TY  - CONF
AU  - Guzijan, Jasna
AU  - Đukić, Aleksandra
AU  - Malinović, Miroslav
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2150
AB  - Between the late 18th century and the early 20th century, industry changed the structure of European cities. The facilities and infrastructure built during the Industrial Revolution transformed cities and became centers of innovation and knowledge. The urban structure of cities at that time was greatly influenced by the construction of factory complexes, whose dimensions made them the dominant structures in their local areas. The purpose of the renewal of industrial buildings is to preserve the urban structure and development stages, and through regeneration and transformation, these facilities are adapted for attractive contemporary reuses. Industrial heritage testifies to the continuous urban, cultural and social development of cities, which makes their preservation and reuse very appropriate. 
This paper explores the possibility of adaptive reuse of the Banja Luka Tobacco Factory and the use of industrial heritage for the needs of modern-day urban life. The Banja Luka Tobacco Factory was built at the end of the 19th century, during the Austro-Hungarian period. This factory complex was erected along the city thoroughfare known as the Imperial Road, which connects its northern and southern parts. Elegant residential, sacred, and commercial buildings were erected along this major road; today, they keep urban memory alive. The Tobacco Factory ceased operation in 2018 and it has not been used since. The complex is listed as cultural heritage of special architectural and historical importance. Banja Luka lacks the space needed for infrastructure to help the development of creative industries. Ideas have been put forward to adapt the facilities of the Tobacco Factory to be reused for the culture industry and art. By reviving the complex of the factory, the city could get new space for culture and strengthen the residents' ties with the local cultural heritage.
PB  - Bucharest : Editura Universitara
C3  - Challenges and Opportunities in the Conservation, Promotion and Adaptive Reuse of the Industrial Heritage : programme & book of abstracts, 21-22 September 2023, Bucharest
T1  - Industrial heritage as creative space: a case study of the Banja Luka Tobacco Factory
SP  - 27
EP  - 28
UR  - https://hdl.handle.net/21.15107/rcub_raf_2150
ER  - 

@conference{
author = "Guzijan, Jasna and Đukić, Aleksandra and Malinović, Miroslav",
year = "2023",
abstract = "Between the late 18th century and the early 20th century, industry changed the structure of European cities. The facilities and infrastructure built during the Industrial Revolution transformed cities and became centers of innovation and knowledge. The urban structure of cities at that time was greatly influenced by the construction of factory complexes, whose dimensions made them the dominant structures in their local areas. The purpose of the renewal of industrial buildings is to preserve the urban structure and development stages, and through regeneration and transformation, these facilities are adapted for attractive contemporary reuses. Industrial heritage testifies to the continuous urban, cultural and social development of cities, which makes their preservation and reuse very appropriate. 
This paper explores the possibility of adaptive reuse of the Banja Luka Tobacco Factory and the use of industrial heritage for the needs of modern-day urban life. The Banja Luka Tobacco Factory was built at the end of the 19th century, during the Austro-Hungarian period. This factory complex was erected along the city thoroughfare known as the Imperial Road, which connects its northern and southern parts. Elegant residential, sacred, and commercial buildings were erected along this major road; today, they keep urban memory alive. The Tobacco Factory ceased operation in 2018 and it has not been used since. The complex is listed as cultural heritage of special architectural and historical importance. Banja Luka lacks the space needed for infrastructure to help the development of creative industries. Ideas have been put forward to adapt the facilities of the Tobacco Factory to be reused for the culture industry and art. By reviving the complex of the factory, the city could get new space for culture and strengthen the residents' ties with the local cultural heritage.",
publisher = "Bucharest : Editura Universitara",
journal = "Challenges and Opportunities in the Conservation, Promotion and Adaptive Reuse of the Industrial Heritage : programme & book of abstracts, 21-22 September 2023, Bucharest",
title = "Industrial heritage as creative space: a case study of the Banja Luka Tobacco Factory",
pages = "27-28",
url = "https://hdl.handle.net/21.15107/rcub_raf_2150"
}

Guzijan, J., Đukić, A.,& Malinović, M.. (2023). Industrial heritage as creative space: a case study of the Banja Luka Tobacco Factory. in Challenges and Opportunities in the Conservation, Promotion and Adaptive Reuse of the Industrial Heritage : programme & book of abstracts, 21-22 September 2023, Bucharest
Bucharest : Editura Universitara., 27-28.
https://hdl.handle.net/21.15107/rcub_raf_2150

Guzijan J, Đukić A, Malinović M. Industrial heritage as creative space: a case study of the Banja Luka Tobacco Factory. in Challenges and Opportunities in the Conservation, Promotion and Adaptive Reuse of the Industrial Heritage : programme & book of abstracts, 21-22 September 2023, Bucharest. 2023;:27-28.
https://hdl.handle.net/21.15107/rcub_raf_2150 .

Guzijan, Jasna, Đukić, Aleksandra, Malinović, Miroslav, "Industrial heritage as creative space: a case study of the Banja Luka Tobacco Factory" in Challenges and Opportunities in the Conservation, Promotion and Adaptive Reuse of the Industrial Heritage : programme & book of abstracts, 21-22 September 2023, Bucharest (2023):27-28,
https://hdl.handle.net/21.15107/rcub_raf_2150 .

