Pretraživanje
Prikaz rezultata 1-10 od 23
Legacy of the triad: architecture in medieval Serbia between style and ideology in the work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of Architecture, 2019)
Despite criticism that has been leveled against Gabriel Millet’s well-known tripartite subdivision of architecture of medieval Serbia into three distinct ‘schools’, its scholarly authority still remains largely unchallenged. ...
Vidovdanski hram Ivana Meštrovića, stvaranje Jugoslavije i paradoksi nacionalizma
(Beograd: Muzej Jugoslavije, 2018)
Vidovdanski hram (1906-1913) skulptora Ivana Meštrovića, nekadašnje ubojito oružje Kraljevine Srbije u borbama za oslobođenje i ujedinjenje Južnih Slovena i glavni simbolički instrument u procesu stvaranja Jugoslavije, ...
Architectural Metamorphoses of National Memory: 'Lazarica' in Dalmatian Kosovo, 1889-1939
(Belgrade: Faculty of Philosophy, University of BelgradeNegev: Ben-Gurion University and Moshe David Gaon Center for Ladino Culture, 2017)
In 1889, on the occasion of celebrating the 500th anniversary of the Kosovo Battle (Vidovdan), the local Serbian Orthodox community of Habsburg Dalmatia built a church dedicated to Saint Lazar. While the church’s architectural ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
National Unity through Regional Diversity: Architecture as Political Reform in Yugoslavia, 1929-1941
(Brussels: Koninklijke Vlaamse Academie van Belgie voor Wetenschappen en Kunsten & Contactforum, 2012)
When in 1929 King Alexander I Karadjordjević dissolved the parliament and abolished the constitution of the Kingdom of Serbs, Croats and Slovenes, it was only the final act in a long lasting political drama which had started ...
Transformations of the Slavija Square in Belgrade: History, Memory and Construction od Identity = Preobražaj trga Slavija u Beogradu: istorija, sećanje i konstrukcija identiteta
(Beograd : Kulturklammer - Centar za kulturne interakcije, 2012)
Despite the fact that it represents an urban focal point of the city, Slavija Square has remained a paradigm of ideological and physical marginality in Belgrade's recent history. It's complex ideological heritage, the ...
Испред византијског пурпура: визуелизација нације на другом византолошком конгресу у Београду 1927. године / In front of the byzantine purple: visualization of the nation at the 2nd international congress of byzantine studies in Belgrade in 1927
(Novi Sad: Matica srpska, 2018)
Despite the development of Byzantine studies in the field of art and architecture in the early twentieth-century Balkans, the complex historical status and ideological relevance of Byzantium remained in both historiography ...
Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
(Cambridge University Press, 2014)
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and ...
Translatio Imperii Revisited in the Balkans: Interpretation of Serbian Past and Imperial Imagination, 1878-1941
(Brussels: Academia BelgicaRome: Institut Historique Belge de Rome/Belgisch Historisch Instituut te Rome, 2018)
Over the course of the late nineteenth and early twentieth century, Serbian scholarship developed not only a highly ambiguous and complex model of perception of the Eastern Roman Empire, but it also evinced a sense of ...
Competing Byzantinisms: The Architectural Imaginations of the Balkan Nations at the Paris World Exhibition in 1900
(Paris: L'Harmattan, 2015)
The 1900 Exposition Universelle in Paris, where most of the Christian nation states of the Balkans erected their own national pavilions to resemble what each nation understood as a
Byzantine-related national style, was ...