TY  - JOUR
AU  - Dukanac, Dalia
AU  - Blagojević, Ljiljana
PY  - 2019
UR  - https://raf.arh.bg.ac.rs/handle/123456789/329
AB  - This article explores housing models and hybrid typologies advanced as part of an urban renewal programme in Belgrade (Serbia, former Yugoslavia) in the 1980s. We argue that these typologies were tested against the socialist-modernist model of mass residential construction that had been dominant since the 1960s. Our research identifies the design methodologies employed in the insertion of collective housing typologies into an elite residential quarter of traditionally-planned detached family houses, in the case of high-standard housing project Dedinje II/2 (1979-1986) designed by the architect Zoran Zupanjevac. The article particularly focuses on local adaptation of the transnational concept of designing spaces of transition between community and privacy. Instrumental in this adaptation, we aim to show, was the educational experience and professional practice critical of radical modernism gained by the architect in the USA, UK and Austria. In particular, we find that the project reflects the transfer of knowledge and experience across cultural, geographic and political contexts. The resulting typologies, we contend, not only represented an example of a pluralist approach to late-socialist architecture but provided models for re-thinking housing in the transition to the market economy of the post-socialist period.
PB  - Routledge
T2  - Planning perspectives
T1  - Spaces of transition: testing high standard housing in late-socialist Belgrade
DO  - 10.1080/02665433.2019.1650665
ER  - 

@article{
author = "Dukanac, Dalia and Blagojević, Ljiljana",
year = "2019",
abstract = "This article explores housing models and hybrid typologies advanced as part of an urban renewal programme in Belgrade (Serbia, former Yugoslavia) in the 1980s. We argue that these typologies were tested against the socialist-modernist model of mass residential construction that had been dominant since the 1960s. Our research identifies the design methodologies employed in the insertion of collective housing typologies into an elite residential quarter of traditionally-planned detached family houses, in the case of high-standard housing project Dedinje II/2 (1979-1986) designed by the architect Zoran Zupanjevac. The article particularly focuses on local adaptation of the transnational concept of designing spaces of transition between community and privacy. Instrumental in this adaptation, we aim to show, was the educational experience and professional practice critical of radical modernism gained by the architect in the USA, UK and Austria. In particular, we find that the project reflects the transfer of knowledge and experience across cultural, geographic and political contexts. The resulting typologies, we contend, not only represented an example of a pluralist approach to late-socialist architecture but provided models for re-thinking housing in the transition to the market economy of the post-socialist period.",
publisher = "Routledge",
journal = "Planning perspectives",
title = "Spaces of transition: testing high standard housing in late-socialist Belgrade",
doi = "10.1080/02665433.2019.1650665"
}

Dukanac, D.,& Blagojević, L.. (2019). Spaces of transition: testing high standard housing in late-socialist Belgrade. in Planning perspectives
Routledge..
https://doi.org/10.1080/02665433.2019.1650665

Dukanac D, Blagojević L. Spaces of transition: testing high standard housing in late-socialist Belgrade. in Planning perspectives. 2019;.
doi:10.1080/02665433.2019.1650665 .

Dukanac, Dalia, Blagojević, Ljiljana, "Spaces of transition: testing high standard housing in late-socialist Belgrade" in Planning perspectives (2019),
https://doi.org/10.1080/02665433.2019.1650665 . .

TY  - JOUR
AU  - Cigić, Petar
AU  - Blagojević, Ljiljana
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1731
AB  - Architecture and ambience of the low-rise high-density single-family housing estate Petlovo Brdo in Belgrade, Serbia (1967-69), relate everyday social production of space in socialism as a contemporary vernacular outcome of the notions of the folkloric and the peripheral. Socio-spatial balance between the individual and the communal, pursued by the estate’s architects Elsa and Branislav Milenković, is achieved by variation of seven apartment types in four house types and their diverse grouping in immediate neighbourhoods with pedestrian circulation. Architectural design upholds modular coordination, apartments’ use-value as a function of layout disposition, environmental mindfulness and aesthetic of domesticity and small scale urbanity.
PB  - Bratislava :  ÚSTARCH SAV
T2  - Architektúra & Urbanizmus
T1  - The Problem of the House in 1960s Belgrade: Mediating the Individual and the Collective
T1  - Problematika bývania v šesdesiatych rokoch 20. storočia v Belehrade: sprostredkovanie individuálneho a kolektívneho
VL  - LI
IS  - 1-2
UR  - https://hdl.handle.net/21.15107/rcub_raf_1731
ER  - 

@article{
author = "Cigić, Petar and Blagojević, Ljiljana",
year = "2017",
abstract = "Architecture and ambience of the low-rise high-density single-family housing estate Petlovo Brdo in Belgrade, Serbia (1967-69), relate everyday social production of space in socialism as a contemporary vernacular outcome of the notions of the folkloric and the peripheral. Socio-spatial balance between the individual and the communal, pursued by the estate’s architects Elsa and Branislav Milenković, is achieved by variation of seven apartment types in four house types and their diverse grouping in immediate neighbourhoods with pedestrian circulation. Architectural design upholds modular coordination, apartments’ use-value as a function of layout disposition, environmental mindfulness and aesthetic of domesticity and small scale urbanity.",
publisher = "Bratislava :  ÚSTARCH SAV",
journal = "Architektúra & Urbanizmus",
title = "The Problem of the House in 1960s Belgrade: Mediating the Individual and the Collective, Problematika bývania v šesdesiatych rokoch 20. storočia v Belehrade: sprostredkovanie individuálneho a kolektívneho",
volume = "LI",
number = "1-2",
url = "https://hdl.handle.net/21.15107/rcub_raf_1731"
}

Cigić, P.,& Blagojević, L.. (2017). The Problem of the House in 1960s Belgrade: Mediating the Individual and the Collective. in Architektúra & Urbanizmus
Bratislava :  ÚSTARCH SAV., LI(1-2).
https://hdl.handle.net/21.15107/rcub_raf_1731

Cigić P, Blagojević L. The Problem of the House in 1960s Belgrade: Mediating the Individual and the Collective. in Architektúra & Urbanizmus. 2017;LI(1-2).
https://hdl.handle.net/21.15107/rcub_raf_1731 .