TY  - CONF
AU  - Guzijan, Jasna
AU  - Đukić, Aleksandra
AU  - Vaništa Lazаrević, Eva
AU  - Cvijić, Siniša
AU  - Radić, Simo
PY  - 2022
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1261
AB  - The Digital or Fourth Industrial Revolution, which began in the 1980s, is the event that has
contributed the most substantially to possibilities for global information dissemination. The explosion
of digital technologies over the last twenty years has brought change to the conventional workflow.
Institutions dealing with cultural heritage have recognised the opportunities afforded by digital
technologies for the preservation of tangible and intangible heritage, especially the great potential
they have shown for improving public access to different forms of cultural heritage and its
reuse.1Over the last two decades, there has been a debate among experts about the benefits and
drawbacks of using digital technologies for the purpose of preservation of cultural heritage, as well as
the relationship between the material and virtual worlds. Digitisation has caused many controversies
and dilemmas as to whether digital technologies can recapture the past outside what was previously
the human sociocultural context. Heritage is revitalised not solely for its spatial presentation, but also
for the experience and magic of feeling that one is in the past. This is a creative approach that allows
one to experience history using all senses and is a way to present heritage that really appeals to
people. The upside of digital technology is that it allows the protection, conservation and promotion
of tangible and intangible heritage. Ideas and initiatives such as virtual museums, libraries and
galleries are readily embraced when a site or an institution cannot be accessed physically, and they
were actively implemented during the COVID-19 pandemic. It is often reiterated that the ultimate
goal of using digital technology is to understand the past and to appreciate the achievements of
ancestors. 2 The European Commission launched Europeana, a platform that provides access to
cultural heritage through digital technology and is freely publicly accessible. 3 The use of digital
technology is a two-way process in that it has influenced our understanding of heritage on the one
hand, while on the other, cultural heritage has also influenced how digital tools can be used.
PB  - AMPS PROCEEDINGS SERIES
C3  - (IN)TANGIBLE HERITAGE(S): Design, culture and technology – past, present, and future: Proceedings
T1  - Digital Technologies for Urban Regeneration: A Case Study of the Former Bileća Street in Trebinje, Bosnia and Herzegovina
SP  - 369
EP  - 377
UR  - https://hdl.handle.net/21.15107/rcub_raf_1261
ER  - 

@conference{
author = "Guzijan, Jasna and Đukić, Aleksandra and Vaništa Lazаrević, Eva and Cvijić, Siniša and Radić, Simo",
year = "2022",
abstract = "The Digital or Fourth Industrial Revolution, which began in the 1980s, is the event that has
contributed the most substantially to possibilities for global information dissemination. The explosion
of digital technologies over the last twenty years has brought change to the conventional workflow.
Institutions dealing with cultural heritage have recognised the opportunities afforded by digital
technologies for the preservation of tangible and intangible heritage, especially the great potential
they have shown for improving public access to different forms of cultural heritage and its
reuse.1Over the last two decades, there has been a debate among experts about the benefits and
drawbacks of using digital technologies for the purpose of preservation of cultural heritage, as well as
the relationship between the material and virtual worlds. Digitisation has caused many controversies
and dilemmas as to whether digital technologies can recapture the past outside what was previously
the human sociocultural context. Heritage is revitalised not solely for its spatial presentation, but also
for the experience and magic of feeling that one is in the past. This is a creative approach that allows
one to experience history using all senses and is a way to present heritage that really appeals to
people. The upside of digital technology is that it allows the protection, conservation and promotion
of tangible and intangible heritage. Ideas and initiatives such as virtual museums, libraries and
galleries are readily embraced when a site or an institution cannot be accessed physically, and they
were actively implemented during the COVID-19 pandemic. It is often reiterated that the ultimate
goal of using digital technology is to understand the past and to appreciate the achievements of
ancestors. 2 The European Commission launched Europeana, a platform that provides access to
cultural heritage through digital technology and is freely publicly accessible. 3 The use of digital
technology is a two-way process in that it has influenced our understanding of heritage on the one
hand, while on the other, cultural heritage has also influenced how digital tools can be used.",
publisher = "AMPS PROCEEDINGS SERIES",
journal = "(IN)TANGIBLE HERITAGE(S): Design, culture and technology – past, present, and future: Proceedings",
title = "Digital Technologies for Urban Regeneration: A Case Study of the Former Bileća Street in Trebinje, Bosnia and Herzegovina",
pages = "369-377",
url = "https://hdl.handle.net/21.15107/rcub_raf_1261"
}

Guzijan, J., Đukić, A., Vaništa Lazаrević, E., Cvijić, S.,& Radić, S.. (2022). Digital Technologies for Urban Regeneration: A Case Study of the Former Bileća Street in Trebinje, Bosnia and Herzegovina. in (IN)TANGIBLE HERITAGE(S): Design, culture and technology – past, present, and future: Proceedings
AMPS PROCEEDINGS SERIES., 369-377.
https://hdl.handle.net/21.15107/rcub_raf_1261

Guzijan J, Đukić A, Vaništa Lazаrević E, Cvijić S, Radić S. Digital Technologies for Urban Regeneration: A Case Study of the Former Bileća Street in Trebinje, Bosnia and Herzegovina. in (IN)TANGIBLE HERITAGE(S): Design, culture and technology – past, present, and future: Proceedings. 2022;:369-377.
https://hdl.handle.net/21.15107/rcub_raf_1261 .

Guzijan, Jasna, Đukić, Aleksandra, Vaništa Lazаrević, Eva, Cvijić, Siniša, Radić, Simo, "Digital Technologies for Urban Regeneration: A Case Study of the Former Bileća Street in Trebinje, Bosnia and Herzegovina" in (IN)TANGIBLE HERITAGE(S): Design, culture and technology – past, present, and future: Proceedings (2022):369-377,
https://hdl.handle.net/21.15107/rcub_raf_1261 .