Приказ основних података о документу

dc.creatorVesnić, Snežana
dc.date.accessioned2024-02-22T11:07:44Z
dc.date.available2024-02-22T11:07:44Z
dc.date.issued2022
dc.identifier.isbn978-1-954081-55-0
dc.identifier.urihttps://raf.arh.bg.ac.rs/handle/123456789/1989
dc.description.abstractIn this text, I thematize the creation of the (architectural) concept and creation with the concept, in order to present a new argument that the production of the object of architecture is a consequence of the creation by concept. The concept translates one form of reality into another. In these deconstructions of reality and the object, we find the potential for ever-novel creation and an always new reality. In the changes of modes of reality, the object always has a new reality. The non-identity created among various forms of existence of a single object creates new ‘potency’ for new objective reality. In the text, I present the phrase “surréalité virtuelle” to express my idea of the creation of the new conceptual potential at the point of absence, lack, or inexistence of the architectural object.sr
dc.language.isoensr
dc.publisherApplied Research and Design Publishing (AR+D)sr
dc.rightsrestrictedAccesssr
dc.sourceInnovation in Practice in Theory: Positioning Architectural Design and Its Agencysr
dc.subjectconceptsr
dc.subjectprocesssr
dc.subjectobjectssr
dc.subjectarchitectural conceptsr
dc.subjectEisenmansr
dc.titleTime and Technology of the Architectural Concept: (Sur)réalité Virtuellesr
dc.typebookPartsr
dc.rights.licenseARRsr
dcterms.abstractВеснић, Снежана;
dc.rights.holderCaterina Barioglio, Daniele Campobenedetto, Andrea Alberto Dutto, Valeria Federighi, Caterina Quaglio and Elena Todellasr
dc.citation.spage55
dc.citation.epage65
dc.identifier.rcubhttps://hdl.handle.net/21.15107/rcub_raf_1989
dc.type.versionpublishedVersionsr


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Приказ основних података о документу