Show simple item record

Koncept fragmentarnosti - između forme I neforme

dc.creatorMojsilović, Mila
dc.creatorMilenković, Vladimir
dc.date.accessioned2019-10-31T11:23:47Z
dc.date.available2019-10-31T11:23:47Z
dc.date.issued2018
dc.identifier.issn0354-4605
dc.identifier.urihttps://raf.arh.bg.ac.rs/handle/123456789/289
dc.description.abstractDrawing on the idea that abstraction of architectural design is repeatedly demonstrated by new concepts, and that the idea of the design contains a fragment of its internal laws, the paper raises the question of alteration of forms towards new time-space categories. In contrast to Euclidean geometry based on the continuity of geometric forms, fragmented forms draw upon deformations and variability, operating in the limit zones, for the design, zones of the greatest creativity and potentiality. A new understanding of reality shaped by digitization of all systems has created the basis for forms of self-organization, openness, contingency, and emergence. What we have before us is basically a new aesthetics that goes beyond the horizon of visible in a way that allows the whole world and all its parts to be seen in a completely new, immaterial way. This means that architectural forms appear in the visibility zones, together with the forms of their systemic dislocation.en
dc.description.abstractPolazeći od ideje da se apstrakrnost arhitektonskog projektovanja svaki put iznova dokazuje novim konceptima, I da je u ideji o projektu sadržan fragment njegovih internih zakonitosti, rad otvara pitanje alteracije oblika na putu ka novim prostorno vremenskim kategorijama. Nasuprot Euklidovoj geometriji koja počiva na stalnosti geometrijskih oblika, fragmentisane forme počivaju na deformacijama I promenljivosti, operišući u graničnim zonama, za projekat, zonama najveće kreativnosti I potencijalnosti. Novo razumevanje realnosti oblikovano digitalizacijom svih sistema stvorilo je osnov za oblike samoorganizacije, otvorenosti, kontigentnosti, emergentnosti. U suštini pred nama je nova estetika koja prevazilazi horizont vidljivosti na način koji otvara omogućava da se čitav svet I svi njegovi delovi, sagledaju na potpuno Nov nematerijalan način. To znači da se u zonama vidljivosti naziru arhitektonski oblici zajedno sa oblicima svoje sistemske dislociranosti.sr
dc.publisherUniverzitet u Nišu, Niš
dc.rightsopenAccess
dc.sourceFacta universitatis - series: Architecture and Civil Engineering
dc.subjectPost-digitizationen
dc.subjectfragmentationen
dc.subjectformlessen
dc.subjectspatial flexibilityen
dc.subjectpostdigitalizacijasr
dc.subjectfragmentarnostsr
dc.subjectbesformnostsr
dc.subjectprostorna fleksibilnostsr
dc.titleThe Concept of Fragmentation: Between Form and Formlessen
dc.titleKoncept fragmentarnosti - između forme I neformesr
dc.typearticle
dc.rights.licenseARR
dcterms.abstractМиленковић, Владимир; Мојсиловић, Мила; Концепт фрагментарности - између форме И неформе; Концепт фрагментарности - између форме И неформе;
dc.citation.volume16
dc.citation.issue3
dc.citation.spage517
dc.citation.epage528
dc.citation.other16(3): 517-528
dc.citation.rankM24
dc.identifier.doi10.2298/FUACE181130026M
dc.identifier.fulltexthttps://raf.arh.bg.ac.rs//bitstream/id/154/287.pdf
dc.type.versionpublishedVersion


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record