Arhitektura detalja

Abstract

Prethodna publikacija – monografija „Moja arhitektura“ ( BiroVia, 2012, Beograd) je proistekla iz potrebe za sumiranjem, beleženjem stvaralačkih napora i aktivnosti pretočenih u realizovano delo, arhitektonski opus projekata u jednom periodu profesionalnog življenja. Ovom monografijom pojašnjena je priroda odnosa ka predhodnom delu prepoznavanjem i isticanjem suštine, snage i pozicije detalja u njemu. Sam naziv „Arhitektura detalja“ je prepoznat među mnogim pojmovno sličnim, iskazanim igrom reči i značenja radnih naslova kao „Detalji u arhitekturi“, „Detaljem ka arhitekturi“, „Arhitektura u detaljima“, jer utemeljen, estetski i funkcionalno detalj je (skoro pa) arhitektura. Odabrani naslov monografije je dovoljno sugestivan u meri da nedvosmisleno upućuje na suštinu – kao istaknuti deo i neosporni segment veće slike – objekta arhitekture. Pristup oblikovanju objekata, arhitektonskih struktura i kompozicija, rukovođen je načelima lepog i principima inženjerske logike, kao i mišljenja da detalj (konstrukcije, materijala, elemenata i dr.) predstavlja taj prevlađujući postulat koji daje završnu / početnu ili obostranu estetsku dimenziju svakom delu arhitekture. Prezentovani elementi predstavljaju autorski opus nastao tokom niza godina – delo složenog tematskog i kvantitativnog obima sa namerom da se podvuče mesto, značaj i težina detalja u svakom od njih. Pokušavajući da sistematizuje i tematski odredi prikazano delo, mesto ugradnje detalja je prepoznato zajedničkim imeniteljem. Takođe, doživljavajući objekat arhitekture svojevrsnim „živim organizmom“ napravljena je paralela sa anatomijom ljudskog tela. Arhitektonski objekat je na neki način „živ“ organizam sa svim značenjima, „kretanjima“, promenama, pa je tako i nastala klasifikacija i tumačenje svake od devet celina monografije. (…)

Previous publication - the monograph “My Architecture” (BiroVIA, 2012, Belgrade) came from the need to summarize, by recording the creative efforts and activities transmitted to the realized work, the architectural opus of projects carried out in one period of the professional life. This current monograph clarifies the nature of the relationship with previous work, recognizing and emphasizing the essence, strength and position of details in it. The very title “Architecture of Detail” itself is recognized among many conceptually similar, working titles expressed by the play of words and meanings. such as “Details in Architecture”, “With Detail to Architecture”, “Architecture in a Detail”, because a well-founded, aesthetic and functional detail is (almost) an architecture. The selected title of the monograph is sufficiently suggestive to the extent that it unambiguously refers to the essence – as a prominent part, and an indisputable segment of a bigger picture – of the object of architecture. The approach to shaping the objects, architectural structures and compositions is guided by the principles of beauty and the principles of engineering logic, and the thought that detail ( of construction, materials, elements etc.) represents that prevailing postulate giving the final or initial or reciprocal aesthetic dimension to each part of the architecture. Presented elements indicate author’s opus that has been created over many years - a work of complex thematic and quantitative scope with the intention to underline the place, importance and weight of details in each of them. In the attempt to systematise and thematically determine the presented work, the place of installation of a detail is recognized by the common denominator. Also, the perceiving architecture of a kind of “living organism” made parallels with the anatomy of the human body. The architectural object is, in some way, a “living organism” with all meanings, “movements”, changes, and thus the classification and interpretation of each of the nine parts of the monograph was made. Also, perception of architecture as a kind of “living organism” creates parallel with the anatomy of the human body. The architectural object is, in some way, a “living organism” with all meanings, “motions”, changes, and thus the classification and interpretation of each of the nine parts of the monograph was made. (…)