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Orthodox Christianity and Nationalism in Nineteenth-Century Southeastern Europe
(London: Modern Humanities Research AssociationSchool of Slavonic and East European Studies, University College London, 2016)
It is often presumed that ecclesiastical autocephaly and national independence
worked together in South-Eastern Europe. But the paths of ecclesiastical and
political independence for Greeks and Serbs, Romanians and ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Transformations of the Slavija Square in Belgrade: History, Memory and Construction od Identity = Preobražaj trga Slavija u Beogradu: istorija, sećanje i konstrukcija identiteta
(Beograd : Kulturklammer - Centar za kulturne interakcije, 2012)
Despite the fact that it represents an urban focal point of the city, Slavija Square has remained a paradigm of ideological and physical marginality in Belgrade's recent history. It's complex ideological heritage, the ...
Translatio Imperii Revisited in the Balkans: Interpretation of Serbian Past and Imperial Imagination, 1878-1941
(Brussels: Academia BelgicaRome: Institut Historique Belge de Rome/Belgisch Historisch Instituut te Rome, 2018)
Over the course of the late nineteenth and early twentieth century, Serbian scholarship developed not only a highly ambiguous and complex model of perception of the Eastern Roman Empire, but it also evinced a sense of ...
Competing Byzantinisms: The Architectural Imaginations of the Balkan Nations at the Paris World Exhibition in 1900
(Paris: L'Harmattan, 2015)
The 1900 Exposition Universelle in Paris, where most of the Christian nation states of the Balkans erected their own national pavilions to resemble what each nation understood as a
Byzantine-related national style, was ...
Periferna imperija, unutrašnja kolonizacija: jedan istorijski primer
(Sarajevo : Gradska galerija Collegium artisticum, 2008)
Istraživanje arhitektonske reprezentacije Kraljevine Jugoslavije na svetskim izložbama u Parizu između dva svetska rata tavori na marginama istoriografije. Jugoslovenski izložbeni paviljoni uglavnom su uzimani u razmatranje ...
Kulturna invencija kao ideološka mimikrija: o ʻBosanskim pejzažimaʼ Jovana Bijelića 1919-1944
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2016)
Tematski niz slika Jovana Bijelića poznat pod nazivom „Bosanski pejzaži” nastajao je kroz niz godina, počev od kraja druge pa sve do sredine pete decenije XX veka. Uprkos osvedočenim stilskim tranzicijama te formalnim i ...
National Museums in Serbia: A Story of Intertwined Identities
(Linköping: Linköping University Press, 2011)
In our paper, we are analyzing five museums as the comparative objects of research aimed at
exploring the processes of identity- and state-building in Serbia over the course of the last two
centuries. These museums are: ...
Redefinisanje sećanja (1)
(Beograd : Helsinški odbor za ljudska prava u Srbiji, 2008)
Kao najznačajni sadržaj kolektivnih identifikacija svih jugoslovenskih društava Drugi svetski rat, odnosno njegova tumačenja, predstavljala su osnovu na kojoj su vršena povlačenja granica društvenih identiteta, uspostavljani ...
Arhitektonski počeci Dragiše Brašovana 1906-1919
(Beograd: Zadužbina Andrejević, 2004)
Počeci arhitektonske delatnosti Dragiše Brašovana (1887-1965) povezani su s društvenim i kulturnim strujanjimakoja su tokom prve dve decenije XX veka utvrdila umetnički život u Srednjoj evropi. Tadašnje društvene prilike ...