RAF - Repository of the Faculty of Architecture
University of Belgrade, Faculty of Architecture
    • English
    • Српски
    • Српски (Serbia)
  • English 
    • English
    • Serbian (Cyrillic)
    • Serbian (Latin)
  • Login
View Item 
  •   RAF
  • Arhitektonski fakultet
  • Publikacije istraživača / Researchers' publications
  • View Item
  •   RAF
  • Arhitektonski fakultet
  • Publikacije istraživača / Researchers' publications
  • View Item
JavaScript is disabled for your browser. Some features of this site may not work without it.

Experience and Theory in Architectural Design: Digital Chain Case

Thumbnail
2017
bitstream_2446.pdf (279.9Kb)
Authors
Cvetić, Mariela
Marković, Slađana
Article (Published version)
Metadata
Show full item record
Abstract
The aim of this paper is to research the impact to emerging theory based on the relation between architect and his work in digital approach of the process of design and realization by the principle of Digital Chain. Digital Chain is an uninterruptible digital process consisting of design (idea, coding, geometry finding), through construction (structure, junction, prototyping) to production (fabrication) with every step as programmed entity connected by CAAD/CAM technology universal interfaces. The term Digital Chain is defined and researched (theoretically, experimentally and practically) by CAAD Chair at ETHZ within research projects of this institute. Digital Chain is not a continuous one without the role and position of architect as fluid energy and expert that investigates how digital technology is changing, i.e. entire process of chain, simultaneously adapting to it. In that sense architecture appears as an open work (Umberto Eco) without final definitions and in a constant pr...ocess of information motion as the main components of the architectural product caused by the demands of context, function, form and the user input. Testing of design code through changes of parameters in iterations, as well as checks in prototype on the next level, makes the theoretical playground between experiment and experience, through education and expertise. It is an example that the interest for the process (performance) was larger than for the representation (appearance) what Deleuze and Guattari call supremacy of the "Gothic spirit" over the "spirit of Romanesque" or "classical spirit", where Gothic deals with the generation of the Gothic architecture by understanding the forces, trends and behavior of the material from the bottom to up, but, contrary to the classic generation that deals with imposing of visual aspects such as the proportion of top-down. This paper considers experience i.e. posteriori knowledge as the main driver of the emerging theory of the Digital Chain.

Keywords:
Digital Chain / Digital Chain / Design process / Realization process / Experience / Experiment / Emerging architecture / Theory / design process / realization process / experience / experiment / emerging architecture / theory
Source:
AM: Journal of Art and Media Studies, 2017, 12, 121-134
Publisher:
  • Belgrade : Faculty of Media and Communications, Singidunum University Belgrade

