Family house Interior Design [BAB 2019]

Abstract

Projekat enterijera porodične kuće je izrađen 2018.godine. Objekat koji je tretiran, predstavlja deo kompleksa koji čini niz isto arhitektonsko tretiranih kuća. Intervencija je bila interesantan izazov zbog svoje kompleksnosti i želja koje beleže potrebe koje se javljaju u vremenu u kojem živimo. Zahtev je bio da se kuća uredi za nepoznetog korisnika, odnosno za izdavanje. Kada se arhitekta suoči sa potrebama poznatog korisnika, njegova intervencija je ''obojena'' elementima koji se spoznaju tokom kontakta sa klijentom, pa se na taj način projekat i prostor prilagođavaju onome ko će boraviti u njemu. Međutim, nepoznate želje nepoznatog korisnika predstavljaju zagonetku koja jedino rešenje može pronaći u neutralnosti ponuđenog. Tada je arhitekta u poziciji onoga ko priprema platno za sliku koja nastaje. U tom slučaju, intervencija se završava onoga trenutka kada korisnik unese sebe u ponuđeno, a prostor postane slika koja je nastala u glavi ''slikara''.

The interior design project of the family house was completed in 2018. The building in question is part of a complex consisting of a series of similarly architecturally treated houses. The intervention was an interesting challenge due to its complexity and the desires reflecting the needs that arise in the time we live in. The requirement was to prepare the house for an unknown user, specifically for renting. When an architect deals with the needs of a known user, their intervention is "colored" by elements that become apparent during contact with the client, thus adapting the project and space to the person who will reside in it. However, the unknown desires of an unknown user represent an enigma that can only be solved through the neutrality of what is offered. In that case, the architect is in the position of someone preparing the canvas for the painting that is about to be created. In this scenario, the intervention is completed the moment the user infuses themselves into what is offered, and the space becomes the picture that was conceived in the "painter's" mind