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Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism

Само за регистроване кориснике
2014
Аутори
Ignjatović, Aleksandar
Чланак у часопису (Објављена верзија)
Метаподаци
Приказ свих података о документу
Апстракт
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and intellectual history to show how this particular artwork became highly instrumental in creating and strengthening Yugoslavism's primordialist dimension, which sharply marked the South Slavic territories’ political landscape in the decade preceding the first Yugoslav state's creation. Not only did Meštrović's artwork epitomize the idea of a South Slavic primeval unity, dismissing the national distinctiveness of Serbs, Croats, and Slovenes, it also enunciated an emphatic message of South Slavic political unification. By analyzing the Vidovdan Temple's contemporaneous critical reception, I question its classical interpretation as a symbol of Yugoslav multicultural synthesis, arguing for a more contextsensitive and nuanced understanding of the ideology of Yugoslavism.
Кључне речи:
Ivan Meštrović / Yugoslavism / Yugoslavia / Ideology / Nationalism / South Slavs / Architecture / Art history
Извор:
Slavic Review, 2014, 73, 4, 828-858
Издавач:
  • Cambridge University Press
Финансирање / пројекти:
  • Српска уметност 20. века: национално и Европа (RS-177013)

DOI: DOI: https://doi.org/10.5612/slavicreview.73.4.828

ISSN: 0037-6779; 2325-7784

[ Google Scholar ]
URI
https://raf.arh.bg.ac.rs/handle/123456789/812
Колекције
  • Publikacije istraživača / Researchers' publications
Институција/група
Arhitektonski fakultet
TY  - JOUR
AU  - Ignjatović, Aleksandar
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/812
AB  - This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and intellectual history to show how this particular artwork became highly instrumental in creating and strengthening Yugoslavism's primordialist dimension, which sharply marked the South Slavic territories’ political landscape in the decade preceding the first Yugoslav state's creation. Not only did Meštrović's artwork epitomize the idea of a South Slavic primeval unity, dismissing the national distinctiveness of Serbs, Croats, and Slovenes, it also enunciated an emphatic message of South Slavic political unification. By analyzing the Vidovdan Temple's contemporaneous critical reception, I question its classical interpretation as a symbol of Yugoslav multicultural synthesis, arguing for a more contextsensitive and nuanced understanding of the ideology of Yugoslavism.
PB  - Cambridge University Press
T2  - Slavic Review
T1  - Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
VL  - 73
IS  - 4
SP  - 828
EP  - 858
DO  - DOI: https://doi.org/10.5612/slavicreview.73.4.828
ER  - 
@article{
author = "Ignjatović, Aleksandar",
year = "2014",
abstract = "This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and intellectual history to show how this particular artwork became highly instrumental in creating and strengthening Yugoslavism's primordialist dimension, which sharply marked the South Slavic territories’ political landscape in the decade preceding the first Yugoslav state's creation. Not only did Meštrović's artwork epitomize the idea of a South Slavic primeval unity, dismissing the national distinctiveness of Serbs, Croats, and Slovenes, it also enunciated an emphatic message of South Slavic political unification. By analyzing the Vidovdan Temple's contemporaneous critical reception, I question its classical interpretation as a symbol of Yugoslav multicultural synthesis, arguing for a more contextsensitive and nuanced understanding of the ideology of Yugoslavism.",
publisher = "Cambridge University Press",
journal = "Slavic Review",
title = "Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism",
volume = "73",
number = "4",
pages = "828-858",
doi = "DOI: https://doi.org/10.5612/slavicreview.73.4.828"
}
Ignjatović, A.. (2014). Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism. in Slavic Review
Cambridge University Press., 73(4), 828-858.
https://doi.org/DOI: https://doi.org/10.5612/slavicreview.73.4.828
Ignjatović A. Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism. in Slavic Review. 2014;73(4):828-858.
doi:DOI: https://doi.org/10.5612/slavicreview.73.4.828 .
Ignjatović, Aleksandar, "Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism" in Slavic Review, 73, no. 4 (2014):828-858,
https://doi.org/DOI: https://doi.org/10.5612/slavicreview.73.4.828 . .

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