TY  - CHAP
AU  - Milinković, Marija
AU  - Tilinger, Dezire
AU  - Jovanović, Jelica
AU  - Ćorović, Dragana
AU  - Krklješ, Milena
AU  - Nedučin, Dejana
AU  - Dukanac, Dalia
AU  - Subić, Sanjin
PY  - 2023
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1920
AB  - In many aspects middle-class mass housing development in Serbia/Yugoslavia was unprecedented, determined by a growing and unacknowledged formation of a middle class in the context of Yugoslav socialism, and a widely proclaimed but elusive social ideal of “housing for all”. Two types of MCMH were the most prevalent in the period considered here (1945-1991): a multi-storey collective residential building, in or outside the city centre, and the individual private house, built in formal and informal or so-cold “wild”settlements. The Yugoslav housing experiment emerged mostly within the collective residential estates. The appropriation, innovation and even invention of different industrial building methods was further enhanced by excellent standards in urban planning and architectural design, exemplified in this study by selected MCMH cases in New Belgrade, Novi Sad, Bor and Subotica. Due to aging, lack of maintenance and the impoverishment of its inhabitants, the present state of this large housing stock is poor, its future uncertain, and yet, its lessons are of vital importance today. In response to what would be the lessons and contemporary implications of the Yugoslav housing experience, in this brief review we have outlined the specificities and the unique historical conditions of the emergence of middle class mass housing in Serbia.
PB  - Lisbon : Iscte-IUL
T2  - European Middle-Class Mass Housing: Past and Present of the Modern Community
T1  - (Middle Class) Mass Housing in Serbia Within and Beyond the Shifting Frames of Socialist Modernisation
SP  - 490
EP  - 497
UR  - https://hdl.handle.net/21.15107/rcub_raf_1920
ER  - 

@inbook{
author = "Milinković, Marija and Tilinger, Dezire and Jovanović, Jelica and Ćorović, Dragana and Krklješ, Milena and Nedučin, Dejana and Dukanac, Dalia and Subić, Sanjin",
year = "2023",
abstract = "In many aspects middle-class mass housing development in Serbia/Yugoslavia was unprecedented, determined by a growing and unacknowledged formation of a middle class in the context of Yugoslav socialism, and a widely proclaimed but elusive social ideal of “housing for all”. Two types of MCMH were the most prevalent in the period considered here (1945-1991): a multi-storey collective residential building, in or outside the city centre, and the individual private house, built in formal and informal or so-cold “wild”settlements. The Yugoslav housing experiment emerged mostly within the collective residential estates. The appropriation, innovation and even invention of different industrial building methods was further enhanced by excellent standards in urban planning and architectural design, exemplified in this study by selected MCMH cases in New Belgrade, Novi Sad, Bor and Subotica. Due to aging, lack of maintenance and the impoverishment of its inhabitants, the present state of this large housing stock is poor, its future uncertain, and yet, its lessons are of vital importance today. In response to what would be the lessons and contemporary implications of the Yugoslav housing experience, in this brief review we have outlined the specificities and the unique historical conditions of the emergence of middle class mass housing in Serbia.",
publisher = "Lisbon : Iscte-IUL",
journal = "European Middle-Class Mass Housing: Past and Present of the Modern Community",
booktitle = "(Middle Class) Mass Housing in Serbia Within and Beyond the Shifting Frames of Socialist Modernisation",
pages = "490-497",
url = "https://hdl.handle.net/21.15107/rcub_raf_1920"
}

Milinković, M., Tilinger, D., Jovanović, J., Ćorović, D., Krklješ, M., Nedučin, D., Dukanac, D.,& Subić, S.. (2023). (Middle Class) Mass Housing in Serbia Within and Beyond the Shifting Frames of Socialist Modernisation. in European Middle-Class Mass Housing: Past and Present of the Modern Community
Lisbon : Iscte-IUL., 490-497.
https://hdl.handle.net/21.15107/rcub_raf_1920

Milinković M, Tilinger D, Jovanović J, Ćorović D, Krklješ M, Nedučin D, Dukanac D, Subić S. (Middle Class) Mass Housing in Serbia Within and Beyond the Shifting Frames of Socialist Modernisation. in European Middle-Class Mass Housing: Past and Present of the Modern Community. 2023;:490-497.
https://hdl.handle.net/21.15107/rcub_raf_1920 .

Milinković, Marija, Tilinger, Dezire, Jovanović, Jelica, Ćorović, Dragana, Krklješ, Milena, Nedučin, Dejana, Dukanac, Dalia, Subić, Sanjin, "(Middle Class) Mass Housing in Serbia Within and Beyond the Shifting Frames of Socialist Modernisation" in European Middle-Class Mass Housing: Past and Present of the Modern Community (2023):490-497,
https://hdl.handle.net/21.15107/rcub_raf_1920 .

TY  - BOOK
AU  - Milinković, Marija
PY  - 2022
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1930
AB  - Knjiga Nikola Dobrović – The Shifting Modes of Critical Practice in Architecture posvećena je profesionalnom životu i radu arhitekte Nikole Dobrovića (1897–1967), nesporno jednoj od najistaknutijih ličnosti arhitektonskog modernizma u Srbiji i Jugoslaviji. Monografija je nastala kao rezultat istraživanja originalne arhivske građe i studijskih putovanja koja su, tragom Dobrovićeve bogate stručne prakse, vodila obalom Jadranskog primorja od Ulcinja do Dubrovnika, preko Praga, Roterdama i Haga, do Beograda i Novog Sada. Kroz studiju dobro poznatih realizovanih objekata, od Hotela Grand na Lopudu (1934-1936) do zgrade Generalštaba u Beogradu (1953-1963), nerealizovanih projekata i konkursnih radova kao i ključnih urbanističkih planova, publikacija i rukopisa, autorka daje nov uvid u Dobrovićeve autorske pozicije i ukazuje na kontinuitet i značaj njegovog kritičkog mišljenja i delovanja u arhitekturi.
PB  - Montreal ; Amsterdam : The Architecture Observer
PB  - Belgrade : University of Belgrade - Faculty of Architecture
T1  - Nikola Dobrović - The Shifting Modes of Critical Practice in Architecture
UR  - https://hdl.handle.net/21.15107/rcub_raf_1930
ER  - 

@book{
author = "Milinković, Marija",
year = "2022",
abstract = "Knjiga Nikola Dobrović – The Shifting Modes of Critical Practice in Architecture posvećena je profesionalnom životu i radu arhitekte Nikole Dobrovića (1897–1967), nesporno jednoj od najistaknutijih ličnosti arhitektonskog modernizma u Srbiji i Jugoslaviji. Monografija je nastala kao rezultat istraživanja originalne arhivske građe i studijskih putovanja koja su, tragom Dobrovićeve bogate stručne prakse, vodila obalom Jadranskog primorja od Ulcinja do Dubrovnika, preko Praga, Roterdama i Haga, do Beograda i Novog Sada. Kroz studiju dobro poznatih realizovanih objekata, od Hotela Grand na Lopudu (1934-1936) do zgrade Generalštaba u Beogradu (1953-1963), nerealizovanih projekata i konkursnih radova kao i ključnih urbanističkih planova, publikacija i rukopisa, autorka daje nov uvid u Dobrovićeve autorske pozicije i ukazuje na kontinuitet i značaj njegovog kritičkog mišljenja i delovanja u arhitekturi.",
publisher = "Montreal ; Amsterdam : The Architecture Observer, Belgrade : University of Belgrade - Faculty of Architecture",
title = "Nikola Dobrović - The Shifting Modes of Critical Practice in Architecture",
url = "https://hdl.handle.net/21.15107/rcub_raf_1930"
}

Milinković, M.. (2022). Nikola Dobrović - The Shifting Modes of Critical Practice in Architecture. 
Montreal ; Amsterdam : The Architecture Observer..
https://hdl.handle.net/21.15107/rcub_raf_1930

Milinković M. Nikola Dobrović - The Shifting Modes of Critical Practice in Architecture. 2022;.
https://hdl.handle.net/21.15107/rcub_raf_1930 .

Milinković, Marija, "Nikola Dobrović - The Shifting Modes of Critical Practice in Architecture" (2022),
https://hdl.handle.net/21.15107/rcub_raf_1930 .

