dc.creator | Pešić, Mladen | |
dc.date.accessioned | 2020-02-04T10:40:05Z | |
dc.date.available | 2020-02-04T10:40:05Z | |
dc.date.issued | 2013 | |
dc.identifier.issn | 1821-3952 | |
dc.identifier.uri | https://raf.arh.bg.ac.rs/handle/123456789/465 | |
dc.description.abstract | Within this research, the exhibitions are considered primarily
as institutions, and as a place of interaction among different
identities through choice of exhibits, their presentation, spatial
layout and the selection and use of the accompanying texts.
The context of the research thus put into place will attempt
to answer the question of how it is possible to construct a
history of the exhibitions – which are forgotten, often without
sufficient documentation or records about them. In addition, it
will be reconsidered in which manner the exhibitions helped
to create and promote the idea of architecture during the 20th
century, overlapping with the shifting of discourses, broader
philosophical debates and technological innovations. | en |
dc.language.iso | en | sr |
dc.publisher | Belgrade : University of Belgrade, Faculty of Architecture | sr |
dc.rights | openAccess | sr |
dc.source | SAJ : Serbian architectural journal | sr |
dc.subject | Exhibitions | sr |
dc.subject | Architecture | sr |
dc.subject | Performativity | sr |
dc.subject | Museum | sr |
dc.title | Exhibitionary Complex : Architecture as an Exhibit | en |
dc.type | article | sr |
dc.rights.license | ARR | sr |
dcterms.abstract | Пешић, Младен; | |
dc.citation.volume | 5 | |
dc.citation.issue | 3 | |
dc.citation.spage | 282 | |
dc.citation.epage | 305 | |
dc.citation.rank | M51 | |
dc.identifier.fulltext | https://raf.arh.bg.ac.rs/bitstream/id/1152/SAJ-2013-03-M-Pesic.pdf | |
dc.identifier.rcub | https://hdl.handle.net/21.15107/rcub_raf_465 | |
dc.type.version | publishedVersion | sr |