Cvetić, M.. (2023). 1:12:1. 
Beograd : Zadužbina Ilije M. Kolarca..
https://hdl.handle.net/21.15107/rcub_raf_2011

Cvetić M. 1:12:1. 2023;.
https://hdl.handle.net/21.15107/rcub_raf_2011 .

Cvetić, Mariela, "1:12:1" (2023),
https://hdl.handle.net/21.15107/rcub_raf_2011 .

TY  - CHAP
AU  - Cvetić, Mariela
PY  - 2022
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2001
AB  - Cet article analyse le concept de Das Unheimliche linquiétante etran-geté] que Freud utilise pour décrire une étrange proximité entre le connu et l'inconnu, que ce soit quand quelque chose de connu se représente sous une forme étrangère ou quand quelque chose d'étranger en soi révèle un élément d'intimité. Freud a présenté ce concept en 1919 dans son texte Das Unheimliche en se référant aux cas où un sujet en relation avec des objets ou des événements éprouve des sentiments qui vont de la proximité habituelle jusqu'à un point de perception totalement automatisée, lorsqu'un objet ou un événement apparaît étrange. L'automatisme de la répétition n'est qu'une des manifestations de Das Unheimliche.
PB  - Arles : Actes Sud
PB  - Venise : Palazzetto Bru Zane
T2  - Offenbach, musicien européen
T1  - Das Unheimliche et les femmes: le cas des Contes d'Hoffmann
SP  - 275
EP  - 288
UR  - https://hdl.handle.net/21.15107/rcub_raf_2001
ER  - 

@inbook{
author = "Cvetić, Mariela",
year = "2022",
abstract = "Cet article analyse le concept de Das Unheimliche linquiétante etran-geté] que Freud utilise pour décrire une étrange proximité entre le connu et l'inconnu, que ce soit quand quelque chose de connu se représente sous une forme étrangère ou quand quelque chose d'étranger en soi révèle un élément d'intimité. Freud a présenté ce concept en 1919 dans son texte Das Unheimliche en se référant aux cas où un sujet en relation avec des objets ou des événements éprouve des sentiments qui vont de la proximité habituelle jusqu'à un point de perception totalement automatisée, lorsqu'un objet ou un événement apparaît étrange. L'automatisme de la répétition n'est qu'une des manifestations de Das Unheimliche.",
publisher = "Arles : Actes Sud, Venise : Palazzetto Bru Zane",
journal = "Offenbach, musicien européen",
booktitle = "Das Unheimliche et les femmes: le cas des Contes d'Hoffmann",
pages = "275-288",
url = "https://hdl.handle.net/21.15107/rcub_raf_2001"
}

Cvetić, M.. (2022). Das Unheimliche et les femmes: le cas des Contes d'Hoffmann. in Offenbach, musicien européen
Arles : Actes Sud., 275-288.
https://hdl.handle.net/21.15107/rcub_raf_2001

Cvetić M. Das Unheimliche et les femmes: le cas des Contes d'Hoffmann. in Offenbach, musicien européen. 2022;:275-288.
https://hdl.handle.net/21.15107/rcub_raf_2001 .

Cvetić, Mariela, "Das Unheimliche et les femmes: le cas des Contes d'Hoffmann" in Offenbach, musicien européen (2022):275-288,
https://hdl.handle.net/21.15107/rcub_raf_2001 .

Cvetić, M.. (2020). Crna koža, bele maske. in Knjiga - umetnički objekat 4 "Da li se poznajemo?" : Галерија Жад, Музеј примењене уметности, Београд, Србија = Książka artystyczna 4 "Czy my się znamy?" : Galeria Žad, Muzeum sztuki użitkowej, Belgrad, Serbia = Book - Art Object 4 "Do we know each other?" : Žad Gallery, Museum of Applied Art, Belgrade, Serbia, 10.10 - 27.10.2020
Beograd : Punkt za umetnički eksperiment., 128-128.
https://hdl.handle.net/21.15107/rcub_raf_2139

Cvetić M. Crna koža, bele maske. in Knjiga - umetnički objekat 4 "Da li se poznajemo?" : Галерија Жад, Музеј примењене уметности, Београд, Србија = Książka artystyczna 4 "Czy my się znamy?" : Galeria Žad, Muzeum sztuki użitkowej, Belgrad, Serbia = Book - Art Object 4 "Do we know each other?" : Žad Gallery, Museum of Applied Art, Belgrade, Serbia, 10.10 - 27.10.2020. 2020;:128-128.
https://hdl.handle.net/21.15107/rcub_raf_2139 .

Cvetić, Mariela, "Crna koža, bele maske" in Knjiga - umetnički objekat 4 "Da li se poznajemo?" : Галерија Жад, Музеј примењене уметности, Београд, Србија = Książka artystyczna 4 "Czy my się znamy?" : Galeria Žad, Muzeum sztuki użitkowej, Belgrad, Serbia = Book - Art Object 4 "Do we know each other?" : Žad Gallery, Museum of Applied Art, Belgrade, Serbia, 10.10 - 27.10.2020 (2020):128-128,
https://hdl.handle.net/21.15107/rcub_raf_2139 .

Cvetić, M.. (2019). Svet po meni : Kontakt galerija SKC, 10. XII 2019 – 10. I 2020. 
Kragujevac : Studentski kulturni centar Kragujevac..
https://hdl.handle.net/21.15107/rcub_raf_2012

Cvetić M. Svet po meni : Kontakt galerija SKC, 10. XII 2019 – 10. I 2020. 2019;.
https://hdl.handle.net/21.15107/rcub_raf_2012 .

Cvetić, Mariela, "Svet po meni : Kontakt galerija SKC, 10. XII 2019 – 10. I 2020" (2019),
https://hdl.handle.net/21.15107/rcub_raf_2012 .

Cvetić, M.. (2019). Mariela Cvetić : conquistador : iz kulture i umetnosti. 
Beograd : Muzej savremene umetnosti..
https://hdl.handle.net/21.15107/rcub_raf_2004

Cvetić M. Mariela Cvetić : conquistador : iz kulture i umetnosti. 2019;.
https://hdl.handle.net/21.15107/rcub_raf_2004 .

Cvetić, Mariela, "Mariela Cvetić : conquistador : iz kulture i umetnosti" (2019),
https://hdl.handle.net/21.15107/rcub_raf_2004 .