TY  - CONF
AU  - Milinković, Marija
PY  - 2022
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1919
AB  - ВИЗИОНАРСТВО И ИНТЕЛЕКТУАЛНИ ОТПОР АРХИТЕКТЕ НИКОЛЕ
ДОБРОВИЋА: ПЕРИОД ДРУГОГ СВЕТСКОГ РАТА
У периодизацији сложене професионалне праксе Николе Добровића, пери-
од Другог светског рата најчешће остаје на маргинама уобичајене трипартит-
не поделе, као пауза између јасно детерминисаних структуралних целина,
дубровачког и београдског раздобља. Заснована на студијама културног кон-
текста и детаљним увидима у личну преписку архитекте, новија истрживања
расветљавају Добровићеве ратне године као време тешког живота у оскуди-
ци и време интензивне посвећености физичком и умном раду (Благојевић у
Иванишин, Thaler, Благојевић, 2015). Сам Добровић у позним годинама беле-
жи да је то време студирања „свега што би у недостатку књига доспело под
руке“ (Крунић, Перовић, ур., 1998: 316). Циљ овог рада је да се додатно ра-
светле, контекстуализују и објасне поједине Добровићеве идеје и концепци-
је настале у овим екстремним историјским околностима. У средишту пажње
су пројекти настали непосредно уочи Другог светског рата и писани радови
који су по завршетку рата имали битан утицај на формирање Добровићевих
ауторских позиција. У ширем смислу, рад се бави инструментима критичког
мишљења и деловања у време када су услови за критичку стручну праксу
радикално сужени или у потпуности укинути. Употребом метода упоредне
анализе и критичке анализе садржаја, испитаће се и проблематизовати са
савремене тачке гледишта две комплементарне технике Добровићеве дру-
штвене и уметничке критике: перманентни интелектуални отпор, с једне, и
визионарско промишљање будућег друштва, са друге стране.
PB  - Београд : САНУ
PB  - Београд : Архитектонски факултет Универзитета у Београду
C3  - Књига сажетака = Book of abstracts / Међународна научна конференција 125 година од рођења архитекте Николе Добровића (1897–2022), 17. новембар 2022. године Српска академија наука и уметности, 18. новембар 2022. године Архитектонски факултет Универзитета у Београду = International Scientific Conference 125 Years of the Birth of Architect Nikola Dobrovic (1897–2022), 17 November 2022 Serbian Academy of Sciences and Arts, 18. November 2022 Faculty of Architecture, University of Belgrade
T1  - Vizionarstvo i intelektualni otpor arhitekte Nikole Dobrovića: period Drugog svetskog rata
SP  - 4
EP  - 5
UR  - https://hdl.handle.net/21.15107/rcub_raf_1919
ER  - 

@conference{
author = "Milinković, Marija",
year = "2022",
abstract = "ВИЗИОНАРСТВО И ИНТЕЛЕКТУАЛНИ ОТПОР АРХИТЕКТЕ НИКОЛЕ
ДОБРОВИЋА: ПЕРИОД ДРУГОГ СВЕТСКОГ РАТА
У периодизацији сложене професионалне праксе Николе Добровића, пери-
од Другог светског рата најчешће остаје на маргинама уобичајене трипартит-
не поделе, као пауза између јасно детерминисаних структуралних целина,
дубровачког и београдског раздобља. Заснована на студијама културног кон-
текста и детаљним увидима у личну преписку архитекте, новија истрживања
расветљавају Добровићеве ратне године као време тешког живота у оскуди-
ци и време интензивне посвећености физичком и умном раду (Благојевић у
Иванишин, Thaler, Благојевић, 2015). Сам Добровић у позним годинама беле-
жи да је то време студирања „свега што би у недостатку књига доспело под
руке“ (Крунић, Перовић, ур., 1998: 316). Циљ овог рада је да се додатно ра-
светле, контекстуализују и објасне поједине Добровићеве идеје и концепци-
је настале у овим екстремним историјским околностима. У средишту пажње
су пројекти настали непосредно уочи Другог светског рата и писани радови
који су по завршетку рата имали битан утицај на формирање Добровићевих
ауторских позиција. У ширем смислу, рад се бави инструментима критичког
мишљења и деловања у време када су услови за критичку стручну праксу
радикално сужени или у потпуности укинути. Употребом метода упоредне
анализе и критичке анализе садржаја, испитаће се и проблематизовати са
савремене тачке гледишта две комплементарне технике Добровићеве дру-
штвене и уметничке критике: перманентни интелектуални отпор, с једне, и
визионарско промишљање будућег друштва, са друге стране.",
publisher = "Београд : САНУ, Београд : Архитектонски факултет Универзитета у Београду",
journal = "Књига сажетака = Book of abstracts / Међународна научна конференција 125 година од рођења архитекте Николе Добровића (1897–2022), 17. новембар 2022. године Српска академија наука и уметности, 18. новембар 2022. године Архитектонски факултет Универзитета у Београду = International Scientific Conference 125 Years of the Birth of Architect Nikola Dobrovic (1897–2022), 17 November 2022 Serbian Academy of Sciences and Arts, 18. November 2022 Faculty of Architecture, University of Belgrade",
title = "Vizionarstvo i intelektualni otpor arhitekte Nikole Dobrovića: period Drugog svetskog rata",
pages = "4-5",
url = "https://hdl.handle.net/21.15107/rcub_raf_1919"
}

Milinković, M.. (2022). Vizionarstvo i intelektualni otpor arhitekte Nikole Dobrovića: period Drugog svetskog rata. in Књига сажетака = Book of abstracts / Међународна научна конференција 125 година од рођења архитекте Николе Добровића (1897–2022), 17. новембар 2022. године Српска академија наука и уметности, 18. новембар 2022. године Архитектонски факултет Универзитета у Београду = International Scientific Conference 125 Years of the Birth of Architect Nikola Dobrovic (1897–2022), 17 November 2022 Serbian Academy of Sciences and Arts, 18. November 2022 Faculty of Architecture, University of Belgrade
Београд : САНУ., 4-5.
https://hdl.handle.net/21.15107/rcub_raf_1919

Milinković M. Vizionarstvo i intelektualni otpor arhitekte Nikole Dobrovića: period Drugog svetskog rata. in Књига сажетака = Book of abstracts / Међународна научна конференција 125 година од рођења архитекте Николе Добровића (1897–2022), 17. новембар 2022. године Српска академија наука и уметности, 18. новембар 2022. године Архитектонски факултет Универзитета у Београду = International Scientific Conference 125 Years of the Birth of Architect Nikola Dobrovic (1897–2022), 17 November 2022 Serbian Academy of Sciences and Arts, 18. November 2022 Faculty of Architecture, University of Belgrade. 2022;:4-5.
https://hdl.handle.net/21.15107/rcub_raf_1919 .

Milinković, Marija, "Vizionarstvo i intelektualni otpor arhitekte Nikole Dobrovića: period Drugog svetskog rata" in Књига сажетака = Book of abstracts / Међународна научна конференција 125 година од рођења архитекте Николе Добровића (1897–2022), 17. новембар 2022. године Српска академија наука и уметности, 18. новембар 2022. године Архитектонски факултет Универзитета у Београду = International Scientific Conference 125 Years of the Birth of Architect Nikola Dobrovic (1897–2022), 17 November 2022 Serbian Academy of Sciences and Arts, 18. November 2022 Faculty of Architecture, University of Belgrade (2022):4-5,
https://hdl.handle.net/21.15107/rcub_raf_1919 .

