Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation
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The study relates two historical categories that were not previously associated in this manner. One concerns the role of geometry in the transformation of space in the Gothic architecture, where geometric line made the position of physical forces visible for the first time. The second transformation that sees the release of anxiety in challenging the perspective was done in Mannerism by instrumentalisation of the metaphor using visual means of deformation and figuration. Today we experience both historical moments in a modified form of appearance, still trying to give a formal character to the matter of materiality. As it is not possible, this approach has resulted in fragmentation in the absence of a unitary radical critique of modernity. Fragmentation and meta- materiality of contemporary architecture today represent a possible conceptualisation of space invoking all known forms of dematerialisation and disappearance of the world, including digitisation. Referring once again to the m...yths of the Tower of Babel, the Fall of Icarus, and the Wizard of Oz, in this experiment myth and discourse persist together, turning into the other and finding themselves in the other. Building architectural position between the extremes of the metamaterial and the fragmentary is a matter of breaking geometry of form and the idea of it..
Кључне речи:
Form / Geometry / Materiality / Meta-Materiality / Incompleteness / FragmentationИзвор:
Serbian Architectural Journal, 2020, 12, 1, 36-53Издавач:
- University of Belgrade - Faculty of Architecture
Финансирање / пројекти:
- Истраживање климатских промена и њиховог утицаја на животну средину - праћење утицаја, адаптација и ублажавање (RS-MESTD-Integrated and Interdisciplinary Research (IIR or III)-43007)
Институција/група
Arhitektonski fakultetTY - JOUR AU - Mojsilović, Mila AU - Mitrović, Jelena AU - Milenković, Vladimir PY - 2020 UR - https://raf.arh.bg.ac.rs/handle/123456789/1453 AB - The study relates two historical categories that were not previously associated in this manner. One concerns the role of geometry in the transformation of space in the Gothic architecture, where geometric line made the position of physical forces visible for the first time. The second transformation that sees the release of anxiety in challenging the perspective was done in Mannerism by instrumentalisation of the metaphor using visual means of deformation and figuration. Today we experience both historical moments in a modified form of appearance, still trying to give a formal character to the matter of materiality. As it is not possible, this approach has resulted in fragmentation in the absence of a unitary radical critique of modernity. Fragmentation and meta- materiality of contemporary architecture today represent a possible conceptualisation of space invoking all known forms of dematerialisation and disappearance of the world, including digitisation. Referring once again to the myths of the Tower of Babel, the Fall of Icarus, and the Wizard of Oz, in this experiment myth and discourse persist together, turning into the other and finding themselves in the other. Building architectural position between the extremes of the metamaterial and the fragmentary is a matter of breaking geometry of form and the idea of it.. PB - University of Belgrade - Faculty of Architecture T2 - Serbian Architectural Journal T1 - Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation VL - 12 IS - 1 SP - 36 EP - 53 DO - 10.5937/saj2001036M ER -
@article{ author = "Mojsilović, Mila and Mitrović, Jelena and Milenković, Vladimir", year = "2020", abstract = "The study relates two historical categories that were not previously associated in this manner. One concerns the role of geometry in the transformation of space in the Gothic architecture, where geometric line made the position of physical forces visible for the first time. The second transformation that sees the release of anxiety in challenging the perspective was done in Mannerism by instrumentalisation of the metaphor using visual means of deformation and figuration. Today we experience both historical moments in a modified form of appearance, still trying to give a formal character to the matter of materiality. As it is not possible, this approach has resulted in fragmentation in the absence of a unitary radical critique of modernity. Fragmentation and meta- materiality of contemporary architecture today represent a possible conceptualisation of space invoking all known forms of dematerialisation and disappearance of the world, including digitisation. Referring once again to the myths of the Tower of Babel, the Fall of Icarus, and the Wizard of Oz, in this experiment myth and discourse persist together, turning into the other and finding themselves in the other. Building architectural position between the extremes of the metamaterial and the fragmentary is a matter of breaking geometry of form and the idea of it..", publisher = "University of Belgrade - Faculty of Architecture", journal = "Serbian Architectural Journal", title = "Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation", volume = "12", number = "1", pages = "36-53", doi = "10.5937/saj2001036M" }
Mojsilović, M., Mitrović, J.,& Milenković, V.. (2020). Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation. in Serbian Architectural Journal University of Belgrade - Faculty of Architecture., 12(1), 36-53. https://doi.org/10.5937/saj2001036M
Mojsilović M, Mitrović J, Milenković V. Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation. in Serbian Architectural Journal. 2020;12(1):36-53. doi:10.5937/saj2001036M .
Mojsilović, Mila, Mitrović, Jelena, Milenković, Vladimir, "Geometrical Breakthrough in Contemporary Architectural Design: Meta-Materiality and Fragmentation" in Serbian Architectural Journal, 12, no. 1 (2020):36-53, https://doi.org/10.5937/saj2001036M . .