TY  - BOOK
AU  - Cvetić, Mariela
AU  - Čubrilo, Jasmina
PY  - 2019
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1994
AB  - Knjiga ”O razmeri: monumentalizovanje minijaturnog” je zajednički projekat dr Mariele Cvetić, redovne profesorke Arhitektonskog fakulteta u Beogradu i dr Jasmine Čubrilo, redovne profesorke Filozofskog fakulteta u Beogradu. Кnjiga je zamišljena kao istorijsko umetnička i teorijska rasprava o umetničkom projektu ”Svet po meni” koji je Mariela Cvetić prvi put predstavila u Galeriji Кulturnog centra Beograd 2013. godine. Postavka je bila realizovana u mediju instalacije koja je sadržala uvećani model kuće za lutke u razmeri 1:12. Кasnija izlaganja su sadžala i fotografije, projekcije i objekte. Кnjiga je nastavak ovog projekta.
Publikacija sadrži tekstove autorki i fotografije projekta. Кao takva, knjiga jeste interdisciplinarna naučna analiza umetničkih praksi Mariele Cvetić a u  širem smislu reč je o interdisciplinarnoj raspravi o problemima savremene umetnosti, odnosno prepletima vizuelnih umetnosti, arhitekture i savremene teorije umetnosti.
PB  - Univerzitet u Beogradu - Arhitektonski fakultet
T1  - O razmeri : monumentalizovanje minijaturnog
UR  - https://hdl.handle.net/21.15107/rcub_raf_1994
ER  - 

@book{
author = "Cvetić, Mariela and Čubrilo, Jasmina",
year = "2019",
abstract = "Knjiga ”O razmeri: monumentalizovanje minijaturnog” je zajednički projekat dr Mariele Cvetić, redovne profesorke Arhitektonskog fakulteta u Beogradu i dr Jasmine Čubrilo, redovne profesorke Filozofskog fakulteta u Beogradu. Кnjiga je zamišljena kao istorijsko umetnička i teorijska rasprava o umetničkom projektu ”Svet po meni” koji je Mariela Cvetić prvi put predstavila u Galeriji Кulturnog centra Beograd 2013. godine. Postavka je bila realizovana u mediju instalacije koja je sadržala uvećani model kuće za lutke u razmeri 1:12. Кasnija izlaganja su sadžala i fotografije, projekcije i objekte. Кnjiga je nastavak ovog projekta.
Publikacija sadrži tekstove autorki i fotografije projekta. Кao takva, knjiga jeste interdisciplinarna naučna analiza umetničkih praksi Mariele Cvetić a u  širem smislu reč je o interdisciplinarnoj raspravi o problemima savremene umetnosti, odnosno prepletima vizuelnih umetnosti, arhitekture i savremene teorije umetnosti.",
publisher = "Univerzitet u Beogradu - Arhitektonski fakultet",
title = "O razmeri : monumentalizovanje minijaturnog",
url = "https://hdl.handle.net/21.15107/rcub_raf_1994"
}

Cvetić, M.,& Čubrilo, J.. (2019). O razmeri : monumentalizovanje minijaturnog. 
Univerzitet u Beogradu - Arhitektonski fakultet..
https://hdl.handle.net/21.15107/rcub_raf_1994

Cvetić M, Čubrilo J. O razmeri : monumentalizovanje minijaturnog. 2019;.
https://hdl.handle.net/21.15107/rcub_raf_1994 .

Cvetić, Mariela, Čubrilo, Jasmina, "O razmeri : monumentalizovanje minijaturnog" (2019),
https://hdl.handle.net/21.15107/rcub_raf_1994 .

TY  - CHAP
AU  - Cvetić, Mariela
PY  - 2019
UR  - https://raf.arh.bg.ac.rs/handle/123456789/846
AB  - This essay is an analysis of monuments and memorial locations in Serbia, particularly in Belgrade, the capital of Serbia, during the contemporary transition phase. Estethical and artistic, but also political side of these monuments and their role in the early 21st century society is being observed in the paper. The research looks into the history of the monuments on the territory of Belgrade and explores the states of the monument heritage from the previous (socialist) period of the second half of the 20th century and cases of demolishing or replacing monuments with those ideologically relevant later on. The paper includes mapping of the new monuments built in memory of the unsettled disintegration of SFRJ during the 1990s as well as their urban context. It also looks for the reasons of non-existence of so called counter-monuments or participatory monuments in Belgrade and for building of a larger number of classical statues. It has been concluded that the monuments in Belgrade became the ‘stumbling stone’ of every constructive analysis and criticism of the urbanities and their memorial places, but at the same time ‘invisible’ not only in the way described by Robert Musil. Amongst these two determinants, the public monuments in Belgrade built in the beginning of the 21st century have been observed here.
PB  - Singapore : World Scientific Publishing Co Pte Ltd
T2  - Urban Ethics under Conditions of Crisis: Politics, Architecture, Art, Landscape Sustainability and Multidisciplinary Engineering
T1  - Public Monuments in Contemporary Belgrade: Between Stumbling Blocs and Invisibility
SP  - 179
EP  - 198
DO  - 10.1142/9789813141940_0008
ER  - 

@inbook{
author = "Cvetić, Mariela",
year = "2019",
abstract = "This essay is an analysis of monuments and memorial locations in Serbia, particularly in Belgrade, the capital of Serbia, during the contemporary transition phase. Estethical and artistic, but also political side of these monuments and their role in the early 21st century society is being observed in the paper. The research looks into the history of the monuments on the territory of Belgrade and explores the states of the monument heritage from the previous (socialist) period of the second half of the 20th century and cases of demolishing or replacing monuments with those ideologically relevant later on. The paper includes mapping of the new monuments built in memory of the unsettled disintegration of SFRJ during the 1990s as well as their urban context. It also looks for the reasons of non-existence of so called counter-monuments or participatory monuments in Belgrade and for building of a larger number of classical statues. It has been concluded that the monuments in Belgrade became the ‘stumbling stone’ of every constructive analysis and criticism of the urbanities and their memorial places, but at the same time ‘invisible’ not only in the way described by Robert Musil. Amongst these two determinants, the public monuments in Belgrade built in the beginning of the 21st century have been observed here.",
publisher = "Singapore : World Scientific Publishing Co Pte Ltd",
journal = "Urban Ethics under Conditions of Crisis: Politics, Architecture, Art, Landscape Sustainability and Multidisciplinary Engineering",
booktitle = "Public Monuments in Contemporary Belgrade: Between Stumbling Blocs and Invisibility",
pages = "179-198",
doi = "10.1142/9789813141940_0008"
}

Cvetić, M.. (2019). Public Monuments in Contemporary Belgrade: Between Stumbling Blocs and Invisibility. in Urban Ethics under Conditions of Crisis: Politics, Architecture, Art, Landscape Sustainability and Multidisciplinary Engineering
Singapore : World Scientific Publishing Co Pte Ltd., 179-198.
https://doi.org/10.1142/9789813141940_0008

Cvetić M. Public Monuments in Contemporary Belgrade: Between Stumbling Blocs and Invisibility. in Urban Ethics under Conditions of Crisis: Politics, Architecture, Art, Landscape Sustainability and Multidisciplinary Engineering. 2019;:179-198.
doi:10.1142/9789813141940_0008 .

