TY  - CONF
AU  - Stamenović, Pavle
AU  - Mojsilovic, Mila
PY  - 2020
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1464
AB  - Abstract
Outside platform sets the framework for research into architectural practice by examining the conditions of contemporary context. The OUTSIDE project proposes the notion of otherness by rethinking the existing architectural concepts materialized in practice, while striving to structure new mechanisms for their interpretation.
In this way, selected projects become elements for the interpretation of reality - a radical critique of modern society, the genesis of the multiple layers of perception or the experience of the impossible. One of the main intentions was to underline the capacity of a regional scene for producing architectural newness beyond the local framework of architectural education, regulations and structural patterns of the practice. The presented research argues that formal regulations and conditions of architectural practice are inversely proportional to the innovative approaches in architecture.
PB  - Belgrade : University of Belgrade, Faculty of Architecture, Balkan Arcitectural Biennale
C3  - Digital Conference Proceedings 2020. [Elektronski izvor] / 4th BAB International Conference Decoding Balkan: Architecture, Urbanism, Planning, Belgade, 14-16th of November 2019
T1  - Practise beyond context : seeking for difference
SP  - 184
EP  - 189
UR  - https://hdl.handle.net/21.15107/rcub_raf_1464
ER  - 

@conference{
author = "Stamenović, Pavle and Mojsilovic, Mila",
year = "2020",
abstract = "Abstract
Outside platform sets the framework for research into architectural practice by examining the conditions of contemporary context. The OUTSIDE project proposes the notion of otherness by rethinking the existing architectural concepts materialized in practice, while striving to structure new mechanisms for their interpretation.
In this way, selected projects become elements for the interpretation of reality - a radical critique of modern society, the genesis of the multiple layers of perception or the experience of the impossible. One of the main intentions was to underline the capacity of a regional scene for producing architectural newness beyond the local framework of architectural education, regulations and structural patterns of the practice. The presented research argues that formal regulations and conditions of architectural practice are inversely proportional to the innovative approaches in architecture.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture, Balkan Arcitectural Biennale",
journal = "Digital Conference Proceedings 2020. [Elektronski izvor] / 4th BAB International Conference Decoding Balkan: Architecture, Urbanism, Planning, Belgade, 14-16th of November 2019",
title = "Practise beyond context : seeking for difference",
pages = "184-189",
url = "https://hdl.handle.net/21.15107/rcub_raf_1464"
}

Stamenović, P.,& Mojsilovic, M.. (2020). Practise beyond context : seeking for difference. in Digital Conference Proceedings 2020. [Elektronski izvor] / 4th BAB International Conference Decoding Balkan: Architecture, Urbanism, Planning, Belgade, 14-16th of November 2019
Belgrade : University of Belgrade, Faculty of Architecture, Balkan Arcitectural Biennale., 184-189.
https://hdl.handle.net/21.15107/rcub_raf_1464

Stamenović P, Mojsilovic M. Practise beyond context : seeking for difference. in Digital Conference Proceedings 2020. [Elektronski izvor] / 4th BAB International Conference Decoding Balkan: Architecture, Urbanism, Planning, Belgade, 14-16th of November 2019. 2020;:184-189.
https://hdl.handle.net/21.15107/rcub_raf_1464 .

Stamenović, Pavle, Mojsilovic, Mila, "Practise beyond context : seeking for difference" in Digital Conference Proceedings 2020. [Elektronski izvor] / 4th BAB International Conference Decoding Balkan: Architecture, Urbanism, Planning, Belgade, 14-16th of November 2019 (2020):184-189,
https://hdl.handle.net/21.15107/rcub_raf_1464 .