TY  - BOOK
AU  - Milinković, Marija
PY  - 2021
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1207
AB  - Praktikum je nastao kao rezultat rada na izbornom predmetu Uvod
u arhitektonsko istraživanje i namenjen je studentima Master
akademskih studija arhitekture, kao i široj akademskoj zajednici u
meri u kojoj otvara pitanja metodologije savremenog arhitektonskog
obrazovanja. Predmet je uveden školske 2014/2015. godine,
u okviru studijske celine Izborni predmet 2 – Arhitektura, u letnjem
semestru prve godine Master akademskih studija na Univerzitetu u
Beogradu – Arhitektonskom fakultetu. Od 2017/2018. godine, deo
je izborne grupe predmeta Istorija i teorija 2 koju, pored studenata
master studija, pohađaju i studenti četvrte godine Integrisanih
akademskih studija arhitekture. Inicijalno, predmet je postavljen
sa namerom da obezbedi fundamentalno razumevanje procesa
i standarda istraživačkog rada u arhitekturi i, posredno, da ukaže
na značaj istraživanja i neophodnost konstruisanja novih i čvršćih
mostova između istraživanja i projektovanja....
PB  - Univerzitet u Beogradu - Arhitektonski fakultet
T1  - Uvod u arhitektonsko istraživanje 2020 : praktikum i zbornik radova
UR  - https://hdl.handle.net/21.15107/rcub_raf_1207
ER  - 

@book{
author = "Milinković, Marija",
year = "2021",
abstract = "Praktikum je nastao kao rezultat rada na izbornom predmetu Uvod
u arhitektonsko istraživanje i namenjen je studentima Master
akademskih studija arhitekture, kao i široj akademskoj zajednici u
meri u kojoj otvara pitanja metodologije savremenog arhitektonskog
obrazovanja. Predmet je uveden školske 2014/2015. godine,
u okviru studijske celine Izborni predmet 2 – Arhitektura, u letnjem
semestru prve godine Master akademskih studija na Univerzitetu u
Beogradu – Arhitektonskom fakultetu. Od 2017/2018. godine, deo
je izborne grupe predmeta Istorija i teorija 2 koju, pored studenata
master studija, pohađaju i studenti četvrte godine Integrisanih
akademskih studija arhitekture. Inicijalno, predmet je postavljen
sa namerom da obezbedi fundamentalno razumevanje procesa
i standarda istraživačkog rada u arhitekturi i, posredno, da ukaže
na značaj istraživanja i neophodnost konstruisanja novih i čvršćih
mostova između istraživanja i projektovanja....",
publisher = "Univerzitet u Beogradu - Arhitektonski fakultet",
title = "Uvod u arhitektonsko istraživanje 2020 : praktikum i zbornik radova",
url = "https://hdl.handle.net/21.15107/rcub_raf_1207"
}

Milinković, M.. (2021). Uvod u arhitektonsko istraživanje 2020 : praktikum i zbornik radova. 
Univerzitet u Beogradu - Arhitektonski fakultet..
https://hdl.handle.net/21.15107/rcub_raf_1207

Milinković M. Uvod u arhitektonsko istraživanje 2020 : praktikum i zbornik radova. 2021;.
https://hdl.handle.net/21.15107/rcub_raf_1207 .

Milinković, Marija, "Uvod u arhitektonsko istraživanje 2020 : praktikum i zbornik radova" (2021),
https://hdl.handle.net/21.15107/rcub_raf_1207 .

TY  - CONF
AU  - Ćorović, Dragana
AU  - Vuksannović-Macura, Zlata
AU  - Milinković, Marija
PY  - 2020
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1896
AB  - The split into “nature” and “culture” has lasted for centuries in Western civilization and remains the framework through which we consider various important problems of contemporary society. In the last decades of the twentieth century there has been a clear reaction to this dichotomy, first in a geography discourse then elsewhere, and a move towards studying the construction and representation of nature in cultural history. A very important feature in the approach to design for recovering contemporary urban landscape is urban greenery regeneration as well as the study of the urban greenery past. The broader historical context of our study is the establishment of new capitalist relations towards urban territory in nineteenth century Belgrade, and with it a new distribution of political and economic power. This process led to the disappearance of the main green spaces in the city and the suppression of the memory they carried. The reconstruction of Belgrade’s historic core was implemented according to Emilijan Josimović’s urban plan (1867). Nevertheless, it contained some very important indications of ecological thinking. In order to elaborate a refined approach to environmental and cultural problems that Belgrade, like other cities, faces today, we bring to light and critically examine those features and aspects of Josimović’s plan that established organic relations and balance between nature, culture, city memory and city development.
PB  - Department of Architecture – University of Bologna
C3  - CHANCES. Practices, Spaces and Buildings in Cities’ Transformation
T1  - Re-Thinking City Space in the Context of Nineteenth Century Belgrade
DO  - 10.6092/unibo/amsacta/6596
ER  - 

@conference{
author = "Ćorović, Dragana and Vuksannović-Macura, Zlata and Milinković, Marija",
year = "2020",
abstract = "The split into “nature” and “culture” has lasted for centuries in Western civilization and remains the framework through which we consider various important problems of contemporary society. In the last decades of the twentieth century there has been a clear reaction to this dichotomy, first in a geography discourse then elsewhere, and a move towards studying the construction and representation of nature in cultural history. A very important feature in the approach to design for recovering contemporary urban landscape is urban greenery regeneration as well as the study of the urban greenery past. The broader historical context of our study is the establishment of new capitalist relations towards urban territory in nineteenth century Belgrade, and with it a new distribution of political and economic power. This process led to the disappearance of the main green spaces in the city and the suppression of the memory they carried. The reconstruction of Belgrade’s historic core was implemented according to Emilijan Josimović’s urban plan (1867). Nevertheless, it contained some very important indications of ecological thinking. In order to elaborate a refined approach to environmental and cultural problems that Belgrade, like other cities, faces today, we bring to light and critically examine those features and aspects of Josimović’s plan that established organic relations and balance between nature, culture, city memory and city development.",
publisher = "Department of Architecture – University of Bologna",
journal = "CHANCES. Practices, Spaces and Buildings in Cities’ Transformation",
title = "Re-Thinking City Space in the Context of Nineteenth Century Belgrade",
doi = "10.6092/unibo/amsacta/6596"
}

Ćorović, D., Vuksannović-Macura, Z.,& Milinković, M.. (2020). Re-Thinking City Space in the Context of Nineteenth Century Belgrade. in CHANCES. Practices, Spaces and Buildings in Cities’ Transformation
Department of Architecture – University of Bologna..
https://doi.org/10.6092/unibo/amsacta/6596

Ćorović D, Vuksannović-Macura Z, Milinković M. Re-Thinking City Space in the Context of Nineteenth Century Belgrade. in CHANCES. Practices, Spaces and Buildings in Cities’ Transformation. 2020;.
doi:10.6092/unibo/amsacta/6596 .

Ćorović, Dragana, Vuksannović-Macura, Zlata, Milinković, Marija, "Re-Thinking City Space in the Context of Nineteenth Century Belgrade" in CHANCES. Practices, Spaces and Buildings in Cities’ Transformation (2020),
https://doi.org/10.6092/unibo/amsacta/6596 . .

TY  - JOUR
AU  - Milinković, Marija
AU  - Ćorović, Dragana
AU  - Vuksanović-Macura, Zlata
PY  - 2019
UR  - https://raf.arh.bg.ac.rs/handle/123456789/344
AB  - This article aims to underline the necessity of including historical enquiry in reaching the complex goals of sustainable development of urban riverscapes. Its proposed method is a survey conducted through selection, interpretation and systematization of the relevant historical data that consider the Belgrade cityscape, and specifically, the New Belgrade public spaces at the river confluence. The theoretical framework, which relies on the concepts of 'landscape urbanism' and 'critical practice of landscape architecture', has affected the selection and interpretation of dense historical layers of modernization, formed in diverse socio-economic and political conditions. We have distinguished five historical strata that contribute significantly to comprehension of the present state. By looking at the traces of the formative period of Belgrade urban landscape, the moments of New Belgrade's inception, inerasable impacts of war, vigorous post WWII socialist transformation and, finally, the series of Danube riverscape revisions, we intend to depict the complexity of the modern city legacy and thus stress the interconnectedness of past and future endeavours. As a counterpoint to globalizing tendencies in re-designing city riverfronts, this work is conceived as a lateral contribution to a broader investigation that informs, supports and constitutes more ecologically viable practices.
PB  - MDPI AG
T2  - Sustainability
T1  - Historical Enquiry as a Critical Method in Urban Riverscape Revisions: The Case of Belgrade's Confluence
VL  - 11
IS  - 4
DO  - 10.3390/su11041177
ER  - 

