TY  - JOUR
AU  - Ignjatović, Aleksandar
PY  - 2013
UR  - https://raf.arh.bg.ac.rs/handle/123456789/819
AB  - After the the Second World War, the new socialist Yugoslavia was governed by the Communist Party which split with the Cominform in 1948, causing the country to embark on a long-lasting process of forging its own version of socialism. Architectural culture had a conspicuously important role in the process of cultural legitimization of the new Yugoslav socialist ideology, tailored to fit both the internal "self-government" and the non-alignment international policy of the state. One of the most vivid examples of this newly emerged architectural culture is the Fairground Complex built in Belgrade (1953–1957). While the technical aspects of the project epitomized quite literally the socialist regimes' obsession with conquering and taming nature, which represented the echo of authentic Marxism, the huge construction of the Fairground commenced to stage a self-indulged and calculatedly constructed image of superiority of socialist Yugoslavia and its what the communist elites saw as the tremendously advanced modernization of the country and society.
PB  - New York, N.Y. : Centropa
T2  - Centropa
T1  - Out of the Sands, to Span the Future: The Architectural Image of Yugoslav Socialism in Belgrade
VL  - 13
IS  - 1
SP  - 49
EP  - 63
UR  - https://hdl.handle.net/21.15107/rcub_raf_819
ER  - 

@article{
author = "Ignjatović, Aleksandar",
year = "2013",
abstract = "After the the Second World War, the new socialist Yugoslavia was governed by the Communist Party which split with the Cominform in 1948, causing the country to embark on a long-lasting process of forging its own version of socialism. Architectural culture had a conspicuously important role in the process of cultural legitimization of the new Yugoslav socialist ideology, tailored to fit both the internal "self-government" and the non-alignment international policy of the state. One of the most vivid examples of this newly emerged architectural culture is the Fairground Complex built in Belgrade (1953–1957). While the technical aspects of the project epitomized quite literally the socialist regimes' obsession with conquering and taming nature, which represented the echo of authentic Marxism, the huge construction of the Fairground commenced to stage a self-indulged and calculatedly constructed image of superiority of socialist Yugoslavia and its what the communist elites saw as the tremendously advanced modernization of the country and society.",
publisher = "New York, N.Y. : Centropa",
journal = "Centropa",
title = "Out of the Sands, to Span the Future: The Architectural Image of Yugoslav Socialism in Belgrade",
volume = "13",
number = "1",
pages = "49-63",
url = "https://hdl.handle.net/21.15107/rcub_raf_819"
}

Ignjatović, A.. (2013). Out of the Sands, to Span the Future: The Architectural Image of Yugoslav Socialism in Belgrade. in Centropa
New York, N.Y. : Centropa., 13(1), 49-63.
https://hdl.handle.net/21.15107/rcub_raf_819

Ignjatović A. Out of the Sands, to Span the Future: The Architectural Image of Yugoslav Socialism in Belgrade. in Centropa. 2013;13(1):49-63.
https://hdl.handle.net/21.15107/rcub_raf_819 .

Ignjatović, Aleksandar, "Out of the Sands, to Span the Future: The Architectural Image of Yugoslav Socialism in Belgrade" in Centropa, 13, no. 1 (2013):49-63,
https://hdl.handle.net/21.15107/rcub_raf_819 .

TY  - JOUR
AU  - Ignjatović, Aleksandar
PY  - 2012
UR  - https://raf.arh.bg.ac.rs/handle/123456789/818
AB  - Interpreting legacy as a system of signs and images, this volume questions the notions of ‘backwardness’ or ‘progress’, which undoubtedly have marked the common perception of the Ottoman and Habsburg heritage in Southeast Europe. This perception is heavily relied on the ideological and political context of its use and abuse, where a legacy, as a system of images, becomes a signifier of particular ideas and values. Interpreting the already well-known imagery of both imperial this volume is to be credited for questioning rather stereotypical interpretations of the Ottoman and Habsburg imperial legacies in Southeast Europe, generally temporalized and valued according to the barbarian versus civilized dichotomy. The role of visual culture in this representational system is tremendous, which underlines the importance of studying images and architecture as valuable historical source.
PB  - London: Modern Humanities Research Association
PB  - School of Slavonic and East European Studies, University College London
T2  - Slavonic and Eastern European Review
T1  - Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas
VL  - 90
IS  - 3
SP  - 527
EP  - 530
DO  - 10.5699/slaveasteurorev2.90.3.0527
ER  - 

@article{
author = "Ignjatović, Aleksandar",
year = "2012",
abstract = "Interpreting legacy as a system of signs and images, this volume questions the notions of ‘backwardness’ or ‘progress’, which undoubtedly have marked the common perception of the Ottoman and Habsburg heritage in Southeast Europe. This perception is heavily relied on the ideological and political context of its use and abuse, where a legacy, as a system of images, becomes a signifier of particular ideas and values. Interpreting the already well-known imagery of both imperial this volume is to be credited for questioning rather stereotypical interpretations of the Ottoman and Habsburg imperial legacies in Southeast Europe, generally temporalized and valued according to the barbarian versus civilized dichotomy. The role of visual culture in this representational system is tremendous, which underlines the importance of studying images and architecture as valuable historical source.",
publisher = "London: Modern Humanities Research Association, School of Slavonic and East European Studies, University College London",
journal = "Slavonic and Eastern European Review",
title = "Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas",
volume = "90",
number = "3",
pages = "527-530",
doi = "10.5699/slaveasteurorev2.90.3.0527"
}

Ignjatović, A.. (2012). Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas. in Slavonic and Eastern European Review
London: Modern Humanities Research Association., 90(3), 527-530.
https://doi.org/10.5699/slaveasteurorev2.90.3.0527

Ignjatović A. Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas. in Slavonic and Eastern European Review. 2012;90(3):527-530.
doi:10.5699/slaveasteurorev2.90.3.0527 .

Ignjatović, Aleksandar, "Images of Imperial Legacy: Modern Discourses on the Social and Cultural Impact of Ottoman and Habsburg Rule in Southeastern Europe. Studien zur Geschichte, Kultur und Gesellschaft Südosteuropas" in Slavonic and Eastern European Review, 90, no. 3 (2012):527-530,
https://doi.org/10.5699/slaveasteurorev2.90.3.0527 . .