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Developing ICT Tools For Public Participation In Public Spaces Improvement Process - Public Art & Public Space (PAPS) Belgrade Pilot Project results

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2004
CORP2004_proceedingsDjukanovicZivkovicLalovic.pdf (390.9Kb)
Authors
Đukanović, Zoran
Živković, Jelena
Lalović, Ksenija
Contributors
Schrenk, Manfred
Conference object (Published version)
Metadata
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Abstract
Since concept of Public art has diverse meanings there is no simple definition of it. But one relation always exists: Public art occupy Public space and therefore- public art is intended to be physically and freely accessible to the Public. Other statements include: a) public art is or should be, site specific and relate to the context in which it is sited., b)Public art can be both permanent and temporary, internal and external and large or small scale c) public art can embrace all art forms and its parameters are continually expanding. Traditional definitions of Public art explore its meaning in relation with: art, urban design, landscape and social intervention. At the same time these thematic areas can be perceived as evaluation criteria for public art. New IC technologies changed the concept of space and made Virtual space become a Public space. That certainly widens the possibilities in expressing public art in this new media. With a development of the new IC technologies ...and so many people using internet, virtual space becomes public space. It opened many possibilities for exploring non/classical forms of art and its communication with public. That includes not only telematic art and wide range of electronic possibilities in image manipulation, form generation, creation of virtual spaces... but also a possibility of space/independent interactive modeling of space and artworks from different participatians. Public art is widely understood to have many benefits to urban quality: a) in helping to improve the quality of an environment and as a vehicle for involving the community in environmental improvements, b) in helping to create a sense of identity, uniqueness, and civic pride, c) as a way of celebrating place, historical heritage or of highlighting particular characteristics which relate to a specific site. Traditional concepts of public art imposed to public disappear. Public art today asks for active public participation in order to be accepted and appreciated.

Keywords:
Public art / Urban design / Public spaces / Public Participation / IC technologies
Source:
CORP 2004 : Geo-Multimedia 04, meeting place for planners : proceedings of the 9th international symposium on information and communication technologies in urban and spatial planning and impacts of ICT on physical space : February 25-27, 2004 TU Vienna, 2004, 373-378
Publisher:
  • Vienna : Vienna University of Technology, Department of Computer Planning and Design

