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Between the Sceptre and the Key: National Identity and Architectural Heritage in Belgrade and Serbia, in the Nineteenth and the First Half of the Twentieth Century
(Belgrade : Cultural Heritage Preservation Institute of Belgrade, 2008)
The process of the formation of Serbian national identity is characterized by certain duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. ...
Između žezla i ključa: nacionalni identitet i arhitektonsko nasleđe Beograda i Srbije u 19. i prvoj polovini 20. veka
(Beograd : Zavod za zaštitu spomenika kulture grada Beograda, 2008)
The formation of Serbian national identity is characterized by duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. This process can be ...
Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
Legacy of the Triad: Architecture in Medieval Serbia between Style and Ideology in the Work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of ArchitectureBelgrade : The Centre for Ethics, Law and Applied Philosophy, 2019)
Despite criticism that has been leveled against Gabriel Millet's well-known tripartite subdivision of architecture of medieval Serbia into three distinct 'schools', its scholarly authority still remains largely unchallenged. ...
Transformations of the Slavija Square in Belgrade: History, Memory and Construction od Identity = Preobražaj trga Slavija u Beogradu: istorija, sećanje i konstrukcija identiteta
(Beograd : Kulturklammer - Centar za kulturne interakcije, 2012)
Despite the fact that it represents an urban focal point of the city, Slavija Square has remained a paradigm of ideological and physical marginality in Belgrade's recent history. It's complex ideological heritage, the ...
Испред византијског пурпура: визуелизација нације на другом византолошком конгресу у Београду 1927. године / In front of the byzantine purple: visualization of the nation at the 2nd international congress of byzantine studies in Belgrade in 1927
(Novi Sad: Matica srpska, 2018)
Despite the development of Byzantine studies in the field of art and architecture in the early twentieth-century Balkans, the complex historical status and ideological relevance of Byzantium remained in both historiography ...
Periferna imperija, unutrašnja kolonizacija: jedan istorijski primer
(Sarajevo : Gradska galerija Collegium artisticum, 2008)
Istraživanje arhitektonske reprezentacije Kraljevine Jugoslavije na svetskim izložbama u Parizu između dva svetska rata tavori na marginama istoriografije. Jugoslovenski izložbeni paviljoni uglavnom su uzimani u razmatranje ...
Modern States, Ancient Nations: Balkan National Pavilions at the Paris World Exhibitions in the Twentieth Century
(Athens : The Athens Institute for Education and Research, 2011)
The 1900 Paris World Exhibition in particular seems highly elucidating. Simultaneously referring to the nation's 'glorious past' and contemporary modernity, the ephemeral pavilions of Serbia, Greece, Bulgaria and Romania ...
Iza zastora jugoslovenske federalizacije: Aleksandar Deroko i dijalektika identiteta u arhitekturi srednjovekovne Srbije
(Beograd : Udruženje za društvenu istorijuBeograd : Univerzitet u Beogradu - Filozofski fakultet, 2018)
U drugoj polovini XX veka najveća zasluga u istraživanju i popularizaciji arhitekture srednjovekovne Srbije, na osnovama koje je postavio francuski vizantolog Gabrijel Mije, nesumnjivo pripada knjizi Aleksandra Deroka ...