominant views, values, mechanisms, or methods. Among the involved methodologies are design research, thinking through drawing and diagrammatic thinking, as both and merged intuitive/creative and rational/intellectual/scientific constructive techniques. The shift is marked by the condition of diagram or diagrammatic drawing acquiring a dominant position in design theory and practice, both as a thinking and programmatic tool, and as an object of artistic production. Previously undermined status of a diagram when compared to drawing thus changed and put under the question a strict opposition in which diagram is defined as an intellectual, scientific and academic thinking mode or structure, whereas drawing is given "artistic nature." Special importance is given to dynamic properties of a diagram, or architectural representations in general. This field of interest is focused on time representation and performance in spatial and visual contexts ('timefigurations') suggesting active, behavioural, and experiential aspects, or enactments of graphic representations. It implies performative properties of a diagram and drawing, or their capacity of operating as maps and systems of suggested behaviour.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Facing the Future : book of abstracts / Second International Conference and Exhibition On Architecture, Belgrade",
title = "Architectural Design Process: Diagrammatic Turn",
pages = "39-39",
url = "https://hdl.handle.net/21.15107/rcub_raf_2222"
}

Ćirić, D.. (2014). Architectural Design Process: Diagrammatic Turn. in Facing the Future : book of abstracts / Second International Conference and Exhibition On Architecture, Belgrade
Belgrade : STRAND - Sustainable Urban Society Association., 39-39.
https://hdl.handle.net/21.15107/rcub_raf_2222

Ćirić D. Architectural Design Process: Diagrammatic Turn. in Facing the Future : book of abstracts / Second International Conference and Exhibition On Architecture, Belgrade. 2014;:39-39.
https://hdl.handle.net/21.15107/rcub_raf_2222 .

Ćirić, Dragana, "Architectural Design Process: Diagrammatic Turn" in Facing the Future : book of abstracts / Second International Conference and Exhibition On Architecture, Belgrade (2014):39-39,
https://hdl.handle.net/21.15107/rcub_raf_2222 .

TY  - CONF
AU  - Vasiljević-Tomić, Dragana
AU  - Nikezić, Ana
AU  - Janković, Nataša
AU  - Ćirić, Dragana
PY  - 2013
UR  - https://raf.arh.bg.ac.rs/handle/123456789/748
AB  - This paper examines the potential resources in the educational process and research methodology in the field of architectural and urban design, by positioning of the Blog as a formal framework of content and representation of contemporary architecture and as a tool that can contribute to the growing complexity of the knowledge base in the field of architecture.
In this context, this paper examines two theses. The first one suggests that, used properly, a Blog can become a useful tool in the form and content of the research. This is based on the assumption that reflection of the architectural design process may have a significant influence on the development of architectural education, particularly in the area of information exchange and raising of the critical awareness about the problems of the specific topics in spatial, contextual and formal sense. The second theses encourages the development of blogs as a tool that may extend the interpretive potential of the representation in the field of architectural and urban design, by displacing it from the real to the virtual space and by giving it a value of the driver and initiator of possible changes.
The paper also examines the ways in which the blog can establish, enhance, deepen or direct the already known and reliable methodological and conceptual basis of architectural education on the one side and representation of architectural and urban design, on the other side.
PB  - Belgrade : STRAND - Sustainable Urban Society Association
C3  - Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December]
T1  - Blog on Trial: Exposed Field in Architectural Education
SP  - 536
EP  - 545
UR  - https://hdl.handle.net/21.15107/rcub_raf_748
ER  - 

@conference{
author = "Vasiljević-Tomić, Dragana and Nikezić, Ana and Janković, Nataša and Ćirić, Dragana",
year = "2013",
abstract = "This paper examines the potential resources in the educational process and research methodology in the field of architectural and urban design, by positioning of the Blog as a formal framework of content and representation of contemporary architecture and as a tool that can contribute to the growing complexity of the knowledge base in the field of architecture.
In this context, this paper examines two theses. The first one suggests that, used properly, a Blog can become a useful tool in the form and content of the research. This is based on the assumption that reflection of the architectural design process may have a significant influence on the development of architectural education, particularly in the area of information exchange and raising of the critical awareness about the problems of the specific topics in spatial, contextual and formal sense. The second theses encourages the development of blogs as a tool that may extend the interpretive potential of the representation in the field of architectural and urban design, by displacing it from the real to the virtual space and by giving it a value of the driver and initiator of possible changes.
The paper also examines the ways in which the blog can establish, enhance, deepen or direct the already known and reliable methodological and conceptual basis of architectural education on the one side and representation of architectural and urban design, on the other side.",
publisher = "Belgrade : STRAND - Sustainable Urban Society Association",
journal = "Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December]",
title = "Blog on Trial: Exposed Field in Architectural Education",
pages = "536-545",
url = "https://hdl.handle.net/21.15107/rcub_raf_748"
}

Vasiljević-Tomić, D., Nikezić, A., Janković, N.,& Ćirić, D.. (2013). Blog on Trial: Exposed Field in Architectural Education. in Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December]
Belgrade : STRAND - Sustainable Urban Society Association., 536-545.
https://hdl.handle.net/21.15107/rcub_raf_748

Vasiljević-Tomić D, Nikezić A, Janković N, Ćirić D. Blog on Trial: Exposed Field in Architectural Education. in Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December]. 2013;:536-545.
https://hdl.handle.net/21.15107/rcub_raf_748 .

Vasiljević-Tomić, Dragana, Nikezić, Ana, Janković, Nataša, Ćirić, Dragana, "Blog on Trial: Exposed Field in Architectural Education" in Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December] (2013):536-545,
https://hdl.handle.net/21.15107/rcub_raf_748 .

