@inbook{
author = "Stojanović, Hristina",
year = "2021",
abstract = "Rad predstavlja istraživanje tektoničkog odnosa funkcije i konstrukcije na primeru
zgrade Skupštine opštine Novi Beograd. Ovaj objekat projektovan je kao javni
objekat za prostorne potrebe rada Narodnog odbora opštine i njegovih upravnih
organa. Projekat je započet 1961. godine u Urbanističkom zavodu Beograda pod
rukovodstvom arhitekata Stojana Maksimovića i Branislava Jovina i koncipiran, i
kasnije realizovan, fazno, 1973. dodavanjem Aneksa i 1985. adaptacijom atrijuma u
višenamensku salu. Ovaj fazni pristup projektu iznedrio je različite, vrlo upečatljive,
načine artikulacije arhitektonskih elemenata u okviru jednog jezika, modernizma, u
periodu njegovog progresivnog gašenja. Specifičan pristup zadatku i projektovanju
društveno-odgovornog programa krije koncepciju lakoće kojom objekat odiše a
koji se čita kroz tretman konstrukcije i funkcije objekta objedinjenih specifičnim
arhitektonskim jezikom.
Istraživanje se temelji na prikupljanju i analizi dostupne arhivske građe u vidu
tehničke dokumentacije projekta, analizi konteksta u kojem objekat nastaje, što
podrazumeva društveno okruženje (socijalistička država blagostanja) i epohalni
stil (modernizam), kao i značaju i značenju prepoznatih arhitektonskih vrednosti.
Namera ovog istraživanja je prikupljanje i sistematizacija građe vezane za ovu
tematiku, kako bi se formirala početna osnova za buduća istraživanja, kao i
utvrđivanje i razumevanje različitih tektoničkih odnosa izgrađenih objekata istog
perioda, iste ili srodne tipologije, na prostorima Jugoslavije. Istraživačko pitanje koje
se postavlja jeste kako učiti iz istorije graditeljstva, kako ga razumeti i interpretirati
kako bi se unapredilo arhitektonsko delovanje danas., The period that followed the Second World War was, speaking of a global
architectural scale, marked by major urban projects designed and based on the
urban ideologies of the Le Corbusier’s Athens Charter published in 1943. Its impact
on the urban politics of socialist Yugoslavia were present in the planning and
construction of New Belgrade, which remained, the most intensive development
in the history of the country’s capital, the city of Belgrade. Architectural design
ideas for the New Belgrade were shaped according to the established global
principles and socio-political context, concentrated on creating an architecture
as a representative of new social values that will generate a new way of living.
Although the way of promoting these values has changed over decades, the
common idea remained as an unchanging imperative and lasted for almost half
a century. However, the desire for the New Belgrade’s architecture to become a
representative of the strength of a rising socialist country has never been fully
achieved. Although the idea remained incomplete in its resulting, it is still present
in the architecture of several buildings, considering the New Belgrade Municipality
Council that testifies to the aspirations of the late 1960s and the beginning of 1970s
urban ideology.
This paper presents a research of the tectonic discourse between functionality
and construction examined in the case study of the design and construction of the
New Belgrade Municipality Council. The building was designed as a public facility
providing spatial needs for the workers of the municipality’s National Committee
and its administrative bodies. The project started in 1961 in the Institute for Urban
Planning in Belgrade under the leadership of architects Stojan Maksimović and
Branislav Jovin and was built in two stages. First stage took place in 1973 by
designing and building the Annex and the second stage was developed in 1985
by adapting the atrium into a multipurpose hall. This design approach resulted
in various, ingenious ways of articulating architectural elements within a single
language, modernism, which was in that point, in the time of its slow fading. A
specific approach to the task and design of a socially responsible program supports
the concept of lightness which can be read through the intertwined treatment of
the structure and function of the built object. The purpose of this research is to
recognize architectural values from the aspect of the tectonic structure and the
architectural design language, analyse them and give insight into the relationship
between the applied construction system, facade design, use of materials,
functionality and representation.
The research is based on the collection and analysis of the available archival
material which consists of the technical documentation of the project, the analysis
of the social context (socialist welfare state) and the particular cultural context
(modernism) in which the object was designed and built, as well as the meaning
and significance of the recognized architectural values. The objective of this
research is to collect and systematize the relevant material in order to form the
initial data-base for the future research, as well as to establish and understand the
different tectonic relations of the built objects of the same period in the territory of
former Yugoslavia. The aim of this research is to question and explain particular
design and construction methods, in order to understand them and interpret them
for developing the tools and processes in the fields of architectural design.",
publisher = "Beograd : Univerzitet u Beogradu - Arhitektonski fakultet",
journal = "Na međi umetnosti i inženjerstva : studije o posleratnoj arhitekturi u Beogradu i Srbiji",
booktitle = "Vizuelna lakoća betona: SO Novi Beograd, Visual lightnes of concrete: New Belgrade municipality council",
pages = "164-183",
url = "https://hdl.handle.net/21.15107/rcub_raf_2134"
}
