@misc{
author = "Milanović, Nikola and Stojanović, Hristina and Lovrinčević, Ivana",
year = "2019",
abstract = "Projektantska praksa Ured studija sagledava se kroz temu „[…]minimalizam u gestu (i materijalu) […]“ na referentnim projektima različitih tipologija. Predavanje prikazuje nekoliko projekata studija
odabranih sa idejom da daju kratak osvrt na pe togodišnji projektantski opus i iskustvo. Razmatra
se konstanta u radu studija preispitivanjem oda branih projekata kroz prizmu citiranog komentara
žirija 38. Salona arhitekture, što je ujedno bila i prva verifikacija rada studija od strane stručne
javnosti. Postavlja se pitanje da li projektantski opus karakteriše opisani arhitektonski izraz i na koji način se on projektuje i manifestuje. Dalje, disku tuje se uslovljenost minimalizma u izrazu kroz temu kompromisa između koncepta i zahteva investitora (klijenta) gde se, pre svega, česta preispitivanja označavaju kao pozitivan i aktivan odnos izme đu arhitekte i klijenta. U tom kontekstu uočava se i preispitivanje kao važan deo procesa u radu Studija, ne samo u svetlu komunikacije sa klijen tima već i specifične projektantske metodologije. Ona se razvija kroz akademsko iskustvo u nastavi i u naučnoistraživačkom radu. Isto tako, dometi i napredak projektantske prakse preispituju se i verifikuju učešćem na izložbama i konkursima iz referentnih oblasti., Ured studio’s architectural practice is discussed on reference projects of different typologies through the topic of “[...] minimalism in gesture (and material) [...]”. The lecture presents several projects selected with the idea to give a brief overview of five-year design work and experience. The constant in the Ured studio’s work is reviewed by rethinking the selected projects through the prism of the quoted comment of the 38. Salon of architecture jury. This acknowl edgement was also the first verification of the studio’s architectural practices by the professional public. The question is whether the studio’s opus is characterized by the described manner in architecture, and how it is designed or manifested. Furthermore, the condi tionality of minimalism in gesture is discussed through the topic of compromise between the concept and the requirements of the investor (client), where, first of all, frequent reviews are signified as a positive and active relationship between the architect and the client. In this context, rethinking is also seen as an important part of the process in the work of the studio, not only through communication with clients, but also through a specific design methodology. It is developed and challenged through academic experience in teaching and scientific research. Likewise, the achievements and progress of the design practice are questioned and verified by participation in exhibitions and competitions from reference areas.",
publisher = "Beograd : Društvo arhitekata Beograda : Kulturni centar Beograda = Association of Belgrade Architects : Cultural Centre of Belgrade",
journal = "Pozitivno/Aktivno = Positive/Active / 14. Beogradska internacionalna nedelja arhitekture, 09 - 30. maj 2019 = [Fourteenth] 14th Belgrade International Architecture Week, 09th - 30th May 2019",
title = "Minimalizam u gestu : preispitivanja [BINA 2019], Minimalism in gesture : rethinking [BINA 2019]",
pages = "168-169",
url = "https://hdl.handle.net/21.15107/rcub_raf_2186"
}