@article{
author = "Milinković, Marija and Ćorović, Dragana and Vuksanović-Macura, Zlata",
year = "2019",
abstract = "This article aims to underline the necessity of including historical enquiry in reaching the complex goals of sustainable development of urban riverscapes. Its proposed method is a survey conducted through selection, interpretation and systematization of the relevant historical data that consider the Belgrade cityscape, and specifically, the New Belgrade public spaces at the river confluence. The theoretical framework, which relies on the concepts of 'landscape urbanism' and 'critical practice of landscape architecture', has affected the selection and interpretation of dense historical layers of modernization, formed in diverse socio-economic and political conditions. We have distinguished five historical strata that contribute significantly to comprehension of the present state. By looking at the traces of the formative period of Belgrade urban landscape, the moments of New Belgrade's inception, inerasable impacts of war, vigorous post WWII socialist transformation and, finally, the series of Danube riverscape revisions, we intend to depict the complexity of the modern city legacy and thus stress the interconnectedness of past and future endeavours. As a counterpoint to globalizing tendencies in re-designing city riverfronts, this work is conceived as a lateral contribution to a broader investigation that informs, supports and constitutes more ecologically viable practices.",
publisher = "MDPI AG",
journal = "Sustainability",
title = "Historical Enquiry as a Critical Method in Urban Riverscape Revisions: The Case of Belgrade's Confluence",
volume = "11",
number = "4",
doi = "10.3390/su11041177"
}

Milinković, M., Ćorović, D.,& Vuksanović-Macura, Z.. (2019). Historical Enquiry as a Critical Method in Urban Riverscape Revisions: The Case of Belgrade's Confluence. in Sustainability
MDPI AG., 11(4).
https://doi.org/10.3390/su11041177

Milinković M, Ćorović D, Vuksanović-Macura Z. Historical Enquiry as a Critical Method in Urban Riverscape Revisions: The Case of Belgrade's Confluence. in Sustainability. 2019;11(4).
doi:10.3390/su11041177 .

Milinković, Marija, Ćorović, Dragana, Vuksanović-Macura, Zlata, "Historical Enquiry as a Critical Method in Urban Riverscape Revisions: The Case of Belgrade's Confluence" in Sustainability, 11, no. 4 (2019),
https://doi.org/10.3390/su11041177 . .

TY  - JOUR
AU  - Milinković, Marija
PY  - 2018
UR  - https://raf.arh.bg.ac.rs/handle/123456789/286
AB  - Over fifty years since the death of architect Nikola Dobrović (1897­1967), his rich architectural practice has prompted a number of serious historical and scientific researches. In one of the first detailed studies, in an article entitled 'Nikola Dobrović or On the Increase With Time', nine key principles of Dobrović's architecture have been distinguished in a summary of previous studies. This paper is conceived as an imaginary dialogue with the author of the study, Ranko Radović (1935­2005), who was also an excellent architect and urbanist, professor and theoretician of contemporary architecture, as well as Dobrović's student and collaborator. Considering results of more recent researches, this work seeks to document and critically observe Radović's early insights and interpretations. Also, it aims to acknowledge, once again, yet from a new historical perspective, the value of Dobrović's 'messages and news, words and ideas, drawings and buildings, 'proper' space that is always part of the world' - as Radović has precisely pointed out.
AB  - U periodu od pedeset godina, koliko je prošlo od smrti arhitekte Nikole Dobrovića (1897-1967), o njegovom bogatom projektantskom opusu preduzeto je niz ozbiljnih istoriografskih i naučnih istraživanja. U jednoj od prvih detaljnih studija, u članku pod naslovom 'Nikola Dobrović ili o povećanju s vremenom', kao rezime prethodnih analiza navedeno je devet ključnih principa Dobrovićeve arhitekture. Ovaj rad je koncipiran kao imaginarni dijalog sa autorom predmetne studije, Rankom Radovićem (1935­2005), Dobrovićevim studentom i saradnikom, takođe vrsnim arhitektom i urbanistom, profesorom i teoretičarem savremene arhitekture. Imajući u vidu rezultate novijih istraživanja, rad nastoji da dokumentuje i kritički preispita njegove rane uvide i tumačenja, i ponovo, iz savremene istorijske perspektive, ukaže na vrednost koju imaju, kako navodi Radović, Dobrovićeve 'poruke i vesti, reči i ideje, crteži i građevine, 'valjani' prostor koji je uvek i deo sveta'.
PB  - Zavod za proučavanje kulturnog razvitka, Beograd
T2  - Kultura
T1  - Basic principles in the architecture of Nikola Dobrović
T1  - Osnovni principi arhitekture Nikole Dobrovića
IS  - 159
SP  - 128
EP  - 140
DO  - 10.5937/kultura1859128M
ER  - 

@article{
author = "Milinković, Marija",
year = "2018",
abstract = "Over fifty years since the death of architect Nikola Dobrović (1897­1967), his rich architectural practice has prompted a number of serious historical and scientific researches. In one of the first detailed studies, in an article entitled 'Nikola Dobrović or On the Increase With Time', nine key principles of Dobrović's architecture have been distinguished in a summary of previous studies. This paper is conceived as an imaginary dialogue with the author of the study, Ranko Radović (1935­2005), who was also an excellent architect and urbanist, professor and theoretician of contemporary architecture, as well as Dobrović's student and collaborator. Considering results of more recent researches, this work seeks to document and critically observe Radović's early insights and interpretations. Also, it aims to acknowledge, once again, yet from a new historical perspective, the value of Dobrović's 'messages and news, words and ideas, drawings and buildings, 'proper' space that is always part of the world' - as Radović has precisely pointed out., U periodu od pedeset godina, koliko je prošlo od smrti arhitekte Nikole Dobrovića (1897-1967), o njegovom bogatom projektantskom opusu preduzeto je niz ozbiljnih istoriografskih i naučnih istraživanja. U jednoj od prvih detaljnih studija, u članku pod naslovom 'Nikola Dobrović ili o povećanju s vremenom', kao rezime prethodnih analiza navedeno je devet ključnih principa Dobrovićeve arhitekture. Ovaj rad je koncipiran kao imaginarni dijalog sa autorom predmetne studije, Rankom Radovićem (1935­2005), Dobrovićevim studentom i saradnikom, takođe vrsnim arhitektom i urbanistom, profesorom i teoretičarem savremene arhitekture. Imajući u vidu rezultate novijih istraživanja, rad nastoji da dokumentuje i kritički preispita njegove rane uvide i tumačenja, i ponovo, iz savremene istorijske perspektive, ukaže na vrednost koju imaju, kako navodi Radović, Dobrovićeve 'poruke i vesti, reči i ideje, crteži i građevine, 'valjani' prostor koji je uvek i deo sveta'.",
publisher = "Zavod za proučavanje kulturnog razvitka, Beograd",
journal = "Kultura",
title = "Basic principles in the architecture of Nikola Dobrović, Osnovni principi arhitekture Nikole Dobrovića",
number = "159",
pages = "128-140",
doi = "10.5937/kultura1859128M"
}

Milinković, M.. (2018). Basic principles in the architecture of Nikola Dobrović. in Kultura
Zavod za proučavanje kulturnog razvitka, Beograd.(159), 128-140.
https://doi.org/10.5937/kultura1859128M

Milinković M. Basic principles in the architecture of Nikola Dobrović. in Kultura. 2018;(159):128-140.
doi:10.5937/kultura1859128M .

Milinković, Marija, "Basic principles in the architecture of Nikola Dobrović" in Kultura, no. 159 (2018):128-140,
https://doi.org/10.5937/kultura1859128M . .

TY  - JOUR
AU  - Milinković, Marija
AU  - Zlatković, Snežana
PY  - 2018
UR  - https://raf.arh.bg.ac.rs/handle/123456789/285
PB  - Slovak Academy of Sciences, Institute of History
T2  - Architektura a Urbanizmus
T1  - Behind the Glitch: Research by digital drawing in contemporary architecture education
T1  - Poza glitch: Výskum prostredníctvom digitálnej kresby v súčasnom architektonickom vzdelávaní
VL  - 52
IS  - 3-4
SP  - 199
EP  - 209
UR  - https://hdl.handle.net/21.15107/rcub_raf_285
ER  - 

@article{
author = "Milinković, Marija and Zlatković, Snežana",
year = "2018",
publisher = "Slovak Academy of Sciences, Institute of History",
journal = "Architektura a Urbanizmus",
title = "Behind the Glitch: Research by digital drawing in contemporary architecture education, Poza glitch: Výskum prostredníctvom digitálnej kresby v súčasnom architektonickom vzdelávaní",
volume = "52",
number = "3-4",
pages = "199-209",
url = "https://hdl.handle.net/21.15107/rcub_raf_285"
}

Milinković, M.,& Zlatković, S.. (2018). Behind the Glitch: Research by digital drawing in contemporary architecture education. in Architektura a Urbanizmus
Slovak Academy of Sciences, Institute of History., 52(3-4), 199-209.
https://hdl.handle.net/21.15107/rcub_raf_285

Milinković M, Zlatković S. Behind the Glitch: Research by digital drawing in contemporary architecture education. in Architektura a Urbanizmus. 2018;52(3-4):199-209.
https://hdl.handle.net/21.15107/rcub_raf_285 .

