TY  - JOUR
AU  - Cvetić, Mariela
AU  - Marković, Slađana
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/842
AB  - The aim of this paper is to research the impact to emerging theory based on the relation between architect and his work in digital approach of the process of design and realization by the principle of Digital Chain. 
Digital Chain is an uninterruptible digital process consisting of design (idea, coding, geometry finding), through construction (structure, junction, prototyping) to production (fabrication) with every step as programmed entity connected by CAAD/CAM technology universal interfaces. The term Digital Chain is defined and researched (theoretically, experimentally and practically) by CAAD Chair at ETHZ within research projects of this institute. Digital Chain is not a continuous one without the role and position of architect as fluid energy and expert that investigates how digital technology is changing, i.e. entire process of chain, simultaneously adapting to it. 
In that sense architecture appears as an open work (Umberto Eco) without final definitions and in a constant process of information motion as the main components of the architectural product caused by the demands of context, function, form and the user input. Testing of design code through changes of parameters in iterations, as well as checks in prototype on the next level, makes the theoretical playground between experiment and experience, through education and expertise. It is an example that the interest for the process (performance) was larger than for the representation (appearance) what Deleuze and Guattari call supremacy of the "Gothic spirit" over the "spirit of Romanesque" or "classical spirit", where Gothic deals with the generation of the Gothic architecture by understanding the forces, trends and behavior of the material from the bottom to up, but, contrary to the classic generation that deals with imposing of visual aspects such as the proportion of top-down.
This paper considers experience i.e. posteriori knowledge as the main driver of the emerging theory of the Digital Chain.
PB  - Belgrade : Faculty of Media and Communications, Singidunum University Belgrade
T2  - AM: Journal of Art and Media Studies
T1  - Experience and Theory in Architectural Design: Digital Chain Case
VL  - 12
SP  - 121
EP  - 134
DO  - 10.25038/am.v0i12.172
ER  - 

@article{
author = "Cvetić, Mariela and Marković, Slađana",
year = "2017",
abstract = "The aim of this paper is to research the impact to emerging theory based on the relation between architect and his work in digital approach of the process of design and realization by the principle of Digital Chain. 
Digital Chain is an uninterruptible digital process consisting of design (idea, coding, geometry finding), through construction (structure, junction, prototyping) to production (fabrication) with every step as programmed entity connected by CAAD/CAM technology universal interfaces. The term Digital Chain is defined and researched (theoretically, experimentally and practically) by CAAD Chair at ETHZ within research projects of this institute. Digital Chain is not a continuous one without the role and position of architect as fluid energy and expert that investigates how digital technology is changing, i.e. entire process of chain, simultaneously adapting to it. 
In that sense architecture appears as an open work (Umberto Eco) without final definitions and in a constant process of information motion as the main components of the architectural product caused by the demands of context, function, form and the user input. Testing of design code through changes of parameters in iterations, as well as checks in prototype on the next level, makes the theoretical playground between experiment and experience, through education and expertise. It is an example that the interest for the process (performance) was larger than for the representation (appearance) what Deleuze and Guattari call supremacy of the "Gothic spirit" over the "spirit of Romanesque" or "classical spirit", where Gothic deals with the generation of the Gothic architecture by understanding the forces, trends and behavior of the material from the bottom to up, but, contrary to the classic generation that deals with imposing of visual aspects such as the proportion of top-down.
This paper considers experience i.e. posteriori knowledge as the main driver of the emerging theory of the Digital Chain.",
publisher = "Belgrade : Faculty of Media and Communications, Singidunum University Belgrade",
journal = "AM: Journal of Art and Media Studies",
title = "Experience and Theory in Architectural Design: Digital Chain Case",
volume = "12",
pages = "121-134",
doi = "10.25038/am.v0i12.172"
}

Cvetić, M.,& Marković, S.. (2017). Experience and Theory in Architectural Design: Digital Chain Case. in AM: Journal of Art and Media Studies
Belgrade : Faculty of Media and Communications, Singidunum University Belgrade., 12, 121-134.
https://doi.org/10.25038/am.v0i12.172

Cvetić M, Marković S. Experience and Theory in Architectural Design: Digital Chain Case. in AM: Journal of Art and Media Studies. 2017;12:121-134.
doi:10.25038/am.v0i12.172 .