Cigić, Petar, Blagojević, Ljiljana, "The Problem of the House in 1960s Belgrade: Mediating the Individual and the Collective" in Architektúra & Urbanizmus, LI, no. 1-2 (2017),
https://hdl.handle.net/21.15107/rcub_raf_1731 .

TY  - JOUR
AU  - Blagojević, Ljiljana
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1154
AB  - The term of concept of realism seems to be recurring in recent theoretical inquiries, from debates in philosophy and aesthetics to those in theory and pracice of architecture. Since 2000, the architectural discourse has benn concerned with a wide range of related issues coming from its own post-critical debates on utopianism and realism and the possibility of an 'utopian realism', as suggestion by Reinhold Martin (2005). The debates on realism resonate in the architectural theory anew as a reflection on the Manifesto on New Realism by the philosopher Maurizio Ferraris from 2011. The questions of realism vs. postmodernism, "new realism" on the ashes of post-modernism,  critical and operative notions of realism and the like, have been asked both through practices of contemporary architecture and through recconsideration of the socialist realism in history and theory of architecture. The thematic issue of SAJ: Architecture Utopia Realism aims to further the ongoing discussion on the relations of architecture with realism and utopia.
PB  - Belgrade : University of Belgrade, Faculty of Architecture
T2  - SAJ : Serbian architectural journal
T1  - Architecture Utopia Realism : thematic framework
VL  - 6
IS  - 2
SP  - 138
EP  - 145
UR  - https://hdl.handle.net/21.15107/rcub_raf_1154
ER  - 

@article{
author = "Blagojević, Ljiljana",
year = "2014",
abstract = "The term of concept of realism seems to be recurring in recent theoretical inquiries, from debates in philosophy and aesthetics to those in theory and pracice of architecture. Since 2000, the architectural discourse has benn concerned with a wide range of related issues coming from its own post-critical debates on utopianism and realism and the possibility of an 'utopian realism', as suggestion by Reinhold Martin (2005). The debates on realism resonate in the architectural theory anew as a reflection on the Manifesto on New Realism by the philosopher Maurizio Ferraris from 2011. The questions of realism vs. postmodernism, "new realism" on the ashes of post-modernism,  critical and operative notions of realism and the like, have been asked both through practices of contemporary architecture and through recconsideration of the socialist realism in history and theory of architecture. The thematic issue of SAJ: Architecture Utopia Realism aims to further the ongoing discussion on the relations of architecture with realism and utopia.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture",
journal = "SAJ : Serbian architectural journal",
title = "Architecture Utopia Realism : thematic framework",
volume = "6",
number = "2",
pages = "138-145",
url = "https://hdl.handle.net/21.15107/rcub_raf_1154"
}

Blagojević, L.. (2014). Architecture Utopia Realism : thematic framework. in SAJ : Serbian architectural journal
Belgrade : University of Belgrade, Faculty of Architecture., 6(2), 138-145.
https://hdl.handle.net/21.15107/rcub_raf_1154

Blagojević L. Architecture Utopia Realism : thematic framework. in SAJ : Serbian architectural journal. 2014;6(2):138-145.
https://hdl.handle.net/21.15107/rcub_raf_1154 .

Blagojević, Ljiljana, "Architecture Utopia Realism : thematic framework" in SAJ : Serbian architectural journal, 6, no. 2 (2014):138-145,
https://hdl.handle.net/21.15107/rcub_raf_1154 .

TY  - JOUR
AU  - Blagojević, Ljiljana
AU  - Milinković, Marija
PY  - 2013
UR  - https://raf.arh.bg.ac.rs/handle/123456789/147
AB  - The article examines the post-WW2 expanded understanding of the concept of Mediterraneità or Mediterranean-ness in the South Adriatic coastal region of Montenegro in the former Yugoslavia, primarily as a modernist recourse against the demand for productivity and tenets of socialist realism and socialist aestheticism. The discussion of Mediterraneità refers to recent research of Italian architecture by Michelangelo Sabatino (2010), arguing that over the period of thirty years in its wider resonance across the Adriatic littoral, the original notion was adapted to different regional, cultural and socio-political contexts. This article specifically analyses the theory of modular coordination of the architect Milan Zloković (Trieste, 1898 – Belgrade, 1965), professor of architectural composition and design at the University of Belgrade, and its application in the tourist colony Hotel Mediterranean in the city of Ulcinj in Montenegro, which he realised in co-authorship with his son, architect and engineer Đorđe Zloković (1927, Trieste) and daughter, architect Milica Mojović (1932, Belgrade), in the early 1960s. In order to achieve meaningful if economically highly restrained design and efficient construction for developing mass tourism of the Montenegro littoral, the architects argued for the usefulness of modular coordination not only from the rational but also from the compositional point of view. The article explores a specific understanding of modern Mediterraneità in the Ulcinj colony which combines scientific means of modular coordination and the spirit of vernacular building in stone. The methodology combines historical and theoretical interpretation with geometric and proportional analysis of typology and modular coordination. The original graphic geometric methods are derived from the theory of the architect Milan Zloković through comparative analysis of Le Corbusier's Modulor, Alexander Klein's method of successive increments and Richard Padovan's interpretation of proportional systems correspondences. The article brings previously unpublished photographic documentation from the period.
PB  - Cambridge University Press
T2  - ARQ-architectural research quarterly
T1  - The beauty of production: module and its social significance
VL  - 17
IS  - 3-4
SP  - 253
EP  - 268
DO  - 10.1017/S1359135514000074
ER  - 