Cvetić, Mariela, "Public Monuments in Contemporary Belgrade: Between Stumbling Blocs and Invisibility" in Urban Ethics under Conditions of Crisis: Politics, Architecture, Art, Landscape Sustainability and Multidisciplinary Engineering (2019):179-198,
https://doi.org/10.1142/9789813141940_0008 . .

TY  - CHAP
AU  - Cvetić, Mariela
PY  - 2019
UR  - https://raf.arh.bg.ac.rs/handle/123456789/826
AB  - The aim of the essay to represent the work of women architects in Serbia through contemporary feminist theories. It uses the wide range of research about women in Serbian architecture, their background, the institutions they worked in, their buildings, their pedagogical work etc. The text is compared with some elements of Linda Nochlin “Why Have There Been No Great Women Artists?” and reaches to find out similarities and differences between positions of the women as architects and women as other visual artists. Also, this text tries to find out the connection between the women architect’s background and their position as architect in Serbian society and tries to point out that the valorization of their work in past was in direct connection with the latter fact and needs new critical readings through contemporary feminist theories.
PB  - London ; New York : Routledge
T2  - Women in Arcitecture (Critical Concepts in Architecture)
T1  - Building A Room of One’s Own: An Insight into the Origins of Women Architects in Serbia
VL  - I
UR  - https://hdl.handle.net/21.15107/rcub_raf_826
ER  - 

@inbook{
author = "Cvetić, Mariela",
year = "2019",
abstract = "The aim of the essay to represent the work of women architects in Serbia through contemporary feminist theories. It uses the wide range of research about women in Serbian architecture, their background, the institutions they worked in, their buildings, their pedagogical work etc. The text is compared with some elements of Linda Nochlin “Why Have There Been No Great Women Artists?” and reaches to find out similarities and differences between positions of the women as architects and women as other visual artists. Also, this text tries to find out the connection between the women architect’s background and their position as architect in Serbian society and tries to point out that the valorization of their work in past was in direct connection with the latter fact and needs new critical readings through contemporary feminist theories.",
publisher = "London ; New York : Routledge",
journal = "Women in Arcitecture (Critical Concepts in Architecture)",
booktitle = "Building A Room of One’s Own: An Insight into the Origins of Women Architects in Serbia",
volume = "I",
url = "https://hdl.handle.net/21.15107/rcub_raf_826"
}

Cvetić, M.. (2019). Building A Room of One’s Own: An Insight into the Origins of Women Architects in Serbia. in Women in Arcitecture (Critical Concepts in Architecture)
London ; New York : Routledge., I.
https://hdl.handle.net/21.15107/rcub_raf_826

Cvetić M. Building A Room of One’s Own: An Insight into the Origins of Women Architects in Serbia. in Women in Arcitecture (Critical Concepts in Architecture). 2019;I.
https://hdl.handle.net/21.15107/rcub_raf_826 .

Cvetić, Mariela, "Building A Room of One’s Own: An Insight into the Origins of Women Architects in Serbia" in Women in Arcitecture (Critical Concepts in Architecture), I (2019),
https://hdl.handle.net/21.15107/rcub_raf_826 .

TY  - JOUR
AU  - Cvetić, Mariela
AU  - Marković, Slađana
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/842
AB  - The aim of this paper is to research the impact to emerging theory based on the relation between architect and his work in digital approach of the process of design and realization by the principle of Digital Chain. 
Digital Chain is an uninterruptible digital process consisting of design (idea, coding, geometry finding), through construction (structure, junction, prototyping) to production (fabrication) with every step as programmed entity connected by CAAD/CAM technology universal interfaces. The term Digital Chain is defined and researched (theoretically, experimentally and practically) by CAAD Chair at ETHZ within research projects of this institute. Digital Chain is not a continuous one without the role and position of architect as fluid energy and expert that investigates how digital technology is changing, i.e. entire process of chain, simultaneously adapting to it. 
In that sense architecture appears as an open work (Umberto Eco) without final definitions and in a constant process of information motion as the main components of the architectural product caused by the demands of context, function, form and the user input. Testing of design code through changes of parameters in iterations, as well as checks in prototype on the next level, makes the theoretical playground between experiment and experience, through education and expertise. It is an example that the interest for the process (performance) was larger than for the representation (appearance) what Deleuze and Guattari call supremacy of the "Gothic spirit" over the "spirit of Romanesque" or "classical spirit", where Gothic deals with the generation of the Gothic architecture by understanding the forces, trends and behavior of the material from the bottom to up, but, contrary to the classic generation that deals with imposing of visual aspects such as the proportion of top-down.
This paper considers experience i.e. posteriori knowledge as the main driver of the emerging theory of the Digital Chain.
PB  - Belgrade : Faculty of Media and Communications, Singidunum University Belgrade
T2  - AM: Journal of Art and Media Studies
T1  - Experience and Theory in Architectural Design: Digital Chain Case
VL  - 12
SP  - 121
EP  - 134
DO  - 10.25038/am.v0i12.172
ER  - 

@article{
author = "Cvetić, Mariela and Marković, Slađana",
year = "2017",
abstract = "The aim of this paper is to research the impact to emerging theory based on the relation between architect and his work in digital approach of the process of design and realization by the principle of Digital Chain. 
Digital Chain is an uninterruptible digital process consisting of design (idea, coding, geometry finding), through construction (structure, junction, prototyping) to production (fabrication) with every step as programmed entity connected by CAAD/CAM technology universal interfaces. The term Digital Chain is defined and researched (theoretically, experimentally and practically) by CAAD Chair at ETHZ within research projects of this institute. Digital Chain is not a continuous one without the role and position of architect as fluid energy and expert that investigates how digital technology is changing, i.e. entire process of chain, simultaneously adapting to it. 
In that sense architecture appears as an open work (Umberto Eco) without final definitions and in a constant process of information motion as the main components of the architectural product caused by the demands of context, function, form and the user input. Testing of design code through changes of parameters in iterations, as well as checks in prototype on the next level, makes the theoretical playground between experiment and experience, through education and expertise. It is an example that the interest for the process (performance) was larger than for the representation (appearance) what Deleuze and Guattari call supremacy of the "Gothic spirit" over the "spirit of Romanesque" or "classical spirit", where Gothic deals with the generation of the Gothic architecture by understanding the forces, trends and behavior of the material from the bottom to up, but, contrary to the classic generation that deals with imposing of visual aspects such as the proportion of top-down.
This paper considers experience i.e. posteriori knowledge as the main driver of the emerging theory of the Digital Chain.",
publisher = "Belgrade : Faculty of Media and Communications, Singidunum University Belgrade",
journal = "AM: Journal of Art and Media Studies",
title = "Experience and Theory in Architectural Design: Digital Chain Case",
volume = "12",
pages = "121-134",
doi = "10.25038/am.v0i12.172"
}

Cvetić, M.,& Marković, S.. (2017). Experience and Theory in Architectural Design: Digital Chain Case. in AM: Journal of Art and Media Studies
Belgrade : Faculty of Media and Communications, Singidunum University Belgrade., 12, 121-134.
https://doi.org/10.25038/am.v0i12.172

Cvetić M, Marković S. Experience and Theory in Architectural Design: Digital Chain Case. in AM: Journal of Art and Media Studies. 2017;12:121-134.
doi:10.25038/am.v0i12.172 .

