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Savremeni detalj u zoom-in-zoom-out tehnici - Bog i razmera

dc.creatorKostić, Miloš
dc.creatorMilenković, Vladimir
dc.date.accessioned2019-10-31T11:23:15Z
dc.date.available2019-10-31T11:23:15Z
dc.date.issued2017
dc.identifier.issn0354-4605
dc.identifier.urihttp://raf.arh.bg.ac.rs/handle/123456789/272
dc.description.abstractConsidering both the visual and narrative character of architectural discourse it is possible to examine the capacity of a drawing as an autonomous form, but also as one assigned to it throughout the course of creation of new architecture. This paper's intent is to examine the place and the role of the architectural drawing of the detail within design research. Thematically different, the narratives are instruments used for creating a relationship between the project as a whole and its parts, while the detail defines the path from an idea to the realization of architecture, that is, from abstraction to concretization within the above-mentioned process. The notion of scalar imagination has been introduced in order to indicate the relationship between the traditional modernist understanding of the roles of detail and scale have, while the question of the real size of designed architecture has been moved aside. The scalar imagination reveals the relationships between the elements of architecture, while its visibility reveals the architect's ability to build the necessary information network while moving throughout the diverse levels of those relationships. The goal is to avoid vagueness of architecture represented by the drawing and favor the polyvalence of its meaning by presenting concrete information. In that sense, for the benefit of achieving clarity within the methodological approach, we researched the conditions of visibility within the relationship between the drawing and its meaning. Therefore, this paper focuses on the scale as a direct connection between the drawing of the detail and the continuity of the idea of architecture.en
dc.description.abstractImajući u vidu i vizuelni i narativni karakter arhitektonskog diskursa moguće je ispitivati kapacitet koji crtež ima kao autonomna forma, ali i onaj koji mu se pretpostavlja tokom postupka stvaranja nove arhitekture. Namera je da se ovim radom ispita mesto i uloga crteža arhitektonskog detalja u istraživačkom projektovanju. Tematski odvojeno, narativi su instrumentalizovani kao konstruisanje odnosa između celine i delova projekta, dok se detaljem definiše put od ideje do realizacije arhitekture, odnosno od apstrakcije do konkretizacije unutar pomenutog postupka. Skalarna imaginacija pojmovno je uvedena kao veza između tradicionlno modernistički shvaćenih uloga detalja i razmere, dok je pitanje realne veličine projektovane arhitekture pomereno u stranu. Skalarana imaginacija je uzeta za manifestaciju odnosa između elemenata arhitekture, a njena vidljivost za sposobnost arhitekte da, krećući se kroz različite nivoe tih odnosa, gradi neophodnu mrežu informacija. Cilj je da se konkretnošću informacija izbegne zamagljenost crtežom predstavljene arhitekture u korist polivalentnosti njenih značenja. U tom smislu, zarad jasnoće metodološkog postupka, istraženi su uslovi vidljivosti veze između nacrtanog i označenog, a ovaj rad u fokus stavlja razmeravanje kao direktnu konekciju između nacrtanog detalja i kontinuiteta ideje o jednoj arhitekturi.sr
dc.publisherUniverzitet u Nišu, Niš
dc.rightsopenAccess
dc.sourceFacta universitatis - series: Architecture and Civil Engineering
dc.subjectdetailen
dc.subjectMies van der Roheen
dc.subjectscalar imaginationen
dc.subjectdistanceen
dc.subjectdetaljsr
dc.subjectMis van der Roesr
dc.subjectskalarna imaginacijasr
dc.subjectdistancasr
dc.titleContemporary detail in zoom-in-zoom-out technique: God and scaleen
dc.titleSavremeni detalj u zoom-in-zoom-out tehnici - Bog i razmerasr
dc.typearticle
dc.rights.licenseARR
dcterms.abstractМиленковић, Владимир; Костић, Милош; Савремени детаљ у зоом-ин-зоом-оут техници - Бог и размера; Савремени детаљ у зоом-ин-зоом-оут техници - Бог и размера;
dc.citation.volume15
dc.citation.issue3
dc.citation.spage307
dc.citation.epage316
dc.citation.other15(3): 307-316
dc.citation.rankM24
dc.identifier.doi10.2298/FUACE160712027K
dc.identifier.fulltexthttp://raf.arh.bg.ac.rs//bitstream/id/141/270.pdf
dc.type.versionpublishedVersion


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