@article{
author = "Blagojević, Ljiljana and Milinković, Marija",
year = "2013",
abstract = "The article examines the post-WW2 expanded understanding of the concept of Mediterraneità or Mediterranean-ness in the South Adriatic coastal region of Montenegro in the former Yugoslavia, primarily as a modernist recourse against the demand for productivity and tenets of socialist realism and socialist aestheticism. The discussion of Mediterraneità refers to recent research of Italian architecture by Michelangelo Sabatino (2010), arguing that over the period of thirty years in its wider resonance across the Adriatic littoral, the original notion was adapted to different regional, cultural and socio-political contexts. This article specifically analyses the theory of modular coordination of the architect Milan Zloković (Trieste, 1898 – Belgrade, 1965), professor of architectural composition and design at the University of Belgrade, and its application in the tourist colony Hotel Mediterranean in the city of Ulcinj in Montenegro, which he realised in co-authorship with his son, architect and engineer Đorđe Zloković (1927, Trieste) and daughter, architect Milica Mojović (1932, Belgrade), in the early 1960s. In order to achieve meaningful if economically highly restrained design and efficient construction for developing mass tourism of the Montenegro littoral, the architects argued for the usefulness of modular coordination not only from the rational but also from the compositional point of view. The article explores a specific understanding of modern Mediterraneità in the Ulcinj colony which combines scientific means of modular coordination and the spirit of vernacular building in stone. The methodology combines historical and theoretical interpretation with geometric and proportional analysis of typology and modular coordination. The original graphic geometric methods are derived from the theory of the architect Milan Zloković through comparative analysis of Le Corbusier's Modulor, Alexander Klein's method of successive increments and Richard Padovan's interpretation of proportional systems correspondences. The article brings previously unpublished photographic documentation from the period.",
publisher = "Cambridge University Press",
journal = "ARQ-architectural research quarterly",
title = "The beauty of production: module and its social significance",
volume = "17",
number = "3-4",
pages = "253-268",
doi = "10.1017/S1359135514000074"
}

Blagojević, L.,& Milinković, M.. (2013). The beauty of production: module and its social significance. in ARQ-architectural research quarterly
Cambridge University Press., 17(3-4), 253-268.
https://doi.org/10.1017/S1359135514000074

Blagojević L, Milinković M. The beauty of production: module and its social significance. in ARQ-architectural research quarterly. 2013;17(3-4):253-268.
doi:10.1017/S1359135514000074 .

Blagojević, Ljiljana, Milinković, Marija, "The beauty of production: module and its social significance" in ARQ-architectural research quarterly, 17, no. 3-4 (2013):253-268,
https://doi.org/10.1017/S1359135514000074 . .

TY  - JOUR
AU  - Blagojević, Ljiljana
PY  - 2012
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1074
AB  - У досадашњим проучавањима дела архитекта
Милана Злоковића (1898, Трст – 1965, Београд)
највише пажње посвећивано је делима која
припадају модерном покрету, с обзиром на
њихов кључни значај за тај правац. У овом раду,
међутим, детаљније се испитује једна друга линија
архитектонског сензибилитета која је унеколико
запостављена у досадашњим истраживањима,
а која би се могла одредити као трансисторијска
интерпретација и транспозиција културних,
уметничких и градитељских принципа италијанскомедитеранске архитектуре у његовом делу. У
архитектури оног дела Италије који је био под
влашћу Аустроугарске до њеног распада, а нарочито
у Трсту где је Злоковић рођен и одрастао, уз италомедитеранске мешају се и средњоевропски културни
утицаји. Циљ рада је да детаљно разложи и испита
специфичну линију стваралачког сензибилитета
архитекта кроз анализу његових дела у односу
на историјско-културни контекст и архитектуру
Трста на прелому 19. и 20. века. Рад је заснован
на анализи примарних извора, пројеката и
фотодокументације из породичног архива архитекта
и студије контекста кроз увид у секундарне изворе о
тршћанској архитектури. У ширем смислу, овај рад
о поливалентним основама београдске модерне
архитектуре, има циљ да прошири референтно и
интерпретативно поље ка једном комплекснијем
сагледавању дискурса модернизма у Србији у којем
је архитект Злоковић имао кључну улогу.
AB  - The research of work of the architect Milan Zloković (1898,
Trieste – 1965, Belgrade) so far has focused mostly towards
analysis of his projects which are key to the study of the
modern movement in architecture in Serbia and the region.
This paper, however, opens a line of inquiry which focuses on
another feature of his creative disposition, which has been
overlooked to some extent. It is argued that this sensibility,
which characterises his early projects of the 1920s, owes much
to his Mediterranean ancestry and upbringing in Italy. In his
projects this feature corresponds to a certain transhistorical
interpretation and transposition of cultural, artistic and tectonic
principles of the Italian-Mediterranean architecture. In the
architecture of the regions of Italy which were under the AustroHungarian rule until its break-up in WW1 and particularly in
Trieste, where the architect was born and lived until he left for
university studies, Central European and especially Viennese
cultural influences mix with those of Italian and Mediterranean
origin. The aim of this article is to examine this very feature of
Zloković’s designs in relation to historical and cultural context
of Trieste architecture at the turn of the 20th century. The
analysis of Zloković’s early projects is based on study of primary
sources, i. e., projects and photographic documentation from
the architect’s family archive, as well as on secondary sources
on Trieste architecture. In a more general sense, this article on
the polyvalent foundation of Belgrade modern movement aims
to expand the referential and interpretative field of research of
modernist discourse in which architect Zloković had a key role.
PB  - Institute of Architecture and Urban and Spatial Planning of Serbia
T2  - Arhitektura i Urbanizam
T1  - Transposition of the ethos of Italian-Mediterranean architecture in the early projects of Milan Zloković
T1  - Транспозиција духа и карактера италијанскомедитеранске архитектуре у раним пројектима Милана Злоковића
IS  - 34
SP  - 3
EP  - 13
DO  - 10.5937/arhurb1234003B
ER  - 