Milinković, Marija, Zlatković, Snežana, "Behind the Glitch: Research by digital drawing in contemporary architecture education" in Architektura a Urbanizmus, 52, no. 3-4 (2018):199-209,
https://hdl.handle.net/21.15107/rcub_raf_285 .

TY  - CONF
AU  - Milinković, Marija
AU  - Dragana, Ćorović
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1926
AB  - On the 24 of January 2017, the new strategy of the re-design of the urban park Ušće (the Confluence), that belongs to the central green zone of Belgrade was presented to the city government. The future landscape project for this space will be authored by the prominent and global urban design firm Gehl Architects. Before the project becomes available to the public, we investigate the intrinsic qualities and values of the existing space in perspective of the Belgrade urban modernisation. During the nineteenth century, Belgrade was a city on a water border-line between the Ottoman Empire, respectively the Principality/Kingdom of Serbia and the Habsburg Monarchy. There was a radical transformation of the city’s urban landscape during this period and the process was driven for the most part by the paradigm of the modern European city. The protagonists of the transformation, the bearers of political and economic power, were following the patterns of a capitalist development of the state. After the end of the World War One, Belgrade was the most densely populated city and the city with the greatest mechanical inflow of population in the newly established Kingdom of Serbs, Croats, and Slovenes (1918–1929), in the Kingdom of Yugoslavia (1929–41), as well as after World War Two in the Socialist Yugoslavia. The construction of New Belgrade on the right bank of the Danube River, at the deserted space between Belgrade and Zemun (which until 1918 was part of Austria-Hungary) progressed according to the initial concept by the prominent Yugoslav town planner and architect Nikola Dobrović, 1946–48. In all these periods of urban landscape transformation, the main buzzword that has justified the different kind of spatial interventions was expressed by the saying: Belgrade must descents to its rivers. In this context we compare contemporary visions of the Danube riverfront of New Belgrade with the insightful concept from the very beginning of the twentieth century for the Danube suburban neighbourhood in the old Belgrade that reveals the valuable clues of the lost layers in the perpetual metamorphosis of an urban riverscape.
PB  - Department of Geosciences and Natural Resource Management, Section for Landscape Architecture and Planning, University of Copenhagen
PB  - Firenze: UNISCAPE
PB  - Oslo: Centre for Landscape Democracy (CLaD), Norwegian University of Life Sciences
C3  - Landscape Futures UNISCAPE Conference : conference programme : book of abstracts, June 19-21
T1  - Belgrade Riverscape Revisions and Lost Perspectives of Modernisation
SP  - 53
EP  - 53
UR  - https://hdl.handle.net/21.15107/rcub_raf_1926
ER  - 

@conference{
author = "Milinković, Marija and Dragana, Ćorović",
year = "2017",
abstract = "On the 24 of January 2017, the new strategy of the re-design of the urban park Ušće (the Confluence), that belongs to the central green zone of Belgrade was presented to the city government. The future landscape project for this space will be authored by the prominent and global urban design firm Gehl Architects. Before the project becomes available to the public, we investigate the intrinsic qualities and values of the existing space in perspective of the Belgrade urban modernisation. During the nineteenth century, Belgrade was a city on a water border-line between the Ottoman Empire, respectively the Principality/Kingdom of Serbia and the Habsburg Monarchy. There was a radical transformation of the city’s urban landscape during this period and the process was driven for the most part by the paradigm of the modern European city. The protagonists of the transformation, the bearers of political and economic power, were following the patterns of a capitalist development of the state. After the end of the World War One, Belgrade was the most densely populated city and the city with the greatest mechanical inflow of population in the newly established Kingdom of Serbs, Croats, and Slovenes (1918–1929), in the Kingdom of Yugoslavia (1929–41), as well as after World War Two in the Socialist Yugoslavia. The construction of New Belgrade on the right bank of the Danube River, at the deserted space between Belgrade and Zemun (which until 1918 was part of Austria-Hungary) progressed according to the initial concept by the prominent Yugoslav town planner and architect Nikola Dobrović, 1946–48. In all these periods of urban landscape transformation, the main buzzword that has justified the different kind of spatial interventions was expressed by the saying: Belgrade must descents to its rivers. In this context we compare contemporary visions of the Danube riverfront of New Belgrade with the insightful concept from the very beginning of the twentieth century for the Danube suburban neighbourhood in the old Belgrade that reveals the valuable clues of the lost layers in the perpetual metamorphosis of an urban riverscape.",
publisher = "Department of Geosciences and Natural Resource Management, Section for Landscape Architecture and Planning, University of Copenhagen, Firenze: UNISCAPE, Oslo: Centre for Landscape Democracy (CLaD), Norwegian University of Life Sciences",
journal = "Landscape Futures UNISCAPE Conference : conference programme : book of abstracts, June 19-21",
title = "Belgrade Riverscape Revisions and Lost Perspectives of Modernisation",
pages = "53-53",
url = "https://hdl.handle.net/21.15107/rcub_raf_1926"
}

Milinković, M.,& Dragana, Ć.. (2017). Belgrade Riverscape Revisions and Lost Perspectives of Modernisation. in Landscape Futures UNISCAPE Conference : conference programme : book of abstracts, June 19-21
Department of Geosciences and Natural Resource Management, Section for Landscape Architecture and Planning, University of Copenhagen., 53-53.
https://hdl.handle.net/21.15107/rcub_raf_1926

Milinković M, Dragana Ć. Belgrade Riverscape Revisions and Lost Perspectives of Modernisation. in Landscape Futures UNISCAPE Conference : conference programme : book of abstracts, June 19-21. 2017;:53-53.
https://hdl.handle.net/21.15107/rcub_raf_1926 .

Milinković, Marija, Dragana, Ćorović, "Belgrade Riverscape Revisions and Lost Perspectives of Modernisation" in Landscape Futures UNISCAPE Conference : conference programme : book of abstracts, June 19-21 (2017):53-53,
https://hdl.handle.net/21.15107/rcub_raf_1926 .

TY  - CONF
AU  - Ćorović, Dragana
AU  - Milinković, Marija
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1929
AB  - “Around 1910”, writes Henri Lefebvre, “a certain space was shattered”, pointing to the series of shifts in the Western culture, crucial for the evolution of modern thinking. This was also the time when the first glass-roof covered passage was designed and constructed (1910-12) in Belgrade’s main shopping street. The country’s capital, in the field of influence of powerful empires, was eager to catch up with the modern world. Some thirty years later (1941), the radically new transposition of the same theme was conceived through the unrealized project for the Hall of Matica srpska in Novi Sad. These conceptions, created in different but correlative geographical and historical conditions, are taken up in this paper as the subject for an analysis that examines the hidden emancipatory potential of this hybrid typology and the peculiar expressions of its protean capacity that gives us hints about the contemporary comprehension of public space articulation.
PB  - Boca Raton [etc.] : CRC Press, Taylor & Francis Group
C3  - Architectural Research Addressing Societal Challenges : proceedings of the 10th EAAE/ARCC International Conference, Lisbon, Portugal, 15-18 June 2016.
T1  - Beyond the passage: Analytical probe into the emancipatory potential of space
VL  - 1
SP  - 231
EP  - 238
UR  - https://hdl.handle.net/21.15107/rcub_raf_1929
ER  - 