Cvetić, Mariela, Marković, Slađana, "Experience and Theory in Architectural Design: Digital Chain Case" in AM: Journal of Art and Media Studies, 12 (2017):121-134,
https://doi.org/10.25038/am.v0i12.172 . .

TY  - JOUR
AU  - Marković, Slađana
AU  - Svetel, Igor
AU  - Lazović, Zoran
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/271
AB  - The setting of design and architectural realization today cannot be considered separately from the emerging architecture, which is based on digital technology. Digital technology has primarily affected the architectural presentation, and eventually began to represent a design tool directly connected with the realization, which was across various digital techniques establishing continuity of a "digital gap" as a global problem of discontinuity of design and realization in architecture and fulfilling complex design requirements of the architecture today. With the characteristics of continuous connection, this relation design - realization is increasingly manifested as a CAAD/CAM technology and the most commonly researched as a "digital chain" principle. Primarily, the term "digital chain" is defined and investigated (theoretically, experimentally and practically) at the CAAD department at ETH Zurich (germ. ETH Zuerich) within the research projects of this institute. Today the tool has become an indispensable, inevitable and active, and the architect seemingly passive and in an unclear position in the whole process and the offered solutions of space and architecture. Accordingly, the paper explains the principle of "digital chain", and overlapping with elements of a conventional (standard) architectural approach, based on the settings of the positioning architects in new conditions, redefines the process of design and realization in the emerging architecture in architectonic sense.
AB  - Postavka projektovanja i realizacije arhitekture danas se ne može posmatrati odvojeno od novonastajuće arhitekture (engl. emerging architecture), koja je bazirana na digitalnoj tehnologiji. Digitalna tehnologija je prvenstveno uticala na prezentaciju arhitekture, dok je vremenom počela da predstavlja i alat za projektovanje sa direktnom vezom sa realizacijom, koja je preko različitih digitalnih tehnika uspostavljala kontinuitet "digitalnog jaza" kao globalnog problema diskonuiteta izmedju projektovanja i realizacije arhitekture i ispunjavala kompleksne zahteve projektovanja danas. Sa karateristikama kontinualne veze, odnos projektovanje - realizacija se sve više manifestuje kao CAD/CAM tehnologija i često istražuje i kao princip "digitalnog lanca". Prvenstveno, termin "digitalni lanac" je definisan i istraživan (teoretski, eksperimentalno i praktično) na CAAD katedri na ETH Cirih (nem. ETH Zuerich) u okviru naučnih projekata ovog instituta. Danas je kao alat postao neophodan, neminovan i aktivan, a arhitekta naizgled pasivan i u nejasnoj poziciji u celom procesu i ponuđenom rešenju prostora i arhitekture. U skladu sa tim, rad objašnjava princip "digitalnog lanca", a preklapanjem sa elementima konvencionalnog arhitektonskog pristupa, bazirajući se na postavkama pozicioniranja arhitekte u novim uslovima, redefiniše proces projektovanja i realizacije novonastajuće arhitekture u smislu arhitektoničnosti.
PB  - Univerzitet u Nišu, Niš
T2  - Facta universitatis - series: Architecture and Civil Engineering
T1  - Redefinition of the process of design and realization in emerging architecture on the principle of "digital chain"
T1  - Redefinicija procesa projektovanja i relizacije arhitekture u novonastajućoj arhitekturi po principu "digitalnog lanca"
VL  - 15
IS  - 3
SP  - 295
EP  - 306
DO  - 10.2298/FUACE160526026M
ER  - 

