The Museum Building

Ignjatović, Aleksandar

Само за регистроване кориснике

2011

Аутори

Ignjatović, Aleksandar

Остала ауторства

Cvjetićanin, Tatjana

Поглавље у монографији (Објављена верзија)

Метаподаци

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Апстракт

The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal agenda of the museum was to provide Belgrade, as the capital of a multi ethnic and multi cultural state which was on the cusp of the national crisis, with a representative national museum that would exhibit the masterpieces of European and Yugoslav art. However, the crucial museum's role in the ideological landscape of the time was to construct a desired identity of Yugoslavia, the one that would conform the dominant ideological postulates of Yugoslavism during the period of regency.

Кључне речи:

National museums / National museums / Art history / Museum studies / Representative culture / National identity / Yugoslavism / Kingdom of Yugoslavia / Prince Paul Karadjordjević / art history / museum studies / representative culture / national identity / Yugoslavism / Kingdom of Yugoslavia / Prince Paul Karadjordjević

Извор:
The Prince Paul Museum, 2011, 179-193

Издавач:

Belgrade: National Museum

TY  - CHAP
AU  - Ignjatović, Aleksandar
PY  - 2011
UR  - https://raf.arh.bg.ac.rs/handle/123456789/832
AB  - The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal agenda of the museum was to provide Belgrade, as the capital of a multi ethnic and multi cultural state which was on the cusp of the national crisis, with a representative national museum that would exhibit the masterpieces of European and Yugoslav art. However, the crucial museum's role in the ideological landscape of the time was to construct a desired identity of Yugoslavia, the one that would conform the dominant ideological postulates of Yugoslavism during the period of regency.
PB  - Belgrade: National Museum
T2  - The Prince Paul Museum
T1  - The Museum Building
SP  - 179
EP  - 193
UR  - https://hdl.handle.net/21.15107/rcub_raf_832
ER  -

@inbook{
author = "Ignjatović, Aleksandar",
year = "2011",
abstract = "The Prince Paul Museum in Belgrade (1935-1941), opened in a former royal residence of the late King Alexander I Karadjordjević, was a prime example of the Kingdom of Yugoslavia's representative culture. The supposed principal agenda of the museum was to provide Belgrade, as the capital of a multi ethnic and multi cultural state which was on the cusp of the national crisis, with a representative national museum that would exhibit the masterpieces of European and Yugoslav art. However, the crucial museum's role in the ideological landscape of the time was to construct a desired identity of Yugoslavia, the one that would conform the dominant ideological postulates of Yugoslavism during the period of regency.",
publisher = "Belgrade: National Museum",
journal = "The Prince Paul Museum",
booktitle = "The Museum Building",
pages = "179-193",
url = "https://hdl.handle.net/21.15107/rcub_raf_832"
}

Ignjatović, A.. (2011). The Museum Building. in The Prince Paul Museum
Belgrade: National Museum., 179-193.
https://hdl.handle.net/21.15107/rcub_raf_832

Ignjatović A. The Museum Building. in The Prince Paul Museum. 2011;:179-193.
https://hdl.handle.net/21.15107/rcub_raf_832 .

Ignjatović, Aleksandar, "The Museum Building" in The Prince Paul Museum (2011):179-193,
https://hdl.handle.net/21.15107/rcub_raf_832 .