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Architectural Metamorphoses of National Memory: 'Lazarica' in Dalmatian Kosovo, 1889-1939
(Belgrade: Faculty of Philosophy, University of BelgradeNegev: Ben-Gurion University and Moshe David Gaon Center for Ladino Culture, 2017)
In 1889, on the occasion of celebrating the 500th anniversary of the Kosovo Battle (Vidovdan), the local Serbian Orthodox community of Habsburg Dalmatia built a church dedicated to Saint Lazar. While the church’s architectural ...
Vidovdanski hram Ivana Meštrovića, stvaranje Jugoslavije i paradoksi nacionalizma
(Beograd: Muzej Jugoslavije, 2018)
Vidovdanski hram (1906-1913) skulptora Ivana Meštrovića, nekadašnje ubojito oružje Kraljevine Srbije u borbama za oslobođenje i ujedinjenje Južnih Slovena i glavni simbolički instrument u procesu stvaranja Jugoslavije, ...
National Unity through Regional Diversity: Architecture as Political Reform in Yugoslavia, 1929-1941
(Brussels: Koninklijke Vlaamse Academie van Belgie voor Wetenschappen en Kunsten & Contactforum, 2012)
When in 1929 King Alexander I Karadjordjević dissolved the parliament and abolished the constitution of the Kingdom of Serbs, Croats and Slovenes, it was only the final act in a long lasting political drama which had started ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
Straddling the National Divide: Appropriated Pasts, Inverted Archaeologies, and Byzantine Architecture in Europe, 1878-1939
(Dublin: University College Dublin - School of Art History and Cultural Policy, 2016)
Although the “French Byzantine architecture” was methodically invented by nineteenth century historians, and revived by architects to distinguish the French from other European nations, it was the same nexus between the ...
Poricanje i obnova: arhitektura postmodernizma 1980-1991
(Beograd : Orion artBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
U devetoj deceniji XX veka, arhitektura u Srbiji je simultano sa drugim kulturalnim praksama, konstituisala diskurs kritike, preispitivanja i opovrgavanja kulture modernosti (sa čitavim nizom tradicija i vrednosti) koji ...
Legacy of the triad: architecture in medieval Serbia between style and ideology in the work of Aleksandar Deroko
(Belgrade : University of Belgrade, Faculty of Architecture, 2019)
Despite criticism that has been leveled against Gabriel Millet’s well-known tripartite subdivision of architecture of medieval Serbia into three distinct ‘schools’, its scholarly authority still remains largely unchallenged. ...
Nemogući toposi: arhitektonske imaginacije nacionalne utopije
(Beograd : Orion ArtBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
Prvu polovinu XX veka u Srbiji obeležili su složena društvena dešavanja i politička tranzicija u kojoj se Kraljevina Srbija 1918. godine pretopila u Kraljevinu Srba, Hrvata i Slovenaca (od 1929. godine Kraljevinu Jugoslaviju), ...
Translatio Imperii Revisited in the Balkans: Interpretation of Serbian Past and Imperial Imagination, 1878-1941
(Brussels: Academia BelgicaRome: Institut Historique Belge de Rome/Belgisch Historisch Instituut te Rome, 2018)
Over the course of the late nineteenth and early twentieth century, Serbian scholarship developed not only a highly ambiguous and complex model of perception of the Eastern Roman Empire, but it also evinced a sense of ...
Competing Byzantinisms: The Architectural Imaginations of the Balkan Nations at the Paris World Exhibition in 1900
(Paris: L'Harmattan, 2015)
The 1900 Exposition Universelle in Paris, where most of the Christian nation states of the Balkans erected their own national pavilions to resemble what each nation understood as a
Byzantine-related national style, was ...