@conference{
author = "Guzijan, Jasna and Đukić, Aleksandra and Vaništa Lazаrević, Eva and Cvijić, Siniša and Radić, Simo",
year = "2022",
abstract = "The Digital or Fourth Industrial Revolution, which began in the 1980s, is the event that has
contributed the most substantially to possibilities for global information dissemination. The explosion
of digital technologies over the last twenty years has brought change to the conventional workflow.
Institutions dealing with cultural heritage have recognised the opportunities afforded by digital
technologies for the preservation of tangible and intangible heritage, especially the great potential
they have shown for improving public access to different forms of cultural heritage and its
reuse.1Over the last two decades, there has been a debate among experts about the benefits and
drawbacks of using digital technologies for the purpose of preservation of cultural heritage, as well as
the relationship between the material and virtual worlds. Digitisation has caused many controversies
and dilemmas as to whether digital technologies can recapture the past outside what was previously
the human sociocultural context. Heritage is revitalised not solely for its spatial presentation, but also
for the experience and magic of feeling that one is in the past. This is a creative approach that allows
one to experience history using all senses and is a way to present heritage that really appeals to
people. The upside of digital technology is that it allows the protection, conservation and promotion
of tangible and intangible heritage. Ideas and initiatives such as virtual museums, libraries and
galleries are readily embraced when a site or an institution cannot be accessed physically, and they
were actively implemented during the COVID-19 pandemic. It is often reiterated that the ultimate
goal of using digital technology is to understand the past and to appreciate the achievements of
ancestors. 2 The European Commission launched Europeana, a platform that provides access to
cultural heritage through digital technology and is freely publicly accessible. 3 The use of digital
technology is a two-way process in that it has influenced our understanding of heritage on the one
hand, while on the other, cultural heritage has also influenced how digital tools can be used.",
publisher = "AMPS PROCEEDINGS SERIES",
journal = "(IN)TANGIBLE HERITAGE(S): Design, culture and technology – past, present, and future: Proceedings",
title = "Digital Technologies for Urban Regeneration: A Case Study of the Former Bileća Street in Trebinje, Bosnia and Herzegovina",
pages = "369-377",
url = "https://hdl.handle.net/21.15107/rcub_raf_1261"
}