@article{
author = "Blagojević, Ljiljana",
year = "2012",
abstract = "У досадашњим проучавањима дела архитекта
Милана Злоковића (1898, Трст – 1965, Београд)
највише пажње посвећивано је делима која
припадају модерном покрету, с обзиром на
њихов кључни значај за тај правац. У овом раду,
међутим, детаљније се испитује једна друга линија
архитектонског сензибилитета која је унеколико
запостављена у досадашњим истраживањима,
а која би се могла одредити као трансисторијска
интерпретација и транспозиција културних,
уметничких и градитељских принципа италијанскомедитеранске архитектуре у његовом делу. У
архитектури оног дела Италије који је био под
влашћу Аустроугарске до њеног распада, а нарочито
у Трсту где је Злоковић рођен и одрастао, уз италомедитеранске мешају се и средњоевропски културни
утицаји. Циљ рада је да детаљно разложи и испита
специфичну линију стваралачког сензибилитета
архитекта кроз анализу његових дела у односу
на историјско-културни контекст и архитектуру
Трста на прелому 19. и 20. века. Рад је заснован
на анализи примарних извора, пројеката и
фотодокументације из породичног архива архитекта
и студије контекста кроз увид у секундарне изворе о
тршћанској архитектури. У ширем смислу, овај рад
о поливалентним основама београдске модерне
архитектуре, има циљ да прошири референтно и
интерпретативно поље ка једном комплекснијем
сагледавању дискурса модернизма у Србији у којем
је архитект Злоковић имао кључну улогу., The research of work of the architect Milan Zloković (1898,
Trieste – 1965, Belgrade) so far has focused mostly towards
analysis of his projects which are key to the study of the
modern movement in architecture in Serbia and the region.
This paper, however, opens a line of inquiry which focuses on
another feature of his creative disposition, which has been
overlooked to some extent. It is argued that this sensibility,
which characterises his early projects of the 1920s, owes much
to his Mediterranean ancestry and upbringing in Italy. In his
projects this feature corresponds to a certain transhistorical
interpretation and transposition of cultural, artistic and tectonic
principles of the Italian-Mediterranean architecture. In the
architecture of the regions of Italy which were under the AustroHungarian rule until its break-up in WW1 and particularly in
Trieste, where the architect was born and lived until he left for
university studies, Central European and especially Viennese
cultural influences mix with those of Italian and Mediterranean
origin. The aim of this article is to examine this very feature of
Zloković’s designs in relation to historical and cultural context
of Trieste architecture at the turn of the 20th century. The
analysis of Zloković’s early projects is based on study of primary
sources, i. e., projects and photographic documentation from
the architect’s family archive, as well as on secondary sources
on Trieste architecture. In a more general sense, this article on
the polyvalent foundation of Belgrade modern movement aims
to expand the referential and interpretative field of research of
modernist discourse in which architect Zloković had a key role.",
publisher = "Institute of Architecture and Urban and Spatial Planning of Serbia",
journal = "Arhitektura i Urbanizam",
title = "Transposition of the ethos of Italian-Mediterranean architecture in the early projects of Milan Zloković, Транспозиција духа и карактера италијанскомедитеранске архитектуре у раним пројектима Милана Злоковића",
number = "34",
pages = "3-13",
doi = "10.5937/arhurb1234003B"
}

Blagojević, L.. (2012). Transposition of the ethos of Italian-Mediterranean architecture in the early projects of Milan Zloković. in Arhitektura i Urbanizam
Institute of Architecture and Urban and Spatial Planning of Serbia.(34), 3-13.
https://doi.org/10.5937/arhurb1234003B

Blagojević L. Transposition of the ethos of Italian-Mediterranean architecture in the early projects of Milan Zloković. in Arhitektura i Urbanizam. 2012;(34):3-13.
doi:10.5937/arhurb1234003B .

Blagojević, Ljiljana, "Transposition of the ethos of Italian-Mediterranean architecture in the early projects of Milan Zloković" in Arhitektura i Urbanizam, no. 34 (2012):3-13,
https://doi.org/10.5937/arhurb1234003B . .

TY  - JOUR
AU  - Ćorović, Dragana
AU  - Blagojević, Ljiljana
PY  - 2012
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1071
AB  - This paper traces urban history of Belgrade in the 19th century by looking into its waterscape in the context of its
transformation as the capital of the Princedom of Serbia. Aiming to underline the importance of water as a resource, with the
view to contemporary environmental concerns, we explore how citizens historically related to waterscape in everyday life and
created a specific socio-spatial water network through use of public baths on the river banks and public fountains, water
features and devices in the city. The paper outlines the process of establishing the first modern public water supply system on
the foundations of the city’s historical Roman, Austrian and Ottoman waterworks. It also looks at the Topčider River as the
most telling example of degradation of a culturally and historically significant urban watercourse from its natural, pastoral and
civic past to its current polluted and hazardous state. Could the restitution of the Topčider River be considered as a legacy of
sustainability for future generations, and are there lessons to be learned from the urban history which can point to methods of
contemporary water management?
PB  - Institute of Architecture, Urban & Spatial Planning of Serbia
T2  - Spatium
T1  - Water, society and urbanization in the 19th century Belgrade: Lessons for adaptation to the climate change
IS  - 28
SP  - 53
EP  - 59
DO  - 10.2298/SPAT1228053C
ER  - 

