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dc.creatorJadrešin Milić, Renata
dc.date.accessioned2021-01-20T10:11:19Z
dc.date.available2021-01-20T10:11:19Z
dc.date.issued2019
dc.identifier.issn1821-3952
dc.identifier.urihttps://raf.arh.bg.ac.rs/handle/123456789/1125
dc.description.abstractAlthough numerous writings by professor Aleksandar Deroko raise essential questions about the nature, the history, and the methodology of architecture, he never provided a systematic theory, and his assertions did not belong to any mainstream architectural discourse. However, his romantic visions of remote, medieval monasteries and their origin on one hand, and on the other, the rational and methodical approach to heritage surveying evident in both his early texts and later architectural textbooks, resulted in some very novel theoretical ideas in architecture of the twentieth century. This paper examines the understanding of the tradition and modernity in the work of professor Deroko, investigates reasons behind his duality, explores the way he synthesised his research work with his pedagogical work, and tries to systematise his theoretical ideas.sr
dc.language.isoensr
dc.publisherBelgrade : University of Belgrade, Faculty of Architecturesr
dc.rightsopenAccesssr
dc.sourceSAJ : Serbian architectural journalsr
dc.subjectAleksandar Deroko (1894-1988)sr
dc.subjectRastko Petrović (1898-1949)sr
dc.subjectRomantic visionssr
dc.subjectRational languagesr
dc.subjectTheoretical ideassr
dc.subjectTradition and modernitysr
dc.subjectConstancy and changesr
dc.titleAleksandar Deroko: Between tradition and modernitysr
dc.typearticlesr
dc.rights.licenseARRsr
dcterms.abstractЈадрешин Милић, Рената;
dc.citation.volume11
dc.citation.issue1
dc.citation.spage157
dc.citation.epage190
dc.citation.rankM24
dc.identifier.fulltexthttp://raf.arh.bg.ac.rs/bitstream/id/3879/SAJ-2019-01Jadresin.pdf
dc.type.versionpublishedVersionsr


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