Приказ основних података о документу

dc.creatorCvetić, Mariela
dc.creatorMarković, Slađana
dc.date.accessioned2020-06-10T14:49:04Z
dc.date.available2020-06-10T14:49:04Z
dc.date.issued2017
dc.identifier.issn2217-9666
dc.identifier.issn2406-1654
dc.identifier.urihttps://raf.arh.bg.ac.rs/handle/123456789/842
dc.description.abstractThe aim of this paper is to research the impact to emerging theory based on the relation between architect and his work in digital approach of the process of design and realization by the principle of Digital Chain. Digital Chain is an uninterruptible digital process consisting of design (idea, coding, geometry finding), through construction (structure, junction, prototyping) to production (fabrication) with every step as programmed entity connected by CAAD/CAM technology universal interfaces. The term Digital Chain is defined and researched (theoretically, experimentally and practically) by CAAD Chair at ETHZ within research projects of this institute. Digital Chain is not a continuous one without the role and position of architect as fluid energy and expert that investigates how digital technology is changing, i.e. entire process of chain, simultaneously adapting to it. In that sense architecture appears as an open work (Umberto Eco) without final definitions and in a constant process of information motion as the main components of the architectural product caused by the demands of context, function, form and the user input. Testing of design code through changes of parameters in iterations, as well as checks in prototype on the next level, makes the theoretical playground between experiment and experience, through education and expertise. It is an example that the interest for the process (performance) was larger than for the representation (appearance) what Deleuze and Guattari call supremacy of the "Gothic spirit" over the "spirit of Romanesque" or "classical spirit", where Gothic deals with the generation of the Gothic architecture by understanding the forces, trends and behavior of the material from the bottom to up, but, contrary to the classic generation that deals with imposing of visual aspects such as the proportion of top-down. This paper considers experience i.e. posteriori knowledge as the main driver of the emerging theory of the Digital Chain.en
dc.language.isoensr
dc.publisherBelgrade : Faculty of Media and Communications, Singidunum University Belgradesr
dc.rightsopenAccesssr
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/4.0/
dc.sourceAM: Journal of Art and Media Studiessr
dc.subjectDigital Chainen
dc.subjectDigital Chainsr
dc.subjectDesign processsr
dc.subjectRealization processsr
dc.subjectExperiencesr
dc.subjectExperimentsr
dc.subjectEmerging architecturesr
dc.subjectTheorysr
dc.subjectdesign processen
dc.subjectrealization processen
dc.subjectexperienceen
dc.subjectexperimenten
dc.subjectemerging architectureen
dc.subjecttheoryen
dc.titleExperience and Theory in Architectural Design: Digital Chain Caseen
dc.typearticlesr
dc.rights.licenseBY-NC-NDsr
dcterms.abstractМарковић, Слађана; Цветић, Мариела;
dc.citation.volume12
dc.citation.spage121
dc.citation.epage134
dc.citation.rankM52
dc.identifier.doi10.25038/am.v0i12.172
dc.identifier.fulltexthttp://raf.arh.bg.ac.rs/bitstream/id/7147/bitstream_7147.pdf
dc.type.versionpublishedVersionsr


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Приказ основних података о документу