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Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
Between the Sceptre and the Key: National Identity and Architectural Heritage in Belgrade and Serbia, in the Nineteenth and the First Half of the Twentieth Century
(Belgrade : Cultural Heritage Preservation Institute of Belgrade, 2008)
The process of the formation of Serbian national identity is characterized by certain duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. ...
Između žezla i ključa: nacionalni identitet i arhitektonsko nasleđe Beograda i Srbije u 19. i prvoj polovini 20. veka
(Beograd : Zavod za zaštitu spomenika kulture grada Beograda, 2008)
The formation of Serbian national identity is characterized by duality – the search for national authenticity and specificity coupled with the desire to find place in the family of European nations. This process can be ...
Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
Politika predstavljanja jugoslovenstva: Jugoslovenski paviljon na Svetskoj izložbi u Parizu 1937. godine
(Beograd: Udruženje za društvenu istorijuBeograd: Univerzitet u Beogradu - Filozofski fakultet, 2006)
Tekst govori o ideološkoj ulozi arhitektrure Jugoslovenskog paviljona na Svetskoj izložbi u Parizu 1937. godine. Prostorni, formalni i semiotički aspekti nacionalnog paviljona funkcionisali su kao deo opšteg sistema ...
Legacy of the triad: architecture in medieval Serbia between style and ideology in the work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of Architecture, 2019)
Despite criticism that has been leveled against Gabriel Millet’s well-known tripartite subdivision of architecture of medieval Serbia into three distinct ‘schools’, its scholarly authority still remains largely unchallenged. ...
Legacy of the Triad: Architecture in Medieval Serbia between Style and Ideology in the Work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of ArchitectureBelgrade : The Centre for Ethics, Law and Applied Philosophy, 2019)
Despite criticism that has been leveled against Gabriel Millet's well-known tripartite subdivision of architecture of medieval Serbia into three distinct 'schools', its scholarly authority still remains largely unchallenged. ...
Испред византијског пурпура: визуелизација нације на другом византолошком конгресу у Београду 1927. године / In front of the byzantine purple: visualization of the nation at the 2nd international congress of byzantine studies in Belgrade in 1927
(Novi Sad: Matica srpska, 2018)
Despite the development of Byzantine studies in the field of art and architecture in the early twentieth-century Balkans, the complex historical status and ideological relevance of Byzantium remained in both historiography ...
Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
(Cambridge University Press, 2014)
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and ...