Show simple item record

dc.creatorIgnjatović, Aleksandar
dc.date.accessioned2020-06-28T18:49:28Z
dc.date.available2020-06-28T18:49:28Z
dc.date.issued2008
dc.identifier.issn1532-5563
dc.identifier.urihttps://raf.arh.bg.ac.rs/handle/123456789/1036
dc.description.abstractNational pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy comprised substantial set of values and a sharp distinction of opposed cultural entities―one central and progressive, the other peripheral and traditional―which reflected permanent ties of Yugoslav elites to ideological heritage of culture of imperialism. Thus, architectural identity of the Yugoslav pavilions, selection of the artifacts displayed and, primarily, relation with their Bosnian “internal satellites” are symptomatic examples of particular ideology that otherwise shaped societal, political and economic structure of the first South Slavic state.en
dc.language.isoensr
dc.publisherNew York : Centropasr
dc.rightsrestrictedAccesssr
dc.sourceCentropasr
dc.subjectYugoslaviasr
dc.subjectEphemeral architecturesr
dc.subjectWorld Exhibitionssr
dc.subjectYugoslavismsr
dc.subjectImperialismsr
dc.subjectInternal colonialismsr
dc.subjectNational identitysr
dc.subjectNationalismsr
dc.titlePeripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937en
dc.typearticlesr
dc.rights.licenseARRsr
dcterms.abstractИгњатовић, Aлександар;
dc.citation.volume8
dc.citation.issue2
dc.citation.spage186
dc.citation.epage197
dc.type.versionpublishedVersionsr


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record