dc.contributor | Iordachi, Constantin | |
dc.contributor | Apor, Péter | |
dc.creator | Ignjatović, Aleksandar | |
dc.creator | Manojlović Pintar, Olga | |
dc.date.accessioned | 2023-12-07T21:59:47Z | |
dc.date.available | 2023-12-07T21:59:47Z | |
dc.date.issued | 2021 | |
dc.identifier.isbn | 978-1-3501-0370-2 | |
dc.identifier.uri | https://raf.arh.bg.ac.rs/handle/123456789/1816 | |
dc.description.abstract | This chapter examines how the representational museum politics creates a
system of meanings by defining socialism as the “other” in opposition to which the
new collective identity is in a process of constant reconstruction after the fall of the
Berlin Wall. Focusing on the work of one specific museum institution—the Museum
of Yugoslavia, known as the Museum of Yugoslav History until 2016—we discuss a
process of revalorizing socialism, communism, and Yugoslavia in present-day Serbia.
We place the work of this specific museum in the wider institutional, historical, and
artistic network of socialist Yugoslavia and contemporary Serbia. | sr |
dc.language.iso | en | sr |
dc.publisher | Bloomsbury Academic | sr |
dc.rights | restrictedAccess | sr |
dc.source | Occupation and communism in Eastern European museums : re-visualizing the recent past | sr |
dc.subject | Socialis Yugoslavia | sr |
dc.subject | Museum Studies | sr |
dc.subject | Socialism | sr |
dc.subject | Communism | sr |
dc.subject | ideology | sr |
dc.title | Discussing the Past or Airing the Depots: Refashioning Exhibitions of Socialism in Serbia | sr |
dc.type | bookPart | sr |
dc.rights.license | ARR | sr |
dcterms.abstract | Игњатовић, Aлександар; | |
dc.citation.spage | 163 | |
dc.citation.epage | 179 | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_raf_1816 | |
dc.type.version | publishedVersion | sr |