This paper analyses architecture created through appropriating existing materials while focusing on strategies of intertextuality. It argues that the meaning of an architectural object does not derive from itself, or its poetic concepts, but rather from its relationship with order architectural objects, other art works as texts, cultural texts, and every day practices. My aim is to show various theoretical problems of the theory of architecture and art, which is a network of overlapping texts of culture, surround the architectural production of Alexander Brodsky. Here I use different and varied theoretical concepts, selecting two case studies by Brodsky – The Pavilion for Vodka Ceremonies and Rotunda – upon which the paper is based as an interdiscursive study.
Keywords:
Alexander Brodsky / Appropriation / Artworld / Experimental architecture / Ready-made / Text
Source:
SAJ : Serbian architectural journal, 2019, 11, 3, 531-542
Publisher:
Belgrade : University of Belgrade, Faculty of Architecture
TY - JOUR
AU - Drobnjak, Boško
PY - 2019
UR - https://raf.arh.bg.ac.rs/handle/123456789/1131
AB - This paper analyses architecture created through appropriating existing materials while focusing on strategies of intertextuality. It argues that the meaning of an architectural object does not derive from itself, or its poetic concepts, but rather from its relationship with order architectural objects, other art works as texts, cultural texts, and every day practices. My aim is to show various theoretical problems of the theory of architecture and art, which is a network of overlapping texts of culture, surround the architectural production of Alexander Brodsky. Here I use different and varied theoretical concepts, selecting two case studies by Brodsky – The Pavilion for Vodka Ceremonies and Rotunda – upon which the paper is based as an interdiscursive study.
PB - Belgrade : University of Belgrade, Faculty of Architecture
T2 - SAJ : Serbian architectural journal
T1 - Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation
VL - 11
IS - 3
SP - 531
EP - 542
ER -
@article{
author = "Drobnjak, Boško",
year = "2019",
abstract = "This paper analyses architecture created through appropriating existing materials while focusing on strategies of intertextuality. It argues that the meaning of an architectural object does not derive from itself, or its poetic concepts, but rather from its relationship with order architectural objects, other art works as texts, cultural texts, and every day practices. My aim is to show various theoretical problems of the theory of architecture and art, which is a network of overlapping texts of culture, surround the architectural production of Alexander Brodsky. Here I use different and varied theoretical concepts, selecting two case studies by Brodsky – The Pavilion for Vodka Ceremonies and Rotunda – upon which the paper is based as an interdiscursive study.",
publisher = "Belgrade : University of Belgrade, Faculty of Architecture",
journal = "SAJ : Serbian architectural journal",
title = "Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation",
volume = "11",
number = "3",
pages = "531-542"
}
Drobnjak, B.. (2019). Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation. in SAJ : Serbian architectural journal
Belgrade : University of Belgrade, Faculty of Architecture., 11(3), 531-542.
Drobnjak B. Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation. in SAJ : Serbian architectural journal. 2019;11(3):531-542..
Drobnjak, Boško, "Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation" in SAJ : Serbian architectural journal, 11, no. 3 (2019):531-542.