@conference{
author = "Ćorović, Dragana and Milinković, Marija",
year = "2017",
abstract = "“Around 1910”, writes Henri Lefebvre, “a certain space was shattered”, pointing to the series of shifts in the Western culture, crucial for the evolution of modern thinking. This was also the time when the first glass-roof covered passage was designed and constructed (1910-12) in Belgrade’s main shopping street. The country’s capital, in the field of influence of powerful empires, was eager to catch up with the modern world. Some thirty years later (1941), the radically new transposition of the same theme was conceived through the unrealized project for the Hall of Matica srpska in Novi Sad. These conceptions, created in different but correlative geographical and historical conditions, are taken up in this paper as the subject for an analysis that examines the hidden emancipatory potential of this hybrid typology and the peculiar expressions of its protean capacity that gives us hints about the contemporary comprehension of public space articulation.",
publisher = "Boca Raton [etc.] : CRC Press, Taylor & Francis Group",
journal = "Architectural Research Addressing Societal Challenges : proceedings of the 10th EAAE/ARCC International Conference, Lisbon, Portugal, 15-18 June 2016.",
title = "Beyond the passage: Analytical probe into the emancipatory potential of space",
volume = "1",
pages = "231-238",
url = "https://hdl.handle.net/21.15107/rcub_raf_1929"
}

Ćorović, D.,& Milinković, M.. (2017). Beyond the passage: Analytical probe into the emancipatory potential of space. in Architectural Research Addressing Societal Challenges : proceedings of the 10th EAAE/ARCC International Conference, Lisbon, Portugal, 15-18 June 2016.
Boca Raton [etc.] : CRC Press, Taylor & Francis Group., 1, 231-238.
https://hdl.handle.net/21.15107/rcub_raf_1929

Ćorović D, Milinković M. Beyond the passage: Analytical probe into the emancipatory potential of space. in Architectural Research Addressing Societal Challenges : proceedings of the 10th EAAE/ARCC International Conference, Lisbon, Portugal, 15-18 June 2016.. 2017;1:231-238.
https://hdl.handle.net/21.15107/rcub_raf_1929 .

Ćorović, Dragana, Milinković, Marija, "Beyond the passage: Analytical probe into the emancipatory potential of space" in Architectural Research Addressing Societal Challenges : proceedings of the 10th EAAE/ARCC International Conference, Lisbon, Portugal, 15-18 June 2016., 1 (2017):231-238,
https://hdl.handle.net/21.15107/rcub_raf_1929 .

TY  - JOUR
AU  - Milinković, Marija
AU  - Ćorović, Dragana
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/257
AB  - As noted by Walter Benjamin, the spatial phenomenon of a covered glass-roofed passage, stretched between two streets and inserted inside a city block, encapsulated the extreme cultural ambivalence: by expressing repression through the ideology of consumerism and expressing freedom through the utopia of abundance. The hidden emancipatory potentials of the city passages, observed closely in a particular case, represent the subject of this paper and the analytical probe that examines the historical conditions of a particular enterprise. When the Passage of Nikola Spasić was constructed in the main pedestrian and shopping street of Belgrade in 1912, the époque of Parisian­style arcades had already passed. Observed in this broader perspective, the construction of the Passage, according to the project of Nikola Nestorović, one of the most prominent Serbian architects of the period, was only a late echo of the Parisian 18th century invention. The comparison and contention between the three chosen, realized and unrealized, transpositions of the Passage in Belgrade, designed by different prime architects of the time, in relation to Benjamin's idea of space with emancipative potential, correspondingly point out the protean capacity and open up new alternatives in the context of contemporary production of space, particularly important in the light of a changing global culture.
AB  - Kao polazna osnova istraživanja, u ovom radu, postavljen je prostorni fenomen XIX veka - pasaž (passagen, nem.) - odnosno, natkriveni (zaštićeni) prolaz između dve ulice, umetnut u gradski blok, koji je, prema opservacijama Valtera Benjamina (Walter Benjamin), predstavljao jedan od suštinskih izraza modernosti u vremenu svog nastanka. Upoređivanjem i ispitivanjem prolaza/pasaža u urbanoj istoriji Beograda tokom XX veka, rad analizira transpoziciju ovog tipa u kontekstu proizvodnje prostora u različitim društvenim okvirima, i problematizuje je kroz aktuelna pitanja savremene devastacije i redukcije javnog domena i javne sfere na globalnom nivou. Ovim radom nastavljaju se i produbljuju prethodno započeta naučna ispitivanja autorki, kroz novu predmetnu građu, problemske okvire i istraživačka pitanja proverena u redefinisanoj kritičkoj perspektivi, koja se bave emancipatorskim potencijalom prostora posebnih tipologija, izvan uobičajenih definicija i interpretacija.
PB  - Zavod za proučavanje kulturnog razvitka, Beograd
T2  - Kultura
T1  - The 20th century Belgrade passages: A typological analysis and critical examination of the potentials of space
T1  - Beogradski pasaži XX veka - analiza tipa i kritičko ispitivanje prostornog potencijala
IS  - 154
SP  - 153
EP  - 168
DO  - 10.5937/kultura1754153M
ER  - 

@article{
author = "Milinković, Marija and Ćorović, Dragana",
year = "2017",
abstract = "As noted by Walter Benjamin, the spatial phenomenon of a covered glass-roofed passage, stretched between two streets and inserted inside a city block, encapsulated the extreme cultural ambivalence: by expressing repression through the ideology of consumerism and expressing freedom through the utopia of abundance. The hidden emancipatory potentials of the city passages, observed closely in a particular case, represent the subject of this paper and the analytical probe that examines the historical conditions of a particular enterprise. When the Passage of Nikola Spasić was constructed in the main pedestrian and shopping street of Belgrade in 1912, the époque of Parisian­style arcades had already passed. Observed in this broader perspective, the construction of the Passage, according to the project of Nikola Nestorović, one of the most prominent Serbian architects of the period, was only a late echo of the Parisian 18th century invention. The comparison and contention between the three chosen, realized and unrealized, transpositions of the Passage in Belgrade, designed by different prime architects of the time, in relation to Benjamin's idea of space with emancipative potential, correspondingly point out the protean capacity and open up new alternatives in the context of contemporary production of space, particularly important in the light of a changing global culture., Kao polazna osnova istraživanja, u ovom radu, postavljen je prostorni fenomen XIX veka - pasaž (passagen, nem.) - odnosno, natkriveni (zaštićeni) prolaz između dve ulice, umetnut u gradski blok, koji je, prema opservacijama Valtera Benjamina (Walter Benjamin), predstavljao jedan od suštinskih izraza modernosti u vremenu svog nastanka. Upoređivanjem i ispitivanjem prolaza/pasaža u urbanoj istoriji Beograda tokom XX veka, rad analizira transpoziciju ovog tipa u kontekstu proizvodnje prostora u različitim društvenim okvirima, i problematizuje je kroz aktuelna pitanja savremene devastacije i redukcije javnog domena i javne sfere na globalnom nivou. Ovim radom nastavljaju se i produbljuju prethodno započeta naučna ispitivanja autorki, kroz novu predmetnu građu, problemske okvire i istraživačka pitanja proverena u redefinisanoj kritičkoj perspektivi, koja se bave emancipatorskim potencijalom prostora posebnih tipologija, izvan uobičajenih definicija i interpretacija.",
publisher = "Zavod za proučavanje kulturnog razvitka, Beograd",
journal = "Kultura",
title = "The 20th century Belgrade passages: A typological analysis and critical examination of the potentials of space, Beogradski pasaži XX veka - analiza tipa i kritičko ispitivanje prostornog potencijala",
number = "154",
pages = "153-168",
doi = "10.5937/kultura1754153M"
}

Milinković, M.,& Ćorović, D.. (2017). The 20th century Belgrade passages: A typological analysis and critical examination of the potentials of space. in Kultura
Zavod za proučavanje kulturnog razvitka, Beograd.(154), 153-168.
https://doi.org/10.5937/kultura1754153M

Milinković M, Ćorović D. The 20th century Belgrade passages: A typological analysis and critical examination of the potentials of space. in Kultura. 2017;(154):153-168.
doi:10.5937/kultura1754153M .

Milinković, Marija, Ćorović, Dragana, "The 20th century Belgrade passages: A typological analysis and critical examination of the potentials of space" in Kultura, no. 154 (2017):153-168,
https://doi.org/10.5937/kultura1754153M . .