TY  - JOUR
AU  - Vasiljević-Tomić, Dragana
AU  - Nikezić, Ana
AU  - Ćirić, Dragana
PY  - 2013
UR  - https://raf.arh.bg.ac.rs/handle/123456789/133
AB  - This article reports methods and results of Master students' Diploma Thesis and Design research on representing identity through architecture. A group of 12 students have had the task to examine potentials and limitations of positioning and conceptualizing foreign Embassy in the context of Belgrade. Students were expected to rethink architectural representation and to find new possibilities for networking global aspects of identity and local aspects of context, thus creating architecture that emphasizes and promotes culture through its spatial and programmatic framework. Article concludes that architecture can become a resource for understanding cultural identity. It does not stop only at the physical, but affects the process of urban living, negotiating between global and local dimension of urban living, making a new culturally responsive urban landscape.
AB  - Ovaj članak se, kroz metode i rezultate rada u okviru Master diplomskog projekta na Arhitektonskom fakultetu Univerziteta u Beogradu, bavi istraživanjem kulturnog identiteta kroz arhitekturu. Grupa od 12 studenata imala je zadatak da ispita potencijale i ograničenja pozicioniranja i konceptualizacije jedne, konkretne, ambasade u prostornom i društvenom kontekstu Beograda. Od studenata se očekivalo da preispitaju mogućnosti prezentacije kroz arhitektonski jezik i da pronađu nove mogućnosti za umrežavanje globalnim aspektima identiteta i lokalni aspekti konteksta, stvarajući arhitekturu koja ističe i promoviše kulturu kroz prostorni i programski okvir. Članak zaključuje da arhitektura može postati izvor za razumevanje kulturnog identiteta. Ona se ne zaustavlja samo na fizičkoj strukturi, već utiče na proces urbanog života, balansirajući između globalne i lokalne dimenzije urbanog života, oblikujući novi kulturni pejzaž grada.
PB  - Univerzitet u Nišu, Niš
T2  - Facta universitatis - series: Architecture and Civil Engineering
T1  - Negotiating cultural identity through the architectural representation case study: Foreign embassy in Belgrade
T1  - Čitanje kulturnog identiteta kroz arhitekturu studija slučaja - ambasada u Beogradu
VL  - 11
IS  - 2
SP  - 113
EP  - 124
DO  - 10.2298/FUACE1302113V
ER  - 

@article{
author = "Vasiljević-Tomić, Dragana and Nikezić, Ana and Ćirić, Dragana",
year = "2013",
abstract = "This article reports methods and results of Master students' Diploma Thesis and Design research on representing identity through architecture. A group of 12 students have had the task to examine potentials and limitations of positioning and conceptualizing foreign Embassy in the context of Belgrade. Students were expected to rethink architectural representation and to find new possibilities for networking global aspects of identity and local aspects of context, thus creating architecture that emphasizes and promotes culture through its spatial and programmatic framework. Article concludes that architecture can become a resource for understanding cultural identity. It does not stop only at the physical, but affects the process of urban living, negotiating between global and local dimension of urban living, making a new culturally responsive urban landscape., Ovaj članak se, kroz metode i rezultate rada u okviru Master diplomskog projekta na Arhitektonskom fakultetu Univerziteta u Beogradu, bavi istraživanjem kulturnog identiteta kroz arhitekturu. Grupa od 12 studenata imala je zadatak da ispita potencijale i ograničenja pozicioniranja i konceptualizacije jedne, konkretne, ambasade u prostornom i društvenom kontekstu Beograda. Od studenata se očekivalo da preispitaju mogućnosti prezentacije kroz arhitektonski jezik i da pronađu nove mogućnosti za umrežavanje globalnim aspektima identiteta i lokalni aspekti konteksta, stvarajući arhitekturu koja ističe i promoviše kulturu kroz prostorni i programski okvir. Članak zaključuje da arhitektura može postati izvor za razumevanje kulturnog identiteta. Ona se ne zaustavlja samo na fizičkoj strukturi, već utiče na proces urbanog života, balansirajući između globalne i lokalne dimenzije urbanog života, oblikujući novi kulturni pejzaž grada.",
publisher = "Univerzitet u Nišu, Niš",
journal = "Facta universitatis - series: Architecture and Civil Engineering",
title = "Negotiating cultural identity through the architectural representation case study: Foreign embassy in Belgrade, Čitanje kulturnog identiteta kroz arhitekturu studija slučaja - ambasada u Beogradu",
volume = "11",
number = "2",
pages = "113-124",
doi = "10.2298/FUACE1302113V"
}

Vasiljević-Tomić, D., Nikezić, A.,& Ćirić, D.. (2013). Negotiating cultural identity through the architectural representation case study: Foreign embassy in Belgrade. in Facta universitatis - series: Architecture and Civil Engineering
Univerzitet u Nišu, Niš., 11(2), 113-124.
https://doi.org/10.2298/FUACE1302113V

Vasiljević-Tomić D, Nikezić A, Ćirić D. Negotiating cultural identity through the architectural representation case study: Foreign embassy in Belgrade. in Facta universitatis - series: Architecture and Civil Engineering. 2013;11(2):113-124.
doi:10.2298/FUACE1302113V .

Vasiljević-Tomić, Dragana, Nikezić, Ana, Ćirić, Dragana, "Negotiating cultural identity through the architectural representation case study: Foreign embassy in Belgrade" in Facta universitatis - series: Architecture and Civil Engineering, 11, no. 2 (2013):113-124,
https://doi.org/10.2298/FUACE1302113V . .