RAF - Repozitorijum Arhitektonskog fakulteta
Univerzitet u Beogradu, Arhitektonski fakultet
    • English
    • Српски
    • Српски (Serbia)
  • Srpski (latinica) 
    • Engleski
    • Srpski (ćirilica)
    • Srpski (latinica)
  • Prijava
Pregled zapisa 
  •   RAF
  • Arhitektonski fakultet
  • Publikacije istraživača / Researchers' publications
  • Pregled zapisa
  •   RAF
  • Arhitektonski fakultet
  • Publikacije istraživača / Researchers' publications
  • Pregled zapisa
JavaScript is disabled for your browser. Some features of this site may not work without it.

Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism

Samo za registrovane korisnike
2014
Autori
Ignjatović, Aleksandar
Članak u časopisu (Objavljena verzija)
Metapodaci
Prikaz svih podataka o dokumentu
Apstrakt
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and intellectual history to show how this particular artwork became highly instrumental in creating and strengthening Yugoslavism's primordialist dimension, which sharply marked the South Slavic territories’ political landscape in the decade preceding the first Yugoslav state's creation. Not only did Meštrović's artwork epitomize the idea of a South Slavic primeval unity, dismissing the national distinctiveness of Serbs, Croats, and Slovenes, it also enunciated an emphatic message of South Slavic political unification. By analyzing the Vidovdan Temple's contemporaneous critical reception, I question its classical interpretation as a symbol of Yugoslav multicultural synthesis, arguing for a more contextsensitive and nuanced understanding of the ideology of Yugoslavism.
Ključne reči:
Ivan Meštrović / Yugoslavism / Yugoslavia / Ideology / Nationalism / South Slavs / Architecture / Art history
Izvor:
Slavic Review, 2014, 73, 4, 828-858
Izdavač:
  • Cambridge University Press
Finansiranje / projekti:
  • Srpska umetnost 20. veka: nacionalno i Evropa (RS-177013)

DOI: DOI: https://doi.org/10.5612/slavicreview.73.4.828

ISSN: 0037-6779; 2325-7784

[ Google Scholar ]
URI
https://raf.arh.bg.ac.rs/handle/123456789/812
Kolekcije
  • Publikacije istraživača / Researchers' publications
Institucija/grupa
Arhitektonski fakultet
TY  - JOUR
AU  - Ignjatović, Aleksandar
PY  - 2014
UR  - https://raf.arh.bg.ac.rs/handle/123456789/812
AB  - This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and intellectual history to show how this particular artwork became highly instrumental in creating and strengthening Yugoslavism's primordialist dimension, which sharply marked the South Slavic territories’ political landscape in the decade preceding the first Yugoslav state's creation. Not only did Meštrović's artwork epitomize the idea of a South Slavic primeval unity, dismissing the national distinctiveness of Serbs, Croats, and Slovenes, it also enunciated an emphatic message of South Slavic political unification. By analyzing the Vidovdan Temple's contemporaneous critical reception, I question its classical interpretation as a symbol of Yugoslav multicultural synthesis, arguing for a more contextsensitive and nuanced understanding of the ideology of Yugoslavism.
PB  - Cambridge University Press
T2  - Slavic Review
T1  - Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
VL  - 73
IS  - 4
SP  - 828
EP  - 858
DO  - DOI: https://doi.org/10.5612/slavicreview.73.4.828
ER  - 
@article{
author = "Ignjatović, Aleksandar",
year = "2014",
abstract = "This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and intellectual history to show how this particular artwork became highly instrumental in creating and strengthening Yugoslavism's primordialist dimension, which sharply marked the South Slavic territories’ political landscape in the decade preceding the first Yugoslav state's creation. Not only did Meštrović's artwork epitomize the idea of a South Slavic primeval unity, dismissing the national distinctiveness of Serbs, Croats, and Slovenes, it also enunciated an emphatic message of South Slavic political unification. By analyzing the Vidovdan Temple's contemporaneous critical reception, I question its classical interpretation as a symbol of Yugoslav multicultural synthesis, arguing for a more contextsensitive and nuanced understanding of the ideology of Yugoslavism.",
publisher = "Cambridge University Press",
journal = "Slavic Review",
title = "Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism",
volume = "73",
number = "4",
pages = "828-858",
doi = "DOI: https://doi.org/10.5612/slavicreview.73.4.828"
}
Ignjatović, A.. (2014). Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism. in Slavic Review
Cambridge University Press., 73(4), 828-858.
https://doi.org/DOI: https://doi.org/10.5612/slavicreview.73.4.828
Ignjatović A. Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism. in Slavic Review. 2014;73(4):828-858.
doi:DOI: https://doi.org/10.5612/slavicreview.73.4.828 .
Ignjatović, Aleksandar, "Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism" in Slavic Review, 73, no. 4 (2014):828-858,
https://doi.org/DOI: https://doi.org/10.5612/slavicreview.73.4.828 . .

DSpace software copyright © 2002-2015  DuraSpace
O RAF-u | Pošaljite zapažanja

OpenAIRERCUB
 

 

Kompletan repozitorijumInstitucije/grupeAutoriNasloviTemeOva institucijaAutoriNasloviTeme

Statistika

Pregled statistika

DSpace software copyright © 2002-2015  DuraSpace
O RAF-u | Pošaljite zapažanja

OpenAIRERCUB