TY  - CHAP
AU  - Mojsilović, Mila
PY  - 2020
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1197
AB  - The conceptual shift in architecture to fragmentary spatial and formal flows emphasizes the existence of a void based on these internal relations. Architecture is a dynamic process, one that is open to possibility and amplified capacities. The goal is to make the visible invisible and invisible visible, through reflection and the virtual. In the virtual, the openness of form outlines its own shape through code — through the abstraction of natural and generative processes. This means that the unpredictability of design intends to approach to nature itself by pointing out the complex intricacies intertwined within its being, leading to a flexible view of its own material and a flexible concept of material itself. In this sequence, a new natural can be understood as the diversity of an open unpredictable world and as the constant disintegration of materiality in time. Within the limitless creative openness of the digital process, the natural is understood as contingent and turning towards the unexpected, impulsive or accidental. The fragmented nature of virtual relations in its disharmony creates a new (de)coded reality, simultaneously bringing us back to the imaginary that is always in motion, in disharmony and in asymmetry in order to release its creative nature. Change is found within intensified potentials — in all its specificity in relation to everything else, as well as itself.
PB  - Beograd : STRAND - Sustainable Urban Society Association
T2  - Learning architecture [Elektronski izvor] : proceedings / [Eight International Conference] On Architecture, [4-5 December 2020], Belgrade
T1  - Specific incompletness: unleashing the potential
SP  - 159
EP  - 166
UR  - https://hdl.handle.net/21.15107/rcub_raf_1197
ER  - 

@inbook{
author = "Mojsilović, Mila",
year = "2020",
abstract = "The conceptual shift in architecture to fragmentary spatial and formal flows emphasizes the existence of a void based on these internal relations. Architecture is a dynamic process, one that is open to possibility and amplified capacities. The goal is to make the visible invisible and invisible visible, through reflection and the virtual. In the virtual, the openness of form outlines its own shape through code — through the abstraction of natural and generative processes. This means that the unpredictability of design intends to approach to nature itself by pointing out the complex intricacies intertwined within its being, leading to a flexible view of its own material and a flexible concept of material itself. In this sequence, a new natural can be understood as the diversity of an open unpredictable world and as the constant disintegration of materiality in time. Within the limitless creative openness of the digital process, the natural is understood as contingent and turning towards the unexpected, impulsive or accidental. The fragmented nature of virtual relations in its disharmony creates a new (de)coded reality, simultaneously bringing us back to the imaginary that is always in motion, in disharmony and in asymmetry in order to release its creative nature. Change is found within intensified potentials — in all its specificity in relation to everything else, as well as itself.",
publisher = "Beograd : STRAND - Sustainable Urban Society Association",
journal = "Learning architecture [Elektronski izvor] : proceedings / [Eight International Conference] On Architecture, [4-5 December 2020], Belgrade",
booktitle = "Specific incompletness: unleashing the potential",
pages = "159-166",
url = "https://hdl.handle.net/21.15107/rcub_raf_1197"
}

Mojsilović, M.. (2020). Specific incompletness: unleashing the potential. in Learning architecture [Elektronski izvor] : proceedings / [Eight International Conference] On Architecture, [4-5 December 2020], Belgrade
Beograd : STRAND - Sustainable Urban Society Association., 159-166.
https://hdl.handle.net/21.15107/rcub_raf_1197

Mojsilović M. Specific incompletness: unleashing the potential. in Learning architecture [Elektronski izvor] : proceedings / [Eight International Conference] On Architecture, [4-5 December 2020], Belgrade. 2020;:159-166.
https://hdl.handle.net/21.15107/rcub_raf_1197 .

Mojsilović, Mila, "Specific incompletness: unleashing the potential" in Learning architecture [Elektronski izvor] : proceedings / [Eight International Conference] On Architecture, [4-5 December 2020], Belgrade (2020):159-166,
https://hdl.handle.net/21.15107/rcub_raf_1197 .