@article{
author = "Marković, Slađana and Svetel, Igor and Lazović, Zoran",
year = "2017",
abstract = "The setting of design and architectural realization today cannot be considered separately from the emerging architecture, which is based on digital technology. Digital technology has primarily affected the architectural presentation, and eventually began to represent a design tool directly connected with the realization, which was across various digital techniques establishing continuity of a "digital gap" as a global problem of discontinuity of design and realization in architecture and fulfilling complex design requirements of the architecture today. With the characteristics of continuous connection, this relation design - realization is increasingly manifested as a CAAD/CAM technology and the most commonly researched as a "digital chain" principle. Primarily, the term "digital chain" is defined and investigated (theoretically, experimentally and practically) at the CAAD department at ETH Zurich (germ. ETH Zuerich) within the research projects of this institute. Today the tool has become an indispensable, inevitable and active, and the architect seemingly passive and in an unclear position in the whole process and the offered solutions of space and architecture. Accordingly, the paper explains the principle of "digital chain", and overlapping with elements of a conventional (standard) architectural approach, based on the settings of the positioning architects in new conditions, redefines the process of design and realization in the emerging architecture in architectonic sense., Postavka projektovanja i realizacije arhitekture danas se ne može posmatrati odvojeno od novonastajuće arhitekture (engl. emerging architecture), koja je bazirana na digitalnoj tehnologiji. Digitalna tehnologija je prvenstveno uticala na prezentaciju arhitekture, dok je vremenom počela da predstavlja i alat za projektovanje sa direktnom vezom sa realizacijom, koja je preko različitih digitalnih tehnika uspostavljala kontinuitet "digitalnog jaza" kao globalnog problema diskonuiteta izmedju projektovanja i realizacije arhitekture i ispunjavala kompleksne zahteve projektovanja danas. Sa karateristikama kontinualne veze, odnos projektovanje - realizacija se sve više manifestuje kao CAD/CAM tehnologija i često istražuje i kao princip "digitalnog lanca". Prvenstveno, termin "digitalni lanac" je definisan i istraživan (teoretski, eksperimentalno i praktično) na CAAD katedri na ETH Cirih (nem. ETH Zuerich) u okviru naučnih projekata ovog instituta. Danas je kao alat postao neophodan, neminovan i aktivan, a arhitekta naizgled pasivan i u nejasnoj poziciji u celom procesu i ponuđenom rešenju prostora i arhitekture. U skladu sa tim, rad objašnjava princip "digitalnog lanca", a preklapanjem sa elementima konvencionalnog arhitektonskog pristupa, bazirajući se na postavkama pozicioniranja arhitekte u novim uslovima, redefiniše proces projektovanja i realizacije novonastajuće arhitekture u smislu arhitektoničnosti.",
publisher = "Univerzitet u Nišu, Niš",
journal = "Facta universitatis - series: Architecture and Civil Engineering",
title = "Redefinition of the process of design and realization in emerging architecture on the principle of "digital chain", Redefinicija procesa projektovanja i relizacije arhitekture u novonastajućoj arhitekturi po principu "digitalnog lanca"",
volume = "15",
number = "3",
pages = "295-306",
doi = "10.2298/FUACE160526026M"
}

Marković, S., Svetel, I.,& Lazović, Z.. (2017). Redefinition of the process of design and realization in emerging architecture on the principle of "digital chain". in Facta universitatis - series: Architecture and Civil Engineering
Univerzitet u Nišu, Niš., 15(3), 295-306.
https://doi.org/10.2298/FUACE160526026M

Marković S, Svetel I, Lazović Z. Redefinition of the process of design and realization in emerging architecture on the principle of "digital chain". in Facta universitatis - series: Architecture and Civil Engineering. 2017;15(3):295-306.
doi:10.2298/FUACE160526026M .

Marković, Slađana, Svetel, Igor, Lazović, Zoran, "Redefinition of the process of design and realization in emerging architecture on the principle of "digital chain"" in Facta universitatis - series: Architecture and Civil Engineering, 15, no. 3 (2017):295-306,
https://doi.org/10.2298/FUACE160526026M . .