TY  - THES
AU  - Milinković, Marija
PY  - 2013
UR  - http://eteze.bg.ac.rs/application/showtheses?thesesId=399
UR  - https://fedorabg.bg.ac.rs/fedora/get/o:6104/bdef:Content/download
UR  - http://vbs.rs/scripts/cobiss?command=DISPLAY&base=70036&RID=43988751
UR  - http://nardus.mpn.gov.rs/123456789/1987
UR  - https://raf.arh.bg.ac.rs/handle/123456789/351
AB  - Тема овог истраживања је методолошки концепт архитектонске критичке праксе, његова теоријска поставка и истраживање кроз студију критичког дискурса модерне архитектуре у југословенском културном простору. Његов основни циљ је да се модерна архитектура у Југославији сагледа у теоријском контексту критичког мишљења и да се одреде и научно објасне њене карактеристике и посебности. У ширем смислу, циљ овог рада је стицање научних сазанања о могућностима и принципима успостављања критичког дискурса у савременој архитектонској теорији и пракси. У првом делу истраживања постављен је теоријски оквир рада, анализирани су референтни концепти архитектонске теорије и критичке теорије, и проблем истраживања је ситуиран у просторно-временском контексту. Други део дисертације је конципиран као историјско-интерпретативно истраживање које се састоји из четири студије случаја у којима се претходно постављене тезе испитују у конкретним историјским условима и, на основу резултата истраживања, конструишу теоријски модели архитектонске критичке праксе. Теоријски оквир је постављен кроз испитивање и систематизацију кључних појмова: критика, критичка теорија, критичка архитектура, пракса, теоријска пракса и архитектонска критичка пракса. Хипотезе постављене у појмовнику се даље проверавају кроз критичку анализу референтних текстова из области архитектонске теорије, естетике, филозофије и друштвене теорије, међу којима се, као главна теоријска упоришта издвајају радови Манфреда Тафурија (Manfredo Tafuri) и Теодора Адорна (Theodor Adorno).
PB  - Универзитет у Београду, Архитектонски факултет
T2  - Универзитет у Београду
T1  - Архитектонска критичка пракса : теоријски модели
UR  - https://hdl.handle.net/21.15107/rcub_nardus_1987
ER  - 

@phdthesis{
author = "Milinković, Marija",
year = "2013",
abstract = "Тема овог истраживања је методолошки концепт архитектонске критичке праксе, његова теоријска поставка и истраживање кроз студију критичког дискурса модерне архитектуре у југословенском културном простору. Његов основни циљ је да се модерна архитектура у Југославији сагледа у теоријском контексту критичког мишљења и да се одреде и научно објасне њене карактеристике и посебности. У ширем смислу, циљ овог рада је стицање научних сазанања о могућностима и принципима успостављања критичког дискурса у савременој архитектонској теорији и пракси. У првом делу истраживања постављен је теоријски оквир рада, анализирани су референтни концепти архитектонске теорије и критичке теорије, и проблем истраживања је ситуиран у просторно-временском контексту. Други део дисертације је конципиран као историјско-интерпретативно истраживање које се састоји из четири студије случаја у којима се претходно постављене тезе испитују у конкретним историјским условима и, на основу резултата истраживања, конструишу теоријски модели архитектонске критичке праксе. Теоријски оквир је постављен кроз испитивање и систематизацију кључних појмова: критика, критичка теорија, критичка архитектура, пракса, теоријска пракса и архитектонска критичка пракса. Хипотезе постављене у појмовнику се даље проверавају кроз критичку анализу референтних текстова из области архитектонске теорије, естетике, филозофије и друштвене теорије, међу којима се, као главна теоријска упоришта издвајају радови Манфреда Тафурија (Manfredo Tafuri) и Теодора Адорна (Theodor Adorno).",
publisher = "Универзитет у Београду, Архитектонски факултет",
journal = "Универзитет у Београду",
title = "Архитектонска критичка пракса : теоријски модели",
url = "https://hdl.handle.net/21.15107/rcub_nardus_1987"
}

Milinković, M.. (2013). Архитектонска критичка пракса : теоријски модели. in Универзитет у Београду
Универзитет у Београду, Архитектонски факултет..
https://hdl.handle.net/21.15107/rcub_nardus_1987

Milinković M. Архитектонска критичка пракса : теоријски модели. in Универзитет у Београду. 2013;.
https://hdl.handle.net/21.15107/rcub_nardus_1987 .

Milinković, Marija, "Архитектонска критичка пракса : теоријски модели" in Универзитет у Београду (2013),
https://hdl.handle.net/21.15107/rcub_nardus_1987 .

TY  - JOUR
AU  - Blagojević, Ljiljana
AU  - Milinković, Marija
PY  - 2013
UR  - https://raf.arh.bg.ac.rs/handle/123456789/147
AB  - The article examines the post-WW2 expanded understanding of the concept of Mediterraneità or Mediterranean-ness in the South Adriatic coastal region of Montenegro in the former Yugoslavia, primarily as a modernist recourse against the demand for productivity and tenets of socialist realism and socialist aestheticism. The discussion of Mediterraneità refers to recent research of Italian architecture by Michelangelo Sabatino (2010), arguing that over the period of thirty years in its wider resonance across the Adriatic littoral, the original notion was adapted to different regional, cultural and socio-political contexts. This article specifically analyses the theory of modular coordination of the architect Milan Zloković (Trieste, 1898 – Belgrade, 1965), professor of architectural composition and design at the University of Belgrade, and its application in the tourist colony Hotel Mediterranean in the city of Ulcinj in Montenegro, which he realised in co-authorship with his son, architect and engineer Đorđe Zloković (1927, Trieste) and daughter, architect Milica Mojović (1932, Belgrade), in the early 1960s. In order to achieve meaningful if economically highly restrained design and efficient construction for developing mass tourism of the Montenegro littoral, the architects argued for the usefulness of modular coordination not only from the rational but also from the compositional point of view. The article explores a specific understanding of modern Mediterraneità in the Ulcinj colony which combines scientific means of modular coordination and the spirit of vernacular building in stone. The methodology combines historical and theoretical interpretation with geometric and proportional analysis of typology and modular coordination. The original graphic geometric methods are derived from the theory of the architect Milan Zloković through comparative analysis of Le Corbusier's Modulor, Alexander Klein's method of successive increments and Richard Padovan's interpretation of proportional systems correspondences. The article brings previously unpublished photographic documentation from the period.
PB  - Cambridge University Press
T2  - ARQ-architectural research quarterly
T1  - The beauty of production: module and its social significance
VL  - 17
IS  - 3-4
SP  - 253
EP  - 268
DO  - 10.1017/S1359135514000074
ER  - 

@article{
author = "Blagojević, Ljiljana and Milinković, Marija",
year = "2013",
abstract = "The article examines the post-WW2 expanded understanding of the concept of Mediterraneità or Mediterranean-ness in the South Adriatic coastal region of Montenegro in the former Yugoslavia, primarily as a modernist recourse against the demand for productivity and tenets of socialist realism and socialist aestheticism. The discussion of Mediterraneità refers to recent research of Italian architecture by Michelangelo Sabatino (2010), arguing that over the period of thirty years in its wider resonance across the Adriatic littoral, the original notion was adapted to different regional, cultural and socio-political contexts. This article specifically analyses the theory of modular coordination of the architect Milan Zloković (Trieste, 1898 – Belgrade, 1965), professor of architectural composition and design at the University of Belgrade, and its application in the tourist colony Hotel Mediterranean in the city of Ulcinj in Montenegro, which he realised in co-authorship with his son, architect and engineer Đorđe Zloković (1927, Trieste) and daughter, architect Milica Mojović (1932, Belgrade), in the early 1960s. In order to achieve meaningful if economically highly restrained design and efficient construction for developing mass tourism of the Montenegro littoral, the architects argued for the usefulness of modular coordination not only from the rational but also from the compositional point of view. The article explores a specific understanding of modern Mediterraneità in the Ulcinj colony which combines scientific means of modular coordination and the spirit of vernacular building in stone. The methodology combines historical and theoretical interpretation with geometric and proportional analysis of typology and modular coordination. The original graphic geometric methods are derived from the theory of the architect Milan Zloković through comparative analysis of Le Corbusier's Modulor, Alexander Klein's method of successive increments and Richard Padovan's interpretation of proportional systems correspondences. The article brings previously unpublished photographic documentation from the period.",
publisher = "Cambridge University Press",
journal = "ARQ-architectural research quarterly",
title = "The beauty of production: module and its social significance",
volume = "17",
number = "3-4",
pages = "253-268",
doi = "10.1017/S1359135514000074"
}

Blagojević, L.,& Milinković, M.. (2013). The beauty of production: module and its social significance. in ARQ-architectural research quarterly
Cambridge University Press., 17(3-4), 253-268.
https://doi.org/10.1017/S1359135514000074

Blagojević L, Milinković M. The beauty of production: module and its social significance. in ARQ-architectural research quarterly. 2013;17(3-4):253-268.
doi:10.1017/S1359135514000074 .

