Record on architecture drawings
Abstract
Drawings which help us compose and recordours observations, or "live drawing" pe.rmanenciy document the observed and visualized scene in space. Any expression of space is a form, and it is represented by a drawing. When a pencil sets itself free from a ruler often defiant, restless and rough autonomous lines are born. Drawing becomes immensely diverse as the intensity of lines brings a game of different plans and subjects in space only to represent a synthetic reflection of what has been seen.
Firm horizontal and vertical strokes align the horizontal and vertical forms of space which is transferred to paper. In fact, the lines follow the shape and form of the space. A group of freehand lines define the vegetation surrounding the facility.
The environment and atmosphere, the specificity of landscape and \he surroundings dominant in space, the architectural characteristics of the area, the buildings with their architectural, stylistic and period features, their decorations and ornament...s and the substantive interpretation of the area are transposed to the drawing with the utmost care..
Freehand lines shake out the perceived scene - the sky, the soil, the water and the vegetation create the impression of the building materials: stone, brick, ceramides, wood, metal, glass The ragged
freehand lines conflict with the sense of light. With shadows inserted between the patches of light and dark against the stormy skies the drawings seem as effective as paintings. Drawing reveals a hidden world.
Restrained use of different means of expression, or if necessary, their emphasis, will make the representation of what has been seen both striking and true. Drawing will emphasize its value if you keep the viewer's focus on the most important segment allowing him the easy access to the heart of the event and the message. The drawing should make us feel as if we were a part of the scene itself althoughwe are aware that is just a skillfully recorded illusion.
'live drawing" - manual record is a fluttering document of omnipresent easiness of freehand strokes.
Keywords:
Architecture / "live drawing" / record / freehand lineSource:
Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December] 2013, 2013, 328-336Publisher:
- Belgrade: STRAND - Sustainable Urban Society Association
Funding / projects:
Institution/Community
Arhitektonski fakultetTY - CONF AU - Radojević, Aleksandar AU - Miholčić, Jovana AU - Radojević, Milan PY - 2013 UR - https://raf.arh.bg.ac.rs/handle/123456789/1298 AB - Drawings which help us compose and recordours observations, or "live drawing" pe.rmanenciy document the observed and visualized scene in space. Any expression of space is a form, and it is represented by a drawing. When a pencil sets itself free from a ruler often defiant, restless and rough autonomous lines are born. Drawing becomes immensely diverse as the intensity of lines brings a game of different plans and subjects in space only to represent a synthetic reflection of what has been seen. Firm horizontal and vertical strokes align the horizontal and vertical forms of space which is transferred to paper. In fact, the lines follow the shape and form of the space. A group of freehand lines define the vegetation surrounding the facility. The environment and atmosphere, the specificity of landscape and \he surroundings dominant in space, the architectural characteristics of the area, the buildings with their architectural, stylistic and period features, their decorations and ornaments and the substantive interpretation of the area are transposed to the drawing with the utmost care.. Freehand lines shake out the perceived scene - the sky, the soil, the water and the vegetation create the impression of the building materials: stone, brick, ceramides, wood, metal, glass The ragged freehand lines conflict with the sense of light. With shadows inserted between the patches of light and dark against the stormy skies the drawings seem as effective as paintings. Drawing reveals a hidden world. Restrained use of different means of expression, or if necessary, their emphasis, will make the representation of what has been seen both striking and true. Drawing will emphasize its value if you keep the viewer's focus on the most important segment allowing him the easy access to the heart of the event and the message. The drawing should make us feel as if we were a part of the scene itself althoughwe are aware that is just a skillfully recorded illusion. 'live drawing" - manual record is a fluttering document of omnipresent easiness of freehand strokes. PB - Belgrade: STRAND - Sustainable Urban Society Association C3 - Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December] 2013 T1 - Record on architecture drawings SP - 328 EP - 336 UR - https://hdl.handle.net/21.15107/rcub_raf_1298 ER -
@conference{ author = "Radojević, Aleksandar and Miholčić, Jovana and Radojević, Milan", year = "2013", abstract = "Drawings which help us compose and recordours observations, or "live drawing" pe.rmanenciy document the observed and visualized scene in space. Any expression of space is a form, and it is represented by a drawing. When a pencil sets itself free from a ruler often defiant, restless and rough autonomous lines are born. Drawing becomes immensely diverse as the intensity of lines brings a game of different plans and subjects in space only to represent a synthetic reflection of what has been seen. Firm horizontal and vertical strokes align the horizontal and vertical forms of space which is transferred to paper. In fact, the lines follow the shape and form of the space. A group of freehand lines define the vegetation surrounding the facility. The environment and atmosphere, the specificity of landscape and \he surroundings dominant in space, the architectural characteristics of the area, the buildings with their architectural, stylistic and period features, their decorations and ornaments and the substantive interpretation of the area are transposed to the drawing with the utmost care.. Freehand lines shake out the perceived scene - the sky, the soil, the water and the vegetation create the impression of the building materials: stone, brick, ceramides, wood, metal, glass The ragged freehand lines conflict with the sense of light. With shadows inserted between the patches of light and dark against the stormy skies the drawings seem as effective as paintings. Drawing reveals a hidden world. Restrained use of different means of expression, or if necessary, their emphasis, will make the representation of what has been seen both striking and true. Drawing will emphasize its value if you keep the viewer's focus on the most important segment allowing him the easy access to the heart of the event and the message. The drawing should make us feel as if we were a part of the scene itself althoughwe are aware that is just a skillfully recorded illusion. 'live drawing" - manual record is a fluttering document of omnipresent easiness of freehand strokes.", publisher = "Belgrade: STRAND - Sustainable Urban Society Association", journal = "Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December] 2013", title = "Record on architecture drawings", pages = "328-336", url = "https://hdl.handle.net/21.15107/rcub_raf_1298" }
Radojević, A., Miholčić, J.,& Radojević, M.. (2013). Record on architecture drawings. in Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December] 2013 Belgrade: STRAND - Sustainable Urban Society Association., 328-336. https://hdl.handle.net/21.15107/rcub_raf_1298
Radojević A, Miholčić J, Radojević M. Record on architecture drawings. in Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December] 2013. 2013;:328-336. https://hdl.handle.net/21.15107/rcub_raf_1298 .
Radojević, Aleksandar, Miholčić, Jovana, Radojević, Milan, "Record on architecture drawings" in Conference Proceedings [Elektronski izvor] / International Conference and Exibition On Architecture, Belgrade, [9-16 December] 2013 (2013):328-336, https://hdl.handle.net/21.15107/rcub_raf_1298 .