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Participatory Intensity

Authorized Users Only
2014
Authors
Djukanović, Zoran
Živković, Jelena
Contributors
Honda, Satoshi
Book part (Published version)
Metadata
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Abstract
If Henri Lefebvre was right when he wrote about “the city as oeuvre”, referring to the city as a work of art and urban space as a creative product and context for the everyday life routines of its inhabitants, then every citizen already is the crucial participator and creator in those processes of the production of urban space. That also means the urban intensities are the participative product of collective creativity, but at the same time the vivid context of the everyday life routines of its inhabitants. Based on our experience with “Public art and Public Space” (PaPs) program in Serbia, we shall try to shed a light on this topic by presenting and discussing some of our “public art” works, developed through participatory processes in specific developmental context - with the goal to create particular urban intensity.
Keywords:
participation / public art / public space / urban intensity / urban design
Source:
Future Urban Intensities, 2014, 76-82
Publisher:
  • Tokyo : International Keio Institute
  • Tokyo : flick studio
Projects:
  • "Measuring non Measurable" - Mn'M PROJECT ;
  • Spatial, environmental, energy and social aspects of developing settlements and climate change - mutual impacts (RS-36035)

ISBN: 978-4-904894-17-0

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URI
http://raf.arh.bg.ac.rs/handle/123456789/889
Collections
  • Publikacije istraživača / Researchers' publications
Institution
Arhitektonski fakultet
TY  - CHAP
AU  - Djukanović, Zoran
AU  - Živković, Jelena
PY  - 2014
UR  - http://raf.arh.bg.ac.rs/handle/123456789/889
AB  - If Henri Lefebvre was right when he wrote about “the city as oeuvre”, referring to the city as a work of art and urban space as a creative product and context for the everyday life routines of its inhabitants, then every citizen already is the crucial participator and creator in those processes of the production of urban space. That also means the urban intensities are the participative product of collective creativity, but at the same time the vivid context of the everyday life routines of its inhabitants. Based on our experience with “Public art and Public Space” (PaPs) program in Serbia, we shall try to shed a light on this topic by presenting and discussing some of our “public art” works, developed through participatory processes in specific developmental context - with the goal to create particular urban intensity.
PB  - Tokyo : International Keio Institute
PB  - Tokyo : flick studio
T2  - Future Urban Intensities
T1  - Participatory Intensity
SP  - 76
EP  - 82
ER  - 
@article{
author = "Djukanović, Zoran and Živković, Jelena",
year = "2014",
url = "http://raf.arh.bg.ac.rs/handle/123456789/889",
abstract = "If Henri Lefebvre was right when he wrote about “the city as oeuvre”, referring to the city as a work of art and urban space as a creative product and context for the everyday life routines of its inhabitants, then every citizen already is the crucial participator and creator in those processes of the production of urban space. That also means the urban intensities are the participative product of collective creativity, but at the same time the vivid context of the everyday life routines of its inhabitants. Based on our experience with “Public art and Public Space” (PaPs) program in Serbia, we shall try to shed a light on this topic by presenting and discussing some of our “public art” works, developed through participatory processes in specific developmental context - with the goal to create particular urban intensity.",
publisher = "Tokyo : International Keio Institute, Tokyo : flick studio",
journal = "Future Urban Intensities",
title = "Participatory Intensity",
pages = "76-82"
}
Djukanović Z, Živković J. Participatory Intensity. Future Urban Intensities. 2014;:76-82
Djukanović, Z.,& Živković, J. (2014). Participatory Intensity.
Future Urban IntensitiesTokyo : flick studio., 76-82.
Djukanović Zoran, Živković Jelena, "Participatory Intensity" (2014):76-82

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