TY  - JOUR
AU  - Mojsilović, Mila
AU  - Mitrović, Jelena
AU  - Milenković, Vladimir
PY  - 2020
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1453
AB  - The study relates two historical categories that were not previously associated in this manner. One concerns the role of geometry in the transformation of space in the Gothic architecture, where geometric line made the position of physical forces visible for the first time. The second transformation that sees the release of anxiety in challenging the perspective was done in Mannerism by instrumentalisation of the metaphor using visual means of deformation and figuration. Today we experience both historical moments in a modified form of appearance, still trying to give a formal character to the matter of materiality. As it is not possible, this approach has resulted in fragmentation in the absence of a unitary radical critique of modernity. Fragmentation and meta- materiality of contemporary architecture today represent a possible conceptualisation of space invoking all known forms of dematerialisation and disappearance of the world, including digitisation. Referring once again to the myths of the Tower of Babel, the Fall of Icarus, and the Wizard of Oz, in this experiment myth and discourse persist together, turning into the other and finding themselves in the other. Building architectural position between the extremes of the metamaterial and the fragmentary is a matter of breaking geometry of form and the idea of it..
PB  - University of Belgrade - Faculty of Architecture
T2  - Serbian Architectural Journal
T1  - Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation
VL  - 12
IS  - 1
SP  - 36
EP  - 53
DO  - 10.5937/saj2001036M
ER  - 

@article{
author = "Mojsilović, Mila and Mitrović, Jelena and Milenković, Vladimir",
year = "2020",
abstract = "The study relates two historical categories that were not previously associated in this manner. One concerns the role of geometry in the transformation of space in the Gothic architecture, where geometric line made the position of physical forces visible for the first time. The second transformation that sees the release of anxiety in challenging the perspective was done in Mannerism by instrumentalisation of the metaphor using visual means of deformation and figuration. Today we experience both historical moments in a modified form of appearance, still trying to give a formal character to the matter of materiality. As it is not possible, this approach has resulted in fragmentation in the absence of a unitary radical critique of modernity. Fragmentation and meta- materiality of contemporary architecture today represent a possible conceptualisation of space invoking all known forms of dematerialisation and disappearance of the world, including digitisation. Referring once again to the myths of the Tower of Babel, the Fall of Icarus, and the Wizard of Oz, in this experiment myth and discourse persist together, turning into the other and finding themselves in the other. Building architectural position between the extremes of the metamaterial and the fragmentary is a matter of breaking geometry of form and the idea of it..",
publisher = "University of Belgrade - Faculty of Architecture",
journal = "Serbian Architectural Journal",
title = "Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation",
volume = "12",
number = "1",
pages = "36-53",
doi = "10.5937/saj2001036M"
}

Mojsilović, M., Mitrović, J.,& Milenković, V.. (2020). Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation. in Serbian Architectural Journal
University of Belgrade - Faculty of Architecture., 12(1), 36-53.
https://doi.org/10.5937/saj2001036M

Mojsilović M, Mitrović J, Milenković V. Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation. in Serbian Architectural Journal. 2020;12(1):36-53.
doi:10.5937/saj2001036M .

Mojsilović, Mila, Mitrović, Jelena, Milenković, Vladimir, "Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation" in Serbian Architectural Journal, 12, no. 1 (2020):36-53,
https://doi.org/10.5937/saj2001036M . .

TY  - JOUR
AU  - Mojsilović, Mila
AU  - Milenković, Vladimir
PY  - 2018
UR  - https://raf.arh.bg.ac.rs/handle/123456789/289
AB  - Drawing on the idea that abstraction of architectural design is repeatedly demonstrated by new concepts, and that the idea of the design contains a fragment of its internal laws, the paper raises the question of alteration of forms towards new time-space categories. In contrast to Euclidean geometry based on the continuity of geometric forms, fragmented forms draw upon deformations and variability, operating in the limit zones, for the design, zones of the greatest creativity and potentiality. A new understanding of reality shaped by digitization of all systems has created the basis for forms of self-organization, openness, contingency, and emergence. What we have before us is basically a new aesthetics that goes beyond the horizon of visible in a way that allows the whole world and all its parts to be seen in a completely new, immaterial way. This means that architectural forms appear in the visibility zones, together with the forms of their systemic dislocation.
AB  - Polazeći od ideje da se apstrakrnost arhitektonskog projektovanja svaki put iznova dokazuje novim konceptima, I da je u ideji o projektu sadržan fragment njegovih internih zakonitosti, rad otvara pitanje alteracije oblika na putu ka novim prostorno vremenskim kategorijama. Nasuprot Euklidovoj geometriji koja počiva na stalnosti geometrijskih oblika, fragmentisane forme počivaju na deformacijama I promenljivosti, operišući u graničnim zonama, za projekat, zonama najveće kreativnosti I potencijalnosti. Novo razumevanje realnosti oblikovano digitalizacijom svih sistema stvorilo je osnov za oblike samoorganizacije, otvorenosti, kontigentnosti, emergentnosti. U suštini pred nama je nova estetika koja prevazilazi horizont vidljivosti na način koji otvara omogućava da se čitav svet I svi njegovi delovi, sagledaju na potpuno Nov nematerijalan način. To znači da se u zonama vidljivosti naziru arhitektonski oblici zajedno sa oblicima svoje sistemske dislociranosti.
PB  - Univerzitet u Nišu, Niš
T2  - Facta universitatis - series: Architecture and Civil Engineering
T1  - The Concept of Fragmentation: Between Form and Formless
T1  - Koncept fragmentarnosti - između forme I neforme
VL  - 16
IS  - 3
SP  - 517
EP  - 528
DO  - 10.2298/FUACE181130026M
ER  - 

