From Constructed Memory to Imagined National Tradition: The Tomb of the Unknown Yugoslav Soldier (1934-38)
Само за регистроване кориснике
2010
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
The Tomb of the Unknown Yugoslav Soldier is considered one of the most telling examples of the representational culture of interwar Yugoslavism. Having initially been constructed as a symbol of national identification of the South Slays, the Tomb gives an insight into the complexity of the national idea in the Kingdom of Serbs, Croats and Slovenes (the Kingdom of Yugoslavia). This article examines the ideological and political roles of the Tomb with regard to the competing and complementary visions of Yugoslavism that dominated the political Yugoslav landscape between 1934 and 1938.
Извор:
Slavonic and East European Review, 2010, 88, 4, 624-Институција/група
Arhitektonski fakultetTY - JOUR AU - Ignjatović, Aleksandar PY - 2010 UR - https://raf.arh.bg.ac.rs/handle/123456789/79 AB - The Tomb of the Unknown Yugoslav Soldier is considered one of the most telling examples of the representational culture of interwar Yugoslavism. Having initially been constructed as a symbol of national identification of the South Slays, the Tomb gives an insight into the complexity of the national idea in the Kingdom of Serbs, Croats and Slovenes (the Kingdom of Yugoslavia). This article examines the ideological and political roles of the Tomb with regard to the competing and complementary visions of Yugoslavism that dominated the political Yugoslav landscape between 1934 and 1938. T2 - Slavonic and East European Review T1 - From Constructed Memory to Imagined National Tradition: The Tomb of the Unknown Yugoslav Soldier (1934-38) VL - 88 IS - 4 SP - 624 UR - https://hdl.handle.net/21.15107/rcub_raf_79 ER -
@article{ author = "Ignjatović, Aleksandar", year = "2010", abstract = "The Tomb of the Unknown Yugoslav Soldier is considered one of the most telling examples of the representational culture of interwar Yugoslavism. Having initially been constructed as a symbol of national identification of the South Slays, the Tomb gives an insight into the complexity of the national idea in the Kingdom of Serbs, Croats and Slovenes (the Kingdom of Yugoslavia). This article examines the ideological and political roles of the Tomb with regard to the competing and complementary visions of Yugoslavism that dominated the political Yugoslav landscape between 1934 and 1938.", journal = "Slavonic and East European Review", title = "From Constructed Memory to Imagined National Tradition: The Tomb of the Unknown Yugoslav Soldier (1934-38)", volume = "88", number = "4", pages = "624", url = "https://hdl.handle.net/21.15107/rcub_raf_79" }
Ignjatović, A.. (2010). From Constructed Memory to Imagined National Tradition: The Tomb of the Unknown Yugoslav Soldier (1934-38). in Slavonic and East European Review, 88(4), 624. https://hdl.handle.net/21.15107/rcub_raf_79
Ignjatović A. From Constructed Memory to Imagined National Tradition: The Tomb of the Unknown Yugoslav Soldier (1934-38). in Slavonic and East European Review. 2010;88(4):624. https://hdl.handle.net/21.15107/rcub_raf_79 .
Ignjatović, Aleksandar, "From Constructed Memory to Imagined National Tradition: The Tomb of the Unknown Yugoslav Soldier (1934-38)" in Slavonic and East European Review, 88, no. 4 (2010):624, https://hdl.handle.net/21.15107/rcub_raf_79 .