DOI: 10.25038/am.v0i12.172

ISSN: 2217-9666; 2406-1654

[ Google Scholar ]
URI
https://raf.arh.bg.ac.rs/handle/123456789/842
Collections
  • Publikacije istraživača / Researchers' publications
Institution/Community
Arhitektonski fakultet
TY  - JOUR
AU  - Cvetić, Mariela
AU  - Marković, Slađana
PY  - 2017
UR  - https://raf.arh.bg.ac.rs/handle/123456789/842
AB  - The aim of this paper is to research the impact to emerging theory based on the relation between architect and his work in digital approach of the process of design and realization by the principle of Digital Chain. 
Digital Chain is an uninterruptible digital process consisting of design (idea, coding, geometry finding), through construction (structure, junction, prototyping) to production (fabrication) with every step as programmed entity connected by CAAD/CAM technology universal interfaces. The term Digital Chain is defined and researched (theoretically, experimentally and practically) by CAAD Chair at ETHZ within research projects of this institute. Digital Chain is not a continuous one without the role and position of architect as fluid energy and expert that investigates how digital technology is changing, i.e. entire process of chain, simultaneously adapting to it. 
In that sense architecture appears as an open work (Umberto Eco) without final definitions and in a constant process of information motion as the main components of the architectural product caused by the demands of context, function, form and the user input. Testing of design code through changes of parameters in iterations, as well as checks in prototype on the next level, makes the theoretical playground between experiment and experience, through education and expertise. It is an example that the interest for the process (performance) was larger than for the representation (appearance) what Deleuze and Guattari call supremacy of the "Gothic spirit" over the "spirit of Romanesque" or "classical spirit", where Gothic deals with the generation of the Gothic architecture by understanding the forces, trends and behavior of the material from the bottom to up, but, contrary to the classic generation that deals with imposing of visual aspects such as the proportion of top-down.
This paper considers experience i.e. posteriori knowledge as the main driver of the emerging theory of the Digital Chain.
PB  - Belgrade : Faculty of Media and Communications, Singidunum University Belgrade
T2  - AM: Journal of Art and Media Studies
T1  - Experience and Theory in Architectural Design: Digital Chain Case
VL  - 12
SP  - 121
EP  - 134
DO  - 10.25038/am.v0i12.172
ER  - 
@article{
author = "Cvetić, Mariela and Marković, Slađana",
year = "2017",
abstract = "The aim of this paper is to research the impact to emerging theory based on the relation between architect and his work in digital approach of the process of design and realization by the principle of Digital Chain. 
Digital Chain is an uninterruptible digital process consisting of design (idea, coding, geometry finding), through construction (structure, junction, prototyping) to production (fabrication) with every step as programmed entity connected by CAAD/CAM technology universal interfaces. The term Digital Chain is defined and researched (theoretically, experimentally and practically) by CAAD Chair at ETHZ within research projects of this institute. Digital Chain is not a continuous one without the role and position of architect as fluid energy and expert that investigates how digital technology is changing, i.e. entire process of chain, simultaneously adapting to it. 
In that sense architecture appears as an open work (Umberto Eco) without final definitions and in a constant process of information motion as the main components of the architectural product caused by the demands of context, function, form and the user input. Testing of design code through changes of parameters in iterations, as well as checks in prototype on the next level, makes the theoretical playground between experiment and experience, through education and expertise. It is an example that the interest for the process (performance) was larger than for the representation (appearance) what Deleuze and Guattari call supremacy of the "Gothic spirit" over the "spirit of Romanesque" or "classical spirit", where Gothic deals with the generation of the Gothic architecture by understanding the forces, trends and behavior of the material from the bottom to up, but, contrary to the classic generation that deals with imposing of visual aspects such as the proportion of top-down.
This paper considers experience i.e. posteriori knowledge as the main driver of the emerging theory of the Digital Chain.",
publisher = "Belgrade : Faculty of Media and Communications, Singidunum University Belgrade",
journal = "AM: Journal of Art and Media Studies",
title = "Experience and Theory in Architectural Design: Digital Chain Case",
volume = "12",
pages = "121-134",
doi = "10.25038/am.v0i12.172"
}
Cvetić, M.,& Marković, S.. (2017). Experience and Theory in Architectural Design: Digital Chain Case. in AM: Journal of Art and Media Studies
Belgrade : Faculty of Media and Communications, Singidunum University Belgrade., 12, 121-134.
https://doi.org/10.25038/am.v0i12.172
Cvetić M, Marković S. Experience and Theory in Architectural Design: Digital Chain Case. in AM: Journal of Art and Media Studies. 2017;12:121-134.
doi:10.25038/am.v0i12.172 .
Cvetić, Mariela, Marković, Slađana, "Experience and Theory in Architectural Design: Digital Chain Case" in AM: Journal of Art and Media Studies, 12 (2017):121-134,
https://doi.org/10.25038/am.v0i12.172 . .

Related items

Showing items related by title, author, creator and subject.

  • An Integral Approach to the Modeling of Information Support for Local Sustainable DevelopmentExperiences of a Serbian Enabling Leadership Experiment 

    Lalović, Ksenija; Živković, Jelena; Radosavljević, Uroš; Đukanović, Zoran (MDPI AG, 2019)
  • The Review of Planning Practice in Brownfield Regeneration − Some European Experiences / Pregled prakse planiranja braunfild regeneracije - neka Evropska iskustva 

    Perić, Ana (Beograd : Institut za istraživanja i projektovanja u privredi, 2013)
  • Civic networks in contemporary urbanism, the Italian and Yugoslav experiences / Gradske informacione mreže u savremenom urbanizmu, italijanska i jugoslovenska iskustva 

    Devetaković-Radojević, Mirjana; Bajić-Brković, Milica; Milovanović-Rodić, Danijela (Jedinstveni informatički savez-JISA, Beograd, 1999)

DSpace software copyright © 2002-2015  DuraSpace
About RAF | Send Feedback

OpenAIRERCUB
 

 

All of DSpaceCommunitiesAuthorsTitlesSubjectsThis institutionAuthorsTitlesSubjects

Statistics

View Usage Statistics

DSpace software copyright © 2002-2015  DuraSpace
About RAF | Send Feedback

OpenAIRERCUB