@article{
author = "Ćorović, Dragana and Blagojević, Ljiljana",
year = "2012",
abstract = "This paper traces urban history of Belgrade in the 19th century by looking into its waterscape in the context of its
transformation as the capital of the Princedom of Serbia. Aiming to underline the importance of water as a resource, with the
view to contemporary environmental concerns, we explore how citizens historically related to waterscape in everyday life and
created a specific socio-spatial water network through use of public baths on the river banks and public fountains, water
features and devices in the city. The paper outlines the process of establishing the first modern public water supply system on
the foundations of the city’s historical Roman, Austrian and Ottoman waterworks. It also looks at the Topčider River as the
most telling example of degradation of a culturally and historically significant urban watercourse from its natural, pastoral and
civic past to its current polluted and hazardous state. Could the restitution of the Topčider River be considered as a legacy of
sustainability for future generations, and are there lessons to be learned from the urban history which can point to methods of
contemporary water management?",
publisher = "Institute of Architecture, Urban & Spatial Planning of Serbia",
journal = "Spatium",
title = "Water, society and urbanization in the 19th century Belgrade: Lessons for adaptation to the climate change",
number = "28",
pages = "53-59",
doi = "10.2298/SPAT1228053C"
}

Ćorović, D.,& Blagojević, L.. (2012). Water, society and urbanization in the 19th century Belgrade: Lessons for adaptation to the climate change. in Spatium
Institute of Architecture, Urban & Spatial Planning of Serbia.(28), 53-59.
https://doi.org/10.2298/SPAT1228053C

Ćorović D, Blagojević L. Water, society and urbanization in the 19th century Belgrade: Lessons for adaptation to the climate change. in Spatium. 2012;(28):53-59.
doi:10.2298/SPAT1228053C .

Ćorović, Dragana, Blagojević, Ljiljana, "Water, society and urbanization in the 19th century Belgrade: Lessons for adaptation to the climate change" in Spatium, no. 28 (2012):53-59,
https://doi.org/10.2298/SPAT1228053C . .

TY  - JOUR
AU  - Blagojević, Ljiljana
PY  - 2011
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1073
AB  - У овом прилогу истраживању
архитектуре 20. века у Србији, на
основу истраживања примарних
извора, проширују се сазнања о
животу и раду Милана Злоковића (6.
април 1898, Трст – 29. мај 1965,
Београд), једног од најзначајнијих
представника модерног покрета у
архитектури у региону. Основни циљ
рада је да се кроз разматрање
мултикултуралног контекста
одрастања, младости и образовања
овог архитекта испитају могући рани
утицаји на формирање његовог
светоназора и специфичне креативне
диспозиције, која ће бити одлучујућа
за његов каснији архитектонски рад.
Истраживање полази од
претпоставке о сложеној културној и
поливалентној референтној основи
модерног покрета у архитектури и
транскултуралног дискурса
архитектонског модернизма у Србији,
у чијем је конституисању Злоковић
имао једну од најзначајнијих улога.
Намера нам је да, испитујући
детаљније Злоковићеву биографију,
на основу доступних извора из
периода пре него што је уписао
студије архитектуре у Београду и
периода стручног усавршавања
након дипломирања, успоставимо
корелације између контекста живота и
индивидуалног искуства и референтнoг оквира
његовог дела. У раду се по први пут објављује и
неколико докумената који представљају примарне
изворе истраживања.
AB  - The paper looks in more detail into the biography
of one of the most prominent modern architects in
Serbia, Milan Zloković (1898, Trieste – 1965, Belgrade), by focusing on the multicultural contexts
of his childhood, youth and education as possible
sources of his particular creative disposition and
habit of mind. The argument is centred on exploring the course of the architect’s interests, impressions, and studies, as they changed over the years
in the complex historical conditions of the opening decades of the twentieth century. The paper
argues that experiences from this period formed
what is termed as the identity of multiple geographies, which guided much of Zloković’s predilection in his later architectural work, and provided
a transcultural frame of reference and breadth to
his research. Traced back and analysed against the
biographical facts and events, are excerpts from his
later articles and scholarly papers, most notably
the ones where he provides references to architectural history of, inter alia, Byzantine architecture in
Macedonia, medieval Serbian architecture, Italian
Baroque, or traditional architecture of Boka Kotorska. The aim of the research is to contribute to
a broader understanding of the complex cultural
basis and polyvalent discourse of Serbian modernism, in the foundation of which Milan Zloković had
a decisive role.
PB  - Institute of Architecture and Urban and Spatial Planning of Serbia
T2  - Arhitektura i Urbanizam
T1  - Transcultural itineraries of architect Milan Zloković
IS  - 32
SP  - 3
EP  - 15
UR  - https://hdl.handle.net/21.15107/rcub_raf_1073
ER  - 

@article{
author = "Blagojević, Ljiljana",
year = "2011",
abstract = "У овом прилогу истраживању
архитектуре 20. века у Србији, на
основу истраживања примарних
извора, проширују се сазнања о
животу и раду Милана Злоковића (6.
април 1898, Трст – 29. мај 1965,
Београд), једног од најзначајнијих
представника модерног покрета у
архитектури у региону. Основни циљ
рада је да се кроз разматрање
мултикултуралног контекста
одрастања, младости и образовања
овог архитекта испитају могући рани
утицаји на формирање његовог
светоназора и специфичне креативне
диспозиције, која ће бити одлучујућа
за његов каснији архитектонски рад.
Истраживање полази од
претпоставке о сложеној културној и
поливалентној референтној основи
модерног покрета у архитектури и
транскултуралног дискурса
архитектонског модернизма у Србији,
у чијем је конституисању Злоковић
имао једну од најзначајнијих улога.
Намера нам је да, испитујући
детаљније Злоковићеву биографију,
на основу доступних извора из
периода пре него што је уписао
студије архитектуре у Београду и
периода стручног усавршавања
након дипломирања, успоставимо
корелације између контекста живота и
индивидуалног искуства и референтнoг оквира
његовог дела. У раду се по први пут објављује и
неколико докумената који представљају примарне
изворе истраживања., The paper looks in more detail into the biography
of one of the most prominent modern architects in
Serbia, Milan Zloković (1898, Trieste – 1965, Belgrade), by focusing on the multicultural contexts
of his childhood, youth and education as possible
sources of his particular creative disposition and
habit of mind. The argument is centred on exploring the course of the architect’s interests, impressions, and studies, as they changed over the years
in the complex historical conditions of the opening decades of the twentieth century. The paper
argues that experiences from this period formed
what is termed as the identity of multiple geographies, which guided much of Zloković’s predilection in his later architectural work, and provided
a transcultural frame of reference and breadth to
his research. Traced back and analysed against the
biographical facts and events, are excerpts from his
later articles and scholarly papers, most notably
the ones where he provides references to architectural history of, inter alia, Byzantine architecture in
Macedonia, medieval Serbian architecture, Italian
Baroque, or traditional architecture of Boka Kotorska. The aim of the research is to contribute to
a broader understanding of the complex cultural
basis and polyvalent discourse of Serbian modernism, in the foundation of which Milan Zloković had
a decisive role.",
publisher = "Institute of Architecture and Urban and Spatial Planning of Serbia",
journal = "Arhitektura i Urbanizam",
title = "Transcultural itineraries of architect Milan Zloković",
number = "32",
pages = "3-15",
url = "https://hdl.handle.net/21.15107/rcub_raf_1073"
}

