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Prostori selektovanih memorija: Staro sajmište u Beogradu i sećanje na Drugi svetski rat
(Zagreb : Disput, 2008)
Memories of the WWII are crucial to process of forging Serbian national identity. Respectable parts of this process are places of commemoration of the WWII. These are essential not only for constructing and transforming ...
Nemogući toposi: arhitektonske imaginacije nacionalne utopije
(Beograd : Orion ArtBeograd : Katedra za muzikologiju Fakulteta muzičke umetnosti, 2010)
Prvu polovinu XX veka u Srbiji obeležili su složena društvena dešavanja i politička tranzicija u kojoj se Kraljevina Srbija 1918. godine pretopila u Kraljevinu Srba, Hrvata i Slovenaca (od 1929. godine Kraljevinu Jugoslaviju), ...
Muzeji Beograda i koncept suočavanja sa prošlošću
(Beograd : Istorijski muzej Srbije = Belgrade : Historical Museum of Serbia, 2009)
"Mesta secanja", odnosno mesta prikazivanja i označavanja prošlosti, predstavljaju osnov oko koga se artikuliše kolektivno pamćenje i izgrađuju individualni i grupni identiteti. U njima se susreću brojni (ne retko čak i ...
Između ’univerzalnog’ i ’autentičnog’: O arhitekturi Ratničkog doma u Beogradu
(Beograd : Muzej grada Beograda, 2005)
The Warrior’s Home in Belgrade, for which an architectural competition was organized in the spring of 1929 and which was built two years later according to the project made by Belgrade architects Jovan Jovanović and Živojin ...
Architecture, Urban Development, and the Yugoslavization of Belgrade, 1850-1941
(New York : Centropa, 2009)
This article is focused on the relation between the representative architectural culture of Belgrade and the ideology of Yugoslavism between 1918 and 1941, a period that spans the life of the first Yugoslav state, and is ...
Straddling the National Divide: Yugoslavism, Furore Orientalis and Ivan Meštrović's Vidovdan Temple (1906-1913)
(Zagreb : Faculty of Humanities and Social Sciences, University of Zagreb, 2016)
Modern interpretations of the Vidovdan Temple (1906-1913), the fundamental artwork associated with the Yugoslav project, have seen it as a symbol of multicultural, synthetic Yugoslavism. Yet these readings seem to be, to ...
Peripheral Empire, Internal Colony: Yugoslav National Pavilions at the Paris World Exhibitions in 1925 and 1937
(New York : Centropa, 2008)
National pavilions of the Kingdom of Yugoslavia at the Paris World Exhibitions in 1925 and 1937 were conceived to represent the new state and its culture as both prosperous and authentic. Elaborated exhibition policy ...
U srpsko-vizantijskom kaleidoskopu: Arhitektura, nacionalizam i imperijalna imaginacija 1878-1941
(Beograd: Orion ArtUniverzitet u Beogradu - Arhitektonski fakultet, 2016)
Uprkos značaju teme srpsko-vizantijskih odnosa u nacionalnoj istoriografiji, i popularnosti „Vizantije” u istorijskoj imaginaciji, diskurzivna konstrukcija Vizantije u srpskom nacionalnom narativu je do sada ostala gotovo ...
Mit o Trojanskom konju: 'Beogradska škola arhitekture'
(Beograd: Orion ArtBeograd: Katedra za muzikologiju Fakulteta muzičke umetnosti, 2012)
U nizu različitih poetika na arhitektonskoj sceni u Srbiji nakon Drugog svetskog rata, posebno mesto pripalo je takozvanoj beogradskoj školi arhitekture kao lokalnom obliku jugoslovenske moderne arhitekture. Kritičari, ...
Images of the Nation Foreseen: Ivan Meštrović's Vidovdan Temple and Primordial Yugoslavism
(Cambridge University Press, 2014)
This article is an interdisciplinary study of the Vidovdan Temple (c. 1906-13), a sculptural-architectural whole that was Ivan Meštrović's most controversial and most widely interpreted work. I analyze visual culture and ...