Cvetić, Mariela, Marković, Slađana, "Experience and Theory in Architectural Design: Digital Chain Case" in AM: Journal of Art and Media Studies, 12 (2017):121-134,
https://doi.org/10.25038/am.v0i12.172 . .

TY  - JOUR
AU  - Cvetić, Mariela
PY  - 2015
UR  - https://raf.arh.bg.ac.rs/handle/123456789/845
AB  - This paper analyses Freud’s concept of Das Unheimliche used to describe a strange proximity between the known and the unknown, whether as something acquainted represents itself with an extraneous shape or as something extraneous discovers an element of intimacy in itself. Freud inaugurated this concept in the text Das Unheimliche in 1919 referring to cases in which the subject in relation to objects or events has feelings that range from usual closeness to the point of utter automated perception, when an object or event appears strange. The automatism of repetition is only one of manifestations of Das Unheimliche.
Freud wrote this text responding to the text by Ernest Jentsch’s “On the Psychology of Des Unheimlichen” (“Uber die Psychologie des Unheimlichen”) from 1906 arguing on the importance and significance of the doll Olympia in Hoffmann’s story “The Sandman”. The position of Olympia – whether she was seen as alive or as a machine – remained the main issue in late discussions of various authors. Therefore, Das Unheimliche and women are very closely related, not only because the concept is based on the female character of Olympia from the story, but also because Freud himself emphasized the Das Unheimliche character of the female body.
The paper discusses the relation between Das Unheimliche and women, and reconsiders the relation between Das Unheimliche aspects of female characters in The Tales of Hoffmann. Short stories “The Sandman”, “Councillor Krespel” and “A New Year’s Eve Adventure” were also chosen by Jules Barbier and Michel Carré for the opera “Tales of Hoffmann” by Jacques Offenbach, in which the leading roles of Stela, Olympia, Antonia and Giulietta are in fact one woman who takes a variety of forms.
PB  - Beograd : Umetnosti u Beogradu - Fakultet muzičke umetnosti - Departman za muzikologiju
T2  - New Sound : international magazine for music
T1  - Das Unheimliche And Women:  The Case of “The Tales of Hoffmann”
IS  - 46
SP  - 65
EP  - 75
UR  - https://hdl.handle.net/21.15107/rcub_raf_845
ER  - 

@article{
author = "Cvetić, Mariela",
year = "2015",
abstract = "This paper analyses Freud’s concept of Das Unheimliche used to describe a strange proximity between the known and the unknown, whether as something acquainted represents itself with an extraneous shape or as something extraneous discovers an element of intimacy in itself. Freud inaugurated this concept in the text Das Unheimliche in 1919 referring to cases in which the subject in relation to objects or events has feelings that range from usual closeness to the point of utter automated perception, when an object or event appears strange. The automatism of repetition is only one of manifestations of Das Unheimliche.
Freud wrote this text responding to the text by Ernest Jentsch’s “On the Psychology of Des Unheimlichen” (“Uber die Psychologie des Unheimlichen”) from 1906 arguing on the importance and significance of the doll Olympia in Hoffmann’s story “The Sandman”. The position of Olympia – whether she was seen as alive or as a machine – remained the main issue in late discussions of various authors. Therefore, Das Unheimliche and women are very closely related, not only because the concept is based on the female character of Olympia from the story, but also because Freud himself emphasized the Das Unheimliche character of the female body.
The paper discusses the relation between Das Unheimliche and women, and reconsiders the relation between Das Unheimliche aspects of female characters in The Tales of Hoffmann. Short stories “The Sandman”, “Councillor Krespel” and “A New Year’s Eve Adventure” were also chosen by Jules Barbier and Michel Carré for the opera “Tales of Hoffmann” by Jacques Offenbach, in which the leading roles of Stela, Olympia, Antonia and Giulietta are in fact one woman who takes a variety of forms.",
publisher = "Beograd : Umetnosti u Beogradu - Fakultet muzičke umetnosti - Departman za muzikologiju",
journal = "New Sound : international magazine for music",
title = "Das Unheimliche And Women:  The Case of “The Tales of Hoffmann”",
number = "46",
pages = "65-75",
url = "https://hdl.handle.net/21.15107/rcub_raf_845"
}

Cvetić, M.. (2015). Das Unheimliche And Women:  The Case of “The Tales of Hoffmann”. in New Sound : international magazine for music
Beograd : Umetnosti u Beogradu - Fakultet muzičke umetnosti - Departman za muzikologiju.(46), 65-75.
https://hdl.handle.net/21.15107/rcub_raf_845

Cvetić M. Das Unheimliche And Women:  The Case of “The Tales of Hoffmann”. in New Sound : international magazine for music. 2015;(46):65-75.
https://hdl.handle.net/21.15107/rcub_raf_845 .

Cvetić, Mariela, "Das Unheimliche And Women:  The Case of “The Tales of Hoffmann”" in New Sound : international magazine for music, no. 46 (2015):65-75,
https://hdl.handle.net/21.15107/rcub_raf_845 .

TY  - GEN
AU  - Cvetić, Mariela
AU  - Whiting, Sarah
PY  - 2015
UR  - https://raf.arh.bg.ac.rs/handle/123456789/2002
AB  - Interview with Sarah Whiting, Dean of the School of Architecture at Rice University since 2010
PB  - Belgrade : University of Belgrade – Faculty of Architecture
T2  - Interviews ISSUES? : concerning the Project of Peter Eisenman on Architectural Education
T1  - Interview with Sarah Whiting
SP  - 38
EP  - 41
UR  - https://hdl.handle.net/21.15107/rcub_raf_2002
ER  - 

@misc{
author = "Cvetić, Mariela and Whiting, Sarah",
year = "2015",
abstract = "Interview with Sarah Whiting, Dean of the School of Architecture at Rice University since 2010",
publisher = "Belgrade : University of Belgrade – Faculty of Architecture",
journal = "Interviews ISSUES? : concerning the Project of Peter Eisenman on Architectural Education",
title = "Interview with Sarah Whiting",
pages = "38-41",
url = "https://hdl.handle.net/21.15107/rcub_raf_2002"
}

Cvetić, M.,& Whiting, S.. (2015). Interview with Sarah Whiting. in Interviews ISSUES? : concerning the Project of Peter Eisenman on Architectural Education
Belgrade : University of Belgrade – Faculty of Architecture., 38-41.
https://hdl.handle.net/21.15107/rcub_raf_2002

Cvetić M, Whiting S. Interview with Sarah Whiting. in Interviews ISSUES? : concerning the Project of Peter Eisenman on Architectural Education. 2015;:38-41.
https://hdl.handle.net/21.15107/rcub_raf_2002 .

