Neither Byzantine nor Serbian: Byzantine Architecture in Serbian Historiography of the Late-Nineteenth and Early-Twentieth Century
Само за регистроване кориснике
2019
Конференцијски прилог (Објављена верзија)
Метаподаци
Приказ свих података о документуАпстракт
Since the birth of modern Serbian national historiography, the encounters and relationships between medieval Serbia and Byzantine culture, art and architecture have preoccupied historians, who devised a thesis about peculiarly "national" variants of Byzantine style. However, the historiographical accounts on Serbo-Byzantine architectural relationships dealt more with issues of Byzantium as a value-loaded construct than withhistorical realities in medieval Serbia. The historiographical construction of Byzantine architecture in Serbian historiography represented an ideological tool par excellence, because it was an integral part of the nation's historicity and modernity, political formations and frontiers. Firstly, the cultural construct of Byzantium was highly instrumental in the Serbian national narrative, torn between a need for cultural authenticity and an imperial mission. Secondly, the relationships between Serbian and Byzantine culture, as seen by art and architectural historians ...of the late XIX and early XX century, corresponded to a recognizable ideological agenda inextricably linked with the idea of the restoration of medieval "empire". It was this complex image of Byzantium and Byzantine architecture that became useful for crafting an idea of medieval Serbia which would, and should, represent a predecessor of a modern on the cusp of its political and territorial expansion.
Кључне речи:
Byzantine architecture / Medieval Serbia / nationalism / Imperialism / National Identity / Modern ArchitectureИзвор:
The 12th Congress of South-East European Studies. Political, Social and Religious Dynamics in South-Eastern Europe /Dynamiques politiques, sociales et religieuses dans le Sud-Est européen, 2019, 127-128Издавач:
- Bucharest: The Romanian National Committee of South-East European Studies ‒ Romanian Academy Association Internationale d’Études du Sud-Est européen
Финансирање / пројекти:
- Српска уметност 20. века: национално и Европа (RS-MESTD-Basic Research (BR or ON)-177013)
Институција/група
Arhitektonski fakultetTY - CONF AU - Ignjatović, Aleksandar PY - 2019 UR - https://raf.arh.bg.ac.rs/handle/123456789/934 AB - Since the birth of modern Serbian national historiography, the encounters and relationships between medieval Serbia and Byzantine culture, art and architecture have preoccupied historians, who devised a thesis about peculiarly "national" variants of Byzantine style. However, the historiographical accounts on Serbo-Byzantine architectural relationships dealt more with issues of Byzantium as a value-loaded construct than withhistorical realities in medieval Serbia. The historiographical construction of Byzantine architecture in Serbian historiography represented an ideological tool par excellence, because it was an integral part of the nation's historicity and modernity, political formations and frontiers. Firstly, the cultural construct of Byzantium was highly instrumental in the Serbian national narrative, torn between a need for cultural authenticity and an imperial mission. Secondly, the relationships between Serbian and Byzantine culture, as seen by art and architectural historians of the late XIX and early XX century, corresponded to a recognizable ideological agenda inextricably linked with the idea of the restoration of medieval "empire". It was this complex image of Byzantium and Byzantine architecture that became useful for crafting an idea of medieval Serbia which would, and should, represent a predecessor of a modern on the cusp of its political and territorial expansion. PB - Bucharest: The Romanian National Committee of South-East European Studies ‒ Romanian Academy Association Internationale d’Études du Sud-Est européen C3 - The 12th Congress of South-East European Studies. Political, Social and Religious Dynamics in South-Eastern Europe /Dynamiques politiques, sociales et religieuses dans le Sud-Est européen T1 - Neither Byzantine nor Serbian: Byzantine Architecture in Serbian Historiography of the Late-Nineteenth and Early-Twentieth Century VL - 127-128 UR - https://hdl.handle.net/21.15107/rcub_raf_934 ER -
@conference{ author = "Ignjatović, Aleksandar", year = "2019", abstract = "Since the birth of modern Serbian national historiography, the encounters and relationships between medieval Serbia and Byzantine culture, art and architecture have preoccupied historians, who devised a thesis about peculiarly "national" variants of Byzantine style. However, the historiographical accounts on Serbo-Byzantine architectural relationships dealt more with issues of Byzantium as a value-loaded construct than withhistorical realities in medieval Serbia. The historiographical construction of Byzantine architecture in Serbian historiography represented an ideological tool par excellence, because it was an integral part of the nation's historicity and modernity, political formations and frontiers. Firstly, the cultural construct of Byzantium was highly instrumental in the Serbian national narrative, torn between a need for cultural authenticity and an imperial mission. Secondly, the relationships between Serbian and Byzantine culture, as seen by art and architectural historians of the late XIX and early XX century, corresponded to a recognizable ideological agenda inextricably linked with the idea of the restoration of medieval "empire". It was this complex image of Byzantium and Byzantine architecture that became useful for crafting an idea of medieval Serbia which would, and should, represent a predecessor of a modern on the cusp of its political and territorial expansion.", publisher = "Bucharest: The Romanian National Committee of South-East European Studies ‒ Romanian Academy Association Internationale d’Études du Sud-Est européen", journal = "The 12th Congress of South-East European Studies. Political, Social and Religious Dynamics in South-Eastern Europe /Dynamiques politiques, sociales et religieuses dans le Sud-Est européen", title = "Neither Byzantine nor Serbian: Byzantine Architecture in Serbian Historiography of the Late-Nineteenth and Early-Twentieth Century", volume = "127-128", url = "https://hdl.handle.net/21.15107/rcub_raf_934" }
Ignjatović, A.. (2019). Neither Byzantine nor Serbian: Byzantine Architecture in Serbian Historiography of the Late-Nineteenth and Early-Twentieth Century. in The 12th Congress of South-East European Studies. Political, Social and Religious Dynamics in South-Eastern Europe /Dynamiques politiques, sociales et religieuses dans le Sud-Est européen Bucharest: The Romanian National Committee of South-East European Studies ‒ Romanian Academy Association Internationale d’Études du Sud-Est européen., 127-128. https://hdl.handle.net/21.15107/rcub_raf_934
Ignjatović A. Neither Byzantine nor Serbian: Byzantine Architecture in Serbian Historiography of the Late-Nineteenth and Early-Twentieth Century. in The 12th Congress of South-East European Studies. Political, Social and Religious Dynamics in South-Eastern Europe /Dynamiques politiques, sociales et religieuses dans le Sud-Est européen. 2019;127-128. https://hdl.handle.net/21.15107/rcub_raf_934 .
Ignjatović, Aleksandar, "Neither Byzantine nor Serbian: Byzantine Architecture in Serbian Historiography of the Late-Nineteenth and Early-Twentieth Century" in The 12th Congress of South-East European Studies. Political, Social and Religious Dynamics in South-Eastern Europe /Dynamiques politiques, sociales et religieuses dans le Sud-Est européen, 127-128 (2019), https://hdl.handle.net/21.15107/rcub_raf_934 .