ISBN: 3-901673-11-2

[ Google Scholar ]
Handle
https://hdl.handle.net/21.15107/rcub_raf_559
URI
https://raf.arh.bg.ac.rs/handle/123456789/559
Collections
  • Publikacije istraživača / Researchers' publications
Institution/Community
Arhitektonski fakultet
TY  - CONF
AU  - Đukanović, Zoran
AU  - Živković, Jelena
AU  - Lalović, Ksenija
PY  - 2004
UR  - https://raf.arh.bg.ac.rs/handle/123456789/559
AB  - Since concept of Public art has diverse meanings there is no simple definition of it. But one relation always exists: Public art occupy
Public space and therefore- public art is intended to be physically and freely accessible to the Public. Other statements include: a)
public art is or should be, site specific and relate to the context in which it is sited., b)Public art can be both permanent and
temporary, internal and external and large or small scale c) public art can embrace all art forms and its parameters are continually
expanding. Traditional definitions of Public art explore its meaning in relation with: art, urban design, landscape and social
intervention. At the same time these thematic areas can be perceived as evaluation criteria for public art.
New IC technologies changed the concept of space and made Virtual space become a Public space. That certainly widens the
possibilities in expressing public art in this new media. With a development of the new IC technologies and so many people using
internet, virtual space becomes public space. It opened many possibilities for exploring non/classical forms of art and its
communication with public. That includes not only telematic art and wide range of electronic possibilities in image manipulation,
form generation, creation of virtual spaces... but also a possibility of space/independent interactive modeling of space and artworks
from different participatians.
Public art is widely understood to have many benefits to urban quality: a) in helping to improve the quality of an environment and as
a vehicle for involving the community in environmental improvements, b) in helping to create a sense of identity, uniqueness, and
civic pride, c) as a way of celebrating place, historical heritage or of highlighting particular characteristics which relate to a specific
site.
Traditional concepts of public art imposed to public disappear. Public art today asks for active public participation in order to be
accepted and appreciated.
PB  - Vienna : Vienna University of Technology, Department of Computer Planning and Design
C3  - CORP 2004 : Geo-Multimedia 04, meeting place for planners : proceedings of the 9th international symposium on information and communication technologies in urban and spatial planning and impacts of ICT on physical space : February 25-27, 2004 TU Vienna
T1  - Developing ICT Tools For Public Participation In Public Spaces Improvement Process - Public Art & Public Space (PAPS) Belgrade Pilot Project results
SP  - 373
EP  - 378
UR  - https://hdl.handle.net/21.15107/rcub_raf_559
ER  - 
@conference{
author = "Đukanović, Zoran and Živković, Jelena and Lalović, Ksenija",
year = "2004",
abstract = "Since concept of Public art has diverse meanings there is no simple definition of it. But one relation always exists: Public art occupy
Public space and therefore- public art is intended to be physically and freely accessible to the Public. Other statements include: a)
public art is or should be, site specific and relate to the context in which it is sited., b)Public art can be both permanent and
temporary, internal and external and large or small scale c) public art can embrace all art forms and its parameters are continually
expanding. Traditional definitions of Public art explore its meaning in relation with: art, urban design, landscape and social
intervention. At the same time these thematic areas can be perceived as evaluation criteria for public art.
New IC technologies changed the concept of space and made Virtual space become a Public space. That certainly widens the
possibilities in expressing public art in this new media. With a development of the new IC technologies and so many people using
internet, virtual space becomes public space. It opened many possibilities for exploring non/classical forms of art and its
communication with public. That includes not only telematic art and wide range of electronic possibilities in image manipulation,
form generation, creation of virtual spaces... but also a possibility of space/independent interactive modeling of space and artworks
from different participatians.
Public art is widely understood to have many benefits to urban quality: a) in helping to improve the quality of an environment and as
a vehicle for involving the community in environmental improvements, b) in helping to create a sense of identity, uniqueness, and
civic pride, c) as a way of celebrating place, historical heritage or of highlighting particular characteristics which relate to a specific
site.
Traditional concepts of public art imposed to public disappear. Public art today asks for active public participation in order to be
accepted and appreciated.",
publisher = "Vienna : Vienna University of Technology, Department of Computer Planning and Design",
journal = "CORP 2004 : Geo-Multimedia 04, meeting place for planners : proceedings of the 9th international symposium on information and communication technologies in urban and spatial planning and impacts of ICT on physical space : February 25-27, 2004 TU Vienna",
title = "Developing ICT Tools For Public Participation In Public Spaces Improvement Process - Public Art & Public Space (PAPS) Belgrade Pilot Project results",
pages = "373-378",
url = "https://hdl.handle.net/21.15107/rcub_raf_559"
}
Đukanović, Z., Živković, J.,& Lalović, K.. (2004). Developing ICT Tools For Public Participation In Public Spaces Improvement Process - Public Art & Public Space (PAPS) Belgrade Pilot Project results. in CORP 2004 : Geo-Multimedia 04, meeting place for planners : proceedings of the 9th international symposium on information and communication technologies in urban and spatial planning and impacts of ICT on physical space : February 25-27, 2004 TU Vienna
Vienna : Vienna University of Technology, Department of Computer Planning and Design., 373-378.
https://hdl.handle.net/21.15107/rcub_raf_559
Đukanović Z, Živković J, Lalović K. Developing ICT Tools For Public Participation In Public Spaces Improvement Process - Public Art & Public Space (PAPS) Belgrade Pilot Project results. in CORP 2004 : Geo-Multimedia 04, meeting place for planners : proceedings of the 9th international symposium on information and communication technologies in urban and spatial planning and impacts of ICT on physical space : February 25-27, 2004 TU Vienna. 2004;:373-378.
https://hdl.handle.net/21.15107/rcub_raf_559 .
Đukanović, Zoran, Živković, Jelena, Lalović, Ksenija, "Developing ICT Tools For Public Participation In Public Spaces Improvement Process - Public Art & Public Space (PAPS) Belgrade Pilot Project results" in CORP 2004 : Geo-Multimedia 04, meeting place for planners : proceedings of the 9th international symposium on information and communication technologies in urban and spatial planning and impacts of ICT on physical space : February 25-27, 2004 TU Vienna (2004):373-378,
https://hdl.handle.net/21.15107/rcub_raf_559 .

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