Blagojević, L.. (2011). Transcultural itineraries of architect Milan Zloković. in Arhitektura i Urbanizam
Institute of Architecture and Urban and Spatial Planning of Serbia.(32), 3-15.
https://hdl.handle.net/21.15107/rcub_raf_1073

Blagojević L. Transcultural itineraries of architect Milan Zloković. in Arhitektura i Urbanizam. 2011;(32):3-15.
https://hdl.handle.net/21.15107/rcub_raf_1073 .

Blagojević, Ljiljana, "Transcultural itineraries of architect Milan Zloković" in Arhitektura i Urbanizam, no. 32 (2011):3-15,
https://hdl.handle.net/21.15107/rcub_raf_1073 .

TY  - JOUR
AU  - Blagojević, Ljiljana
PY  - 2011
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1070
AB  - The paper explores the introduction and articulation of ideas and aesthetic practice of postmodernism in architecture of late
socialism in Yugoslavia, with the focus on Belgrade architecture scene. Theoretical and methodological point of departure of
this analysis is Jürgen Habermas's thesis of modernity as an incomplete, i.e., unfinished project, from his influential essay “Die
Moderne: Ein unvollendetes Projekt” (1980). The thematic framework of the paper is shifted towards issues raised by
Habermas which concern relations of cultural modernity and societal modernization, or rather towards consideration of
architectural postmodernity in relation to the split between culture and society. The paper investigates architectural discourse
which was profiled in Belgrade in 1980s, in a historical context of cultural modernity simultaneous with Habermas's text, but in
different conditions of societal modernization of Yugoslav late socialism. In that, the principle methodological question
concerns the interpretation of postmodern architecture as part of the new cultural production within the social restructuration
of late and/or end of socialism as a system, that being analogous to Fredric Jameson's thesis of “Postmodernism, Or, The
Cultural Logic of Late Capitalism” (1984).
PB  - Institute of Architecture, Urban & Spatial Planning of Serbia
T2  - Spatium
T1  - Postmodernism in Belgrade architecture: Between cultural modernity and societal modernization
IS  - 25
SP  - 23
EP  - 29
DO  - 10.2298/SPAT1125023B
ER  - 

@article{
author = "Blagojević, Ljiljana",
year = "2011",
abstract = "The paper explores the introduction and articulation of ideas and aesthetic practice of postmodernism in architecture of late
socialism in Yugoslavia, with the focus on Belgrade architecture scene. Theoretical and methodological point of departure of
this analysis is Jürgen Habermas's thesis of modernity as an incomplete, i.e., unfinished project, from his influential essay “Die
Moderne: Ein unvollendetes Projekt” (1980). The thematic framework of the paper is shifted towards issues raised by
Habermas which concern relations of cultural modernity and societal modernization, or rather towards consideration of
architectural postmodernity in relation to the split between culture and society. The paper investigates architectural discourse
which was profiled in Belgrade in 1980s, in a historical context of cultural modernity simultaneous with Habermas's text, but in
different conditions of societal modernization of Yugoslav late socialism. In that, the principle methodological question
concerns the interpretation of postmodern architecture as part of the new cultural production within the social restructuration
of late and/or end of socialism as a system, that being analogous to Fredric Jameson's thesis of “Postmodernism, Or, The
Cultural Logic of Late Capitalism” (1984).",
publisher = "Institute of Architecture, Urban & Spatial Planning of Serbia",
journal = "Spatium",
title = "Postmodernism in Belgrade architecture: Between cultural modernity and societal modernization",
number = "25",
pages = "23-29",
doi = "10.2298/SPAT1125023B"
}

Blagojević, L.. (2011). Postmodernism in Belgrade architecture: Between cultural modernity and societal modernization. in Spatium
Institute of Architecture, Urban & Spatial Planning of Serbia.(25), 23-29.
https://doi.org/10.2298/SPAT1125023B

Blagojević L. Postmodernism in Belgrade architecture: Between cultural modernity and societal modernization. in Spatium. 2011;(25):23-29.
doi:10.2298/SPAT1125023B .

Blagojević, Ljiljana, "Postmodernism in Belgrade architecture: Between cultural modernity and societal modernization" in Spatium, no. 25 (2011):23-29,
https://doi.org/10.2298/SPAT1125023B . .