@article{
author = "Mojsilović, Mila and Milenković, Vladimir",
year = "2018",
abstract = "Drawing on the idea that abstraction of architectural design is repeatedly demonstrated by new concepts, and that the idea of the design contains a fragment of its internal laws, the paper raises the question of alteration of forms towards new time-space categories. In contrast to Euclidean geometry based on the continuity of geometric forms, fragmented forms draw upon deformations and variability, operating in the limit zones, for the design, zones of the greatest creativity and potentiality. A new understanding of reality shaped by digitization of all systems has created the basis for forms of self-organization, openness, contingency, and emergence. What we have before us is basically a new aesthetics that goes beyond the horizon of visible in a way that allows the whole world and all its parts to be seen in a completely new, immaterial way. This means that architectural forms appear in the visibility zones, together with the forms of their systemic dislocation., Polazeći od ideje da se apstrakrnost arhitektonskog projektovanja svaki put iznova dokazuje novim konceptima, I da je u ideji o projektu sadržan fragment njegovih internih zakonitosti, rad otvara pitanje alteracije oblika na putu ka novim prostorno vremenskim kategorijama. Nasuprot Euklidovoj geometriji koja počiva na stalnosti geometrijskih oblika, fragmentisane forme počivaju na deformacijama I promenljivosti, operišući u graničnim zonama, za projekat, zonama najveće kreativnosti I potencijalnosti. Novo razumevanje realnosti oblikovano digitalizacijom svih sistema stvorilo je osnov za oblike samoorganizacije, otvorenosti, kontigentnosti, emergentnosti. U suštini pred nama je nova estetika koja prevazilazi horizont vidljivosti na način koji otvara omogućava da se čitav svet I svi njegovi delovi, sagledaju na potpuno Nov nematerijalan način. To znači da se u zonama vidljivosti naziru arhitektonski oblici zajedno sa oblicima svoje sistemske dislociranosti.",
publisher = "Univerzitet u Nišu, Niš",
journal = "Facta universitatis - series: Architecture and Civil Engineering",
title = "The Concept of Fragmentation: Between Form and Formless, Koncept fragmentarnosti - između forme I neforme",
volume = "16",
number = "3",
pages = "517-528",
doi = "10.2298/FUACE181130026M"
}

Mojsilović, M.,& Milenković, V.. (2018). The Concept of Fragmentation: Between Form and Formless. in Facta universitatis - series: Architecture and Civil Engineering
Univerzitet u Nišu, Niš., 16(3), 517-528.
https://doi.org/10.2298/FUACE181130026M

Mojsilović M, Milenković V. The Concept of Fragmentation: Between Form and Formless. in Facta universitatis - series: Architecture and Civil Engineering. 2018;16(3):517-528.
doi:10.2298/FUACE181130026M .

Mojsilović, Mila, Milenković, Vladimir, "The Concept of Fragmentation: Between Form and Formless" in Facta universitatis - series: Architecture and Civil Engineering, 16, no. 3 (2018):517-528,
https://doi.org/10.2298/FUACE181130026M . .