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dc.creatorMilinković, Marija
dc.date.accessioned2020-02-10T08:27:48Z
dc.date.available2020-02-10T08:27:48Z
dc.date.issued2010
dc.identifier.issn1821-3952
dc.identifier.urihttp://raf.arh.bg.ac.rs/handle/123456789/473
dc.description.abstractIn architectural practice of Milan Zloković there exists a curious division between his prewar orientation towards building and his postwar emphasis on theoretical research. However, the distinction between these two fields of his work is not that simple and unequivocal. The particular aim of this paper is to explore this vague relationship in Zloković’s postwar practice by focusing on his late project of the Tourist Settlement in Ulcinj and the previous preparatory work at the Institute of Architecture and Urban Planning in Belgrade. The analysis reveals Zloković’s precise understanding of concrete problems of contemporariness and exposes his position in the specific context of Yugoslav modernism as truly autonomous yet deeply engaged.en
dc.language.isoensr
dc.publisherBelgrade : University of Belgrade, Faculty of Architecturesr
dc.rightsopenAccesssr
dc.sourceSAJ : Serbian architectural journalsr
dc.subjectModern architecturesr
dc.subjectTheory of proportionsr
dc.subjectDesign practicesr
dc.subjectModular coordinationsr
dc.subjectPrefabricationsr
dc.titleSetting the Distance: Theoretical Practice of Milan Zlokovic and its Material Corollariesen
dc.typearticlesr
dc.rights.licenseARRsr
dcterms.abstractМилинковић, Марија;
dc.citation.volume2
dc.citation.issue1
dc.citation.spage19
dc.citation.epage46
dc.identifier.fulltexthttp://raf.arh.bg.ac.rs/bitstream/id/1171/SAJ-2010-01-M-Milinkovic.pdf
dc.type.versionpublishedVersionsr


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