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Yugoslavism through the Syntax of Classicism: WWI Memorials in Belgrade and Ljubljana, 1931-1939
(Ljubljana : Department of Art History, Faculty of Arts, University of Ljubljana, 2018)
Unlike most of the post-WWI newly established and old nation-states, the multiethnic Kingdom of Serbs, Croats and Slovenes (from 1929 the Kingdom of Yugoslavia) had its own ideological raison d'être in the idea of a ...
Između politike i kulture: integralno jugoslovenstvo i likovna umetnost
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2010)
The ideology of Integral Yugoslavism was based on a set of principles related to the denial of the national individualities of Serbs, Croats and Slovenes which were considered irrelevant to the common, Yugoslav identity. ...
Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
(Cambridge University Press, 2014)
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
Nemogući toposi: arhitektonske imaginacije nacionalne utopije
(Beograd : Orion ArtBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
Prvu polovinu XX veka u Srbiji obeležili su složena društvena dešavanja i politička tranzicija u kojoj se Kraljevina Srbija 1918. godine pretopila u Kraljevinu Srba, Hrvata i Slovenaca (od 1929. godine Kraljevinu Jugoslaviju), ...