Cvetić, Mariela, Whiting, Sarah, "Interview with Sarah Whiting" in Interviews ISSUES? : concerning the Project of Peter Eisenman on Architectural Education (2015):38-41,
https://hdl.handle.net/21.15107/rcub_raf_2002 .

TY  - CHAP
AU  - Cvetić, Mariela
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/943
AB  - Tekst istrazuje nastanak javne skulpture i javnu skulpturu kao i njene glvne protagoniste u Srbiji od 1878. do pocetka Drugog svetskog rata kao mapiranje javnog prostora i u njemu izvodjenja ali i brisanja memorije.
PB  - Beograd : Orion art : Fakultet muzičke umetnosti, Katedra za muzikologiju
T2  - Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941
T1  - Jaвна скулптура: мапирање јавног простора или извођење / брисање меморије
SP  - 183
EP  - 194
UR  - https://hdl.handle.net/21.15107/rcub_raf_943
ER  - 

@inbook{
author = "Cvetić, Mariela",
year = "2014",
abstract = "Tekst istrazuje nastanak javne skulpture i javnu skulpturu kao i njene glvne protagoniste u Srbiji od 1878. do pocetka Drugog svetskog rata kao mapiranje javnog prostora i u njemu izvodjenja ali i brisanja memorije.",
publisher = "Beograd : Orion art : Fakultet muzičke umetnosti, Katedra za muzikologiju",
journal = "Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941",
booktitle = "Jaвна скулптура: мапирање јавног простора или извођење / брисање меморије",
pages = "183-194",
url = "https://hdl.handle.net/21.15107/rcub_raf_943"
}

Cvetić, M.. (2014). Jaвна скулптура: мапирање јавног простора или извођење / брисање меморије. in Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941
Beograd : Orion art : Fakultet muzičke umetnosti, Katedra za muzikologiju., 183-194.
https://hdl.handle.net/21.15107/rcub_raf_943

Cvetić M. Jaвна скулптура: мапирање јавног простора или извођење / брисање меморије. in Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941. 2014;:183-194.
https://hdl.handle.net/21.15107/rcub_raf_943 .

Cvetić, Mariela, "Jaвна скулптура: мапирање јавног простора или извођење / брисање меморије" in Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941 (2014):183-194,
https://hdl.handle.net/21.15107/rcub_raf_943 .

TY  - CHAP
AU  - Cvetić, Mariela
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/942
AB  - U tekstu se istrazuje nastanak sklupture u Srbiji od druge polovine devetnaestog veka od akademizma i klasicizma do moderne skulpture do pocetka Drugog svetskog rata.
PB  - Beograd : Orion art : Fakultet muzičke umetnosti, Katedra za muzikologiju
T2  - Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941
T1  - Ka modernističkoj skulpturi
VL  - 3
SP  - 373
EP  - 388
UR  - https://hdl.handle.net/21.15107/rcub_raf_942
ER  - 

@inbook{
author = "Cvetić, Mariela",
year = "2014",
abstract = "U tekstu se istrazuje nastanak sklupture u Srbiji od druge polovine devetnaestog veka od akademizma i klasicizma do moderne skulpture do pocetka Drugog svetskog rata.",
publisher = "Beograd : Orion art : Fakultet muzičke umetnosti, Katedra za muzikologiju",
journal = "Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941",
booktitle = "Ka modernističkoj skulpturi",
volume = "3",
pages = "373-388",
url = "https://hdl.handle.net/21.15107/rcub_raf_942"
}

Cvetić, M.. (2014). Ka modernističkoj skulpturi. in Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941
Beograd : Orion art : Fakultet muzičke umetnosti, Katedra za muzikologiju., 3, 373-388.
https://hdl.handle.net/21.15107/rcub_raf_942

Cvetić M. Ka modernističkoj skulpturi. in Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941. 2014;3:373-388.
https://hdl.handle.net/21.15107/rcub_raf_942 .

Cvetić, Mariela, "Ka modernističkoj skulpturi" in Istorija umetnosti u Srbiji XX vek. Tom 3, Moderna i modernizmi : 1878-1941, 3 (2014):373-388,
https://hdl.handle.net/21.15107/rcub_raf_942 .

TY  - BOOK
AU  - Cvetić, Mariela
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/848
AB  - Ovo je knjiga o knjizi, tačnije mesto na kome „umetnik piše knjigu o umetnikovoj knjizi“. Pod umetnikovom knjigom se ovde razume 'jedan oblik teksta' – teksta kao uređenog poredka znakova koji može biti ne samo pisani, već i vizuelni, prostorni ili zvučni, a čije se značenje u ovom slučaju proizvodi u formi knjige. Umetnikova knjiga zato nije umetnička knjiga već knjiga (kao) umetnički rad, umetnička forma koju stvara, pravi i/ili organizuje umetnik.
PB  - Београд : Архитектонски факултет
T1  - Уметникова књига
T1  - Artist's Book
UR  - https://hdl.handle.net/21.15107/rcub_raf_848
ER  - 

@book{
author = "Cvetić, Mariela",
year = "2014",
abstract = "Ovo je knjiga o knjizi, tačnije mesto na kome „umetnik piše knjigu o umetnikovoj knjizi“. Pod umetnikovom knjigom se ovde razume 'jedan oblik teksta' – teksta kao uređenog poredka znakova koji može biti ne samo pisani, već i vizuelni, prostorni ili zvučni, a čije se značenje u ovom slučaju proizvodi u formi knjige. Umetnikova knjiga zato nije umetnička knjiga već knjiga (kao) umetnički rad, umetnička forma koju stvara, pravi i/ili organizuje umetnik.",
publisher = "Београд : Архитектонски факултет",
title = "Уметникова књига, Artist's Book",
url = "https://hdl.handle.net/21.15107/rcub_raf_848"
}

Cvetić, M.. (2014). Уметникова књига. 
Београд : Архитектонски факултет..
https://hdl.handle.net/21.15107/rcub_raf_848

Cvetić M. Уметникова књига. 2014;.
https://hdl.handle.net/21.15107/rcub_raf_848 .

Cvetić, Mariela, "Уметникова књига" (2014),
https://hdl.handle.net/21.15107/rcub_raf_848 .