TY  - JOUR
AU  - Blagojević, Ljiljana
PY  - 2010
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1156
AB  - This paper studies the competition project by the architect Milan Zloković for the Workers Housing Estate of the Kvarner Shipyards in Rijeka,1 1947-8 (Radničko naselje Kvarnerskih brodogradilišta na Rijeci). The principal aim, in addition to presenting this, until now unpublished and largely unknown work of the architect, is to discuss its propositions against the historical and socio-political context of the momentous change of paradigms following the end of World War Two. The paper explores how, through a programmatic shift towards the issues of urbanism, Zloković subtly adapted the design vocabulary of the interwar modern architectural form to the new cultural, political and social circumstances of the postwar years.
PB  - Belgrade : University of Belgrade, Faculty of Architecture
T2  - SAJ : Serbian architectural journal
T1  - FERVET OPUS: Milan Zlokovic and architecture of the city
VL  - 2
IS  - 1
SP  - 7
EP  - 18
UR  - https://hdl.handle.net/21.15107/rcub_raf_1156
ER  - 

@article{
author = "Blagojević, Ljiljana",
year = "2010",
abstract = "This paper studies the competition project by the architect Milan Zloković for the Workers Housing Estate of the Kvarner Shipyards in Rijeka,1 1947-8 (Radničko naselje Kvarnerskih brodogradilišta na Rijeci). The principal aim, in addition to presenting this, until now unpublished and largely unknown work of the architect, is to discuss its propositions against the historical and socio-political context of the momentous change of paradigms following the end of World War Two. The paper explores how, through a programmatic shift towards the issues of urbanism, Zloković subtly adapted the design vocabulary of the interwar modern architectural form to the new cultural, political and social circumstances of the postwar years.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture",
journal = "SAJ : Serbian architectural journal",
title = "FERVET OPUS: Milan Zlokovic and architecture of the city",
volume = "2",
number = "1",
pages = "7-18",
url = "https://hdl.handle.net/21.15107/rcub_raf_1156"
}

Blagojević, L.. (2010). FERVET OPUS: Milan Zlokovic and architecture of the city. in SAJ : Serbian architectural journal
Belgrade : University of Belgrade, Faculty of Architecture., 2(1), 7-18.
https://hdl.handle.net/21.15107/rcub_raf_1156

Blagojević L. FERVET OPUS: Milan Zlokovic and architecture of the city. in SAJ : Serbian architectural journal. 2010;2(1):7-18.
https://hdl.handle.net/21.15107/rcub_raf_1156 .

Blagojević, Ljiljana, "FERVET OPUS: Milan Zlokovic and architecture of the city" in SAJ : Serbian architectural journal, 2, no. 1 (2010):7-18,
https://hdl.handle.net/21.15107/rcub_raf_1156 .

TY  - JOUR
AU  - Blagojević, Ljiljana
PY  - 2009
UR  - https://raf.arh.bg.ac.rs/handle/123456789/476
AB  - A gradual urban transformation of Belgrade from Oriental into
Occidental city in the nineteenth century in a way prefigured its
political change of status from an Ottoman Empire border town
into a capital of a European nation state (i.e. the Principality
of Serbia internationally recognised in 1878). This paper will
explore this process, and will focus on the analysis of the plan
of regularisation of Belgrade (1867), by Emilijan Josimović,
the first Serbian urbanist. Josimović’s plan laid down proposals
for a total reconstruction of the Ottoman urban structure, and
consequent transformation of Belgrade into European planned
city. Radical though it was, the Plan gave urbanistic rationale
and formalisation to what already lasted as an informal process
of re-urbanisation parallel to the liberation from the crumbling
Turkish rule and the related political processes.
PB  - Belgrade : University of Belgrade, Faculty of Architecture
T2  - SAJ : Serbian architectural journal
T1  - Urban Regularisation of Belgrade, 1867: Trace vs. Erasure
VL  - 1
IS  - 1
SP  - 27
EP  - 44
UR  - https://hdl.handle.net/21.15107/rcub_raf_476
ER  - 

@article{
author = "Blagojević, Ljiljana",
year = "2009",
abstract = "A gradual urban transformation of Belgrade from Oriental into
Occidental city in the nineteenth century in a way prefigured its
political change of status from an Ottoman Empire border town
into a capital of a European nation state (i.e. the Principality
of Serbia internationally recognised in 1878). This paper will
explore this process, and will focus on the analysis of the plan
of regularisation of Belgrade (1867), by Emilijan Josimović,
the first Serbian urbanist. Josimović’s plan laid down proposals
for a total reconstruction of the Ottoman urban structure, and
consequent transformation of Belgrade into European planned
city. Radical though it was, the Plan gave urbanistic rationale
and formalisation to what already lasted as an informal process
of re-urbanisation parallel to the liberation from the crumbling
Turkish rule and the related political processes.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture",
journal = "SAJ : Serbian architectural journal",
title = "Urban Regularisation of Belgrade, 1867: Trace vs. Erasure",
volume = "1",
number = "1",
pages = "27-44",
url = "https://hdl.handle.net/21.15107/rcub_raf_476"
}

Blagojević, L.. (2009). Urban Regularisation of Belgrade, 1867: Trace vs. Erasure. in SAJ : Serbian architectural journal
Belgrade : University of Belgrade, Faculty of Architecture., 1(1), 27-44.
https://hdl.handle.net/21.15107/rcub_raf_476

Blagojević L. Urban Regularisation of Belgrade, 1867: Trace vs. Erasure. in SAJ : Serbian architectural journal. 2009;1(1):27-44.
https://hdl.handle.net/21.15107/rcub_raf_476 .

Blagojević, Ljiljana, "Urban Regularisation of Belgrade, 1867: Trace vs. Erasure" in SAJ : Serbian architectural journal, 1, no. 1 (2009):27-44,
https://hdl.handle.net/21.15107/rcub_raf_476 .