Blagojević, Ljiljana, Milinković, Marija, "The beauty of production: module and its social significance" in ARQ-architectural research quarterly, 17, no. 3-4 (2013):253-268,
https://doi.org/10.1017/S1359135514000074 . .

TY  - JOUR
AU  - Milinković, Marija
PY  - 2010
UR  - https://raf.arh.bg.ac.rs/handle/123456789/473
AB  - In architectural practice of Milan Zloković there exists a curious division between his prewar orientation towards building and his postwar emphasis on theoretical research. However, the distinction between these two fields of his work is not that simple and unequivocal. The particular aim of this paper is to explore this vague relationship in Zloković’s postwar practice by focusing on his late project of the Tourist Settlement in Ulcinj and the previous preparatory work at the Institute of Architecture and Urban Planning in Belgrade. The analysis reveals Zloković’s precise understanding of concrete problems of contemporariness and exposes his position in the specific context of Yugoslav modernism as truly autonomous yet deeply engaged.
PB  - Belgrade : University of Belgrade, Faculty of Architecture
T2  - SAJ : Serbian architectural journal
T1  - Setting the Distance: Theoretical Practice of Milan Zlokovic and its Material Corollaries
VL  - 2
IS  - 1
SP  - 19
EP  - 46
UR  - https://hdl.handle.net/21.15107/rcub_raf_473
ER  - 

@article{
author = "Milinković, Marija",
year = "2010",
abstract = "In architectural practice of Milan Zloković there exists a curious division between his prewar orientation towards building and his postwar emphasis on theoretical research. However, the distinction between these two fields of his work is not that simple and unequivocal. The particular aim of this paper is to explore this vague relationship in Zloković’s postwar practice by focusing on his late project of the Tourist Settlement in Ulcinj and the previous preparatory work at the Institute of Architecture and Urban Planning in Belgrade. The analysis reveals Zloković’s precise understanding of concrete problems of contemporariness and exposes his position in the specific context of Yugoslav modernism as truly autonomous yet deeply engaged.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture",
journal = "SAJ : Serbian architectural journal",
title = "Setting the Distance: Theoretical Practice of Milan Zlokovic and its Material Corollaries",
volume = "2",
number = "1",
pages = "19-46",
url = "https://hdl.handle.net/21.15107/rcub_raf_473"
}

Milinković, M.. (2010). Setting the Distance: Theoretical Practice of Milan Zlokovic and its Material Corollaries. in SAJ : Serbian architectural journal
Belgrade : University of Belgrade, Faculty of Architecture., 2(1), 19-46.
https://hdl.handle.net/21.15107/rcub_raf_473

Milinković M. Setting the Distance: Theoretical Practice of Milan Zlokovic and its Material Corollaries. in SAJ : Serbian architectural journal. 2010;2(1):19-46.
https://hdl.handle.net/21.15107/rcub_raf_473 .

Milinković, Marija, "Setting the Distance: Theoretical Practice of Milan Zlokovic and its Material Corollaries" in SAJ : Serbian architectural journal, 2, no. 1 (2010):19-46,
https://hdl.handle.net/21.15107/rcub_raf_473 .

TY  - JOUR
AU  - Milinković, Marija
PY  - 2005
UR  - https://raf.arh.bg.ac.rs/handle/123456789/18
AB  - The specific intent of this paper is to set up the research of modular coordination in the work of Nikola Dobrović. It is focused on two villas that were built by Dobrović during the prewar period: villa Vesna (1939) and villa Svid (1940), both placed in the region of Dubrovnik. In order to gain a closer insight into the design process of modern architects, these houses are subjected to structural and dimensional analyses. The investigation shows that the classical principles of proportion are not abandoned, as suggested in the later explications of the author, but that they were put in the mode of crisis. This aberration has been interpreted in this work as a distinctive "opening to the future", inherent "will to change".
AB  - Tema ovog rada je istraživanje problema modularne koordinacije u radu Nikole Dobrovića. Predmet istraživanja su dve vile koje je Dobrović projektovao i sagradio na području Dubrovnika pred početak Drugog svetskog rata: vila Vesna iz 1939. i vila Svid iz 1940. godine. Kuće su podvrgnute strukturalnoj i dimenzionalnoj analizi u cilju sticanja bližeg uvida u proces projektovanja moderne arhitekture. Istraživanje pokazuje da klasični principi proporcionisanja nisu odbačeni, kako je Dobrović to kasnije pokušao da prikaže u svojim teorijskim radovima, već da su dovedeni u stanje krize. Ovo odstupanje je u tekstu interpretirano kao "otvorenost za buduće" inherentna "spremnost na promenu".
PB  - Institut za arhitekturu i urbanizam Srbije, Beograd
T2  - Arhitektura i urbanizam
T1  - 'Spirited module' of architect Nikola Dobrović: Modular coordination analyses of two houses from Dubrovnik work period
T1  - 'Duhovni modul' arhitekte Nikole Dobrovića - analiza modularne koordinacije na primeru dva projekta iz dubrovačkog perioda
IS  - 16-17
SP  - 87
EP  - 103
UR  - https://hdl.handle.net/21.15107/rcub_raf_18
ER  - 

@article{
author = "Milinković, Marija",
year = "2005",
abstract = "The specific intent of this paper is to set up the research of modular coordination in the work of Nikola Dobrović. It is focused on two villas that were built by Dobrović during the prewar period: villa Vesna (1939) and villa Svid (1940), both placed in the region of Dubrovnik. In order to gain a closer insight into the design process of modern architects, these houses are subjected to structural and dimensional analyses. The investigation shows that the classical principles of proportion are not abandoned, as suggested in the later explications of the author, but that they were put in the mode of crisis. This aberration has been interpreted in this work as a distinctive "opening to the future", inherent "will to change"., Tema ovog rada je istraživanje problema modularne koordinacije u radu Nikole Dobrovića. Predmet istraživanja su dve vile koje je Dobrović projektovao i sagradio na području Dubrovnika pred početak Drugog svetskog rata: vila Vesna iz 1939. i vila Svid iz 1940. godine. Kuće su podvrgnute strukturalnoj i dimenzionalnoj analizi u cilju sticanja bližeg uvida u proces projektovanja moderne arhitekture. Istraživanje pokazuje da klasični principi proporcionisanja nisu odbačeni, kako je Dobrović to kasnije pokušao da prikaže u svojim teorijskim radovima, već da su dovedeni u stanje krize. Ovo odstupanje je u tekstu interpretirano kao "otvorenost za buduće" inherentna "spremnost na promenu".",
publisher = "Institut za arhitekturu i urbanizam Srbije, Beograd",
journal = "Arhitektura i urbanizam",
title = "'Spirited module' of architect Nikola Dobrović: Modular coordination analyses of two houses from Dubrovnik work period, 'Duhovni modul' arhitekte Nikole Dobrovića - analiza modularne koordinacije na primeru dva projekta iz dubrovačkog perioda",
number = "16-17",
pages = "87-103",
url = "https://hdl.handle.net/21.15107/rcub_raf_18"
}

Milinković, M.. (2005). 'Spirited module' of architect Nikola Dobrović: Modular coordination analyses of two houses from Dubrovnik work period. in Arhitektura i urbanizam
Institut za arhitekturu i urbanizam Srbije, Beograd.(16-17), 87-103.
https://hdl.handle.net/21.15107/rcub_raf_18

Milinković M. 'Spirited module' of architect Nikola Dobrović: Modular coordination analyses of two houses from Dubrovnik work period. in Arhitektura i urbanizam. 2005;(16-17):87-103.
https://hdl.handle.net/21.15107/rcub_raf_18 .

Milinković, Marija, "'Spirited module' of architect Nikola Dobrović: Modular coordination analyses of two houses from Dubrovnik work period" in Arhitektura i urbanizam, no. 16-17 (2005):87-103,
https://hdl.handle.net/21.15107/rcub_raf_18 .