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Приказ резултата 11-20 од 21
Između žezla i ključa: nacionalni identitet i arhitektonsko nasleđe Beograda i Srbije u 19. i prvoj polovini 20. veka
(Beograd : Zavod za zaštitu spomenika kulture grada Beograda, 2008)
The formation of Serbian national identity is characterized by duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. This process can be ...
Periferna imperija, unutrašnja kolonizacija: jedan istorijski primer
(Sarajevo : Gradska galerija Collegium artisticum, 2008)
Istraživanje arhitektonske reprezentacije Kraljevine Jugoslavije na svetskim izložbama u Parizu između dva svetska rata tavori na marginama istoriografije. Jugoslovenski izložbeni paviljoni uglavnom su uzimani u razmatranje ...
Legacy of the Triad: Architecture in Medieval Serbia between Style and Ideology in the Work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of ArchitectureBelgrade : The Centre for Ethics, Law and Applied Philosophy, 2019)
Despite criticism that has been leveled against Gabriel Millet's well-known tripartite subdivision of architecture of medieval Serbia into three distinct 'schools', its scholarly authority still remains largely unchallenged. ...
Transformations of the Slavija Square in Belgrade: History, Memory and Construction od Identity = Preobražaj trga Slavija u Beogradu: istorija, sećanje i konstrukcija identiteta
(Beograd : Kulturklammer - Centar za kulturne interakcije, 2012)
Despite the fact that it represents an urban focal point of the city, Slavija Square has remained a paradigm of ideological and physical marginality in Belgrade's recent history. It's complex ideological heritage, the ...
Mit o Trojanskom konju: 'Beogradska škola arhitekture'
(Beograd: Orion ArtBeograd: Katedra za muzikologiju Fakulteta muzičke umetnosti, 2012)
U nizu različitih poetika na arhitektonskoj sceni u Srbiji nakon Drugog svetskog rata, posebno mesto pripalo je takozvanoj beogradskoj školi arhitekture kao lokalnom obliku jugoslovenske moderne arhitekture. Kritičari, ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Između politike i kulture: integralno jugoslovenstvo i likovna umetnost
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2010)
The ideology of Integral Yugoslavism was based on a set of principles related to the denial of the national individualities of Serbs, Croats and Slovenes which were considered irrelevant to the common, Yugoslav identity. ...
Dve kule: uspon, hibris i pad
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2013)
Rad razmatra na koji način su se različiti ideološki sistemi uprostoravali kroz arhitektonsku predstavu kule u istorijskom centru Beogradu. Fokus predstavljaju dva solitera podignuta duž središnje saobraćajne, komercijalne ...
Out of the Sands, to Span the Future: The Architectural Image of Yugoslav Socialism in Belgrade
(New York, N.Y. : Centropa, 2013)
After the the Second World War, the new socialist Yugoslavia was governed by the Communist Party which split with the Cominform in 1948, causing the country to embark on a long-lasting process of forging its own version ...
Redefinisanje sećanja (1)
(Beograd : Helsinški odbor za ljudska prava u Srbiji, 2008)
Kao najznačajni sadržaj kolektivnih identifikacija svih jugoslovenskih društava Drugi svetski rat, odnosno njegova tumačenja, predstavljala su osnovu na kojoj su vršena povlačenja granica društvenih identiteta, uspostavljani ...