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Испред византијског пурпура: визуелизација нације на другом византолошком конгресу у Београду 1927. године / In front of the byzantine purple: visualization of the nation at the 2nd international congress of byzantine studies in Belgrade in 1927
(Novi Sad: Matica srpska, 2018)
Despite the development of Byzantine studies in the field of art and architecture in the early twentieth-century Balkans, the complex historical status and ideological relevance of Byzantium remained in both historiography ...
Paradoxes of a Cultural Divide: European Identities and the Appropriation of Byzantine Architecture in the 19 and 20th Century
(Manchester, New Hampshire and Athens, Greece: Hellenic American University, 2016)
Since the beginning of the nineteenth century, many Western European nations have been historicized through a variety of disciplinary regimes—from political and cultural history, to archaeology and architectural history. ...
Legacy of the triad: architecture in medieval Serbia between style and ideology in the work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of Architecture, 2019)
Despite criticism that has been leveled against Gabriel Millet’s well-known tripartite subdivision of architecture of medieval Serbia into three distinct ‘schools’, its scholarly authority still remains largely unchallenged. ...
Straddling the National Divide: Appropriated Pasts, Inverted Archaeologies, and Byzantine Architecture in Europe, 1878-1939
(Dublin: University College Dublin - School of Art History and Cultural Policy, 2016)
Although the “French Byzantine architecture” was methodically invented by nineteenth century historians, and revived by architects to distinguish the French from other European nations, it was the same nexus between the ...
National Museums in Serbia: A Story of Intertwined Identities
(Linköping: Linköping University Press, 2011)
In our paper, we are analyzing five museums as the comparative objects of research aimed at
exploring the processes of identity- and state-building in Serbia over the course of the last two
centuries. These museums are: ...
Kulturna invencija kao ideološka mimikrija: o ʻBosanskim pejzažimaʼ Jovana Bijelića 1919-1944
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2016)
Tematski niz slika Jovana Bijelića poznat pod nazivom „Bosanski pejzaži” nastajao je kroz niz godina, počev od kraja druge pa sve do sredine pete decenije XX veka. Uprkos osvedočenim stilskim tranzicijama te formalnim i ...