Show simple item record

dc.creatorBnin-Bninski, Anđelka
dc.creatorDragišić, Maja
dc.date.accessioned2021-02-04T10:39:26Z
dc.date.available2021-02-04T10:39:26Z
dc.date.issued2016
dc.identifier.issn1821-3952
dc.identifier.urihttps://raf.arh.bg.ac.rs/handle/123456789/1151
dc.description.abstractThe procedure of scaling is one of the elemental routines in architectural drawing. Along with paper as a fundamental drawing material, scale is the architectural convention that follows the emergence of drawing in architecture from the Renaissance. This analysis is questioning the scaling procedure through the pasion of t=drawing in the conception process. Current theoretical researches on architectural drawing are underlining the paradigm change that occurred as a sudden swich from handmade to computer generated drawing. This change consequently influenced notions of drawing materiality, relations to scale and geometry. Developing the argument of scaling as a dual action, technical and imaginative, Constant's New Babylon drawing work is taken as an example to problematize the architect-project-object relational chain.sr
dc.language.isoensr
dc.publisherBelgrade : University of Belgrade, Faculty of Architecturesr
dc.rightsopenAccesssr
dc.sourceSAJ : Serbian architectural journalsr
dc.subjectArchitectural drawingsr
dc.subjectScalingsr
dc.subjectPapersr
dc.subjectDrawing inhabitationsr
dc.subjectConstant's New Babylonsr
dc.titleScale on paper between technique and imagination. Example of Constant's drawing hypothesissr
dc.typearticlesr
dc.rights.licenseARRsr
dcterms.abstractДрагишић, Маја; Бнин-Бнински, Aнђелка;
dc.citation.volume8
dc.citation.issue3
dc.citation.spage322
dc.citation.epage339
dc.citation.rankM24
dc.identifier.fulltexthttps://raf.arh.bg.ac.rs/bitstream/id/3960/SAJ-2016-03-hqBnin.pdf
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_raf_1151
dc.type.versionpublishedVersionsr


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record