TY  - JOUR
AU  - Cvetić, Mariela
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/877
AB  - Tekst se bavi subverzivnim kapacitetima prostora u kojima se izlažu umetnička dela/radovi. Koristeći tri vremenski distantna primera ukazuje se na različite pojavnosti same subverzije. Posebno, u okviru specifičnog koncepta Das Unheimliche i onog njegovog značenja da je nešto zastrašujuće ne zato što je nepoznato, već zbog toga što “nešto što je poznato postaje strano”, istražuje se način na koji prostor izlaganja/situiranja umetničkog rada postoji kao subverzivan u odnosu na nameru umetnika da ga takvim učini ili ne.
PB  - Beograd : Zavod za proučavanje kulturnog razvitka
T2  - КУЛТУРА : часопис за теорију и социологију културе и културну политику
T1  - Učinci subverzija umetničkih praksi u prostorima: Das Unheimliche fokus
IS  - 144
SP  - 247
EP  - 258
DO  - 10.5937/kultura1444247c
ER  - 

@article{
author = "Cvetić, Mariela",
year = "2014",
abstract = "Tekst se bavi subverzivnim kapacitetima prostora u kojima se izlažu umetnička dela/radovi. Koristeći tri vremenski distantna primera ukazuje se na različite pojavnosti same subverzije. Posebno, u okviru specifičnog koncepta Das Unheimliche i onog njegovog značenja da je nešto zastrašujuće ne zato što je nepoznato, već zbog toga što “nešto što je poznato postaje strano”, istražuje se način na koji prostor izlaganja/situiranja umetničkog rada postoji kao subverzivan u odnosu na nameru umetnika da ga takvim učini ili ne.",
publisher = "Beograd : Zavod za proučavanje kulturnog razvitka",
journal = "КУЛТУРА : часопис за теорију и социологију културе и културну политику",
title = "Učinci subverzija umetničkih praksi u prostorima: Das Unheimliche fokus",
number = "144",
pages = "247-258",
doi = "10.5937/kultura1444247c"
}

Cvetić, M.. (2014). Učinci subverzija umetničkih praksi u prostorima: Das Unheimliche fokus. in КУЛТУРА : часопис за теорију и социологију културе и културну политику
Beograd : Zavod za proučavanje kulturnog razvitka.(144), 247-258.
https://doi.org/10.5937/kultura1444247c

Cvetić M. Učinci subverzija umetničkih praksi u prostorima: Das Unheimliche fokus. in КУЛТУРА : часопис за теорију и социологију културе и културну политику. 2014;(144):247-258.
doi:10.5937/kultura1444247c .

Cvetić, Mariela, "Učinci subverzija umetničkih praksi u prostorima: Das Unheimliche fokus" in КУЛТУРА : часопис за теорију и социологију културе и културну политику, no. 144 (2014):247-258,
https://doi.org/10.5937/kultura1444247c . .

TY  - CHAP
AU  - Cvetić, Mariela
PY  - 2012
UR  - https://raf.arh.bg.ac.rs/handle/123456789/946
AB  - The text analyses the layers of interpretation through reading architecture
PB  - Springer Vienna Architecture, Vienna
T2  - Wonderland : Manual For Emerging Architects
T1  - Reading architecture - Layers of interpretation
SP  - 158
EP  - 158
UR  - https://hdl.handle.net/21.15107/rcub_raf_946
ER  - 

@inbook{
author = "Cvetić, Mariela",
year = "2012",
abstract = "The text analyses the layers of interpretation through reading architecture",
publisher = "Springer Vienna Architecture, Vienna",
journal = "Wonderland : Manual For Emerging Architects",
booktitle = "Reading architecture - Layers of interpretation",
pages = "158-158",
url = "https://hdl.handle.net/21.15107/rcub_raf_946"
}

Cvetić, M.. (2012). Reading architecture - Layers of interpretation. in Wonderland : Manual For Emerging Architects
Springer Vienna Architecture, Vienna., 158-158.
https://hdl.handle.net/21.15107/rcub_raf_946

Cvetić M. Reading architecture - Layers of interpretation. in Wonderland : Manual For Emerging Architects. 2012;:158-158.
https://hdl.handle.net/21.15107/rcub_raf_946 .

Cvetić, Mariela, "Reading architecture - Layers of interpretation" in Wonderland : Manual For Emerging Architects (2012):158-158,
https://hdl.handle.net/21.15107/rcub_raf_946 .

TY  - CHAP
AU  - Cvetić, Mariela
PY  - 2012
UR  - https://raf.arh.bg.ac.rs/handle/123456789/940
AB  - U tekstu se istrazuje monumentalna memorijalna politicka skulptura u Srbijii  i njena pozicija u periodu hladnog rata. Politička skulptura u periodu socijalistickog realizma razume se između monumentalne  skulpture i arhitektonike.  Jugoslovenski skulptori  u ovom periodu stvaraju 
monumentalnu skulpturu koja otvara put ka socijalističkom modernizmu.
PB  - Beograd : Orion art : Katedra za muzikologiju Fakulteta muzičke umetnosti
T2  - Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata
T1  - Монументална меморијална политичка скулптура у Србији
VL  - 2
SP  - 303
EP  - 322
UR  - https://hdl.handle.net/21.15107/rcub_raf_940
ER  - 

@inbook{
author = "Cvetić, Mariela",
year = "2012",
abstract = "U tekstu se istrazuje monumentalna memorijalna politicka skulptura u Srbijii  i njena pozicija u periodu hladnog rata. Politička skulptura u periodu socijalistickog realizma razume se između monumentalne  skulpture i arhitektonike.  Jugoslovenski skulptori  u ovom periodu stvaraju 
monumentalnu skulpturu koja otvara put ka socijalističkom modernizmu.",
publisher = "Beograd : Orion art : Katedra za muzikologiju Fakulteta muzičke umetnosti",
journal = "Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata",
booktitle = "Монументална меморијална политичка скулптура у Србији",
volume = "2",
pages = "303-322",
url = "https://hdl.handle.net/21.15107/rcub_raf_940"
}

Cvetić, M.. (2012). Монументална меморијална политичка скулптура у Србији. in Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata
Beograd : Orion art : Katedra za muzikologiju Fakulteta muzičke umetnosti., 2, 303-322.
https://hdl.handle.net/21.15107/rcub_raf_940

Cvetić M. Монументална меморијална политичка скулптура у Србији. in Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata. 2012;2:303-322.
https://hdl.handle.net/21.15107/rcub_raf_940 .

Cvetić, Mariela, "Монументална меморијална политичка скулптура у Србији" in Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata, 2 (2012):303-322,
https://hdl.handle.net/21.15107/rcub_raf_940 .

