The Museum Building
Само за регистроване кориснике
2011
Поглавље у монографији (Објављена верзија)

Метаподаци
Приказ свих података о документуАпстракт
The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal agenda of the museum was to provide Belgrade, as the capital of a multi ethnic and multi cultural state which was on the cusp of the national crisis, with a representative national museum that would exhibit the masterpieces of European and Yugoslav art. However, the crucial museum's role in the ideological landscape of the time was to construct a desired identity of Yugoslavia, the one that would conform the dominant ideological postulates of Yugoslavism during the period of regency.
Кључне речи:
National museums / National museums / Art history / Museum studies / Representative culture / National identity / Yugoslavism / Kingdom of Yugoslavia / Prince Paul Karadjordjević / art history / museum studies / representative culture / national identity / Yugoslavism / Kingdom of Yugoslavia / Prince Paul KaradjordjevićИзвор:
The Prince Paul Museum, 2011, 179-193Издавач:
- Belgrade: National Museum
Институција/група
Arhitektonski fakultetTY - CHAP AU - Ignjatović, Aleksandar PY - 2011 UR - https://raf.arh.bg.ac.rs/handle/123456789/832 AB - The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal agenda of the museum was to provide Belgrade, as the capital of a multi ethnic and multi cultural state which was on the cusp of the national crisis, with a representative national museum that would exhibit the masterpieces of European and Yugoslav art. However, the crucial museum's role in the ideological landscape of the time was to construct a desired identity of Yugoslavia, the one that would conform the dominant ideological postulates of Yugoslavism during the period of regency. PB - Belgrade: National Museum T2 - The Prince Paul Museum T1 - The Museum Building SP - 179 EP - 193 UR - https://hdl.handle.net/21.15107/rcub_raf_832 ER -
@inbook{ author = "Ignjatović, Aleksandar", year = "2011", abstract = "The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal agenda of the museum was to provide Belgrade, as the capital of a multi ethnic and multi cultural state which was on the cusp of the national crisis, with a representative national museum that would exhibit the masterpieces of European and Yugoslav art. However, the crucial museum's role in the ideological landscape of the time was to construct a desired identity of Yugoslavia, the one that would conform the dominant ideological postulates of Yugoslavism during the period of regency.", publisher = "Belgrade: National Museum", journal = "The Prince Paul Museum", booktitle = "The Museum Building", pages = "179-193", url = "https://hdl.handle.net/21.15107/rcub_raf_832" }
Ignjatović, A.. (2011). The Museum Building. in The Prince Paul Museum Belgrade: National Museum., 179-193. https://hdl.handle.net/21.15107/rcub_raf_832
Ignjatović A. The Museum Building. in The Prince Paul Museum. 2011;:179-193. https://hdl.handle.net/21.15107/rcub_raf_832 .
Ignjatović, Aleksandar, "The Museum Building" in The Prince Paul Museum (2011):179-193, https://hdl.handle.net/21.15107/rcub_raf_832 .
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