TY  - JOUR
AU  - Blagojević, Ljiljana
PY  - 2009
UR  - https://raf.arh.bg.ac.rs/handle/123456789/1068
AB  - Овај рад бави се односом истраживачкоедукативног процеса и методологије
истраживања у области архитектонскоурбанистичког пројектовања, и стратегија
репрезентације савремене архитектуре као
доприноса стварању опште сазнајне грађе у
области архитектуре. Основна теза рада
постављена је као рефлексија о
истраживачко-пројектантском процесу и
методологији рада на концепту и поставци
изложбе савремене архитектуре Србије на
11. Међународној изложби архитектуре на
Бијеналу у Венецији, 2008.2
 Предмет рада је
испитивање начина на који овај процес и
методологија могу да успостављају поуздане
методске, концептуалне и садржинске
основе репрезентације праксе
архитектонско-урбанистичког пројектовања,
али и односе са теоријом савремене архитектуре. У томе, увођење резултата образовног и истраживачког рада у област теорије
савремене архитектуре напоредо укључује и
иновативни метод истраживања кроз пројект.
У основи овог рада је, такође значајно и главно истраживачко питање које је разматрано
током рада на концепту, поставци и садржају
изложбе, а тиче се дефинисања референтне
основе за истраживање трансформације архитектонско-урбанистичког простора Србије
у условима транзиције и глобализације, као и
разумевања и представљања тих процеса у
контексту европских интеграција.
AB  - This paper discusses the relation of the education
and research process, and methodology of research
of architectural and urban design, with strategies of
representation of contemporary architecture
contributing to creating the general knowledge
base in the field of architecture. The main
proposition of the paper is set as a reflection upon
methodology of design and research work on
conceiving and curatorial of the exhibition of
contemporary architecture of Serbia at the 11th
International Exhibition of Architecture, at the
Venice Biennial, 2008.3
 The paper explores the ways
in which this process could establish reliable
content, methodological, and conceptual basis for
the representation of architectural and urban
design practice, as well as its multiple relationships
with theory of contemporary architecture. By
introducing results of educational and research
processes into the field of contemporary
architectural theory, an innovative method of
research by design is included. Important point of
departure for this paper is, also, the issue of defining
the frame of references for research of
transformation of architectural and urban space of
Serbia in current conditions of transition and
globalization, as well as understanding and
representing these transformations in the context
of European integrations.
PB  - Institute of Architecture and Urban and Spatial Planning of Serbia
T2  - Архитектура и урбанизам
T1  - Методске, концептуалне и садржинске основе репрезентације праксе архитектонско-урбанистичког пројектовања и теорије савремене архитектуре
T1  - Content, Methodological, and Conceptual Basis of Representation of Architectural and Urban Design and Contemporary Architecture Theory
IS  - 24-25
SP  - 15
EP  - 18
UR  - https://hdl.handle.net/21.15107/rcub_raf_1068
ER  - 

@article{
author = "Blagojević, Ljiljana",
year = "2009",
abstract = "Овај рад бави се односом истраживачкоедукативног процеса и методологије
истраживања у области архитектонскоурбанистичког пројектовања, и стратегија
репрезентације савремене архитектуре као
доприноса стварању опште сазнајне грађе у
области архитектуре. Основна теза рада
постављена је као рефлексија о
истраживачко-пројектантском процесу и
методологији рада на концепту и поставци
изложбе савремене архитектуре Србије на
11. Међународној изложби архитектуре на
Бијеналу у Венецији, 2008.2
 Предмет рада је
испитивање начина на који овај процес и
методологија могу да успостављају поуздане
методске, концептуалне и садржинске
основе репрезентације праксе
архитектонско-урбанистичког пројектовања,
али и односе са теоријом савремене архитектуре. У томе, увођење резултата образовног и истраживачког рада у област теорије
савремене архитектуре напоредо укључује и
иновативни метод истраживања кроз пројект.
У основи овог рада је, такође значајно и главно истраживачко питање које је разматрано
током рада на концепту, поставци и садржају
изложбе, а тиче се дефинисања референтне
основе за истраживање трансформације архитектонско-урбанистичког простора Србије
у условима транзиције и глобализације, као и
разумевања и представљања тих процеса у
контексту европских интеграција., This paper discusses the relation of the education
and research process, and methodology of research
of architectural and urban design, with strategies of
representation of contemporary architecture
contributing to creating the general knowledge
base in the field of architecture. The main
proposition of the paper is set as a reflection upon
methodology of design and research work on
conceiving and curatorial of the exhibition of
contemporary architecture of Serbia at the 11th
International Exhibition of Architecture, at the
Venice Biennial, 2008.3
 The paper explores the ways
in which this process could establish reliable
content, methodological, and conceptual basis for
the representation of architectural and urban
design practice, as well as its multiple relationships
with theory of contemporary architecture. By
introducing results of educational and research
processes into the field of contemporary
architectural theory, an innovative method of
research by design is included. Important point of
departure for this paper is, also, the issue of defining
the frame of references for research of
transformation of architectural and urban space of
Serbia in current conditions of transition and
globalization, as well as understanding and
representing these transformations in the context
of European integrations.",
publisher = "Institute of Architecture and Urban and Spatial Planning of Serbia",
journal = "Архитектура и урбанизам",
title = "Методске, концептуалне и садржинске основе репрезентације праксе архитектонско-урбанистичког пројектовања и теорије савремене архитектуре, Content, Methodological, and Conceptual Basis of Representation of Architectural and Urban Design and Contemporary Architecture Theory",
number = "24-25",
pages = "15-18",
url = "https://hdl.handle.net/21.15107/rcub_raf_1068"
}

Blagojević, L.. (2009). Методске, концептуалне и садржинске основе репрезентације праксе архитектонско-урбанистичког пројектовања и теорије савремене архитектуре. in Архитектура и урбанизам
Institute of Architecture and Urban and Spatial Planning of Serbia.(24-25), 15-18.
https://hdl.handle.net/21.15107/rcub_raf_1068

Blagojević L. Методске, концептуалне и садржинске основе репрезентације праксе архитектонско-урбанистичког пројектовања и теорије савремене архитектуре. in Архитектура и урбанизам. 2009;(24-25):15-18.
https://hdl.handle.net/21.15107/rcub_raf_1068 .

Blagojević, Ljiljana, "Методске, концептуалне и садржинске основе репрезентације праксе архитектонско-урбанистичког пројектовања и теорије савремене архитектуре" in Архитектура и урбанизам, no. 24-25 (2009):15-18,
https://hdl.handle.net/21.15107/rcub_raf_1068 .