TY  - CHAP
AU  - Cvetić, Mariela
PY  - 2012
UR  - https://raf.arh.bg.ac.rs/handle/123456789/941
AB  - U tekstu se problematizuje skulptura u Srbiji u periodu hladnog rata i razmatra njeno kretanje ka objektu, te se uspostaviti jedna vrsta potencijalne tipologije na primerima izabranih autora i radova, i izdvojaju tri mesta transformacije skulpture (i slike) u objekat.
PB  - Beograd : Orion art : Katedra za muzikologiju Fakulteta muzičke umetnosti
T2  - Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata
T1  - Од скулптуре ка објекту: простори склизнућа
VL  - 2
SP  - 675
EP  - 688
UR  - https://hdl.handle.net/21.15107/rcub_raf_941
ER  - 

@inbook{
author = "Cvetić, Mariela",
year = "2012",
abstract = "U tekstu se problematizuje skulptura u Srbiji u periodu hladnog rata i razmatra njeno kretanje ka objektu, te se uspostaviti jedna vrsta potencijalne tipologije na primerima izabranih autora i radova, i izdvojaju tri mesta transformacije skulpture (i slike) u objekat.",
publisher = "Beograd : Orion art : Katedra za muzikologiju Fakulteta muzičke umetnosti",
journal = "Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata",
booktitle = "Од скулптуре ка објекту: простори склизнућа",
volume = "2",
pages = "675-688",
url = "https://hdl.handle.net/21.15107/rcub_raf_941"
}

Cvetić, M.. (2012). Од скулптуре ка објекту: простори склизнућа. in Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata
Beograd : Orion art : Katedra za muzikologiju Fakulteta muzičke umetnosti., 2, 675-688.
https://hdl.handle.net/21.15107/rcub_raf_941

Cvetić M. Од скулптуре ка објекту: простори склизнућа. in Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata. 2012;2:675-688.
https://hdl.handle.net/21.15107/rcub_raf_941 .

Cvetić, Mariela, "Од скулптуре ка објекту: простори склизнућа" in Istorija umetnosti u Srbiji XX vek. Tom 2, Realizmi i modernizmi oko hladnog rata, 2 (2012):675-688,
https://hdl.handle.net/21.15107/rcub_raf_941 .

TY  - BOOK
AU  - Cvetić, Mariela
PY  - 2011
UR  - https://raf.arh.bg.ac.rs/handle/123456789/847
AB  - The text „Das Unheimliche: Psychoanalytical and Cultural Theories of Space“ examines and analyses connotations of the term Das Unheimliche in the field of visual arts, rather the connotations of all the term implications regarded to visual arts’ space characteristics. Therefore, the first aim of this research was to detect historical derivation of this concept that has always been marginal, side-ward concept in psycho-analysis, and for many theorists and researchers valueless and minor to be occupied with.  
Early research development comprehend the whole one hundred years history of this concept based on fact that it is constructed on equivalence of its denotation and connotation and that it exists due to the courtesy of its name Das Unheimliche (in German), fortunately for concept and its subsequential that Freud himself introduced, although he was not the first one. Even though different languages have their own translations, here it is used in the German original. The work is trying to illustrate a psycho-analyst history of this concept, and on the basis of it and of theories regarded to space, psycho-analysis and theoretical psycho-analysis, recommend the path of psycho-analyst reading of the concept in art works of the authors that are interfered in space issues. Chosen authors and their art works are offered as case studies making available to see the effect (appearance) of Das Unheimliche right in the eye of correlation of an psycho- analyst and Lacanly defined subject with space (space of art or art work). Case studies are not chosen simply by the artist and his work, but are based on the typology that is established so that the different relatives between Das Unheimliche and certain theoretical phenomena can be seen: the first is concerned with determined homonyms of special type: Das Heim and Das Unheimliche that are manifested through dissimilar interpretations of the motive of the house; the second is about the relationship between an aura and Das Unheimliche; the third is about political capacities that are conceded by this concept, and the last – fourth is about subversion and Das Unheimliche through historically distant examples.
PB  - Beograd : Orion Art
PB  - Beograd : Univerzitet, Arhitektonski fakultet
T1  - Das Unheimliche. Психоаналитичке и културалне теорије простора
UR  - https://hdl.handle.net/21.15107/rcub_raf_847
ER  - 

@book{
author = "Cvetić, Mariela",
year = "2011",
abstract = "The text „Das Unheimliche: Psychoanalytical and Cultural Theories of Space“ examines and analyses connotations of the term Das Unheimliche in the field of visual arts, rather the connotations of all the term implications regarded to visual arts’ space characteristics. Therefore, the first aim of this research was to detect historical derivation of this concept that has always been marginal, side-ward concept in psycho-analysis, and for many theorists and researchers valueless and minor to be occupied with.  
Early research development comprehend the whole one hundred years history of this concept based on fact that it is constructed on equivalence of its denotation and connotation and that it exists due to the courtesy of its name Das Unheimliche (in German), fortunately for concept and its subsequential that Freud himself introduced, although he was not the first one. Even though different languages have their own translations, here it is used in the German original. The work is trying to illustrate a psycho-analyst history of this concept, and on the basis of it and of theories regarded to space, psycho-analysis and theoretical psycho-analysis, recommend the path of psycho-analyst reading of the concept in art works of the authors that are interfered in space issues. Chosen authors and their art works are offered as case studies making available to see the effect (appearance) of Das Unheimliche right in the eye of correlation of an psycho- analyst and Lacanly defined subject with space (space of art or art work). Case studies are not chosen simply by the artist and his work, but are based on the typology that is established so that the different relatives between Das Unheimliche and certain theoretical phenomena can be seen: the first is concerned with determined homonyms of special type: Das Heim and Das Unheimliche that are manifested through dissimilar interpretations of the motive of the house; the second is about the relationship between an aura and Das Unheimliche; the third is about political capacities that are conceded by this concept, and the last – fourth is about subversion and Das Unheimliche through historically distant examples.",
publisher = "Beograd : Orion Art, Beograd : Univerzitet, Arhitektonski fakultet",
title = "Das Unheimliche. Психоаналитичке и културалне теорије простора",
url = "https://hdl.handle.net/21.15107/rcub_raf_847"
}

Cvetić, M.. (2011). Das Unheimliche. Психоаналитичке и културалне теорије простора. 
Beograd : Orion Art..
https://hdl.handle.net/21.15107/rcub_raf_847

Cvetić M. Das Unheimliche. Психоаналитичке и културалне теорије простора. 2011;.
https://hdl.handle.net/21.15107/rcub_raf_847 .

Cvetić, Mariela, "Das Unheimliche. Психоаналитичке и културалне теорије простора" (2011),
https://hdl.handle.net/21.15107/rcub_raf_847 .

