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Straddling the National Divide: Appropriated Pasts, Inverted Archaeologies, and Byzantine Architecture in Europe, 1878-1939
(Dublin: University College Dublin - School of Art History and Cultural Policy, 2016)
Although the “French Byzantine architecture” was methodically invented by nineteenth century historians, and revived by architects to distinguish the French from other European nations, it was the same nexus between the ...
Between the Sceptre and the Key: National Identity and Architectural Heritage in Belgrade and Serbia, in the Nineteenth and the First Half of the Twentieth Century
(Belgrade : Cultural Heritage Preservation Institute of Belgrade, 2008)
The process of the formation of Serbian national identity is characterized by certain duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. ...
Između žezla i ključa: nacionalni identitet i arhitektonsko nasleđe Beograda i Srbije u 19. i prvoj polovini 20. veka
(Beograd : Zavod za zaštitu spomenika kulture grada Beograda, 2008)
The formation of Serbian national identity is characterized by duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. This process can be ...
Legacy of the Triad: Architecture in Medieval Serbia between Style and Ideology in the Work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of ArchitectureBelgrade : The Centre for Ethics, Law and Applied Philosophy, 2019)
Despite criticism that has been leveled against Gabriel Millet's well-known tripartite subdivision of architecture of medieval Serbia into three distinct 'schools', its scholarly authority still remains largely unchallenged. ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Mit o Trojanskom konju: 'Beogradska škola arhitekture'
(Beograd: Orion ArtBeograd: Katedra za muzikologiju Fakulteta muzičke umetnosti, 2012)
U nizu različitih poetika na arhitektonskoj sceni u Srbiji nakon Drugog svetskog rata, posebno mesto pripalo je takozvanoj beogradskoj školi arhitekture kao lokalnom obliku jugoslovenske moderne arhitekture. Kritičari, ...
Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
Vidovdanski hram Ivana Meštrovića, stvaranje Jugoslavije i paradoksi nacionalizma
(Beograd: Muzej Jugoslavije, 2018)
Vidovdanski hram (1906-1913) skulptora Ivana Meštrovića, nekadašnje ubojito oružje Kraljevine Srbije u borbama za oslobođenje i ujedinjenje Južnih Slovena i glavni simbolički instrument u procesu stvaranja Jugoslavije, ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...