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Politika predstavljanja jugoslovenstva: Jugoslovenski paviljon na Svetskoj izložbi u Parizu 1937. godine
(Beograd: Udruženje za društvenu istorijuBeograd: Univerzitet u Beogradu - Filozofski fakultet, 2006)
Tekst govori o ideološkoj ulozi arhitektrure Jugoslovenskog paviljona na Svetskoj izložbi u Parizu 1937. godine. Prostorni, formalni i semiotički aspekti nacionalnog paviljona funkcionisali su kao deo opšteg sistema ...
Legacy of the triad: architecture in medieval Serbia between style and ideology in the work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of Architecture, 2019)
Despite criticism that has been leveled against Gabriel Millet’s well-known tripartite subdivision of architecture of medieval Serbia into three distinct ‘schools’, its scholarly authority still remains largely unchallenged. ...
Periferna imperija, unutrašnja kolonizacija: jedan istorijski primer
(Sarajevo : Gradska galerija Collegium artisticum, 2008)
Istraživanje arhitektonske reprezentacije Kraljevine Jugoslavije na svetskim izložbama u Parizu između dva svetska rata tavori na marginama istoriografije. Jugoslovenski izložbeni paviljoni uglavnom su uzimani u razmatranje ...
U stegama federalizacije: Aleksandar Deroko i istorija arhitekture u srednjovekovnoj Srbiji / Pressed by Federalization: Alexander Deroko and the History of Architecture in Medieval Serbia (second part)
(Filozofski fakultet Univerziteta u BeograduUdruženje za društvenu istoriju, 2019)
Једна од најутицајнијих синтетичких студија о архитектури средњовековне Србије написаних након Другог светског рата
несумњиво је монографија Александра Дерока Монументална и декоративна архитектура у средњовековној Србији. ...
Između politike i kulture: integralno jugoslovenstvo i likovna umetnost
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2010)
The ideology of Integral Yugoslavism was based on a set of principles related to the denial of the national individualities of Serbs, Croats and Slovenes which were considered irrelevant to the common, Yugoslav identity. ...
Dve kule: uspon, hibris i pad
(Beograd : Univerzitet u Beogradu - Filozofski fakultet, 2013)
Rad razmatra na koji način su se različiti ideološki sistemi uprostoravali kroz arhitektonsku predstavu kule u istorijskom centru Beogradu. Fokus predstavljaju dva solitera podignuta duž središnje saobraćajne, komercijalne ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Legacy of the Triad: Architecture in Medieval Serbia between Style and Ideology in the Work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of ArchitectureBelgrade : The Centre for Ethics, Law and Applied Philosophy, 2019)
Despite criticism that has been leveled against Gabriel Millet's well-known tripartite subdivision of architecture of medieval Serbia into three distinct 'schools', its scholarly authority still remains largely unchallenged. ...
Between the Sceptre and the Key: National Identity and Architectural Heritage in Belgrade and Serbia, in the Nineteenth and the First Half of the Twentieth Century
(Belgrade : Cultural Heritage Preservation Institute of Belgrade, 2008)
The process of the formation of Serbian national identity is characterized by certain duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. ...
Dom Udruženja jugoslovenskih inženjera i arhitekata u Beogradu
(Београд : Завод за заштиту споменика културе града Београда, 2006)
The central headquarters of the national organization ‘Association of Engineers and Architects of Yugoslavia’ (UIJA) – the work of the architects Misa Manojlovic and Isak Azriel, built between 1933 and 1935 in Kneza Milosa ...