TY  - JOUR
AU  - Vasiljević-Tomić, Dragana
AU  - Cvetić, Mariela
PY  - 2009
UR  - https://raf.arh.bg.ac.rs/handle/123456789/54
AB  - The procession from the response, that comes in the form of concept, to the entitled exposition theme, via the materialization of that concept in the given or chosen exposition area (technical representation), up to the exhibition realization leads over the numerous accompanying activities that include informative propaganda, the activities concerning the preview and publishing catalogue as an advertising, scientific and educative instrument of the exhibition. The intention of this work is to point at some segments of that general trajectory at the example of Serbian pavilion in Venice biennale of architecture 2008.
AB  - Put od odgovora u vidu koncepta na zadatu temu izložbe, preko opredmećenja koncepta u zadatom ili izabranom izložbenom prostoru - tehničke reprezentacije, do same realizacije izložbe vodi preko brojnih pratećih aktivnosti koje uključuju i informativno propagandne, kao i aktivnosti u vezi vernisaža i publikovanja pratećeg kataloga kao propagandnog, naučnog i edukativnog instrumenta izložbe. Namera ovog rada je da ukaže na neke tačke na toj trajektoriji, a na primeru srpskog predstavnika na Venecijanskom bijenalu arhitekture 2008. godine.
PB  - Institut za arhitekturu i urbanizam Srbije, Beograd
T2  - Arhitektura i urbanizam
T1  - Wohnlich, Venice Biennial of architecture 2008: Exhibition and its geneses
T1  - Wohnlich, Venecijansko bijenale arhitekture 2008 - izložba i njena geneza
IS  - 24-25
SP  - 19
EP  - 24
UR  - https://hdl.handle.net/21.15107/rcub_raf_54
ER  - 

@article{
author = "Vasiljević-Tomić, Dragana and Cvetić, Mariela",
year = "2009",
abstract = "The procession from the response, that comes in the form of concept, to the entitled exposition theme, via the materialization of that concept in the given or chosen exposition area (technical representation), up to the exhibition realization leads over the numerous accompanying activities that include informative propaganda, the activities concerning the preview and publishing catalogue as an advertising, scientific and educative instrument of the exhibition. The intention of this work is to point at some segments of that general trajectory at the example of Serbian pavilion in Venice biennale of architecture 2008., Put od odgovora u vidu koncepta na zadatu temu izložbe, preko opredmećenja koncepta u zadatom ili izabranom izložbenom prostoru - tehničke reprezentacije, do same realizacije izložbe vodi preko brojnih pratećih aktivnosti koje uključuju i informativno propagandne, kao i aktivnosti u vezi vernisaža i publikovanja pratećeg kataloga kao propagandnog, naučnog i edukativnog instrumenta izložbe. Namera ovog rada je da ukaže na neke tačke na toj trajektoriji, a na primeru srpskog predstavnika na Venecijanskom bijenalu arhitekture 2008. godine.",
publisher = "Institut za arhitekturu i urbanizam Srbije, Beograd",
journal = "Arhitektura i urbanizam",
title = "Wohnlich, Venice Biennial of architecture 2008: Exhibition and its geneses, Wohnlich, Venecijansko bijenale arhitekture 2008 - izložba i njena geneza",
number = "24-25",
pages = "19-24",
url = "https://hdl.handle.net/21.15107/rcub_raf_54"
}

Vasiljević-Tomić, D.,& Cvetić, M.. (2009). Wohnlich, Venice Biennial of architecture 2008: Exhibition and its geneses. in Arhitektura i urbanizam
Institut za arhitekturu i urbanizam Srbije, Beograd.(24-25), 19-24.
https://hdl.handle.net/21.15107/rcub_raf_54

Vasiljević-Tomić D, Cvetić M. Wohnlich, Venice Biennial of architecture 2008: Exhibition and its geneses. in Arhitektura i urbanizam. 2009;(24-25):19-24.
https://hdl.handle.net/21.15107/rcub_raf_54 .

Vasiljević-Tomić, Dragana, Cvetić, Mariela, "Wohnlich, Venice Biennial of architecture 2008: Exhibition and its geneses" in Arhitektura i urbanizam, no. 24-25 (2009):19-24,
https://hdl.handle.net/21.15107/rcub_raf_54 .

TY  - JOUR
AU  - Cvetić, Mariela
PY  - 2009
UR  - https://raf.arh.bg.ac.rs/handle/123456789/482
AB  - This paper reconsiders the relation established between (the
architectural) space – the house and the woman in it, or versus it.
Such a relationship is projected through visual arts, as is evident
in the examples of the selected case studies. The objective of this
thesis is to elaborate upon the idea that contemporary women
authors use “their house” as the topic of inspiration behind
works, which are quite often reminiscences of the emotional
spectrum they lived during their own childhood. Furthermore, it
also shows that through those works they establish their personal
attitude towards the notion of “house” in general. The starting
point of this paper is based on the theoretical views of Griselde
Pollock ,a feminist critic and theoretician of visual arts, and her
analyses of “the space of femininity” and the women artists in
modernism.
PB  - Belgrade : University of Belgrade, Faculty of Architecture
T2  - SAJ : Serbian architectural journal
T1  - A Feminist Approach to Space: How Women "Project Their Home Environment" Through Visual Arts
VL  - 1
IS  - 3
SP  - 189
EP  - 202
UR  - https://hdl.handle.net/21.15107/rcub_raf_482
ER  - 

@article{
author = "Cvetić, Mariela",
year = "2009",
abstract = "This paper reconsiders the relation established between (the
architectural) space – the house and the woman in it, or versus it.
Such a relationship is projected through visual arts, as is evident
in the examples of the selected case studies. The objective of this
thesis is to elaborate upon the idea that contemporary women
authors use “their house” as the topic of inspiration behind
works, which are quite often reminiscences of the emotional
spectrum they lived during their own childhood. Furthermore, it
also shows that through those works they establish their personal
attitude towards the notion of “house” in general. The starting
point of this paper is based on the theoretical views of Griselde
Pollock ,a feminist critic and theoretician of visual arts, and her
analyses of “the space of femininity” and the women artists in
modernism.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture",
journal = "SAJ : Serbian architectural journal",
title = "A Feminist Approach to Space: How Women "Project Their Home Environment" Through Visual Arts",
volume = "1",
number = "3",
pages = "189-202",
url = "https://hdl.handle.net/21.15107/rcub_raf_482"
}

Cvetić, M.. (2009). A Feminist Approach to Space: How Women "Project Their Home Environment" Through Visual Arts. in SAJ : Serbian architectural journal
Belgrade : University of Belgrade, Faculty of Architecture., 1(3), 189-202.
https://hdl.handle.net/21.15107/rcub_raf_482

Cvetić M. A Feminist Approach to Space: How Women "Project Their Home Environment" Through Visual Arts. in SAJ : Serbian architectural journal. 2009;1(3):189-202.
https://hdl.handle.net/21.15107/rcub_raf_482 .

Cvetić, Mariela, "A Feminist Approach to Space: How Women "Project Their Home Environment" Through Visual Arts" in SAJ : Serbian architectural journal, 1, no. 3 (2009):189-202,
https://hdl.handle.net/21.15107/rcub_raf_482 .